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presents MUSIC IN THE MOUNTAINS FACULTY CONCERT SERIES SUMMER 2017 ESTES PARK, CO JUNE 4, 2017 Adult Piano Seminar Partita No. 1 in B-flat Major, BWV 825 Johann Sebastian Bach (1685–1750) I. Prelude Daisies, Op.38 No.3 Sergei Rachmaninoff (1873–1943) Miroirs, M. 43 Maurice Ravel (1875–1937) II. Oiseaux tristes Leaf Luciano Berio (1925–2003) Hsing-ay Hsu, piano Wasserklavier Berio Hsing-ay Hsu and Sergio Gallo, piano Prelude in C Major, BWV 545 Bach arr. Franz Liszt (1811–1886) Gulangyu Fei-hsing Hsu (b. 1946) Hsing-ay Hsu, piano Fantasie in F Minor, Op. 49 Frédéric Chopin (1810–1849) Symphonic Metamorphoses on Themes Leopold Godowsky (1870–1938) by Johann Strauss II. Die Fledermaus Sergio Gallo, piano Intermission Andante Favori in F Major, WoO 57 Ludwig van Beethoven (1770–1827) Piano Sonata No. 23 in F Minor, Beethoven Op. 57, “Appassionata” I. Allegro assai II. Andante con moto III. Allegro ma non troppo – Presto Larry Graham, piano JUNE 11, 2017 Junior Artist Seminar Passacaglia Johan Halvorsen (1864–1935) After G.F. Handel’s Suite in G Minor, HWV 432 José Leonardi Moore, violin David Rife, violin Clarinet Quintet in A Major, K. 581 Wolfgang Amadeus Mozart (1756–1791) I. Allegro III. Menuetto Jeremy Reynolds, clarinet The Southwest String Quartet David Rife, violin Wynne Wong-Rife, violin Ilona Vukovic-Gay, viola Mary Beth Tyndall, cello Intermission Six Canonic Etudes, Op. 56 Robert Schumann (1810–1856) I. Nicht zu schnell arr. Claude Debussy II. Mit innigem Ausdruck III. Andantino IV. Innig V. Nicht zu schnell VI. Adagio Fred Hammond, piano Marina Beretta-Hammond, piano Alto Saxophone Sonata Bernhard Heiden (1910–2000) I. Allegro II. Vivace III. Adagio – Presto Grant Larson, alto saxophone James Welch, piano JUNE 25, 2017 Young Artist Seminar Let Us Garlands Bring, Op. 18 Gerald Finzi (1901–1956) I. Come away, come away, death text by William Shakespeare II. Who is Silvia? III. Fear no more the heat o’ the sun IV. O Mistress Mine V. It was a lover and his lass Daniel Ihasz, baritone Eli Kalman, piano Violin Sonata in B Minor Ottorino Respighi (1879–1936) II. Andante espressivo III. Allegro moderato ma energico Jameson Cooper, violin Eli Kalman, piano Six Bagatelles György Ligeti (1923–2006) I. Allegro con spirit II. Rubato. Lamentoso III. Allegro grazioso IV. Presto ruvido V. Adagio. Mesto VI. Molto vivace. Capriccioso Claudia Anderson, flute Jason Lichtenwalter, oboe David Shea, clarinet Tina Su, horn Kaori Uno, bassoon Intermission Chaconne in G Minor Johann Sebastian Bach (1685–1750) from Violin Partita No. 2, BWV 1004 David Rose, viola Piano Quartet No. 1 in G Minor, Op. 25 Johannes Brahms (1833–1897) I. Allegro IV. Ronda all Zingarese: Presto David Colwell, violin David Rose, viola Si-Yan Darren Li, cello Lei Weng, piano JULY 2, 2017 Young Artist Seminar Horn Trio, Op. 40 Johannes Brahms (1833–1897) I. Andante II. Scherzo. Allegro Tina Su, horn Jameson Cooper, violin Lei Weng, piano Flute Sonata Erwin Schulhoff (1894–1942) I. Allegro moderato IV. Rondo–Finale. Allegro molto gajo Flute Sonata No. 3 Mike Mower (b. 1958) I. Moraine IV. Scree Claudia Anderson, flute Eli Kalman, piano Intermission Chorale Prelude Johann Sebastian Bach (1685–1750) “Nun komm' der Heiden Heiland” arr. Ferruccio Busoni (1866–1924) BWV 659 Lei Weng, piano Violin Sonata No. 3 in C Minor, Op. 45 Edvard Grieg (1843–1907) II. Allegretto espressivo alla Romanza III. Allegro animato David Colwell, violin Eli Kalman, piano JULY 9, 2017 Young Artist Seminar Elegy Giovanni Bottesini (1821–1889) Tarantella Bottesini Karl Fenner, bass Eli Kalman, piano The Range of Light (world premiere) Keith Fitch (b. 1966) Daniel Ihasz, baritone Claudia Anderson, flute David Shea, clarinet Tina Su, horn Jameson Cooper, violin Gal Faganel, cello Hsing-ay Hsu, piano Gary Lewis, conductor Intermission Piano Trio No. 1 in D Minor, Op. 49 Felix Mendelssohn (1809–1847) I. Molto Allegro agitato II. Andante con molto tranquillo III. Scherzo. Leggiero e vivace IV. Finale. Allegro assai appassionato Stephanie Jeong, violin Si-Yan Darren Li, cello Lei Weng, piano JULY 23, 2017 Junior Music Camp Ballade No. 3 in A-flat Major, Op. 47 Frédéric Chopin (1810–1849) Nathan Hess, piano Sonate en Forme de Suite Jacques Castérède (1926–2014) I. Prélude II. Menuet III. Sarabande IV. Rondo Cobus du Toit, flute James Welch, piano Piano Sonata No. 1 in C Major, Op. 1 Johannes Brahms (1833–1897) II. Andante III. Scherzo. Allegro molto e con fuoco James Welch, piano Intermission String Quartet No. 2, Op. 13 Felix Mendelssohn (1809–1847) I. Adagio – Allegro vivace III. Intermezzo. Allegretto con moto – Allegro di molto The Southwest String Quartet David Rife, violin Wynne Wong-Rife, violin Ilona Vukovic-Gay, viola Mary Beth Tyndall, cello Cantilene et Danse Marc Eychenne (b. 1933) I. Cantilene II. Danse José Leonardi Moore, violin Grant Larson, alto saxophone Nathan Hess, piano AUGUST 6, 2017 Jazz Camp Horizon West Braun Khan Memories of a Friend Greg Tanner Harris Monkology Dave Hammond Out Back Grant Larson Ascent Matt Fuller Each Day Find a Way Greg Tanner Harris Alpenglow Grant Larson Gospel on the DL Dave Hammond Grant Larson, saxophone Greg Tanner Harris, piano & vibraphone Matt Fuller, guitar Braun Khan, double bass & electric bass Dave Hammond, drums SEPTEMBER 3, 2017 American Roots Music Program Selections will be announced from the stage. There will be a 15-minute intermission. The American Roots Music Program Faculty Stephen Wade Sharon Arms Matt Brown Peggy Browning Mary Flower Maria McCullough & Yahví Pichardo Aaron Smith Harry Tuft Dick Weissman Max Wolpert FACULTY & GUEST BIOS (in alphabetical order) Claudia Anderson Claudia Anderson is known for her originality and brilliance as a solo and chamber music performer across the U.S. She is a founding member of the innovative flute duo ZAWA! and of New Prairie Camerata, a chamber initiative that showcases a community's historical and architectural gems through performance and stimulates community participation. A Fulbright scholar to Italy, Ms. Anderson was subsequently principal flute of the Orchestra del Teatro Massimo in Palermo. She is presently principal flute with the Waterloo/Cedar Falls Symphony in Iowa, a guest artist and clinician at many colleges and music series around the country, and on the faculty of Grinnell College. She serves also as flute faculty and program director during the summers at Rocky Ridge Music Center (www.rockyridge.org). Equally at home in both the standard and contemporary repertoire, Dr. Anderson has commissioned and arranged works for solo and duo format and has moved into composition more recently. Writing about artistry in flute playing and chamber music as community is a current passion, as well as riding her Triumph Bonneville motorcycle. Other faculty positions have included the Universities of Iowa and Northern Iowa, Ithaca College, and the University of California at Santa Barbara. National Flute Association positions have included Coordinator for the Chamber Music Competition and adjudicator for HS Soloist, Young Artist, and Convention Performers Competitions. Claudia's artistic and pedagogical inspiration came from the following great artists who were her teachers: Severino Gazzelloni, Thomas Nyfenger, Geoffrey Gilbert, William Bennett, and Peter Lloyd. Her recorded solo and duo performances can be found on the Centaur, Neuma and CRI labels. Her solo CD, American Flute (Centaur, 1994), was awarded five stars from Classical Pulse. Duo CDs include ZAWA! (Neuma, 2001), ZAWA2 (ZawaMusic, 2006) and Duos for Flute and Oboe (Centaur, 2005). Sharon Arms Sharon Arms is a writer, singer, and student musician who spent 40+ years in the heart of South Louisiana's Cajun culture, much of that involved in the French music scene. With an M.A. in French from the University of LA at Lafayette, she has taught French and participated in cultural research, transcription and translation of song lyrics, and composition of new songs. She knew many of the Cajun and Creole old-timers who kept the music alive before the 80’s revival. With an MFA in Creative Writing from the University of Southern Maine, she has written books and articles for children and adults based in the bayou and prairie culture (published under her former married name Doucet). Her books include the tall tale Alligator Sue, adaptations of Creole folktales Lapin Plays Possum and Why Lapin's Ears Are Long, middle-grade historical novel Fiddle Fever, novel Back Before Dark, and Le Hoogie Boogie Songbook: Louisiana French Music for Kids. She now lives in the Colorado Rockies near Rocky Ridge Music Center. Marina Beretta-Hammond Marina and Fred Hammond made their debut as a duo in 1991 at the Fifth Latin American Music Festival in Caracas, Venezuela. Since then, they have been committed to promoting contemporary piano music. The Hammonds have given recitals and played with orchestra in the United States, Argentina, Venezuela, and Spain. In 2014, the duo released their CD, FireProof, sponsored by Indiana University and produced by the Latin American Music Center, Jacobs School of Music. The summer of 2017 will be the Hammonds’ 14th summer teaching at Rocky Ridge. Matt Brown Matt Brown was introduced to old-time music by his banjo-playing father, Tim, who encouraged him from an early age to play the fiddle. The family attended banjo gatherings and old-time music festivals, and hosted old-time jams and various folk music concerts in their home and in nearby venues. Matt studied classical violin with Linda Litwin and Richard Amoroso and began to play the fiddle formally under the tutelage of Palmer Loux. In his teens, he attended several immersive residential summer camps devoted to old-time music where he met and began to study with an array of extraordinary old-time musicians including Bruce Greene, Brad Leftwich, Bruce Molsky, Rayna Gellert, Kirk Sutphin, Garry Harrison, Rafe Stefanini, Paul Brown, Dirk Powell, Ginny Hawker, and Tracy Schwarz.
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  • Ambassador Auditorium Collection ARS.0043

    Ambassador Auditorium Collection ARS.0043

    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.