DOCSLIB.ORG

Cutting Edge History

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Composer Work Performer/Ensemble Date performed Virgil Thomson Arias from The Mother of Us All Encompass Music Theatre, Nancy Rhodes, Artistic Director9 April 1998 Tania Leon Arias from A Scourge of Hyacinths Encompass Music Theatre, Nancy Rhodes, Artistic Director9 April 1998 Victoria Bond Arias from Travels Encompass Music Theatre, Nancy Rhodes, Artistic Director9 April 1998 William Bolcom Arias from McTeague Encompass Music Theatre, Nancy Rhodes, Artistic Director9 April 1998 Bruce Adolphe Whispers of Mortality The Flux Quartet 16 April 1998 Victoria Bond Dreams of Flying The Flux Quartet 16 April 1998 Robert Beaser String Quartet The Flux Quartet 16 April 1998 Katherine Erlandson, soprano Sarah Hornsby, flute Daniel Goerita, guitar Glen Cortese Paso a la Aurora Alexander Mackenzie, cello 16 April 1998 Francis Thorne Sonatina for Solo Flute Patricia Spenser, flute 23 April 1998 Eugene Moye, cello Francis Thorne Quiet Night Song Francis Thorne, piano 23 April 1998 Renee Jolles, violin Sarah Adams, viola Joanna Jenner, violin Francis Thorne String Quartet #3 Dorothy Lawson, cello 23 April 1998 Renee Jolles, violin Francis Thorne Rhapsodic Variations #5 Chris Oldfather, piano 23 April 1998 Set of Popular Songs: It Only Takes a Moment Million Goes to Million Once Upon a Love Francis Thorne Luci Della Citta Francis Thorne, voice and piano 23 April 1998 Directed by Rhoda Levine Frank Longino, Narrator Deborah Wong, violin Michael Finkel, cello Aaron Kernis The Four Seasons of Futurist Cuisine Edmund Nieman, piano 1 April 1999 Deborah Wong, violin Michael Finkel, cello Augusta Read Thomas Angel Chant Edmund Nieman, Piano 1 April 1999 Paul Sperry, tenor Victoria Bond A Modest Proposal Edmund Nieman, piano 1 April 1999 Claire Hoffman, flute Katherine Hoover Canyon Echoes Michael Newman, guitar 15 April 1999 Roberto Sierra Tres Homenajes Hungaros Michael Newman and Laura Oltman, guitars 15 April 1999 Joan Tower Night Fields The Meridian String Quartet 15 April 1999 Marlos Nobre String Quartet #1 The Meridian String Quartet 15 April 1999 Shem Guibbory, violin, Maxine Neuman, cello, Zhou Long Secluded Orchid Elizabeth Wright, piano 29 April 1999 Sue Ann Kahn, flute, Jean Sze, zheng Elizabeth Wright, piano Chen Yi Song in Winter William Trigg, percussion 29 April 1999 Christine Shadeberg, soprano Shem Guibbory, violin Chen Yi As In a Dream Maxine Neuman, cello 29 April 1999 Jean Sze Flute Solo Sue Ann Kahn, flute 29 April 1999 Miao Yimin, Bamboo Flute Jean Sze/Bau Chen Ren Spring Morning at Mian Mountain Jean Sze, zheng 29 April 1999 Miao Yimin, Bamboo Flute Victoria Bond Chi Jean Sze, zheng 29 April 1999 Autumn Thoughts Miao Yimin, Bamboo Flute Traditional Plum Flowers Jean Sze, zheng 29 April 1999 Margaret Brouwer Sonata Kelly Horsted, piano 6 April 2000 Kelly Horsted, piano Patrick Hardish Duo Barbara Allen, percussion 6 April 2000 Theo Bleckmann, baritone, William Zukof, countertenor, Michael Ryan, tenor, Jon Szabo, baritone, Curtis Streetman, bass, Sarah Roth, violin, Andy Seligson, tuba, Barbara Allen, percussion Eric Salzman, Valeria Vasilevski The True Last Word of Dutch Schultz Arthur Miller, percussion, Kelly Horsted, piano 6 April 2000 Renee Jolles, violin Marga Richter Landscapes of the Mind Marga Richter, piano 13 April 2000 Margaret Kampmeier, piano Joshua Gordon, cello Renee Jolles, violin Tara Helen O’Connor, flute Jeffrey Mumford a still radiance within dark air Joselito Tanega, clarinet 13 April 2000 Joshua Gordon, cello Peter Schickele Mountain Music Margaret Kampmeier, piano 13 April 2000 Tara Helen O’Connor, flute Joshua Gordon, cello Peter Schickele Summer Music Margaret Kampmeier, piano 13 April 2000 Ellen Shad, soprano Frank Daykin, piano Victoria Bond 2 Arias from Mrs. Satan: I’m Told I’m A Citizen HotShem Off Guibbory,The Press! violin 5 April 2001 John Harbison Songs of Solitude Shem Guibbory, violin 5 April 2001 Carol Meyer, soprano Ellen Shade, soprano Shem Guibbory, violin Amneris Puscasu, violin Masako Yanagita, viola Leo Grinhauz, cello Deborah Drattell Songs of Sorrow and Lament Frank Daykin, piano 5 April 2001 Philip Glass Epilogue from Monsters of Grace Paul Barnes, piano 19 April 2001 Philip Glass Trilogy Sonata Paul Barnes, piano 19 April 2001 Philip Glass Orphee Suite Paul Barnes, piano 19 April 2001 John Muehleisen Cherubic Hymn Dulces Voces Choir 19 April 2001 Victoria Bond Potirion Sotiriu Paul Barnes, piano 19 April 2001 Alla Borzova, piano Alla Borzova Pinsk & Blue William Schimmel, accordion 26 April 2001 Alla Borzova, piano Alla Borzova Goya Images William Schimmel, accordion 26 April 2001 Ted Wiprud Caricatures Martha Mooke, electric viola 26 April 2001 Martha Mooke Double Take Martha Mooke, electric viola 26 April 2001 Sam Adler Viola Sonata Ronald Carbone, viola 26 April 2001 Megan Friar, mezzo-soprano, Ching Chen, viola Joelle Wallach A Revisitation of Myth Elizabeth Rodgers, piano 4 April 2002 Paul Chihara String Trio The Jade String Trio 4 April 2002 Barbara Rearick, mezzo-soprano Sir Richard Rodney Bennett Dreamsongs Sir Richard Rodney Bennett, piano 4 April 2002 Barbara Rearick, mezzo-soprano Sir Richard Rodney Bennett A History of the Thé Dansant Sir Richard Rodney Bennett, piano 4 April 2002 Jennifer Higdon rapid.fire Jennifer Higdon, flute 11 April 2002 David Snow A Night in Jakarta Esther Lamneck, tarogato 11 April 2002 Robert Rowe Shells Sabrina Berger, electric violin, 11 April 2002 Victoria Bond Moli Hua (premiere) Wendy Richman, viola 18 April 2002 Paul Sperry, tenor Daron Hagen Muldoon Songs Daron Hagen, piano 18 April 2002 Thea Musgrave From One To Another Wendy Richman, viola 18 April 2002 Charles Neidich, clarinet Daniel Phillips, violin Thea Musgrave Pierrot Morey Ritt, piano 18 April 2002 Margaret Brouwer Demeter Prelude The Cassatt String Quartet 10 April 2003 Melinda Wagner Elegy The Cassatt String Quartet 10 April 2003 Lisa Despain Rise and Fall The Cassatt String Quartet 10 April 2003 Jay Reise Memory Refrains The Cassatt String Quartet 10 April 2003 Jacob Druckman Valentine Alvin Brehm, bass 22 April 2003 Chris Theofanidis Flow My Tears Anna Lim, violin; 22 April 2003 Re’ut Ben-Ze’ev, soprano Dalit Warshaw Kiddush ha-Levanah Dalit Warshaw, piano 22 April 2003 Jacob Druckman Animus III Charles Neidich, clarinet 22 April 2003 Marianne Gythfeldt, clarinet Anna Lim, violin Myron Lutzke, cello Steven Burke Spring Fever Margaret Kampmeier, piano 22 April 2003 Dinu Ghezzo Abyss Esther Lamneck, clarinet 24 April 2003 Randy Woolf Brainstorm Kathleen Supove, piano 24 April 2003 Victoria Bond Dancing on Glass (premiere) The Jade Trio 24 April 2003 Jin Xiang Blood Colors the Mountain The Jade Trio 24 April 2003 Carol Wincenc, flute Daniel Paget Romania Kenneth Cooper, harpsichord 1 April 2004 Victoria Bond Peculiar Plants (premiere) Kenneth Cooper, harpsichord 1 April 2004 Carol Meyer, soprano Stephen Dickman Rabbi Nathan’s Prayer Renee Jolles, violin 1 April 2004 Carol Meyer, soprano Stephen Dickman War Renee Jolles, violin 1 April 2004 Alex Shapiro Journey Sabrina Berger, e-violin 1 April 2004 Alex Shapiro Desert Waves Sabrina Berger, e-violin 1 April 2004 Judith Shatin Ockeghem Variation The Sylvan Winds 8 April 2004 Frank J. Oteri Circles mostly in wood The Sylvan Winds 8 April 2004 Davide Zannoni Quattro Quadri The Sylvan Winds 8 April 2004 Jon Deak The Bremen Town Musicians The Sylvan Winds 8 April 2004 David Del Tredici Virtuoso Alice Lora Tchekoratova, piano 22 April 2004 Harold Meltzer Brothers Grimm Harold Meltzer, piano 22 April 2004 William Mayer Octagon Steven Mayer and Lora Tchekoratova, pianists 22 April 2004 Randall Snyder Illuminations from Valis Paul Barnes, piano 22 April 2004 Jeffrey Hass Keyed Up Paul and Anne Barnes, pianists 22 April 2004 Paul Alan Levi Touchings Justin Kolb, piano 5 April 2005 David Lang Memory Pieces Molly Morkoski, piano 5 April 2005 Moto Osada Take the Six Mayumi Sekizawa, marimba 5 April 2005 Derek Bermel Turning Molly Morkoski, piano 5 April 2005 Derek Bermel Thracian Skteches (NY Premiere) Derek Bermel, clarinet 5 April 2005 Stephen Paulus Preludes Justin Kolb, piano 5 April 2005 Justin Kolb, Molly Morkoski, Stephen Paulus Childhood Scenes piano 4-hands 5 April 2005 Sam Adler Canto III Cornelius Dufallo, violin 14 April 2005 Sam Adler Canto X Yves Dharamraj, cello 14 April 2005 Sam Adler Canto XVI Eric Nowlin, viola 14 April 2005 Paul Yeon Lee String Trio No. 1 Dufallo, Nowlin, Dharamraj 14 April 2005 Cornelious Dufallo River Dream Dufallo, Ariana Kim, Nowlin, Dharamraj, Beecher, Shanahan14 April 2005 Cornelius Dufallo Naiad Cornelius Dufallo, violin 14 April 2005 Paul Moravec Angels Dancing (Premiere) Dufallo, Kim, Nowlin, Dharamraj 14 April 2005 Donald Crockett Short Stories janus Ensemble 21 April 2005 Adam Roberts Surface Tension janus Ensemble 21 April 2005 Victoria Bond Woven (Premiere) Duo Gelland 21 April 2005 Duo Gelland Improvisation Duo Gelland 21 April 2005 Carl-Axel Hall Duo (Premiere) Duo Gelland 21 April 2005 Peter Schuback del alt ro al altro per due violini Duo Gelland 21 April 2005 Jeffrey Mumford a landscape of interior resonances Margaret Kampmeier, piano 6 April 2006 Renee Jolles, violin Victoria Bond Sacred Sisters Susan Jolles, harp 6 April 2006 Richard Wernick Quartet #6 The Colorado String Quartet Katherine Hoover The Knot (NY Premiere) The Colorado String Quartet 6 April 2006 Allen Shawn From the Sad Café The Claremont Duo 20 April 2006 Matthew Greenbaum Squire Allworthy’s Minuetto The Claremont Duo 20 April 2006 Allen Cohen Duo-Partita The Claremont Duo 20 April 2006 Patricia Morehead Multiples Patricia
Recommended publications
  • Amjad Ali Khan & Sharon Isbin

    Amjad Ali Khan & Sharon Isbin

    SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S.
  • Richard Wernick

    Richard Wernick

    RICHARD WERNICK HAIKU OF BASHŌ Neva Pilgrim, soprano; Contemporary Chamber Players of The University of Chicago; Richard Wernick, conductor MOONSONGS FROM THE JAPANESE Neva Pilgrim, soprano RICHARD WERNICK (b. Boston, 1934) attended Brandeis University where he studied composition with Irving Fine and Harold Shapero, and received his M.A. degree from Mills College where he studied with Leon Kirchner. Since 1957, when he served as musical director and composer-in-residence of the Royal Winnipeg Ballet, he has received many awards and grants — including the 1977 Pulitzer Prize in Music and the award of the American Academy-Institute of Arts and Letters that made this recording possible. Wernick has been a faculty member of the University of Buffalo and the University of Chicago, and became Professor of Music at the University of Pennsylvania in 1968. He writes: “The HAIKU OF BASHŌ is a setting of five haiku by and (in one instance) about Matzuo Bashō (1643-94), generally acknowledged to be the foremost writer of this form of Japanese verse. The first four poems of the cycle are fine examples of how Bashō was able to capture the essence of seemingly inconsequential moments or vignettes and, with the most frugal means of literary expression, communicate to the reader a sense of the timeless and eternal. The fifth poem, written a century later, is more in the nature of a 17-syllable one- line-joke, a play on the word 'bashō' which means 'banana leaf,' “There are no programmatic connections between the haiku and the music, nor is there any attempt at word painting.
  • Rmc193chiprograml5.Pdf

    Rmc193chiprograml5.Pdf

    SATURDAY APRIL 29, 2017 | 7:30 PM | ROCKEFELLER CHAPEL A TRIPTYCH: Earth, Moon, Peace Works of Augusta Read Thomas Played by Spektral Quartet and Third Coast Percussion ROCKEFELLER CHAPEL | UNIVERSITY OF CHICAGO OF UNIVERSITY 2 PROGRAM The program is performed without intermission, although there will be brief pauses for resetting the stage. You are warmly invited to a wine and cheese reception here in the Chapel after the concert, with refreshments served from the west transept. You will also find CDs on sale. RAINBOW BRIDGE TO PARADISE SELENE Moon Chariot Rituals 2016 2015 3 Russell Rolen CELLO Spektral Quartet Third Coast Percussion and CHI CHI | A TRIPTYCH: EARTH, MOON, PEACE CHI for string quartet RESOUNDING EARTH 2017 World première 2012 I CHI vital life force I INVOCATION pulse radiance II AURA atmospheres, colors, vibrations II PRAYER star dust orbits III MERIDIANS zeniths III MANTRA ceremonial time shapes IV CHAKRAS center of spiritual power in the body IV REVERIE CARILLON crystal lattice Spektral Quartet Third Coast Percussion Clara Lyon VIOLIN David Skidmore Maeve Feinberg VIOLIN Peter Martin Doyle Armbrust VIOLA Robert Dillon Russell Rolen CELLO Sean Connors ABOUT THIS CONCERT Like most works of art, tonight’s concert came into Enter Spektral Quartet (or re-enter, for this being through the confluence of flashes of desire, conversation also had begun, allegro con spirito, some snippets of conversation, and the sudden alignment of eons before). On March 7, 2015, the cosmic lights went energies sparked by the commissioning of a new work. green and we knew we had a program: Selene, to be The flash of desire came just over three years ago.
  • Program Notes Hosted by the Score Board 7:00

    Program Notes Hosted by the Score Board 7:00

    DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Program Notes hosted by the Score Board 7:00 MICHAEL TIPPETT Concerto for Double String Orchestra HAROLD MELTZER Full Faith and Credit (2004) (1938–39) I. Rugged I. Allegro con brio II. Homespun II. Adagio cantabile III. Blistering III. Allegro molto – Poco allargando IV. Viscous V. Genteel VI. Hymn VII. Rugged MATHEW ROSENBLUM Double Concerto for Baritone Saxophone, Percussion, and Orchestra (2010) Ronald Haroutunian, bassoon World Premiere Adrian Morejon, bassoon I. II. III. STEPHEN PAULUs Concerto for Two Trumpets and Orchestra (2003) IV. I. Fantasy V. II. Elegy III. Dance Kenneth Coon, baritone saxophone Terry Everson, trumpet Lisa Pegher, percussion Eric Berlin, trumpet INTERMISSION GIL ROSE, CONDUCTOR * Commissioned by the Fromm Music Foundation for Kenneth Coon and the Boston Modern Orchestra Project (Gil Rose, conductor) 4 5 PROGRAM NOTES By Robert Kirzinger TONIGHT’s COLLECTION OF DOUBLE CONCERTOS demonstrates the modern range of a genre that developed beginning about the end of the 1600s, essentially parallel to the solo concerto. Double and other multiple concertos were quite common in the High Baroque, including lots of examples by Vivaldi and, under his influence, Bach, but the solo concerto dominates the Classical period and beyond, with relatively few notable exceptions—Mozart’s two-piano concerto and sinfonias concertante, Beethoven’s Triple, Brahms’s Double—remaining solidly in today’s orchestral repertoire. This concert’s variety of approaches has as its chronological and stylistic extremes Michael Tippett’s 1939 GER Concerto for Double String Orchestra—one of the composer’s first works of significance— N and the brand-new, up-to-the-moment world premiere of the Double Concerto for Baritone GRAI Saxophone, Percussion, and Orchestra written for BMOP by Pittsburgh-based Mathew CLIVE Rosenblum.
  • Jeffrey Khaner, Flute and Charles Abramovic, Piano Tuesday, October 22 – 8:00 PM Settlement Music School

    Jeffrey Khaner, Flute and Charles Abramovic, Piano Tuesday, October 22 – 8:00 PM Settlement Music School

    PREVIEW NOTES Jeffrey Khaner, flute and Charles Abramovic, piano Tuesday, October 22 – 8:00 PM Settlement Music School Program A Flutist’s Sketchbook Pieces of Eight James Primosch Richard Wernick Born: 1956 in Cleveland, Ohio Born: 01/16/1934 in Boston, Massachusetts Composed: 2013 Composed: 2013 World Premiere/PCMS Commission World Premiere/PCMS Commission Duration: N/A Duration: N/A A student of George Crumb, Mario Davidovsky, and Winner of the 1977 Pulitzer Prize in Music, Richard Richard Wernick, James Primosch has had works Wernick became renowned as a teacher during his performed by such ensembles as the Los Angeles tenure at the University of Pennsylvania. He has Philharmonic, the St. Paul Chamber Orchestra, Collage, composed numerous solo, chamber, and orchestral the New York New Music Ensemble, and the Twenty‐ works as well as a large body of music for theater, film, First Century Consort. Among his many honors are a ballet and television. He has been commissioned by grant from the National Endowment for the Arts and a some of the world’s leading performers and ensembles, Guggenheim Fellowship. Primosch’s music is described including the Philadelphia Orchestra, National as intensely lyrical and dazzlingly angular with hints of Symphony Orchestra, the American Composers jazz and sacred music. Orchestra, the Juilliard String Orchestra, and the Emerson String Quartet. From 1983‐89 he served as the Piano Sonata Philadelphia Orchestra’s Consultant for Contemporary Elliott Carter Music, and from 1989‐93 he served as Special Born:
  • Pacific 231 (Symphonic Movement No

    Pacific 231 (Symphonic Movement No

    Pacific 231 (Symphonic Movement No. 1) Arthur Honegger (1892–1955) Written: 1923 Movements: One Style: Contemporary Duration: Six minutes As a young man trying to figure his way in the world of music, Miklós Rózsa (a Hollywood film composer) asked the French composer Arthur Honegger “How are we composers expected to make a living?” “Film music,” he said. “What?” I asked incredulously. I was unable to believe that Arthur Honegger, the composer of King David, Judith and other great symphonic frescos, of symphonic poems and chamber music, could write music for films. I was thinking of the musicals I had seen in Germany and of films like The Blue Angel, so I asked him if he meant foxtrots and popular songs. He laughed again. “Nothing like that,” he said, ‘I write serious music.’ As a young man, Honegger was part of a group of renegade composers in Paris grouped around the avant-garde poet Jean Cocteau called “Les Six.” Unlike, the other composers in “Les Six,” Honegger’s music is weightier and less flippant. In the 1920s, Honegger worked on three short orchestral pieces that he called Mouvements symphonique. In his autobiography, I am a Composer, he recounts his intent with the first: To tell the truth, In Pacific I was on the trail of a very abstract and quite ideal concept, by giving the impression of a mathematical acceleration of rhythm, while the movement itself slowed. It was only after he wrote the work that he gave it the title. “A rather romantic idea crossed my mind, and when the work was finished, I wrote the title, Pacific 231, which indicates a locomotive for heavy loads and high speed.” Given a title, people heard things that weren’t there.
  • View PDF Online

    View PDF Online

    MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951.
  • 2001 Next Wave Fe Tival

    2001 Next Wave Fe Tival

    October 2001 2001 Next Wave Fe tival Brooklyn Ph iI BAM Next Wave Festival sponsor: PHILIP MORRIS ~lA~(8Ill COMPANIES INC Brooklyn Academy of Music and Bang on a Can Bruce C. Ratner Michael Gordon Chairman of the Board David Lang Alan H. Fishman Julia Wolfe Chairman, Campaign for BAM Co-Artistic Directors Karen Brooks Hopkins Kenny Savelson President Executive Producer Joseph V. Melillo Executive Prod ucer present the Bang on a Can Marathon Approximate BAM Howard Gilman Opera House running time: , Oct 28, 2001, at 2pm 8 hours Composers Performers Elizabeth Brown BoaC All-Stars David Chesworth David Chesworth Ensemble Sussan Deyhim Ethel Arnold Dreyblatt Icebreaker Marti Epstein Kyaw Kyaw Naing Joshua Fried Newband John Godfrey The Orchestra of Excited Strings Michael Gordon Ivo Papasov & Zig Zag Trio David Lang So Percussion Marc Mellits Marc Perlman Kyaw Kyaw Naing Kathleen Supove Ivo Papasov TroIIstilt Harry Partch Wu Man/Makubuya Dan Plonsey Evan Ziporyn TroIIstilt Diderik Wagenaar Julia Wolfe Wu Man & James Makubuya Evan Ziporyn Special thanks to Samantha. 25 Program COMPOSER NAME OF WORK PERFORMER 2pm-4pm Harry Partch Castor and Pollux Newband Elizabeth Brown Delerium Newband Joshua Fried Headset Sextet BoaC All-Stars Julia Wolfe Early That Summer Ethel Marc Mellits 5 Machines BoaC All-Stars 4pm-6pm Kyaw Kyaw Naing Hsaing Chaik De Maungt BoaC All-Stars w/Kyaw Kyaw Naing* Sein Osit BoaC All-Stars w/Kyaw Kyaw Naing* Tiloun (U Ko Ko)t BoaC All-Stars w/Kyaw Kyaw Naing* Marti Epstein She Fell into a Wall of Sorrows Kath leen Su pove Diderik Wagenaar Metrum** Icebreaker Evan Ziporyn Be In Ethel w/Evan Ziporyn David Lang The So-called Laws of Naturet So Percussion* 6pm-8pm John Godfrey Gallows' Hillt Icebreaker Michael Gordon Yo Shakespeare Icebreaker Troll stilt Roulette Trollsti It *.
  • Mimi Stillman, Artistic Director

    Mimi Stillman, Artistic Director

    Mimi Stillman, Artistic Director Wednesday, February 20, 2019 at 7:00pm Trinity Center for Urban Life 22 nd and Spruce Streets, Philadelphia Dolce Suono Ensemble Presents Rediscoveries: Festival of American Chamber Music I Dolce Suono Trio Mimi Stillman, flute/piccolo – Gabriel Cabezas, cello – Charles Abramovic, piano with Kristina Bachrach, soprano Trio for Flute, Cello, and Piano (1944) Norman Dello Joio (1913-2008) Moderato Adagio Allegro spiritoso Stillman, Cabezas, Abramovic Enchanted Preludes for Flute and Cello (1988) Elliott Carter (1908-2012) Stillman, Cabezas Dozing on the Lawn from Time to the Old (1979) William Schuman (1910-1992) Orpheus with His Lute (1944) Bachrach, Abramovic Winter Spirits for Solo Flute (1997) Katherine Hoover (1937-2018) Stillman Two Songs from Doña Rosita (1943) Irving Fine (1914-1962) (arr. DSE) Stillman, Cabezas, Abramovic Intermission Moon Songs (2011) * Shulamit Ran (1949) Act I: Creation Act II: Li Bai and the Vacant Moon Entr’acte I Act III: Star-crossed Entr’acte II: Prayer to Pierrot Act IV: Medley Bachrach, Stillman, Cabezas, Abramovic Tonight from West Side Story (1961) Leonard Bernstein (1918-1990) [premiere of new arrangement ] (arr. Abramovic) Stillman, Cabezas, Abramovic *Commissioned by Dolce Suono Ensemble About the Program – Notes by Mimi Stillman We are pleased to present Dolce Suono Ensemble (DSE)’s new project “Rediscoveries: Festival of American Chamber Music,” which seeks to illuminate an important but largely neglected body of chamber music by American composers. Aside from the most celebrated American composers from this period whose chamber works are regularly performed, i.e. Copland, Barber, Bernstein, and Carter, there are many other composers highly lauded in their time and significant in shaping the story of music in the United States, who are rarely heard today.
  • NYU Labor & Employment

    NYU Labor & Employment

    ISSUE 1 • FALL 2007 CONTENTS 1 60TH ANNUAL LABOR CONFERENCE Faculty and audience examine retaliation and whistleblowing in 2-day conference NYU Labor & 3 INAUGURAL AWARDS DINNER Peter Hurtgen receives Center’s Award of Appreciation for his contributions to the field Employment MARVIN MILLER ROUNDTABLE 4 Unique baseball legend returns to his alma mater to discuss MLBPA NEWSLETTER OF THE CENTER FOR LABOR AND EMPLOYMENT LAW 5 ABA JOINT PROGRAMS Law Center and ABA team up for Litigation Workshop and Mid-Winter New York University School of Law Meeting 10TH FEDERAL JUDGES 6 WORKSHOP IJA-Labor Center Program explores issues dominating federal dockets JUDICIAL REVIEW Estreicher 9 indexes Supreme Court Decisions without getting political 9 HOLLAND ROUNDTABLE Dutch study group meets with DOL, EEOC and NLRB attorneys to discuss differences and similarities NYU 60th Annual Conference on DEPARTMENT OF LABOR 9 TRAINING Center holds Training Labor Examines Retaliation and Program for DOL attorneys at New York Regional Office Whistleblowers in the Workplace 9 PROGRAM ON RECENT NLRA Paul M. Secunda, University of Mississippi School of Law DEVELOPMENTS Inflatable rats and grad students were topic of discussion during active dialogue N MAY 31 AND JUNE 1, OVER 200 ATTORNEYS, in Washington government officials and academics partici- 10 2007–08 CALENDAR pated in the NYU Center for Labor and Employ- 11 CENTER PUBLICATIONS ment Law’s 60th Annual Conference on Labor 15 IN MEMORIAM on NYU’s campus in New York City. The labor Everett E. Lewis Judith P. Vladeck conference is the premier event sponsored by the Center and Morris P.
  • Augusta Read Thomasâ•Žs Sun Threads for String Quartet: a Study

    Augusta Read Thomasâ•Žs Sun Threads for String Quartet: a Study

    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Augusta Read Thomas's Sun Threads for String Quartet: A Study and Performer's Guide Kristin Ann Pfeifer Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC AUGUSTA READ THOMAS’S SUN THREADS FOR STRING QUARTET: A STUDY AND PERFORMER’S GUIDE By KRISTIN ANN PFEIFER A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded Fall Semester, 2013 Kristin Pfeifer defended this treatise on October 28, 2013. The members of the supervisory committee were: Eliot Chapo Professor Directing Treatise Evan Jones University Representative Melanie Punter Committee Member Corinne Stillwell Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ! ii! ACKNOWLEDGEMENTS I owe my gratitude to all of the people who helped make this treatise possible. I am forever grateful to my violin professor, Eliot Chapo, for his extraordinary teaching, faith, and support in me throughout my studies at the Florida State University. I have been fortunate enough to have a wonderful committee, who challenged me and always questioned my thoughts in order for me to further express my ideas. I would like to sincerely thank Dr. Evan Jones, Melanie Punter, and Corinne Stillwell for their tremendous mentorship and encouragement. My sincere thanks goes to Augusta Read Thomas for allowing me to have a wonderful interview in her beautiful home.
  • ===Music-Print Productions

    ===Music-Print Productions

    ==========P.O.Music Box 750458;-Print Forest Hills,Productions NY 11375-0458==== ====== 718-268-8906 / [email protected] STEVEN L. ROSENHAUS Steven L. Rosenhaus (b. 1952, Brooklyn, NY) is a composer, lyricist, arranger, conductor, author, educator and clinician, and performer. His concert music has been called “clever, deftly constructed and likable” by The New York Times; the Sächsiche Zeitung (Dresden, Germany) declares it “expressive.... It’s song-like melodic sequences and balladic aspects give it a lyrical beauty, within a newer soundworld.” Back Stage magazine called his music and lyrics for the off-Broadway show Critic “sprightly, upbeat, and in the ballad repertory, simply lovely.” His original works and arrangements are performed by such musicians as the New York Philharmonic, the Kansas City Symphony, pianist Laura Leon, violinist Florian Mayer, bass trombonist John Rojak, the Dresden Sinfonietta, the Ploiesti Symphony Orchestra (Romania), the Sheboygan Symphony (WI), the New York Repertory Orchestra, the Meridian String Quartet, and several U.S. military ensembles including the U.S. Navy Band (Washington, DC), the U.S. Naval Academy Band, and the U.S. Naval Forces Europe Band (Naples, Italy). Dr. Rosenhaus holds a Ph.D. from New York University where he serves as Adjunct Assistant Professor of Composition; he also holds M.A. and B.A. degrees from Queens College (CUNY). He has over 175 original works and arrangements in print with LudwigMasters Music Publications, Theodore Presser, Music-Print Productions, Grand Mesa Music, Print Music Source, and others. Recordings of his music are on the Musical Tapestries, Richardson, Capstone, and MPP labels. Dr. Rosenhaus is a frequent guest conductor of service, professional, community, and educational groups at all levels.