The Medieval European Stage, 500-1550 Edited by William Tydeman Index More Information
Cambridge University Press 978-0-521-10084-7 - The Medieval European Stage, 500-1550 Edited by William Tydeman Index More information Index In a work of this scope it is clearly impracticable to list supplementary details for every entry. Priority has therefore been given to highlighting items of particular theatrical significance. Geographical locations adopt their present-day affiliation; dates are ad unless otherwise stated. Aalborg, Denmark 649 feintes devised for 315; Confrérie de la Aaron (Old Testament priest) 104, 571 Passion (1541) canvasses for actors and Abbeville, France, play-text bought (1452) 294 stages 288; procurator-general derides Abbots Bromley, England, Hobby Horse and performers (1542) 289, 330 Horn Dance 635–6 Adam and Eve, featured 38–9, 148, 149, 191, Aberdeen, Scotland, pre-1500 records retained 192, 193, 201, 220, 247, 360, 388, 389, 534; 207 Anglo-Norman Adam 150–1, costumes for Abele spelen [ingenious plays] 194, 489, 513; at 171–2, instructions to presenters 176, taken Arnhem 514 to Hell 174; Brussels Bliscapen cast 535; Abraham (Old Testament patriarch) 168, 172, Florence: occupy float in Festa 459; Greek 216, 220, 288, 345, 389, 391, 517, 533 Fall play 182–3; Innsbruck Easter Play: Abramo of Souzdal, Bishop (fl. 1440), on Adam sings and speaks 365; Norwich Florentine spectacles 12, 454–9 Grocers’ pageant: costumes and properties accidents, Bautzen (1413) 401; Beverley 218–19; Redentin Easter Play: both speak, (c. 1220) 181; Dunstable (c. 1100) 170–1; Adam sings 367; Zerbst: ‘naked with twigs’ Florence (1304) 430; Metz (1437) 346–7; 391 Paris (1380, 1384) 285; Seurre (1496) 303 Adam de la Halle (‘le Bossu’) (c.
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