Jeffrey Khaner, Flute and Charles Abramovic, Piano Tuesday, October 22 – 8:00 PM Settlement Music School

Total Page：16

File Type：pdf, Size：1020Kb

PREVIEW NOTES Jeffrey Khaner, flute and Charles Abramovic, piano Tuesday, October 22 – 8:00 PM Settlement Music School Program A Flutist’s Sketchbook Pieces of Eight James Primosch Richard Wernick Born: 1956 in Cleveland, Ohio Born: 01/16/1934 in Boston, Massachusetts Composed: 2013 Composed: 2013 World Premiere/PCMS Commission World Premiere/PCMS Commission Duration: N/A Duration: N/A A student of George Crumb, Mario Davidovsky, and Winner of the 1977 Pulitzer Prize in Music, Richard Richard Wernick, James Primosch has had works Wernick became renowned as a teacher during his performed by such ensembles as the Los Angeles tenure at the University of Pennsylvania. He has Philharmonic, the St. Paul Chamber Orchestra, Collage, composed numerous solo, chamber, and orchestral the New York New Music Ensemble, and the Twenty‐ works as well as a large body of music for theater, film, First Century Consort. Among his many honors are a ballet and television. He has been commissioned by grant from the National Endowment for the Arts and a some of the world’s leading performers and ensembles, Guggenheim Fellowship. Primosch’s music is described including the Philadelphia Orchestra, National as intensely lyrical and dazzlingly angular with hints of Symphony Orchestra, the American Composers jazz and sacred music. Orchestra, the Juilliard String Orchestra, and the Emerson String Quartet. From 1983‐89 he served as the Piano Sonata Philadelphia Orchestra’s Consultant for Contemporary Elliott Carter Music, and from 1989‐93 he served as Special Born: December 11, 1908 in New York, New York Consultant to Music Director Riccardo Mutti. Died: November 5, 2012 in New York, New York Composed: 1945‐46 Duo for Flute and Piano Last PCMS performance: Jeremy Denk, 2008 Aaron Copland Duration: 23 minutes Born: November 14, 1900 in Brooklyn, New York Died: December 2, 1990 in Tarrytown, New York Generally considered one of the most important piano Composed: 1971 sonatas of the 20th century, Carter’s explores the various Last PCMS performance: Marina Piccinini, 2010 acoustical and mechanical properties of the piano. The Duration: 14 minutes first of the two movements alternates between contrasting textures with scurrying 16th notes, dense Commissioned in memory of William Kincaid (former tonalities, chromatic development, overtone principal flute of the Philadelphia Orchestra), the Duo relationships, and sympathetic vibrations. The second was premiered by Elaine Shaffer and Hephzibah movement features an intricately constructed fugue rich Menuhin at the Settlement Music School on October 3, with development and interplay. The work itself is 1971. The first movement is picturesquely Copland with cyclical in nature―unwinding into the low sustained a slowly crafted melody similar to his folk song notes from the opening. arrangements. The second movement Copland described as “a certain mood that I connect with myself―a rather sad and wistful mood, I suppose”. This meditative movement is interrupted by the more virtuosic third and final movement. .

Copy Link

Recommended publications

Richard Wernick
RICHARD WERNICK HAIKU OF BASHŌ Neva Pilgrim, soprano; Contemporary Chamber Players of The University of Chicago; Richard Wernick, conductor MOONSONGS FROM THE JAPANESE Neva Pilgrim, soprano RICHARD WERNICK (b. Boston, 1934) attended Brandeis University where he studied composition with Irving Fine and Harold Shapero, and received his M.A. degree from Mills College where he studied with Leon Kirchner. Since 1957, when he served as musical director and composer-in-residence of the Royal Winnipeg Ballet, he has received many awards and grants — including the 1977 Pulitzer Prize in Music and the award of the American Academy-Institute of Arts and Letters that made this recording possible. Wernick has been a faculty member of the University of Buffalo and the University of Chicago, and became Professor of Music at the University of Pennsylvania in 1968. He writes: “The HAIKU OF BASHŌ is a setting of five haiku by and (in one instance) about Matzuo Bashō (1643-94), generally acknowledged to be the foremost writer of this form of Japanese verse. The first four poems of the cycle are fine examples of how Bashō was able to capture the essence of seemingly inconsequential moments or vignettes and, with the most frugal means of literary expression, communicate to the reader a sense of the timeless and eternal. The fifth poem, written a century later, is more in the nature of a 17-syllable one- line-joke, a play on the word 'bashō' which means 'banana leaf,' “There are no programmatic connections between the haiku and the music, nor is there any attempt at word painting.
[Show full text]
Mimi Stillman, Artistic Director
Mimi Stillman, Artistic Director Wednesday, February 20, 2019 at 7:00pm Trinity Center for Urban Life 22 nd and Spruce Streets, Philadelphia Dolce Suono Ensemble Presents Rediscoveries: Festival of American Chamber Music I Dolce Suono Trio Mimi Stillman, flute/piccolo – Gabriel Cabezas, cello – Charles Abramovic, piano with Kristina Bachrach, soprano Trio for Flute, Cello, and Piano (1944) Norman Dello Joio (1913-2008) Moderato Adagio Allegro spiritoso Stillman, Cabezas, Abramovic Enchanted Preludes for Flute and Cello (1988) Elliott Carter (1908-2012) Stillman, Cabezas Dozing on the Lawn from Time to the Old (1979) William Schuman (1910-1992) Orpheus with His Lute (1944) Bachrach, Abramovic Winter Spirits for Solo Flute (1997) Katherine Hoover (1937-2018) Stillman Two Songs from Doña Rosita (1943) Irving Fine (1914-1962) (arr. DSE) Stillman, Cabezas, Abramovic Intermission Moon Songs (2011) * Shulamit Ran (1949) Act I: Creation Act II: Li Bai and the Vacant Moon Entr’acte I Act III: Star-crossed Entr’acte II: Prayer to Pierrot Act IV: Medley Bachrach, Stillman, Cabezas, Abramovic Tonight from West Side Story (1961) Leonard Bernstein (1918-1990) [premiere of new arrangement ] (arr. Abramovic) Stillman, Cabezas, Abramovic *Commissioned by Dolce Suono Ensemble About the Program – Notes by Mimi Stillman We are pleased to present Dolce Suono Ensemble (DSE)’s new project “Rediscoveries: Festival of American Chamber Music,” which seeks to illuminate an important but largely neglected body of chamber music by American composers. Aside from the most celebrated American composers from this period whose chamber works are regularly performed, i.e. Copland, Barber, Bernstein, and Carter, there are many other composers highly lauded in their time and significant in shaping the story of music in the United States, who are rarely heard today.
[Show full text]
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
TANGLEWOOD Festival of Contemporary American Music August 14, 15, 16, 17, 18, 1966 Sponsored by the Berkshire Music Center In Cooperation with the Fromm Music Foundation I " STMVINSKY tt.VlOW agon vam 7/re Boston Symphony SCHULLER 7 STUDIES ox THEMES of PAUL KLEE BOSTON SYMPHONY ORCHESTRA/ERICH lEINSDORf under Leinsdorf Leinsdorf expresses with great power the vivid colors of Schuller's Seven Studies on Themes of Paul Kiee and, in the same album, Stravinsky's ballet music from Agon. Forthe majorsinging roles in Menotti's dramatic cantata, The Death of the Bishop of Brindisi. Leinsdorf astutely selected George London, and Lili Chookasian, of whom the Chicago Daily Tribune has written, "Her voice has the Boston symphony ecich teinsooof / luminous tonal sheath that makes listening luxurious. menotti Also hear Chookasian in this same album, in songs from the death op the Bishop op BRSndlSI Schbnberg's Gurre-Lieder. In Dynagroove sound. Qeonoe ionoon • tilt choolusun s<:b6notec,/ou*«*--l(eoeo. sooq of the wooo-6ove ac^acm rca Victor fa @ The most trusted name in sound ^V V BERKSHIRE MUSIC CENTER ERICH LeinsDORF, Director Joseph Silverstein, Chairman of the Faculty Aaron Copland, Chairman of the Faculty Emeritus Louis Speyer, Assistant Director Victor Babin, Chairman of the Tanglewood Institute Harry J. Kraut, Administrator FESTIVAL of CONTEMPORARY AMERICAN MUSIC presented in cooperation with THE FROMM MUSIC FOUNDATION Paul Fromm, President Alexander Schneider, Associate Director FELLOWSHIP PROGRAM Contemporary Music Activities Gunther Schuller, Head Roger Sessions, George Rochberg, and Donald Martino, Guest Teachers Paul Zukofsky, Fromm Teaching Fellow James Whitaker, Chief Coordinator Viola C Aliferis, Assistant Administrator The Berkshire Music Center is maintained for advanced study in music sponsored by the BOSTON SYMPHONY ORCHESTRA Erich Leinsdorf, Music Director Thomas D.
[Show full text]
Download the PDF Concert Program
Smithsonian American Art Museum Presents 21st CENTURY CONSORT March 12, 2016 Nan Tucker McEvoy Auditorium Smithsonian American Art Museum Smithsonian American Art Museum Smithsonian American Art Museum presents presents 21st Century Consort Pre-Concert Discussion Christopher Kendall, Andrea Clearfield, James Primosch Christopher Kendall, Artistic Director Boyd Sarratt, Manager Program Paul Cigan, clarinet Icons Lisa Emenheiser, piano Dan Foster, viola Largo Charles Ives Sarah Fuller, harp Lee Hinkle, percussion Mr. Cigan, Ms. Emenheiser, Ms. Osborne Mary Mackenzie, soprano Alexandra Osborne, violin Convergence Andrea Clearfield Sara Stern, flute Rachel Young, cello Ms. Emenheiser, Mr. Foster Mark Huffman, recording engineer Voice of the Whale George Crumb Saturday, March 12, 2016 Ms. Emenheiser, Ms. Stern, Ms. Young Pre-Concert Discussion 4:00 p.m. Concert 5:00 p.m. INTERMISSION Nan Tucker McEvoy Auditorium Smithsonian American Art Museum Icons James Primosch The 21st Century Consort dedicates this evening’s concert to our wonderful Mr. Cigan, Ms. Emenheiser friend and colleague Jo Ann Gillula, who, as Chief of External Affairs of the Smithsonian American Art Museum, was instrumental in establishing the Sparrows Joseph Schwantner Consort’s residency and has been an invaluable collaborator and supporter. We wish her every happiness in her retirement, and look forward to her return Mr. Cigan, Ms. Emenheiser, Mr. Foster, Ms. Fuller, Mr. Hinkle, visits to future Consort concerts. Mr. Kendall, Ms. Mackenzie, Ms. Osborne, Ms. Stern, Ms. Young ❖ ❖ ❖ The 21st Century Consort’s 2015-2016 activities are sponsored by the Smithsonian American Art Museum and funded in part by generous contributions The audience is invited to join the artists in the lobby from the Morris and Gwendolyn Cafritz Foundation, the National Endowment for following the performance for conversation and refreshments.
[Show full text]
Elliott Carter's March
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects Fall 12-14-2015 Elliott aC rter’s March: An Applicable Analysis Troy W. Palmer Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the Music Performance Commons, and the Other Music Commons Recommended Citation Palmer, Troy W., "Elliott aC rter’s March: An Applicable Analysis" (2015). Honors College Capstone Experience/Thesis Projects. Paper 590. http://digitalcommons.wku.edu/stu_hon_theses/590 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. ELLIOTT CARTER’S MARCH: AN APPLICABLE ANALYSIS A Capstone Experience Thesis Project Presented in Partial Fulfillment of the Requirements for The Degree Bachelor of Arts with Honors College Graduate Distinction at Western Kentucky University By: Troy W. Palmer ***** Western Kentucky University 2015 CE/T Committee: Approved by Dr. Mark Berry, Advisor Dr. Mary Wolinski ______________________ Advisor Dr. Victoria Lapoe Department of Music Copyright by Troy W. Palmer 2015 ABSTRACT This thesis, in summation, can be divided into two parts. The first half focuses on the story of Eight Pieces for Four Timpani, composed by Elliott Carter and published in 1968. Both its compositional and performance history are addressed. The compositional history starts with the writing of the first version of Carter’s music, Six Pieces for Kettledrums, written in 1950; next, the revision process is addressed, including the actual revisions seen in March.
[Show full text]
Pulitzer Prize Winners and Finalists
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70
[Show full text]
Philadelphia Music Project 2010 Grant Recipients
The Pew Center for Arts & Heritage Philadelphia Music Project 2010 Grant Recipients American Composers Forum, Philadelphia Chapter Grant Awarded: $45,000 The Philadelphia chapter of the American Composers Forum provides local composers at various stages of their careers with resources for professional and artistic development, cultivating public interest in new music and enriching the musical life of the community. This grant will support “SoundExchange,” a three-day residency with Pulitzer Prize and Grammy Award winner Steve Reich. The residency will include a workshop and composition lessons for local composers and culminate in an open rehearsal and concert by New York City’s Argento Chamber Ensemble, which will perform Reich’s 2009 Pulitzer prize-winning composition Double Sextet, and the Philadelphia premiere of Daniel Variations, dedicated to the late journalist Daniel Pearl, who was murdered by militant terrorists in 2002. Ars Nova Workshop Grant Awarded: $45,000 Ars Nova Workshop presents performances of jazz, and experimental and improvisational music in a way that encourages a dialogue between musicians and audiences. PMP will support a six-concert series that celebrates the Chicago-based Association for the Advancement of Creative Musicians (AACM), a nonprofit collective that has supported the creation and advancement of diverse music since 1965 and provides music education to inner-city youths. The series will feature music by composers and multi-instrumentalists Henry Threadgill and Roscoe Mitchell, champions of avant-garde jazz and early members of AACM. Bowerbird Grant Awarded: $25,000* Bowerbird is a young organization that has presented over 200 events in Philadelphia. It provides performance opportunities to experimental musicians and sound artists whose music is often overlooked by traditional presenters.
[Show full text]
Symphonic and Concert Composers
No. 01-618 IN THE 6XSUHPH&RXUWRIWKH8QLWHG6WDWHV ———— ERIC ELDRED, et al., Petitioners, v. JOHN D. ASHCROFT, In his official capacity as Attorney General, Respondent. ———— On Writ of Certiorari to the United States Court of Appeals for the District of Columbia Circuit ———— BRIEF OF AMICI CURIAE SYMPHONIC AND CONCERT COMPOSERS JACK BEESON, CHEN YI, JOHN CORIGLIANO, JOHN DUFFY, HAROLD FARBERMAN, PHILIP GLASS, ADOLPHUS HAILSTORK, JENNIFER HIGDON, LIBBY LARSEN, TANIA LEÓN, STEPHEN PAULUS, GEORGE ROCHBERG, NED ROREM, AUGUSTA READ THOMAS, MELINDA WAGNER AND RICHARD WERNICK IN SUPPORT OF RESPONDENT ———— I. FRED KOENIGSBERG * GAELA K. GEHRING FLORES WHITE & CASE LLP 1155 Avenue of the Americas New York, NY 10036-2787 (212) 819-8200 * Counsel of Record Attorneys for Amici Curiae WILSON-EPES PRINTING CO., INC. – (202) 789-0096 – WASHINGTON, D. C. 20001 TABLE OF CONTENTS Page TABLE OF AUTHORITIES ......................................... iii INTERESTS OF AMICI CURIAE................................. 1 SUMMARY OF ARGUMENT ..................................... 8 ARGUMENT................................................................. 9 I. RECOGNITION OF, AND REMUNERA- TION FOR, THE LIFE WORK AND LEGACY OF CREATORS OF SYMPHONIC AND CONCERT MUSIC IS USUALLY LONG-DELAYED ............................................ 9 II. THE CTEA RATIONALLY PROMOTES THE PROGRESS OF SCIENCE AND USEFUL ARTS BY ALLOWING FOR FAIR COMPENSATION AND ENCOURAGING CREATIVITY, INVESTMENT, PRESERVA- TION, PROMOTION AND DISSEMINA- TION IN FIELDS IN WHICH AN ARTIST’S WORK IS RECOGNIZED VERY LATE IN LIFE OR POSTHUMOUSLY ........................... 13 A. The CTEA Provides Fair Compensation for the Enrichment of American Culture through Symphonic and Concert Musical Works........................................................... 13 B. The CTEA Promotes American Culture by Extending Copyright for Existing Symphonic and Concert Music.................... 15 1. The CTEA Ensures a Proper Legacy to the Composer’s Heirs............................
[Show full text]
Cutting Edge History
Composer Work Performer/Ensemble Date performed Virgil Thomson Arias from The Mother of Us All Encompass Music Theatre, Nancy Rhodes, Artistic Director9 April 1998 Tania Leon Arias from A Scourge of Hyacinths Encompass Music Theatre, Nancy Rhodes, Artistic Director9 April 1998 Victoria Bond Arias from Travels Encompass Music Theatre, Nancy Rhodes, Artistic Director9 April 1998 William Bolcom Arias from McTeague Encompass Music Theatre, Nancy Rhodes, Artistic Director9 April 1998 Bruce Adolphe Whispers of Mortality The Flux Quartet 16 April 1998 Victoria Bond Dreams of Flying The Flux Quartet 16 April 1998 Robert Beaser String Quartet The Flux Quartet 16 April 1998 Katherine Erlandson, soprano Sarah Hornsby, flute Daniel Goerita, guitar Glen Cortese Paso a la Aurora Alexander Mackenzie, cello 16 April 1998 Francis Thorne Sonatina for Solo Flute Patricia Spenser, flute 23 April 1998 Eugene Moye, cello Francis Thorne Quiet Night Song Francis Thorne, piano 23 April 1998 Renee Jolles, violin Sarah Adams, viola Joanna Jenner, violin Francis Thorne String Quartet #3 Dorothy Lawson, cello 23 April 1998 Renee Jolles, violin Francis Thorne Rhapsodic Variations #5 Chris Oldfather, piano 23 April 1998 Set of Popular Songs: It Only Takes a Moment Million Goes to Million Once Upon a Love Francis Thorne Luci Della Citta Francis Thorne, voice and piano 23 April 1998 Directed by Rhoda Levine Frank Longino, Narrator Deborah Wong, violin Michael Finkel, cello Aaron Kernis The Four Seasons of Futurist Cuisine Edmund Nieman, piano 1 April 1999 Deborah Wong,
[Show full text]
October 2002
21ST CENTURY MUSIC OCTOBER 2002 INFORMATION FOR SUBSCRIBERS 21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. ISSN 1534-3219. Subscription rates in the U.S. are $84.00 (print) and $42.00 (e-mail) per year; subscribers to the print version elsewhere should add $36.00 for postage. Single copies of the current volume and back issues are $8.00 (print) and $4.00 (e-mail) Large back orders must be ordered by volume and be pre-paid. Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. e-mail: [email protected]. Typeset in Times New Roman. Copyright 2002 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC. INFORMATION FOR CONTRIBUTORS 21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Typescripts should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors with access to IBM compatible word-processing systems are encouraged to submit a floppy disk, or e-mail, in addition to hard copy.
[Show full text]
Pulitzer Prize Winners Biography Or Autobiography Year Winner 1917
A Monthly Newsletter of Ibadan Book Club – December Edition www.ibadanbookclub.webs.com, www.ibadanbookclub.wordpress.com E-mail:[email protected], [email protected] Pulitzer Prize Winners Biography or Autobiography Year Winner 1917 Julia Ward Howe, Laura E. Richards and Maude Howe Elliott assisted by Florence Howe Hall 1918 Benjamin Franklin, Self-Revealed, William Cabell Bruce 1919 The Education of Henry Adams, Henry Adams 1920 The Life of John Marshall, Albert J. Beveridge 1921 The Americanization of Edward Bok, Edward Bok 1922 A Daughter of the Middle Border, Hamlin Garland 1923 The Life and Letters of Walter H. Page, Burton J. Hendrick 1924 From Immigrant to Inventor, Michael Idvorsky Pupin 1925 Barrett Wendell and His Letters, M.A. DeWolfe Howe 1926 The Life of Sir William Osler, Harvey Cushing 1927 Whitman, Emory Holloway 1928 The American Orchestra and Theodore Thomas, Charles Edward Russell 1929 The Training of an American: The Earlier Life and Letters of Walter H. Page, Burton J. Hendrick 1930 The Raven, Marquis James 1931 Charles W. Eliot, Henry James 1932 Theodore Roosevelt, Henry F. Pringle 1933 Grover Cleveland, Allan Nevins 1934 John Hay, Tyler Dennett 1935 R.E. Lee, Douglas S. Freeman 1936 The Thought and Character of William James, Ralph Barton Perry 1937 Hamilton Fish, Allan Nevins 1938 Pedlar's Progress, Odell Shepard, Andrew Jackson, Marquis James 1939 Benjamin Franklin, Carl Van Doren 1940 Woodrow Wilson, Life and Letters, Vol. VII and VIII, Ray Stannard Baker 1941 Jonathan Edwards, Ola Elizabeth Winslow 1942 Crusader in Crinoline, Forrest Wilson 1943 Admiral of the Ocean Sea, Samuel Eliot Morison 1944 The American Leonardo: The Life of Samuel F.B.
[Show full text]
Season 2013-2014
27 Season 2013-2014 Friday, October 4, at 8:00 Saturday, October 5, at 8:00 The Philadelphia Orchestra Sunday, October 6, at 2:00 Yannick Nézet-Séguin Conductor Richard Woodhams Oboe Christiane Karg Soprano Britten Variations and Fugue on a Theme of Purcell, Op. 34 Strauss Oboe Concerto in D major I. Allegro moderato— II. Andante— III. Vivace—Allegro Intermission Mahler Symphony No. 4 in G major I. Bedächtig. Nicht eilen II. In gemächlicher Bewegung III. Ruhevoll. Poco adagio IV. Sehr behaglich This program runs approximately 2 hours, 10 minutes. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 228 Story Title The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community itself. His concerts to perform in China, in 1973 is one of the preeminent of diverse repertoire attract at the request of President orchestras in the world, sold-out houses, and he has Nixon, today The Philadelphia renowned for its distinctive established a regular forum Orchestra boasts a new sound, desired for its for connecting with concert- partnership with the National keen ability to capture the goers through Post-Concert Centre for the Performing hearts and imaginations of Conversations. Arts in Beijing. The Orchestra audiences, and admired for annually performs at Under Yannick’s leadership a legacy of innovation in Carnegie Hall while also the Orchestra returns to music-making. The Orchestra enjoying annual residencies in recording with a newly- is inspiring the future and Saratoga Springs, N.Y., and at released CD on the Deutsche transforming its rich tradition the Bravo! Vail festival.
[Show full text]