Michelle Foster MD Resume

Michelle Foster E-mail: [email protected] Music Director/Conductor/Pianist Phone: 609.284.8303 MUSIC DIRECTOR/CONDUCTOR/PIANIST Little Women GCIT, Sewell, NJ Inside Out GCIT, Sewell, NJ The Wiz The Ritz Theatre Co, Haddon Township, NJ Funny Girl Main Street Theatre Co, Parlin, NJ Godspell Bishop McDevitt High School, Glenside, PA Bright Star Burlington County Footlighters, Cinnaminson, NJ A 50’s Review Applewood Players, Freehold, NJ In The Heights Riverfront Players, Burlington, NJ ORCHESTRA PIANIST I Do, I Do (K2) Hunterdon Hills Playhouse, Hampton, NJ Mark Baron, Conduct. Take Me Away (K2 Sub) Hunterdon Hills Playhouse, Hampton, NJ Mark Baron, Conduct. Avenue Q Fairleigh Dickinson University, Madison, NJ Allen Cohen, Conduct. Company Fairleigh Dickinson University, Madison, NJ Allen Cohen, Conduct. Handel’s Israel in Egypt Randolph Choral Society, Randolph, NJ Joshua Coyne, Conduct. Little Shop of Horrors ReThink Theatrical, North Brunswick, NJ The Wedding Singer Villagers Theatre, Somerset, NJ James and the Giant Peach Spotswood High School, Spotswood, NJ Footloose Lenape High School, Medford, NJ 13 Broadway Bound Players, Medford, NJ POP AND ROCK ARTISTS *Various classical concerts Locations spanning the U.S. and Canada Terry Barber, Independent Artist Mercury World Tour The Gallo Center for the Arts, Modesto, CA Terry Barber, Independent Artist The Duprees Feast of the Three Saints, Lawrence, MA Mark Baron, MD INSTITUTIONS Brookdale Community College, Lincroft, NJ -Sub conductor/keyboard 1 player for The Wedding Singer Fairleigh Dickinson University, Madison, NJ -Music director/conductor/pianist for student produced Disney Showcase -Accompanist for biannual chorus concerts -Accompanist for the staged student reading of Killing U -Solo act for various events including President Drucker’s Farewell and 2016 Benefactor’s Dinner REHEARSAL/AUDITION ACCOMPANIST Plays-in-the-Park Edison, NJ Garden State Girls Choir Rowan University, Glassboro, NJ WORK EXPERIENCE *Music Dir., Pianist Holy Trinity Lutheran Church, Burlington, NJ *Music Dir., Pianist Christ the Redeemer Church, Mt. Holly, NJ *Ass. MD, Singer, Pianist Holy Eucharist, Tabernacle, NJ *Resident Pianist Our Lady Queen of Peace, Hainesport, NJ TRAINING Technique, Jazz Piano/Theory Jeff Theiss, Tim Brey Jazz Piano Reuben Allen, The Juilliard School, 1 semester Classical Piano Roxanne Ferguson, 6 years *Indicates current event.

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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951.
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NYU Labor & Employment
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Determining Stephen Sondheim's
“I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS BY ©2011 PETER CHARLES LANDIS PURIN Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chairperson Dr. Scott Murphy ___________________________ Dr. Deron McGee ___________________________ Dr. Paul Laird ___________________________ Dr. John Staniunas ___________________________ Dr. William Everett Date Defended: August 29, 2011 ii The Dissertation Committee for PETER PURIN Certifies that this is the approved version of the following dissertation: “I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS ___________________________ Chairperson Dr. Scott Murphy Date approved: August 29, 2011 iii Abstract This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as surveyed through his fourteen musicals that have appeared on Broadway. The analysis begins with dramatic concerns, where musico-dramatic intensity analysis graphs show the relationship between music and drama, and how one may affect the interpretation of events in the other. These graphs also show hierarchical recursion in both music and drama. The focus of the analysis then switches to how Sondheim uses traditional accompaniment schemata, but also stretches the schemata into patterns that are distinctly of his voice; particularly in the use of the waltz in four, developing accompaniment, and emerging meter. Sondheim shows his harmonic voice in how he juxtaposes treble and bass lines, creating diagonal dissonances.
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Forest Health Technology Enterprise Team
Forest Health Technology Enterprise Team TECHNOLOGY TRANSFER Hemlock Woolly Adelgid FOURTH SYMPO S IUM ON HEMLOCK WOOLLY ADELGID IN THE Eas TERN UNITED ST A TE S HA RT F ORD , CONNECTICUT FEBRU A RY 12-14, 2008 Brad Onken and Richard Reardon, Compilers Forest Health Technology Enterprise Team—Morgantown, West Virginia FHTET-2008-01 U.S. Department Forest Service June 2008 of Agriculture Most of the abstracts were submitted in an electronic form, and were edited to achieve a uniform format and typeface. Each contributor is responsible for the accuracy and content of his or her own paper. Statements of the contributors from outside of the U.S. Department of Agriculture may not necessarily reflect the policy of the Department. Some participants did not submit abstracts, and so their presentations are not represented here. The use of trade, firm, or corporation names in this publication is for the information and convenience of the reader. Such use does not constitute an official endorsement or approval by the U.S. Department of Agriculture of any product or service to the exclusion of others that may be suitable. References to pesticides appear in some technical papers represented by these abstracts. Publication of these statements does not constitute endorsement or recommendation of them by the conference sponsors, nor does it imply that uses discussed have been registered. Use of most pesticides is regulated by state and federal laws. Applicable regulations must be obtained from the appropriate regulatory agency prior to their use. CAUTION: Pesticides can be injurious to humans, domestic animals, desirable plants, and fish and other wildlife if they are not handled and applied properly.
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Trad Music and Dance Camp
Folk Music Society of New York, Inc. June 2015 vol 50, No. 6 June Mondays: Irish Traditional Music Session at the Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, Queens, 8pm 3 Wed Folk Open Sing, 7pm in Brooklyn 7 Sun Maritime Music & Song Session; 2pm, South St. Seaport 8 Mon FMSNY Board of Directors Meeting, 7:15pm; see p. 5 10 Wed Hudson River Rose 8pm; Sunnyside Singers Club 21 Sun Shanty Sing on Staten Island, 2-5 pm 29 Mon Newsletter Mailing; 7pm in Jackson Heights, Queens July Mondays: Irish Traditional Music Session at the Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, Queens, 8pm 1 Wed Folk Open Sing, 7pm in Brooklyn 10 Fri Ice Cream Social at OSA Hall, 220 E. 23 St 13 Mon FMSNY Board of Directors Meeting, 7:15pm; see p. 5 19 Sun Shanty Sing on Staten Island, 2-5 pm Details on pages 2-3 TradMaD Camp (Trad Music and Dance Camp) From August 29 to September 4, 2015, we'll be singing, picking, dancing, jam- ming, swimming, relaxing -- all the things we love about Pinewoods Camp. Staff list includes Sheila Kay Adams, Anita Best, Eliza Carthy, Andy Cohen, Amy Conley, Bob Dupré, Sue Dupré, Craig Edwards, Grand Picnic, Bennett Ham- mond, Lorraine Hammond, Scott Higgs, Allen Hopkins, Hubby Jenkins, John Kirk, Chris Koldewey, Jen Larson, Trish Miller, Emily O’Brien,Caroline Paton, Linnea Paton, John Roberts, Jacqueline Schwab, Ryan & Brennish Thomson, Bob Walser, Elissa Weiss, and more See the flier sent out with the March newsletter and/or check the website: www.tradmadcamp.org.
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MUSIC at the GARDNER FALL 2018 the Gardner the Music At
ISABELLA STEWART GARDNER MUSEUM NON-PROFIT ORG. 25 EVANS WAY BOSTON MA 02115 U.S. POSTAGE PAID GARDNERMUSEUM.ORG BOSTON MA PERMIT No. 1 A VINTAGE AD FOR THE BUSINESS FOUNDED BY LEONARD BERNSTEIN’S FATHER, SAMUEL MUSIC AT THE GARDNER FALL 2018 the Gardner at Music FALL 2018 WHAT’S YOUR PLEASURE? MUSIC AT THE GARDNER / FALL 2018 WEEKEND CONCERT SERIES / pg 3 The Gardner Museum’s signature series, injected with new energy BERNSTEIN CENTENNIAL / pg 4 Boston native Leonard Bernstein receives a season-long focus WELCOME FROM GEORGE STEEL, NEW ABRAMS CURATOR OF MUSIC BACH FESTIVAL / pg 9 Dear Friends, Five all-Bach programs this fall It was way back in 2003 that my dear friend Scott Nickrenz invited me to bring my first concert to the Tapestry Room. I fell in love with the Museum at first sight. It is a dream come WORLD-PREMIERE OPERA / pg 17 true to be following Scott as the Abrams Curator of Music. A David Lang opera commissioned by the Gardner Museum This coming season, you will see and hear ample evidence of the Museum’s unshakable commitment to Isabella’s vision — RISE / pg 18 particularly for her love of music. Our popular series featuring pop, rock, and hip-hop artists The Fall season includes a wonderful five-concert Bach festival and the work of many remarkable living composers. And in honor of his centennial, we are undertaking a season-long exploration of the music of Boston native Leonard Bernstein, whose father’s beauty supply business fittingly trumpeted the slogan, “In Boston, It’s Bernstein!” I look forward to meeting you at a concert this Fall.
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Chamber Music and Activism (Kelly Hall-Tompkins)
“Just three blocks from Lincoln Center…The concerts have an air of authenticity and directness that sometimes does not exist in concert halls.” –The New York Times BREAKING THE SOUND BARRIER Who is Classical Music For? CHAMBER MUSIC: THE MUSIC OF COMMUNITY AND ACTIVISM (Our updated Stats:) Over 100 Concerts Over 200 Top Artists Over 30,000 Shelter Clients Reached MEDIA FEATURES Our Partners (past and present) Agencies ● New York City Department of Homeless Services ● Urban Pathways (NYC) ● Los Angeles Homeless Services Agency ● Project Rousseau Shelters ● Holy Trinity Lutheran Church Shelter ● Good Shepherd Center for Women (Los Angeles) ● Holy Trinity Lutheran Church HUG Soup Kitchen ● The Midnight Mission (Los Angeles) ● Holy Apostles Soup Kitchen ● The Lord’s Diner (Wichita, KS) ● Olivieri Drop-In Center ● City Gospel Mission (Cincinnati, OH) ● 52nd Street Women’s Center ● Nashua Soup Kitchen (NH) ● Turning Point Youth Shelter ● House of Dignity Veteran’s Shelter (Oakland, CA) ● Cluster House ● Women in Need, Inc. The Jennie Clark Residence ● The Salvation Army Soup Kitchen ● Women in Need, Junius Residence ● Park Avenue Armory Lenox Hospital Shelter ● House of Mercy (Rochester, NY) ● Salvation Army Bell Shelter (Los Angeles) ● Coeur de Femme (Paris, France) Our Partners (past and present) WQXR “20 for 20” Steinway & Sons Piano Cincinnati Symphony Gateways Music Festival Concert Artists Guild Symphony New Hampshire U.S. Embassy – Paris, France Carnegie Hall Sacred Music Festival- Paris, France Oakland Symphony Fiddler Broadway Company
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Cutting Edge History
Composer Work Performer/Ensemble Date performed Virgil Thomson Arias from The Mother of Us All Encompass Music Theatre, Nancy Rhodes, Artistic Director9 April 1998 Tania Leon Arias from A Scourge of Hyacinths Encompass Music Theatre, Nancy Rhodes, Artistic Director9 April 1998 Victoria Bond Arias from Travels Encompass Music Theatre, Nancy Rhodes, Artistic Director9 April 1998 William Bolcom Arias from McTeague Encompass Music Theatre, Nancy Rhodes, Artistic Director9 April 1998 Bruce Adolphe Whispers of Mortality The Flux Quartet 16 April 1998 Victoria Bond Dreams of Flying The Flux Quartet 16 April 1998 Robert Beaser String Quartet The Flux Quartet 16 April 1998 Katherine Erlandson, soprano Sarah Hornsby, flute Daniel Goerita, guitar Glen Cortese Paso a la Aurora Alexander Mackenzie, cello 16 April 1998 Francis Thorne Sonatina for Solo Flute Patricia Spenser, flute 23 April 1998 Eugene Moye, cello Francis Thorne Quiet Night Song Francis Thorne, piano 23 April 1998 Renee Jolles, violin Sarah Adams, viola Joanna Jenner, violin Francis Thorne String Quartet #3 Dorothy Lawson, cello 23 April 1998 Renee Jolles, violin Francis Thorne Rhapsodic Variations #5 Chris Oldfather, piano 23 April 1998 Set of Popular Songs: It Only Takes a Moment Million Goes to Million Once Upon a Love Francis Thorne Luci Della Citta Francis Thorne, voice and piano 23 April 1998 Directed by Rhoda Levine Frank Longino, Narrator Deborah Wong, violin Michael Finkel, cello Aaron Kernis The Four Seasons of Futurist Cuisine Edmund Nieman, piano 1 April 1999 Deborah Wong,
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RCB March, 2014 Concert
Season 31, Concert 4 - March 21, 2014 - March Winds 2013-14 CONTRIBUTORS The Ridgewood Concert Band gratefully acknowledges the support of our donors and subscribers whose generous support makes these programs possible. BENEFACTOR ($3,000 and above) Deloss Schertz & Rose Kraybill Lindsay B. Gallagher Francis H. Schott Thomas & Victoria Price Rachel Schulman Konica Minolta Business Solutions Richard & Karen Summers Merrill Lynch Wealth Management/ Kathleen & Harold Sylvester Bank of America Corp. Lois Hicks-Wozniak Plymouth Rock Foundation PATRON ($2,000 to $2,999) PVH Corporation Carolyn & Howard Crumb Friends in support of new music FRIEND ($1 to $99) Virginia Baird SPONSOR ($1,000 to $1,999) Eileen Beaumel Kahn & Eva Smith Maria J. Bush Michelle & James Dugan SUPPORTER ($500 to $999) Sue & Ira Emanuel Barbara Abney Bolger Vicki Fiore, M.D. Darel & Michael DePompeo Les & Sue Fox Lawrence & Donna Friedman, in support of the Kenneth Freiband Ridgewood Concert Band Society Eileen Ginn Joel Kolk Richard F. Hahn Charles Lachman & Emily Bliss-Lachman Richard & Katherine Innis Randy F. Reveley Janet Johnston John & Marilyn Wagner Donald & Gail Landzettel Judith Widicus Linda Maguire Patricia & Frederick Yosca Desidor J. Maik Irene Montella ASSOCIATE ($250 to $499) Samantha Price-Koontz John Butler Albert W. Schagen Paul & Carolyn Kirby Edward J. Schlamp In memory of Acton E. Ostling Beth Seavers Kathleen & John J. Palatucci Virginia Sirinides Carol & Neil Sheehan David Sternberg Blue Moon Cafe Alexander & Deborah Taylor Costco of Hackensack Jon Thurlow Morgan Stanley Smith Barney, LLC. Richard & Jessie VerHage Whole Foods of Ridgewood Andrea & Mark Zettler AFFILIATE ($100 to $249) DONATIONS IN MEMORY OF Richard Aumiller MICHAEL THURLOW Kenneth & Sarina Bronfin Maria J.
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Music at the Gardner
Music at the Gardner WINTER/SPRING 2019 GEORGE STEEL HELGA DAVIS FROM THE CURATOR OF MUSIC Dear Friends, This season I am delighted to welcome performer Helga Davis to the Gardner Museum as our second Visiting Curator of Performing Arts. Helga is bringing her boundless energy and brilliance — and her relationships with some of the most visionary artists of our time — to plan multi-disciplinary performances and surprise pop-ups throughout the Museum. If you sign up with your email (see below), we’ll share all the details as they are finalized. Please join us! — George Steel, Abrams Curator of Music To get monthly updates about concerts, performances, and more, visit: gardnermuseum.org/signup WHAT’S YOUR PLEASURE? MUSIC AT THE GARDNER / WINTER/SPRING 2019 WEEKEND CONCERT SERIES / pg 2 The Gardner Museum’s signature series BOTTICELLI EXHIBITION PROGRAMMING / pg 4 Special performances responding to the Winter/Spring exhibition PROKOFIEV’S COMPLETE PIANO SONATAS / pg 7 Gleb Ivanov takes on the astonishing 20th-century keyboard works THURSDAY EVENING CONCERTS / pg 18 An adventurous mix of contemporary art, music, and performance RISE / pg 19 Our popular series featuring pop, rock, and hip-hop artists AT-A-GLANCE / pg 20 CONCERT INFORMATION / inside back cover WEEKEND CONCERT SERIES SOOBEEN LEE NIKITA MNDOYANTS Sunday, January 20, 1:30 pm NIKITA MNDOYANTS, piano BOSTON DEBUT Franz Joseph Haydn, Sonata in E Major, Hob. xvi: 31 (1776) Ludwig van Beethoven, Sonata No. 32 in C Minor, Op. 111 (1822) Johannes Brahms, Sonata No. 3 in F Minor, Op. 5 (1853) Leonard Bernstein, “For Stephen Sondheim” (1965), “In Memoriam: William Kapell” (1981), and “For My Daughter, Nina” (1981) Both pianist and composer, Nikita Mndoyants rocketed to early stardom in 2016 at the very beginning of his international career with a remarkable first — winning both the Cleveland International Piano Competition and the Prokofiev International Composers Competition.
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Modern Music
CONTACT US Proposals and queries may be sent to the Series Editor, Dr. Allen Cohen, at MODERN MUSIC: THE TONAL TRADITION <[email protected]> This series publishes books on the history, theory, and aesthetics of Romantic and Visual & Performing Arts tonally-centric music from the Modern era. We welcome manuscripts and proposals Fairleigh Dickinson University for works of biography, history, philosophy, theory, and analysis. M–DBO–01 285 Madison Avenue Madison, NJ SERIES EDITOR 07940 USA Allen Cohen is Professor of Music at Fairleigh Dickinson University. His General Queries may be sent compositions have been played in Carnegie Hall and around the United States & to FDU Press Director, Europe. Recipient of a Meet the Composer grant and many ASCAP Plus awards, he is Dr. James Gifford, at a board member of the League of Composers/ISCM and of the Mostly Music concert <[email protected]> series in New Jersey, the author of Howard Hanson in Theory and Practice, and a co- author of Writing Musical Theater (with Steven L. Rosenhaus). He has also written FDU Press incidental scores for films and plays in New York and performed extensively as 842 Cambie Street conductor, pianist, and accompanist. Vancouver, BC V6B 2P6, Canada Proposals for this new series may be sent to: Submissions Guidelines: Dr. Allen Cohen Formal proposals should include the following: Visual & Performing Arts Department Fairleigh Dickinson University • Cover letter M-DBO-01 • Book abstract 285 Madison Avenue • Proposed Table of Contents Madison, NJ 07940 USA • Curriculum Vitae of the author(s) or editor(s) email: <[email protected]> Established in 1967 in Madison, NJ, with editorial offices now in Vancouver, BC, Fairleigh Dickinson University Press publishes scholarly books for the academic community through a co-publishing partnership with Rowman & Littlefield, Lanham, MD.
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