Musicians from Ravinia's Steans Music Institute
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Stefan Milenkovich , Violino
Stefan Milenkovich , violino Ha iniziato lo studio del violino all'età di tre anni con il padre, che è rimasto suo insegnante fino all'età di diciassette, dimostrando subito un raro talento che lo ha portato alla sua prima apparizione con l'orchestra, come solista, all'età di cinque anni. A sette conquista il suo primo premio alla Jaroslav Kozian International Violin Competition. L’anno successivo vede il suo primo concerto a Belgrado, cui fanno seguito concerti in tutto il mondo. All’età di dieci anni ha effettuato la sua prima incisione: i concerti di Mendelssohn e Kabalevsky per la Metropolitan Records. Ha festeggiato il suo millesimo concerto all’età di sedici anni a Monterrey in Messico. Il violinista Stefan Milenkovich, "Artista serbo del Secolo", "Personaggio più umano e personalità di spicco dell'anno", gode di una vasta carriera in veste di solista e recital di livello internazionale, con una straordinaria longevità produttiva, professionalità e creatività. Ritenuto uno dei grandi violinisti della sua generazione, Milenkovich è apparso in più occasioni in alcuni dei luoghi più famosi del mondo come Carnegie Hall, New York City (USA), Kennedy Center, Washington (USA), Cadogan Hall, Londra (Regno Unito ), Suntory Hall, Tokyo (Giappone), così come nei teatri italiani La Fenice, Venezia, San Carlo, Napoli e Petruzzelli, Bari. Le sue numerose apparizioni con orchestra comprendono l'Indianapolis Symphony Orchestra, la Berlin Symphony Orchestra, l'Orpheus Chamber Orchestra, l'Aspen Chamber Symphony, l'Helsinki Philharmonic, la NDR Radiophilharmonie Hannover Symphony Orchestra, l'Orchestra di Radio- France, l'Orchestra Bolshoi Theatre, l'Orchestra Nazionale del Belgio, la Mexico State Symphony, Orquestra Sinfonica de Estado de Sao Paolo, e le Melbourne e Queensland Symphonies, e ha suonato sotto la direzione di direttori come Sir Neville Marriner, Lorin Maazel, Vladimir Fedoseyev e Daniel Oren. -
Stanford Tape Collection ARS.0112
http://oac.cdlib.org/findaid/ark:/13030/kt8x0nf8dx No online items Guide to the Stanford Tape Collection ARS.0112 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2011 The Board of Trustees of Stanford University. All rights reserved. Guide to the Stanford Tape ARS.0112 1 Collection ARS.0112 Descriptive Summary Title: Stanford Tape Collection Dates: 1940-2007 Date (bulk): Bulk, 1960-1980 Collection number: ARS.0112 Repository: Archive of Recorded Sound Collection size: 14 boxes: 317 open reel tapes (37 5" reels ; 200 7" reels ; 80 10.5" reels) ; 5 videocassettes ; 7 video reels ; 1 film (8mm) ; 2 compact discs ; one binder Abstract: Historic music and speech recordings on open reel tape, made on the campus of Stanford University. Language of Material: English Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation Stanford Tape Collection, ARS-0112. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Sponsor This finding aid was produced with generous financial support from the National Historical Publications and Records Commission. Scope and Contents The Stanford Tape Collection consists of historic music and speech recordings made on the campus of Stanford University. -
Symphony Sounds
Symphony Sounds November 2011 45 ththth Season, Number 1 Editor: Kenneth Gash Our Maestro’s Third Concert I Season Sunday, November 6 at 7:00 p.m. f you are like me, you have been eagerly Rolling Hills Covenant Church I awaiting the start of the 2011-2012 2222 Palos Verdes Drive North season of the Peninsula Symphony Rolling Hills Estates Orchestra and the wonderful music that our Maestro , Gary Berkson, will bring forth from PROGRAM your orchestra. During the year we will hear some old favorites as well as some beautiful Rule Britannia music which has never before been played by our orchestra. There will be soloists at all four concerts and there will be a Pops Concert in J. Strauss, Sr. Homage to Queen Victoria Waltz July with a superb guest conductor. Walton Viola Concerto Brett Deubner, Soloist Vaughan Williams Symphony No. 5 in D major CONCERT DETAILS Symphony Association members admitted at 6:00. Center-section priority seating is reserved for members at the Patron level and above. Concert Preview by Maestro Berkson at 6:15. General public admitted at approximately 6:50. POST-CONCERT MEET THE ARTISTS STEPHANIE NG PERFORMING AT THE FINAL 2010-11 CONCERT After the concert, Symphony Association members at the Patron level (and above ) are invited to meet the soloist, Brett Deubner and Maestro Gary Berkson at Music Preview a reception in the home of one of our members. Directions to the reception will be sent with the Ask our average audience member about membership cards to all who have contributed at the his or her favorite composers and we will Patron level or above. -
To Read Or Download the Competition Program Guide
THE KLEIN COMPETITION 2021 JUNE 5 & 6 The 36th Annual Irving M. Klein International String Competition TABLE OF CONTENTS Board of Directors Dexter Lowry, President Katherine Cass, Vice President Lian Ophir, Treasurer Ruth Short, Secretary Susan Bates Richard Festinger Peter Gelfand 2 4 5 Kevin Jim Mitchell Sardou Klein Welcome The Visionary The Prizes Tessa Lark Stephanie Leung Marcy Straw, ex officio Lee-Lan Yip Board Emerita 6 7 8 Judith Preves Anderson The Judges/Judging The Mentor Commissioned Works 9 10 11 Competition Format Past Winners About California Music Center Marcy Straw, Executive Director Mitchell Sardou Klein, Artistic Director for the Klein Competition 12 18 22 californiamusiccenter.org [email protected] Artist Programs Artist Biographies Donor Appreciation 415.252.1122 On the cover: 21 25 violinist Gabrielle Després, First Prize winner 2020 In Memory Upcoming Performances On this page: cellist Jiaxun Yao, Second Prize winner 2020 WELCOME WELCOME Welcome to the 36th Annual This year’s distinguished jury includes: Charles Castleman (active violin Irving M. Klein International performer/pedagogue and professor at the University of Miami), Glenn String Competition! This is Dicterow (former New York Philharmonic concertmaster and faculty the second, and we hope the member at the USC Thornton School of Music), Karen Dreyfus (violist, last virtual Klein Competition Associate Professor at the USC Thornton School of Music and the weekend. We have every Manhattan School of Music), our composer, Sakari Dixon Vanderveer, expectation that next June Daniel Stewart (Music Director of the Santa Cruz Symphony and Wattis we will be back live, with Music Director of the San Francisco Symphony Youth Orchestra), Ian our devoted audience in Swensen (Chair of the Violin Faculty at the San Francisco Conservatory attendance, at the San of Music), and Barbara Day Turner (Music Director of the San José Francisco Conservatory. -
Symphony Sounds April, 2016 49Th Season, Number 4 Editor: Terri Zinkiewicz
Symphony Sounds th April, 2016 49 Season, Number 4 Editor: Terri Zinkiewicz Peninsula Symphony Concert The Brahms Cycles Continue on Sunday, April 17 Sunday, April 17, 2016, at 7:00 PM Maestro Berkson has invited several guests to Redondo Union High School Auditorium 222 North Pacific Coast Highway perform in the next Peninsula Symphony Redondo Beach, CA 90277 concert, including opera star Suzanna Guzmán, principal flutist, Beth Pflueger, and the Canzona Women’s Ensemble of San Luis Obispo. In BRAHMS CYCLE III addition, members of the Los Angeles Harbor Beth Pflueger, flute College/Peninsula Symphony Association Youth Suzanna Guzmán, mezzo-soprano Orchestra will participate in one of the numbers. Canzona Women’s Ensemble The symphony will also continue its season-long Members of the LAHC/PSA Youth Orchestra presentation of all four Brahms symphonies. Ives The Unanswered Question We were pleased to welcome over 100 first-time th Vaughan Magnificat audience members at the February 14 Williams Peninsula Symphony concert. You can help us Fernström Concertino for Flute with Small make this a trend by inviting your friends to join Orchestra and Women’s you at the Peninsula Symphony concert on April Chorus, Opus 52 17. You may obtain guest passes at the door so Brahms Symphony No. 3 in F major, they can attend the pre-concert lecture. Opus 90 This edition of Symphony Sounds includes Concert Details short previews of the pieces and composers that will be performed at the April 17 concert, profiles Doors open at 6:00 PM. Center-section of our soloists, photos from our February 14th seating is reserved for members at the Patron concert and other articles. -
Stefan Milenkovich Violin
Stefan Milenkovich Violin Awarded as Serbia’s Artist of the Century (2002), Most Humane Person (2003), and Brand Personality of the Year (2010), Stefan Milenkovich is a unique artist with an extraordinary productive longevity, professionalism and creativity. His musical philosophy as well as lifestyle is a true definition of eclectic, exploring general human, musical heritage and experience, in order to connect directly with the audiences and provide fun, engaging and energetic performances. Milenkovich started his career at a very young age. He performed for U.S. President Ronald Reagan at a Christmas concert in Washington, DC, at age 10. The following year, he played for Mikhail Gorbachev in Belgrade, Serbia. At age 14, he played for Pope John Paul II and at age 16, Milenkovich gave his 1000th concert in Monterrey, Mexico. By age 17, he was a prizewinner in the International Violin Competition of Indianapolis (USA), the Queen Elisabeth Competition (Belgium), Hannover Violin Competition (Germany), Tibor Varga Competition (Switzerland), Rodolfo Lipizer Competition (Italy), Paganini Competition (Italy), Ludwig Spohr Competition (Germany), and the Yehudi Menuhin Competition (England). Deeply committed to international humanitarian causes, in 2002 Milenkovich received the Lifting Up the World With Oneness Heart award for his humanitarian activities, handed to him personally by the guru Sri Chinmoy. He also participated in a number of gala concerts under the auspices of UNESCO in Paris with such artists as Placido Domingo, Lorin Maazel, Alexis -
Violin, Viola, Cello
6144_Program 6/5/08 4:43 PM Page 1 The Board of the California Music Center would like to express our special thanks to Elizabeth Chamberlain a great friend of the Klein Competition. Her deep appreciation of music and young artists is an inspiration to all of us. 1 6144_Program 6/5/08 4:43 PM Page 2 The California Music Center and San Francisco State University present The Twenty-Third Annual Irving M. Klein International String Competition June 11-15, 2008 with distinguished judges: Peter Gelfand Alan Grishman Marc Gottlieb Jennifer Kloetzel Patricia Taylor Lee Melvin Margolis Donna Mudge Alice Schoenfeld Franks Stemper First Prize: $10,000 The Irving M. Klein Memorial Award Second Prize: $5,000 The William M. Bloomfield Memorial Award Third Prize: $2,500 The Alice Anne Roberts Memorial Award Fourth Prizes: $1,500 The Thomas and Lavilla Barry Award The Jules and Lena Flock Memorial Award Additional underwriting provided by cgrafx, Inc., marketing & design Allen R. and Susan E. Weiss Memorial Prize: $200 For best performance of the commissioned work Each semifinalist not awarded a named prize will receive $1,000. 2 6144_Program 6/5/08 4:43 PM Page 3 In Memoriam Warren G. Weis 1922-1995 Warren G. Weis was a long-time supporter of the California Music Center and the Irving M. Klein International String Competition. He took great delight in music and his close association with musicians and teachers, and supported the aspirations of young musicians withs generosity and enthusiasm. Bill Bloomfield 1918-1998 A member of the Board of the Competition, Bill Bloomfield was an amateur musician and a lifelong supporter sand enthusiast of music and the arts. -
LSO 2019-20 Program Book.Indd
The Force of Destiny SATURDAY, FEBRUARY 15, 2020 7:30 PM Vance Brand Civic Auditorium Elliot Moore, conductor Andrew Sords, violin Longmont Youth Symphony, Keynes Chen, director La forza del destino: Overture GIUSEPPE VERDI The Red Violin: Chaconne for Violin and Orchestra JOHN CORIGLIANO Mr. Sords ~INTERMISSION~ “La Campanella” from Violin Concerto No. 2 NICOLO PAGANINI Mr. Sords Pini di Roma (Pines of Rome) OTTORINO RESPIGHI I pini de Villa Borghese (The Pines of the Villa Borghese) Pini presso una catacomba (Pines Near a Catacomb) I pini del Gianicolo (The Pines of the Janiculum) I pini della via Appia (The Pines of the Appian Way) Side-by-side with the Longmont Youth Symphony LSO Afterglow Party Please join us directly following the concert at Longmont Public House (1111 Francis Street) for happy hour food & drink specials. page 24 ARTIST BIOGRAPHY About Andrew Sords Saint-Saëns with the Carson City Symphony; American violinist Andrew Sords has a and continues touring with baritone celebrated career as a soloist on four Daniel Singer and pianist Elizabeth DeMio continents and in performances with his trio. featuring the obscure “6 Gesange” by Having collaborated with 300 orchestras, Louis Spohr. Uniting with John Walz (cello) Sords has been cited for combining visceral and Timothy Durkovic (piano), Sords will virtuosity with a ravishing tone, while appear in several all-Beethoven programs international critics endorse Sords as “a throughout the Los Angeles area, including fully formed artist” (Kalisz-Poland News), return appearances at Pasadena’s Boston “utterly radiant” (Canada’s Arts Forum), Court Concert Series and the St. -
FOR IMMEDIATE RELEASE Music at Kohl Mansion Presents VIOLINS OF
FOR IMMEDIATE RELEASE Music at Kohl Mansion Presents VIOLINS OF HOPE SAN FRANCISCO BAY AREA A Priceless Collection of 50 Restored Holocaust-Era Violins Set for West Coast Debut in Eight-Week Residency January 16 – March 15, 2020 Uniting 42 San Francisco Bay Area Organizations With Concerts, Exhibitions, Lectures, Films, Interfaith Services and Community Forums; Special Commemoration of International Holocaust Remembrance Day, Coinciding with 75th Anniversary of the Liberation of Auschwitz, Set for January 27 at San Francisco’s Congregation Emanu-El Program Highlights Include Commissioned World Premiere by Jake Heggie and Gene Scheer, Intonations: Songs from the Violins of Hope, Featuring Mezzo-Soprano Sasha Cooke, Violinist Daniel Hope and String Quartet; “Along the Trade Route” Concerts of Folk and Klezmer Traditions with Cookie Segelstein; Exhibitions at War Memorial Veterans Gallery, Peninsula JCC and New Museum Los Gatos; Performances with the Violins of Hope by New Century Chamber Orchestra, San Francisco Symphony, Oakland Symphony, Peninsula Symphony, and Bay Area Rainbow Symphony www.violinsofhopesfba.org SAN FRANCISCO, CA (November 22, 2019) — The Violins of Hope, a priceless collection of recovered and meticulously restored instruments from the Holocaust era, including instruments that were played by prisoner-musicians in the ghettos and labor/death camps, will make their West Coast debut in an eight-week residency of robust content beginning January 16 through March 15. While the collection currently includes 86 recovered Holocaust-era -
The Virginia Symphony Orchestra: the Valiant Struggles of a Cultural Jewel
THE STATE OF THE VIRGINIA SYMPHONYORCHESTRA The Virginia Symphony Orchestra: The Valiant Struggles Of A Cultural Jewel Music is edifying, for … it sets the soul in operation. — John Cage, “Silence” (1961) “Darwinism is at work, and American orchestras must adjust: to smaller dreams, fewer orchestras serving wider areas, fragmented listenerships, hopes for some kind of government help and, above all, a way of preserving the past, electronically if not by word of mouth.” — Bernard Holland, “How to Kill Orchestras” (The New York Times, June 29, 2003) hese are turbulent times for American orchestras. The San Antonio Symphony declared bankruptcy, as have the Louisville Symphony and the Florida Philharmonic. Symphonies in Colorado Springs, San Jose, Savannah and Tulsa have played their Tfinal notes. Salary freezes and salary cuts for orchestral musicians are a nationwide phenomenon and even the estimable Chicago Symphony Orchestra has encountered severe financial difficulties. The Virginia Symphony: Some Background The Virginia Symphony Orchestra, despite its long history, still might be viewed as an orchestra in the early stages of develop- ment. It was founded in 1920, interestingly the same period in which such orchestras as those in Baltimore, Cleveland, Los Angeles and Rochester (N.Y.) were formed. But it was not until 1979 that it took a decisive step by pulling together the region’s musical resources, incorporating players from the Peninsula Symphony Orchestra, the Virginia Orchestra Group and the Virginia Beach Pops Symphony. While the Richmond Symphony, founded in 1957, is the only other orchestra of similar size in the state, the Virginia Symphony Orchestra (VSO) serves the southeastern part of the state, from Williamsburg to Virginia Beach. -
Stanford Symphony Orchestra Stanford Symphonic Chorus Stanford University Singers
Stanford Symphony Orchestra Stanford Symphonic Chorus Stanford University Singers Paul Phillips and John Mauceri, Conductors WHEN: VENUE: Saturday, March 10 BInG 7:30 PM cOncErt haLL Sunday, March 11 2:30 PM Photo: Jan Malý Artists Notes Stanford Symphony Orchestra Leonard Bernstein (1918-1990) Paul Phillips, Music Director and Conductor On the Waterfront – Symphonic Suite From the Film (1954/5) Stanford Symphonic Chorus Stephen M. Sano, Director “I heard music as I watched: that was enough.” the 36-year-old Bernstein was Stanford University Singers in a screening room watching a rough- robert huw Morgan, Director cut of a hard-hitting movie exposing corruption and exploitation on the new york city docks. the screening was Program enough to fire Bernstein’s imagination: “day after day I sat at a movieola, Leonard Bernstein: On the Waterfront – Symphonic Suite from the Film (1954/5) running the print back and forth, Paul Phillips, conductor measuring in feet the sequences I had chosen for the music, converting feet Danny Elfman: Concerto for Violin and Orchestra, Eleven Eleven (2017) into seconds by mathematical formula, I. Grave; Animato. Lento making homemade cue sheets.” II. Spietato. allegro furioso Scoring the movie took Bernstein from III. Fantasma. adagio espressivo February to May 1954. his flourishing IV. Giocoso; Lacrime. allegro brillante career as a composer of symphonies, scores for Broadway, as a leading Sandy cameron, violin soloist conductor, pianist and teacher at home John Mauceri, guest conductor and abroad, and other aspects of the life of an increasingly omnipresent —INTERMISSION— musician, were put on hold. the finished movie On the Waterfront, written William Walton: Belshazzar’s Feast (1930–31, rev. -
Mountains Faculty Concert Series
presents MUSIC IN THE MOUNTAINS FACULTY CONCERT SERIES SUMMER 2017 ESTES PARK, CO JUNE 4, 2017 Adult Piano Seminar Partita No. 1 in B-flat Major, BWV 825 Johann Sebastian Bach (1685–1750) I. Prelude Daisies, Op.38 No.3 Sergei Rachmaninoff (1873–1943) Miroirs, M. 43 Maurice Ravel (1875–1937) II. Oiseaux tristes Leaf Luciano Berio (1925–2003) Hsing-ay Hsu, piano Wasserklavier Berio Hsing-ay Hsu and Sergio Gallo, piano Prelude in C Major, BWV 545 Bach arr. Franz Liszt (1811–1886) Gulangyu Fei-hsing Hsu (b. 1946) Hsing-ay Hsu, piano Fantasie in F Minor, Op. 49 Frédéric Chopin (1810–1849) Symphonic Metamorphoses on Themes Leopold Godowsky (1870–1938) by Johann Strauss II. Die Fledermaus Sergio Gallo, piano Intermission Andante Favori in F Major, WoO 57 Ludwig van Beethoven (1770–1827) Piano Sonata No. 23 in F Minor, Beethoven Op. 57, “Appassionata” I. Allegro assai II. Andante con moto III. Allegro ma non troppo – Presto Larry Graham, piano JUNE 11, 2017 Junior Artist Seminar Passacaglia Johan Halvorsen (1864–1935) After G.F. Handel’s Suite in G Minor, HWV 432 José Leonardi Moore, violin David Rife, violin Clarinet Quintet in A Major, K. 581 Wolfgang Amadeus Mozart (1756–1791) I. Allegro III. Menuetto Jeremy Reynolds, clarinet The Southwest String Quartet David Rife, violin Wynne Wong-Rife, violin Ilona Vukovic-Gay, viola Mary Beth Tyndall, cello Intermission Six Canonic Etudes, Op. 56 Robert Schumann (1810–1856) I. Nicht zu schnell arr. Claude Debussy II. Mit innigem Ausdruck III. Andantino IV. Innig V. Nicht zu schnell VI. Adagio Fred Hammond, piano Marina Beretta-Hammond, piano Alto Saxophone Sonata Bernhard Heiden (1910–2000) I.