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Carrie Undérwo. D's Crossover Dreams >P.35
Carrie Undérwo. d's Crossover Dreams >P.35 #BXNCTCC 1111111111111111111111111111111111111111111 11/11111 #ßL2408043# APR06 A04 B01 )7 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 9080 -3402 NOV FOR'1ORE THAN 110 YEARS 19 R &B SinerjSongwriter SONY I3 IVI G Turns Jail Time Into Under Fire Over CD Copy- Protection >P.7 Hit Debut Album >P.30 11 N1 Illegal P212 (X) R\' Networks INVADES Face The NEW YORK IVIt,iSic; >P.? The CMAs Take Their Act On The Road >P.32 1 I1_IVI MUSIC', Can `Rent' & `Producers' Revive Soundtrack Biz? $6 99US S8.S9.A >P.27 US $6.99, CAN $8.99 UK £5.50, EURCPE 8.95, JAPAN V2,500 www.billboard.com www.billboard.biz www.americanradiohistory.com KEYSHIA COLE CERTIFIED GOLD DEBUT ALBUM "THE WAY _' IS' TOP SELLIN MALE R &B ARTIST 3 Vibe Award Nomt #1 Video at f - "I Should Have Cheated" Top 5 ringtone sales - "I Should Have Cheated" Top 5 (and gaining) at Urban radio - "I Should Have Cheated" Top 10 arum on Billboard R &B/Hip -Hop Chart TUNE INTO VIBE AWARDS TO SEE KEYSHIA PERFORM "I SHOULD HAVE CHEATED" TUESDAY, NOVEMBER 15TH ON UPN Executive Producers: Ron Fair, Manny Halley, and Keyshia Cole "I Should Have Cheated" AM Produced by: Daron_ Jones and Ron Fair / Written by: Daron Jones and Q. Parker REC Mixed by: Ron Fair and Tal Herzberg Management: Arthur Spivak for The Firm / ".2,U!: AY.1A Fnviili www.americanradiohistory.com YOU CAN'T AFFORD TO MISS THIS BILLBOARD EVENT DIGITAL ENTERTAINMENT 8 MEDIA DEM PO CONLEAENCE m z 2005 Billbearel NOVEMBER 19, 2005 TIE.is a 1.111111111115.1 VOLUME 117, NO. -
Discography 2016
The Charlie Daniels Band Discography 2016 Night Hawk CDC Records BFD066 2015 The CDB Live at Billy Bob's dvd/cd Smith Music 5075-2 2014 Off The Grid - Doin' It Dylan Blue Hat BLH 9716 2013 Hits of the South Blue Hat/RED BLH9713 2012 Hallelujah It's Christmas Time Again Blue Hat/Buffet's Inc. BLH9712 2011 Let 'Em Win or Bring 'Em Home (single) Hopesong Digital-GMV BLH-SGL-2011 2010 Land That I Love Blue Hat/E1 Ent E1E-CD-2323 2009 Charlie Daniels & Friends Joy to the World Blue Hat/E1 Ent KOC-CD4754 2008 Preachin', Prayin', Singin' Blue Hat / Koch KOC-DV 4241 2007 Deuces Blue Hat / Koch KOC-CD 4239 2007 Volunteer Jam # Eagle Eye Media EE 39150-9 2007 Live From Iraq Blue Hat / Koch KOC-CD 4240 2006 Charlie Daniels-The Ultimate Collection Sparrow/EMI 73849 2005 Country Stars N' Stripes Cracker Barrel 240601 2005 Tailgate Party (re-release) Blue Hat / Koch KOC-CD 9854 2005 CDB DVD Live # Blue Hat / Koch KOC-DV 9886 2005 Fiddle Fire (re-release) Blue Hat / Koch KOC-CD 9855 2005 Charlie Daniels/Songs From The Longleaf Pines Blue Hat / Koch KOC-CD-9823 2004 Essential Super Hits Blue Hat/Koch KOC-CD-9818 2003 Freedom and Justice for All Blue Hat / Audium AUD-CD 8188 2002 A Merry Christmas To All Blue Hat / Audium AUD-CD-8163 2002 Redneck Fiddlin' Man Blue Hat / Audium AUD-CD-8159 2002 The Ultimate Charlie Daniels Band Epic / Legacy 86456 2001 How Sweet The Sound Sparrow SPD 51908 2001 The Live Album Blue Hat / Audium AUD-8133 2000 Road Dogs Blue Hat BLH 9711 1999 Volunteer Jam-Live Performance.Vol 1 & Vol 2 Blue Hat BLH 9704/9705 1999 Tailgate -
Internet Killed the B-Boy Star: a Study of B-Boying Through the Lens Of
Internet Killed the B-boy Star: A Study of B-boying Through the Lens of Contemporary Media Dehui Kong Senior Seminar in Dance Fall 2010 Thesis director: Professor L. Garafola © Dehui Kong 1 B-Boy Infinitives To suck until our lips turned blue the last drops of cool juice from a crumpled cup sopped with spit the first Italian Ice of summer To chase popsicle stick skiffs along the curb skimming stormwater from Woodbridge Ave to Old Post Road To be To B-boy To be boys who snuck into a garden to pluck a baseball from mud and shit To hop that old man's fence before he bust through his front door with a lame-bull limp charge and a fist the size of half a spade To be To B-boy To lace shell-toe Adidas To say Word to Kurtis Blow To laugh the afternoons someone's mama was so black when she stepped out the car B-boy… that’s what it is, that’s why when the public the oil light went on changed it to ‘break-dancing’ they were just giving a To count hairs sprouting professional name to it, but b-boy was the original name for it and whoever wants to keep it real would around our cocks To touch 1 ourselves To pick the half-smoked keep calling it b-boy. True Blues from my father's ash tray and cough the gray grit - JoJo, from Rock Steady Crew into my hands To run my tongue along the lips of a girl with crooked teeth To be To B-boy To be boys for the ten days an 8-foot gash of cardboard lasts after we dragged that cardboard seven blocks then slapped it on the cracked blacktop To spin on our hands and backs To bruise elbows wrists and hips To Bronx-Twist Jersey version beside the mid-day traffic To swipe To pop To lock freeze and drop dimes on the hot pavement – even if the girls stopped watching and the street lamps lit buzzed all night we danced like that and no one called us home - Patrick Rosal 1 The Freshest Kids , prod. -
Emergency! Electric Fireplace 114736 - Media Console Electric F Ireplace 888400/13 HEATS up to 1,000 SQ
T1 January 7 - 13, 2018 Connie Britton, Angela Bassett and Peter Krause star in “9-1-1” FIREPLACES STARTING AT $688 HOLLYWOOD II URBAN LOFT Mirrored electric fireplace 119522 Media console electric fireplace 112726 ENTERPRISE BLACK ASTORIA Emergency! Electric fireplace 114736 - Media console electric f ireplace 888400/13 HEATS UP TO 1,000 SQ. FT. T2 Page 2 — Sunday, January 7, 2018 — The Robesonian Under pressure First responders struggle to save the day and themselves in Fox’s ‘9-1-1’ By Kyla Brewer first responders contend that (“AHS: Roanoke”). Aside from her TV Media they’re also the most rewarding, top-notch television work, Bassett and this new series sheds light on is best known for her appearances hen the heat is on, it helps to the highs and lows these brave men in feature films. She secured her Wkeep a cool head. In an emer- and women experience every day. spot as a Hollywood icon with her gency situation, first responders “In those moments when you portrayal of Tina Turner in the must keep it together and rely on actually save someone, there’s no biopic “What’s Love Got to Do their training to help those in need. better feeling in the world,” Nash With It,” for which she won a Gold- However, that doesn’t mean first says in “9-1-1.” en Globe and earned an Oscar responders don’t need help them- Bringing those moments to the nomination. She’s also famous for selves. small screen may be a big chal- her starring turn in the romantic Creators Ryan Murphy and Brad lenge, but if there’s currently a comedy “How Stella Got Her Falchuk explore the pressures team in network television that Grove Back” (1998). -
Central Florida Future, Vol. 34 No. 14, November 21, 2001
University of Central Florida STARS Central Florida Future University Archives 11-21-2001 Central Florida Future, Vol. 34 No. 14, November 21, 2001 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 34 No. 14, November 21, 2001" (2001). Central Florida Future. 1606. https://stars.library.ucf.edu/centralfloridafuture/1606 HAPPY THANKS61VIN6! from The Central THE central florida Florida Future • November 21, 2001 •THE STUDENT NEWSPAPER SERVING UCF SINCE 1968 • www.UCFjuture.com International 0 Hunger Banquet educates Week offered • forums, Study students about poverty Abroad Fair • KRISTA ZILIZI STAFF WRITER PADRA SANCHEZ S'rAfp WRITER • Students got the chance to experience the different social On Nov. 13, UCF held a classes that populate the world series of open forums for students, • at Volunteer UCF's annual faculty and staff about pertinent Hunger Banquet last week. international issues. Held in the "This is a small slice of Student Union's Key West Room, JOE KALEITA I CFF each forum followed a town hall life as it plays out ~ach day in lower class students, who were the world," said Nausheen format, with a panel of guest forced to sit on the floor, had to eat speakers and open microphones Farooqui, Hunger and with "rats". -
Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT ................................................................................................................. -
April 2014 TABLE of CONTENTS LATIN CDS LATIN CDS
Latin Digest ARTIST/TITLE REFERENCE EDITION April 2014 TABLE OF CONTENTS LATIN CDS LATIN CDS .................................................................................3 UPC# - CD Artist & Title LATIN SPECIAL SERIES CDS...................................................68 037629575626 10 DE COLECCION SERIES — 10 De Coleccion — Los Temerarios (SME LATIN DVDS.............................................................................77 U.S. LATIN) 037629575824 10 De Coleccion — Los Guardianes Del Amor (SME U.S. LATIN) 037629576029 10 De Coleccion — Grupo Montez (SME U.S. LATIN) 037629576128 10 De Coleccion — Banda Sinaloense El Recodo De Cruz Lizárraga (SME U.S. LATIN) 037629578023 10 De Coleccion — Lucia Mendez (SME U.S. LATIN) 037629578122 10 De Coleccion — Leo Dan (SME U.S. LATIN) 828767863825 10 De Coleccion — Los Caminantes (SME U.S. LATIN) 828767863924 10 De Coleccion — Los Humildes (SME U.S. LATIN) 828767864020 10 De Coleccion — Los Mier (SME U.S. LATIN) 828767864822 10 De Coleccion — Los Palominos (SME U.S. LATIN) 886970601221 10 De Coleccion — La Firma (SME U.S. LATIN) 886970601320 10 De Coleccion — Jay Perez (SME U.S. LATIN) 886970601726 10 De Coleccion — Los Tukas (SME U.S. LATIN) 886971042429 10 De Colección — Ilegales (SME U.S. LATIN) 886971042528 10 De Colección — Sergio Vargas (SME U.S. LATIN) 886971042627 10 De Colección — Vico C. (SME U.S. LATIN) 886971420920 10 De Colección — Orquesta Aragon (SME U.S. LATIN) 886971421026 10 De Colección — Tito Puente (SME U.S. LATIN) 886971421125 10 De Colección — Yolandita Monge (SME U.S. LATIN) 886971622126 10 De Colección — Tito Rodriguez (SME U.S. LATIN) 886972763323 10 De Coleccion — Banda Arkangel R-15 (SME U.S. LATIN) 886972773728 10 De Coleccion — Galy Galiano (SME U.S. LATIN) 886973157725 10 De Coleccion (Digipak) — Grupo Mania (SME U.S. -
Bcontractors Soon Dyin Place, the Project's to Be Hird Through the Public Consultants Can Be Retained T~ Mda Pcesss
.. ... .:.,,.: ""Y: A, .I U 4 I 4 - Delayed funding mange- up with 24-25 csns~ctbn mmtsfmthe.indwr*g packges far work ranging plhavepushedthepject's from stone maso~~yand completion date back to July 1, plumbmg to electrid wiring 1992, LE work is e@ to andhesrting systems. begin this spring. In a meeting last week, the "We're hoping to put it out in District of Squamish signed an small enoughpackages so local tigcmermt with Catnrec Engi- mpmies can tender on it.'' neering Consultants of Ed- With tRe financial agreement monton, allowing tha firm to between the District of finalize engineexed drawings, Squamish and the Squdh- and act as constntction man- Lillooet Regional District fi- ager for subcontractors soon dyin place, the project's to be hird through the public consultants can be retained t~ mda pcesss. begin work on the pool. Recreation dimtor Grant 'It's'down to the basics now," Dickey and,other members of Dickey said. the Parl;s'. and Recreation I Treslsauer Charlie .Schilberg Commission's pPCO~~IUC- tion subcommittee met with said an agreement has been Camrec consultant Graham reachad between tb district which smith Wedxleday to discuss and the SLRD, the latter some o€ the hai cids of iiie is bmwi!g 5&* fa !!! construction plans. project m behalf of the district. As consmctim manager, Dickey said, Camrec has come Cont'd on page 2 I. i. Teachers accept terms of new contract '. ,. I. .'L, 1 '. I .. , I,.. taxpayers in Squambh md 8 Squmish -- agreed to pay a $1 dion 00 BC grant -fit md CQS~-SW~@. -
Extreme Rock from Japan
Extreme Rock From Japan Joe Paradiso MIT Media Lab Japan • Populaon = 127 million people (10’th largest) – Greater Tokyo = 30 million people (largest metro in world) – 3’rd largest GDP, 4’th largest exporter/importer • Educated, complex, and hyper mo<vated populace – OCD Paradise… • Many musicians, and the level of musicianship is high! • Japan readily absorbs western influences, but reinterprets them in its own special way… – Creavity bubbles up in crazy ways from restric<ve uniformity – Get Western idioms “wonderfully” wrong! – And does it with gusto! Nipponese Prog • Prog Rock is huge in Japan (comparavely speaking….) – And so is psych, electronica, thrash bands, Japanoise (industrial), metal, etc. • I will concentrate on Early Synth music - Symphonic Prog – Fusion/jazz - RIO (quirky) prog – Psychedelic/Space Rock – by Nature Incomplete • Ian will cover Hip Hop, Miku, etc. Early (70s) Electronics – Isao Tomta 70’s Rock Electronics - YMO • Featuring Ryuichi Sakamoto 70s Berlin-School/Floydish Rock Far East Family band • Parallel World produced by Klaus Schulze – Entering – 6:00, Saying to the Land (4:00) 70’s Progish Jazz – Stomu Yamash'ta • Supergroup “Go” • Freedom is Frightening, 5:00, Go side B Other Early 70’s Psych (Flower Travelin’ band) • Satori, pt. II, middle Early Symphonic Prog - Shingetsu 1979 • Led by Makoto Kitayama (Japanese Peter Gabriel) • Oni Early Symphonic Prog – Outer Limits (1985) 1987 2007 • The Scene Of Pale blue (Part One) – middle • Plas<c Syndrome, Consensus More Early Symphonic Prog – Mr. Sirius 1987 1990 -
Natalia Jiménez Creo En Mí
juventud rebelde MARTES 30 DE SEPTIEMBRE DE 2014 ESPECIAL 05 ¡DE IMPACTO! A cargo de JOSÉ LUIS ESTRADA BETANCOURT [email protected] Licenciatura en Radioquímica EL licenciado en Radioquímica se forma en el Ins- Nuclear y en el Centro de Protección e Higiene de tituto Superior de Tecnologías y Ciencias Aplicadas las Radiaciones. y su objeto de trabajo son los isótopos, las sus- Puede asimismo incidir en las esferas: médico- tancias radiactivas y las radiaciones ionizantes, farmacéutica, industrial (industrias azucarera, bási- sus propiedades y transformaciones. El radioquí- ca, hidrometalúrgica, agroalimentaria, etc.), me- mico obtiene sustancias radiactivas y aplica los dioambiental (centros de investigación del Citma y isótopos y las radiaciones. Este profesional recibe delegaciones territoriales), biológica y biotecnoló- casi la misma formación que un licenciado en Quí- gica (centros del polo científico) y en la normaliza- mica. ción, metrología y control de la calidad. El campo de actuación de este especialista es Se puede desempeñar además, como autori- el nuclear, vinculado a los centros de investigación dad regulatoria (licencias radiológicas para ensa- y desarrollo, la producción y los servicios. En par- yos clínicos, etc.), en la educación y en áreas ticular puede desarrollarse en el Centro de Isóto- emergentes (ciencia de los materiales, nanocien- pos, Centro de Estudios Aplicados al Desarrollo cias, nanotecnologías). Foto: Raúl Pupo Natalia Jiménez Creo en mí LA cantante y compositora española Natalia Altea Jiménez Sarmento inició su carrera musical YA me han dicho que soy buena para nada/ y que el aire que a inicios de los 2000. Nació en Madrid, España, el 29 de diciembre de 1981. -
70'S Music 522 Songs, 1:10:46:20 Total Time, 2.02 GB
70's Music 522 songs, 1:10:46:20 total time, 2.02 GB Name Time Album Artist Dancing Queen 3:52 ABBA - Gold - Greatest Hits ABBA Waterloo (English Version) 2:43 ABBA - Gold - Greatest Hits ABBA Fernando 4:12 Abba Knowing Me Knowing You 4:01 Abba S.O.S. 3:21 Abba Take A Chance On Me 4:04 Abba Dream On 4:28 Aerosmith Sweet Emotion 3:15 Aerosmith Walk This Way 3:33 Aerosmith Let's Stay Together (2002 Digital Re… 3:18 The Definitive Greatest Hits Al Green Year of the Cat 6:43 Al Stewart: Greatest Hits Al Stewart Time Passages 6:43 Time Passages Al Stewart Undercover Angel 3:38 Alan O'Day Damned If I Do 4:50 Eve Alan Parsons Project Breakdown 3:53 I Robot Alan Parsons Project (The System Of) Doctor Tarr And Pro… 4:21 Tales Of Mystery & Imagination Alan Parsons Project - Tales Of Myst… Ramblin' Man 4:50 The Allman Brothers Band: A Decade… The Allman Brothers Band Biggest Part of Me 5:25 Ambrosia: Anthology Ambrosia You're the Only Woman 4:23 Ambrosia: Anthology Ambrosia How Much I Feel 4:44 Ambrosia: Anthology Ambrosia A Horse With No Name (Remastered … 4:12 America: The Complete Greatest Hits America Ventura Highway 3:33 America: The Complete Greatest Hits America Tin Man 3:27 America: The Complete Greatest Hits America Lonely People 2:29 History: America's Greatest Hits America Sister Golden Hair 3:20 History: America's Greatest Hits America Thank You for Being a Friend 4:40 Rhino Hi-Five: Andrew Gold - EP Andrew Gold Lonely Boy 4:02 Andrew Gold I Just Want to Be Your Everything 3:47 20th Century Masters - The Millenni… Andy Gibb Rock Me Gently 3:28 Andy Kim Danny's Song 3:06 Anne Murray: Love Songs - EP Anne Murray Hold Your Head Up 6:15 The Argent Anthology: A Collection … Argent Spooky 4:59 20th Century Masters - The Millenni… Atlanta Rhythm Section Imaginary Lover 5:06 Atlanta Rhythm Section So Into You 4:23 Atlanta Rhythm Section Pick Up the Pieces 4:02 Pickin' Up the Pieces: The Best of Av… Average White Band My Maria 2:33 Radio Hits of the '70s B.W. -
Svět Jiné Hudby
Zdeněk K. Slabý, Petr Slabý Kniha vychází s laskavou podporou a za finančního přispění Ministerstva kultury České republiky © Zdeněk K. Slabý, Petr Slabý, 2007 © VOLVOX GLOBATOR, 2007 ISBN 978-80-7511-183-8 Vydalo nakladatelství & vydavatelství Volvox Globator Štítného 17, 130 00 Praha 3 www.volvox.cz jako svou 781. publikaci Obálka a grafická úprava Karel Haloun Odpovědný redaktor Ondřej Sýkora E-knihahttps://purehtml.cz Vydání první, Praha 2007 Adresa knihkupectví Volvox Globator: Štítného 16, 13000 Praha 3-Žižkov Předmluva aneb Alternativní verze doslovu Na počátku mé práce na tomto dílu Světa jiné hudby byla dvě slova. A ta slova byla Sun Ra. O něm jsem místopřísežně v nejrůznějších médiích slíbil, že ve druhém dílu napíšu stěžejní článek, a vrátilo se mi to jako bumerang. Toho jsem tedy dosáhl, i když by si tento zcela zásadní muzikant zasloužil celou knihu o několika tisících stránek. Přesto studium jeho odkazu pro mě znamenalo otevření dalších dimenzí pro další bádání a pochopení zcela nových věcí. Řada textů vznikla díky možnosti navštívit některé věhlasné světové festivaly, které se věnují alternativní hudbě a neberou ji jako okrajovou záležitost, ale šanci pro poznávání současných trendů. Byla to příležitost blíže poznat řadu umělců a v neposlední řadě pochopit fakt, že takzvaná „alternativa“ je otevřena každé vstřícné duši. A věřte, že na tyto akce v Rakousku či Francii chodí číratí punkáči i zasloužilí důchodci v oblecích a vytváří společnou komunitu lidí, kteří v jakémkoliv věku hledají nové impulsy a mají mnoho společného - totiž právě ono hledání. Tímto bych chtěl poděkovat jejich organizátorům. Opět se čtenáři i kritici budou ptát, proč zde to a tohle zrovna chybí, i když je to trendy nebo klasika nos plus ultra, a proč jsou zde zastoupeni relativně marginální muzikanti či soubory a proč zde relativně malý prostor dostala tentokrát domácí scéna.