Bibliography

Total Page:16

File Type:pdf, Size:1020Kb

Bibliography Bibliography Achebe, Chinua. “An image of Africa.” Research in African Literatures 9, no. 1 (1978): 1–15. Adhikari, Mohamed. The Anatomy of a South African Genocide: The Extermination of the Cape San Peoples. Cape Town: University of Cape Town Press, 2010. Ako, Edward O. and Blossom N. Fondo. “Alterity and the Imperial Agenda: Mary Kingsley’s Travels in West Africa and Gerald Durrell’s The Bafut Beagles.” Jouvert 7, no. 2 (2003). 1 April 2008, http://social.chass.ncsu.edu/jouvert/v7i2/ako.htm. Albany Museum. Catalogue of the Natural History Collections of the Albany Museum, Graham’s Town. Preface by Marion Glanville, curator. Cape Town: W. A. Richards and Sons, 1883. Anatsui, El. Interview with Professor Chika Okeke- Agulu. Sterling and Francine Clark Art Institute, Golden Lamb Productions. 1 April 2011. Anthony, Loren. “Buried Narratives: Masking the Sign of History in The Story of an African Farm.” Scrutiny 2: Issues in English Studies in Southern Africa 4, no. 2 (1999): 3–13. Anthropological Institute. Notes and Queries on Anthropology. 2nd edn. Eds John George Garson and Charles Hercules Read. London: Harrison and Sons, 1892. —— Notes and Queries on Anthropology. 3rd edn. Eds John George Garson and Charles Hercules Read. London: Anthropological Institute, 1899. Anthropological Institute and British Association for the Advancement of Science. Notes and Queries on Anthropology for the Use of Travellers and Residents in Uncivilized Lands. Ed. Augustus Henry Lane Fox. London: Edward Stanford, 1874. —— Notes and Queries on Anthropology. 4th edn. Eds Barbara Freire- Marreco and John Linton Myres. London: Harrison and Sons, 1912. Anthropological Institute of Great Britain and Ireland. “Council Minutes.” 1875–80. Anthropology Library, British Museum. Appadurai, Arjun. “Introduction: Commodities and the Politics of Value.” The Social Life of Things, 1986. 3–63. —— ed. The Social Life of Things: Commodities in Cultural Perspective. Cambridge: Cambridge University Press, 1986. Apter, Emily. Feminizing the Fetish: Psychoanalysis and Narrative Obsession in Turn-of-the-Century France. Ithaca: Cornell University Press, 1991. Apter, Emily and William Pietz, eds. Fetishism as Cultural Discourse. Ithaca: Cornell University Press, 1993. Barnard, Alan. Hunters and Herders of Southern Africa: A Comparative Ethnography of the Khoisan Peoples. Cambridge: Cambridge University Press, 1992. Bartels, Max. “Copien von Felszeichnungen der Buschmänner.” Verhandlungen der Berliner Gesellschaft für Anthropologie, Ethnologie und Urgeschichte in Zeitschrift für Ethnologie 24 (1892): 26–7. Barthes, Roland. Camera Lucida: Reflections on Photography. 1980. Trans. Richard Howard. New York: Hill and Wang, 1994. —— “The Reality Effect.” The Rustle of Language. Trans. Richard Howard. Berkeley: University of California Press, 1989. 141–8. 225 226 Bibliography Bastian, Adolf. “Allgemeine Begriffe der Ethnologie.” Anleitung zu wissenschaftlichen Beobachtungen auf Reisen. Ed. Georg Balthasar von Neumayer. Berlin: Robert Oppenheim, 1875. 516–33. —— Ethnologische Forschungen und Sammlung von Material für dieselben. Jena: Hermann Costenoble, 1871. —— Der Mensch in der Geschichte: zur Begründung einer psychologischen Weltanschauung. Leipzig: O. Wigand, 1860. —— Museum Führer, Königliche Museen: Ethnographische Sammlung. Berlin, 1872. —— “Nachwort.” Original- Mittheilungen aus der Ethnologischen Abtheilung der Königlichen Museen zu Berlin. 164–70. —— “Ueber Ethnologische Sammlungen.” Zeitschrift für Ethnologie 17. Berlin, 1885. 38–42. —— Die Vorgeschichte der Ethnologie. Berlin: Dümmler, 1881. Bataille, Georges. “The Notion of Expenditure.” Visions of Excess. Trans. Allan Stoekl. Minneapolis: University of Minnesota Press, 1985. Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” 1938. Illuminations. Ed. Hannah Arendt. Trans. Harry Zohn. New York: Schocken Books, 1969. Benveniste, Émile. Problems in General Linguistics. 1956. Coral Gables: University of Miami Press, 1971. Berger, K. G. and S. M. Martin. “Palm Oil.” The Cambridge World History of Food. Eds Kenneth F. Kiple and Kriemhild Coneè Ornelas. Cambridge: Cambridge University Press, 2000. 397–410. Berkman, Joyce Avrech. The Healing Imagination of Olive Schreiner: Beyond South African Colonialism. Amherst: University of Massachusetts Press, 1989. Bhabha, Homi K. The Location of Culture. New York: Routledge, 1994. Bickford- Smith, Vivian. Ethnic Pride and Racial Prejudice in Victorian Cape Town: Group Identity and Social Practice, 1875–1902. Cambridge: Cambridge University Press, 1995. Bleek, Wilhelm Heinrich Immanuel. “A Brief Account of Bushman Folk- lore and Other Texts. Second Report Concerning Bushman Researches, Presented to Both Houses of the Parliament of the Cape of Good Hope, by Command of His Excellency the Governor.” Cape Town: J. C. Juta, London: Trübner and Co. and Leipzig: F. A. Brockhaus, 1875. —— “Remarks on Orpen’s Mythology of the Maluti Bushmen.” Cape Monthly Magazine N.S. 9 (1874): 13. —— ed. Reynard the Fox in South Africa; or, Hottentot Fables and Tales. London: Trübner and Co., 1864. Bleek, Wilhelm Heinrich Immanuel and Lucy Catherine Lloyd. Specimens of Bushman Folk- lore. London: George Allen and Co., Ltd., 1911. Blunt, Alison. Travel, Gender, and Imperialism: Mary Kingsley and West Africa. New York: Guilford Press, 1994. —— “Mapping Authorship and Authority: Reading Mary Kingsley’s Landscape Descriptions.” Writing Women and Space: Colonial and Post- colonial Geographies. Eds Alison Blunt and Gillian Rose. New York: Guilford Press, 1994. 51–72. Blyden, Edward Wilmot. African Life and Customs. 1908. London: African Publication Society, 1969. —— Black Spokesman: Selected Published Writings of Edward Wilmot Blyden. Ed. Hollis Ralph Lynch. New York: Humanities Press, 1971. Bibliography 227 —— Christianity, Islam and the Negro Race. 1887. Edinburgh: Edinburgh University Press, 1967. —— Selected Letters of Edward Wilmot Blyden. Ed. Hollis Ralph Lynch. Milwood, New York: KTO Press, 1978. —— The African Society and Miss Mary Kingsley. London: John Scott and Co., 1901. —— “West Africa Before Europe.” Journal of the African Society 2, no. 8 (1903): 359–74. Boehmer, Elleke. Colonial and Postcolonial Literature: Migrant Metaphors. Oxford: Oxford University Press, 1995. Bossuet, Jacques Bénigne. Discours sur l’histoire universelle. Paris: Firmin Didot Frères, 1845. Brisson, Ulrike. “Fish and Fetish: Mary Kingsley’s Studies of Fetish in West Africa.” Journal of Narrative Theory 35, no. 3 (2005): 326–40. Bristow, Joseph. “Introduction.” The Story of an African Farm. By Olive Schreiner. vii-xxix. Brown, Bill. “How to Do Things with Things (A Toy Story).” Critical Inquiry 24, no. 4 (1998): 935–64. —— The Material Unconscious: American Amusement, Stephen Crane, and the Economics of Play. Cambridge: Harvard University Press, 1996. —— “Object Relations in an Expanded Field.” Differences: A Journal of Feminist Cultural Studies 17, no. 3 (2006): 88–107. —— “Thing Theory.” Critical Inquiry 28, no. 1 (2001): 1–21. Browne, Thomas Gore. “Contact with Civilized Races.” Notes and Queries on Anthropology. 1892. 229–31. Buckland, Francis Trevelyan. Curiosities of Natural History. New York: Rudd and Carleton, 1857. Burdett, Carolyn. Olive Schreiner and the Progress of Feminism: Evolution, Gender, Empire. New York: Palgrave, 2001. Büttner, Rev. C. G. “Bericht über Buschman Malereien in der Nähe von !Ameib Damaraland.” Verhandlungen der Berliner Gesellschaft für Anthropologie, Ethnologie und Urgeschichte in Zeitschrift für Ethnologie 10 (1878): 15–21. Buzard, James. Disorienting Fiction: The Autoethnographic Work of Nineteenth- Century British Novels. Princeton: Princeton University Press, 2005. The Cape of Good Hope Government Gazette 5 October 1855. Library of the Iziko South African Museum, Cape Town. Carey- Hobson, Mary Ann. At Home in the Transvaal. London, Sonnenschein: 1884. —— The Farm in the Karoo: Or, What Charley Vyvyan and His Friends Saw in South Africa. London: Juta, Heelis and Co., 1883. A Catalogue of the South African Museum, Now Exhibiting in the Egyptian Hall, Piccadilly. London: Smith, Elder and Co., 1837. Chambers, Ephraim. Cyclopædia; or, an universal dictionary of arts and sciences, volume I, 1st edn. London, 1728. Chrisman, Laura. Rereading the Imperial Romance: British Imperialism and South African Resistance in Haggard, Schreiner, and Plaatje. Oxford: Clarendon Press, 2000. Ciolkowski, Laura E. “Traveler’s Tales: Empire, Victorian Travel, and the Spectacle of English Womanhood in Mary Kingsley’s Travels in West Africa.” Victorian Literature and Culture 26, no. 2 (1998): 337–66. Clayton, Cherry. “Forms of Dependence and Control in Olive Schreiner’s Fiction.” Olive Schreiner and After: Essays on Southern African Literature in Honour 228 Bibliography of Guy Butler. Ed. Malvern van Wyk Smith. Cape Town: David Philip, 1983. 20–9. Clifford, James. The Predicament of Culture: Twentieth- Century Ethnography, Literature, and Art. Cambridge: Harvard University Press, 1988. —— Routes: Travel and Translation in the Late Twentieth Century. Cambridge: Harvard University Press, 1997. Clingman, Stephen. “Revolution and Reality: South African Fiction in the 1980s.” Rendering Things Visible: Essays on South African Literary Culture. Ed. Martin Trump. Johannesburg: Ravan, 1990. 41–60. Coetzee, J. M. (John Maxwell). “Farm Novel and Plaasroman in South Africa.” English in Africa 13, no. 2 (1986): 1–19. —— White Writing: On the Culture of Letters in South Africa. New Haven: Yale University
Recommended publications
  • "Problem" MWF 2 Cross Listed with AADS4410 Satisfies Cultural Diversity Core Requirement in the Souls of Black Folk, W.E.B
    SPOTLIGHT ON ENGLISH ELECTIVES SPRING 2018 ENGL2482 African American Literature and the "Problem" MWF 2 Cross listed with AADS4410 Satisfies Cultural Diversity Core Requirement In The Souls of Black Folk, W.E.B. Du Bois famously observes that to be black is to serially confront a question: "How does it feel to be a problem?" This course undertakes a survey of African American Literature as an ongoing mediation on the "problem" of being black, from the advent of racial slavery through to its contemporary afterlives. Reading broadly across a black literary tradition spanning four centuries and multiple genres, we will consider how black writers represent the "problem" of being black not merely as an unwelcome condition to be overcome, but an ethical orientation to be embraced over against an anti-black world that is itself a problem. Jonathan Howard ENGL3331 Victorian Inequality MWF 11 Fulfills the pre-1900 requirement. From “Dickensian” workhouses to shady financiers, Victorian literature has provided touchstones for discussions of inequality today. This course will investigate how writers responded to the experience of inequality in Victorian Britain during an era of revolution and reaction, industrialization and urbanization, and empire building. Considering multiple axes of inequality, we will explore topics such as poverty and class conflict, social mobility, urbanization, gender, education, Empire, and labor. We will read novels, poetry, and nonfiction prose; authors include Alfred, Lord Tennyson; Elizabeth Gaskell; Charles Dickens; Elizabeth Barrett Browning; Mary Prince; Arthur Morrison; and Thomas Hardy. Aeron Hunt ENGL4003 Shakespeare and Performance T TH 12 Fulfills pre-1700 requirement Although Shakespeare became “literature,” people originally encountered Shakespeare’s plays as popular entertainment.
    [Show full text]
  • 19Th Century
    THE NINETEENTH CENTURY Poetry [minimum 10 poets] 1. William Blake a. “The Ecchoing Green” [Songs of Innocence] (1789) b. “The Divine Image” [Songs of Innocence] (1789) c. “Holy Thursday” [Songs of Innocence] (1789) d. “Holy Thursday” [Songs of Experience] (1794) e. “The Human Abstract” [Songs of Experience] (1794) f. “London” [Songs of Experience] (1794) 2. William Wordsworth a. “Simon Lee” (1798) b. The Prelude, Books I-III, VII, IX-XIII (1805) c. “Ode: Intimations of Immortality” (1807) 3. Percy Bysshe Shelley a. “Alastor; or, The Spirit of Solitude” (1815) b. “Mont Blanc” (1817) c. “To a Skylark” (1820) 4. George Gordon, Lord Byron a. “Darkness” (1816) b. Childe Harold’s Pilgrimage, Canto III-IV (1816; 1818) 5. John Keats a. “Ode to a Nightingale” (1819) b. “Ode on a Grecian Urn” (1819) c. “Ode on Melancholy” (1819) d. “To Autumn” (1819) 6. Alfred, Lord Tennyson a. “The Lotos-Eaters” (1832; rev. 1842) b. In Memoriam (1850) c. “Tithonus” (1860) 7. Elizabeth Barrett Browning a. “The Cry of the Children” (1843) b. “The Runaway Slave at Pilgrim’s Point” (1850) c. Aurora Leigh (1856) 8. George Meredith a. Modern Love (1862) 9. Christina Rossetti a. “Goblin Market” (1862) b. “The Convent Threshold” (1862) c. “Memory” (1866) d. “The Thread of Life” (1881) 10. Robert Browning a. “Childe Roland to the Dark Tower Came” (1855) b. The Ring and the Book (1868-9) 11. Augusta Webster a. “Circe” (1870) b. “The Happiest Girl in the World” (1870) c. “A Castaway” (1870) Fiction [minimum 10 novelists] 1. Ann Radcliffe, The Mysteries of Udolpho (1794) 2.
    [Show full text]
  • GEORGE EGERTON [Mary Chavelita Dunne Bright] (1859-1945)
    GEORGE EGERTON [Mary Chavelita Dunne Bright] (1859-1945) Mary Chavelita Dunne Bright, who took on the pen name George Egerton, was born in Australia in 1859. During her childhood she lived in New Zealand, Chile, Wales, Ireland, and Germany. After the death of her mother in 1875, she helped raise her younger siblings, living in Dublin, London, and New York. She moved to Norway with one of her father's friends, Henry Higginson, but returned to England and married Egerton Tertius Clairmonte, whose first name she adopted as part of her E.A. Walton. Bodley Heads No. 3: pseudonym. She took on "George" as a George Egerton. Drawing, 1895 The Yellow Book 5 (April 1895): 9. tribute to her mother, whose maiden name was "Isabel George" (Stetz, "Keynotes" 91). After divorcing Clairmonte, she married Reginald Golding Bright, a drama critic and theatre agent, in 1901. Egerton burst onto the London literary scene in 1893 with her first book, Keynotes, published by Elkin Mathews and John Lane at the Bodley Head in a 1 distinctive design by Aubrey Beardsley. In fact, because the short story collection's themes of sexual freedom, creativity, and independence were so emblematic of the 1890s New Woman, "Keynotes" also became the title of a book series Lane created later, once he was running the Bodley Head on his own. The series included 19 volumes of short stories and 14 novels – among them Grant Allen's The Woman Who Did (1895), Ella D'Arcy's Monochromes (1895), and Victoria Crosse's The Woman Who Didn't (1895).
    [Show full text]
  • George Egerton's Transgressive Fictions
    Colby Quarterly Volume 36 Issue 2 June Article 8 June 2000 Keynotes from Millstreet, Co. Cork: George Egerton's Transgressive Fictions Tina O'Toole Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 36, no.2, June 2000, p.145-156 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. O'Toole: Keynotes from Millstreet, Co. Cork: George Egerton's Transgressiv Keynotesfrom Millstreet, Co. Cork: George Egerton's Transgressive Fictions by TINA O'TOOLE N TANDEM WITH the stirrings of first-wave feminism, the literary work of I "New Woman"l writers came to the fore in the early 1890s. Replacing the Victorian "angel in the house", these writers depicted desires never realised in fiction before, and imagined worlds quite different from bourgeois patri­ archy. Olive Schreiner's The Story ofan African Farm and Charlotte Perkins Gilman's Herland are well-known examples of this genre today. The princi­ ples of this fiction included the abolition of hierarchical systems and an inci­ sive understanding of the workings of ideological process. The triumph of the new woman figure is seen as effecting a liberation of the whole community, and of social relations in general in these fictions. George Egerton's Keynotes collection, published in 1893, was central to this fin de siecle feminist campaign. This essay looks at her career, and asks why her work has been almost completely erased from literary history.
    [Show full text]
  • Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915
    Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915 Kimberly E. Hereford A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Susan Casteras, Chair Paul Berger Stuart Lingo Program Authorized to Offer Degree: Art History ©Copyright 2015 Kimberly E. Hereford ii University of Washington Abstract Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915 Kimberly E. Hereford Chair of the Supervisory Committee: Professor Susan Casteras Art History This dissertation examines representations in art of the Victorian woman in “altered states.” Though characterized in Victorian art in a number of ways, women are most commonly stereotyped as physically listless and mentally vacuous. The images examined show the Victorian female in a languid and at times reclining or supine pose in these representations. In addition, her demeanor implies both emotional and physical depletion, and there is both a pronounced abandonment of the physical and a collapsing effect, as if all mental faculties are withdrawing inward. Each chapter is dedicated to examining one of these distinct but interrelated types of femininity that flourished throughout British and American art from c. 1850 to c. 1910. The chapters for this dissertation are organized sequentially to demonstrate a selected progression of various states of consciousness, from the most obvious (the sleeping woman) to iii the more nuanced (the female Aesthete and the female medium). In each chapter, there is the visual perception of the Victorian woman as having access to otherworldly conditions of one form or another.
    [Show full text]
  • Hetherington2014.Pdf (1.554Mb)
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. A Sociology of Small Things: Olive Schreiner, Eleanor Marx, Amy Levy and the Intertextualities of Feminist Cultural Politics in 1880s London Donna Marie Hetherington PhD Sociology University of Edinburgh 2014 DECLARATION In accordance with University regulations, I hereby declare that: 1. This thesis has been composed solely by myself 2. This thesis is entirely my own work 3. This thesis has not been submitted in part or whole for any other degree or personal qualification. Signed: Donna Marie Hetherington September 2013 2 ABSTRACT This thesis investigates the cultural politics of a small group of women through their writing and other activities in 1880s London. Focussed on Olive Schreiner, Eleanor Marx and Amy Levy and the connections they had to one another and to other women, such as Henrietta Frances Lord, Clementina Black and Henrietta Müller, it explores key events in their everyday lives, the writings and texts they produced.
    [Show full text]
  • The Colonial African Heroine in the Writing of Olive Schreiner, Isak Dinesen, Doris Lessing and Nadine Gordimer
    WHITE EVE IN THE "PETRIFIED GARDEN": THE COLONIAL AFRICAN HEROINE IN THE WRITING OF OLIVE SCHREINER, ISAK DINESEN, DORIS LESSING AND NADINE GORDIMER By ROBIN ELLEN VISEL B.A. The City College of the City University of New York, 197 M.A. The University of British Columbia, 1977 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA November 1987 © Robin Ellen Visel, 1987 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 DE-6(3/81) ii ABSTRACT Olive Schreiner, writing in the tradition of George Eliot and the Brontes, was an isolated yet original figure who opened up new directions in women's fiction. In her novels, The Story of an African Farm (1883) and From Man to Man (1926) she developed a feminist critique of colonialism that was based on her own coming-of-age as a writer in South Africa.
    [Show full text]
  • Selfhood, Sex and Spirituality in the Writings of Olive Schreiner
    Durham E-Theses Outspoken dreams: Selfhood, sex and spirituality in the writings of Olive Schreiner Martin, Claire How to cite: Martin, Claire (1986) Outspoken dreams: Selfhood, sex and spirituality in the writings of Olive Schreiner, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/6860/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Claire Martin, Outspoken Dreams : Selfhood, Sex and Spirituality in the Writings of Olive Schreiner. ABSTRACT This study of the life and work of Olive Schreiner explores the tensions inherent in her political and artistic vision. It assesses the importance both of her continual movement towards a unifying spirituality and of her relentless, often fragmentary, self-exploration. Using her three novels, the allegories, her non-fictional work and her extensive personal corres• pondence, I examine Schreiner's sense of identity and gender and their relationship to her feminism, and her emphasis on a re-evaluation of sexual relationships within the major themes of her writing.
    [Show full text]
  • Woolf and the Art of Exploration Helen Southworth
    Clemson University TigerPrints Woolf Selected Papers 2006 Woolf and the Art of Exploration Helen Southworth Elisa Kay Sparks Follow this and additional works at: https://tigerprints.clemson.edu/cudp_woolfe Recommended Citation Woolf and the Art of Exploration: Selected Papers from the Fifteenth International Conference on Virginia Woolf, edited by Helen Southworth and Elisa Kay Sparks (Clemson, SC: Clemson University Digital Press, 2006), xiv, 254 pp. ISBN 0-9771263-8-2 This Book is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in Woolf Selected Papers by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Woolf and the Art of Exploration Selected Papers from the Fifteenth International Conference on Virginia Woolf Woolf and the Art of Exploration Selected Papers from the Fifteenth International Conference on Virginia Woolf Lewis & Clark College, Portland, Oregon 9–12 June 2005 Edited by Helen Southworth and Elisa Kay Sparks A full-text digital version of this book is available on the Internet, at the Center for Vir- ginia Woolf Studies, California State University, Bakersfi eld. Go to http://www.csub.edu/ woolf_center and click the Publications link. Works produced at Clemson University by the Center for Electronic and Digital Publishing, including Th e South Carolina Review and its themed series “Virginia Woolf International,” may be found at our Web site: http://www. clemson.edu/caah/cedp. Contact the director at 864-656-5399 for information. Copyright 2006 by Clemson University ISBN 0-9771263-8-2 Published by Clemson University Digital Press at the Center for Electronic and Digital Publishing, Clemson University, Clemson, South Carolina.
    [Show full text]
  • Bibliography the Arts and Crafts Movement in America
    BIBLIOGRAPHY THE ARTS AND CRAFTS MOVEMENT IN AMERICA BY ALICE BOURLAND COY THESIS FOR THE DEGREE OF BACHELOR OF LIBRARY SCIENCE IN THE STATE LIBRARY SCHOOL % IN THE UNIVERSITY OF ILLINOIS. JUNE. 1904. /?W UNIVERSITY OF ILLINOIS THIS IS TO CERTIFY THAT THE THESIS PREPARED UNDER MY' SUPERY'ISION BY omjcL ..l o x . njUJDL IS APPROVED BY ME AS FUEFIEEING THIS PART OF THE REQUIREMENTS FOR THE DEGREE <>612 7 Preface In compiling this "bibliography the purpose has been to include articles on the arts and craft3 movement in general and those show­ ing the development of the movement along any special line. There­ fore all text books, hand books, technical treatises, etc., have been excluded, as not belonging strictly to the subject. In one or two instances such books have been included because they con­ tained an account of the industry. Wherever the work of an individual craftsman has been found described, the article has been included because it was thought to show indirectly the development of the movement along that particu­ lar line. In the preparation of the bibliography, correspondence was had with many art societies all over the country. Many of these, through their secretaries or other interested members, supplied in­ formation not to be found in print. Many also 3ent prospectuses, circulars, etc. As it was thought advisable to preserve this mate­ rial, the information has been embodied in an introduction and the circulars, prospectuses and other printed matter have been mounted. The treatment of the societies in the introduction has been by locality, first Boston and vicinity then New York, the south, West­ ern New York and the Middle West.
    [Show full text]
  • Gender-Free Narration and Gender-Inclusive Reading in Olive Schreiner’S Dreams (1890)
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 14 | 2017 Early American Surrealisms, 1920-1940 / Parable Art Visiting the Highest Heaven: Gender-Free Narration and Gender-Inclusive Reading in Olive Schreiner’s Dreams (1890) Nathalie Saudo-Welby Electronic version URL: http://journals.openedition.org/miranda/9881 DOI: 10.4000/miranda.9881 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Nathalie Saudo-Welby, “Visiting the Highest Heaven: Gender-Free Narration and Gender-Inclusive Reading in Olive Schreiner’s Dreams (1890)”, Miranda [Online], 14 | 2017, Online since 04 April 2017, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/9881 ; DOI: https:// doi.org/10.4000/miranda.9881 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Visiting the Highest Heaven: Gender-Free Narration and Gender-Inclusive Readi... 1 Visiting the Highest Heaven: Gender-Free Narration and Gender- Inclusive Reading in Olive Schreiner’s Dreams (1890) Nathalie Saudo-Welby 1 Olive Schreiner (1855-1920) was a South-African essayist, short story writer and novelist committed to the cause of female emancipation and pacifism.1 Her first and best-known novel, The Story of an African Farm (1883), set in her native South Africa, was the first of a sub-genre of feminist novels exploring the thoughts and life of the “New Woman”2. The heroine, named after Schreiner’s mother’s last name, Lyndall, is a great speaker. In her long feminist speeches, addressed to her meek friend Waldo, she expresses her contempt for female schooling and traditional marriage arrangements.
    [Show full text]
  • Empire Girls: the Colonial Heroine Comes of Age
    Welcome to the electronic edition of Empire Girls: the colonial heroine comes of age. The book opens with the bookmark panel and you will see the contents page. Click on this anytime to return to the contents. You can also add your own bookmarks. Each chapter heading in the contents table is clickable and will take you direct to the chapter. Return using the contents link in the bookmarks. The whole document is fully searchable. Enjoy. E m pire Girls The high-quality paperback edition is available for purchase online: https://shop.adelaide.edu.au/ E m pire Girls the colonial heroine comes of age Mandy Treagus Discipline of English and Creative Writing The University of Adelaide Published in Adelaide by University of Adelaide Press The University of Adelaide Level 1, 254 North Terrace South Australia 5005 [email protected] www.adelaide.edu.au/press The University of Adelaide Press publishes externally refereed scholarly books by staff of the University of Adelaide. It aims to maximise access to the University’s best research by publishing works through the internet as free downloads and for sale as high quality printed volumes. © 2014 Mandy Treagus This work is licenced under the Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0) License. To view a copy of this licence, visit http://creativecommons.org/licenses/by-nc-nd/4.0 or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This licence allows for the copying, distribution, display and performance of this work for non-commercial purposes providing the work is clearly attributed to the copyright holders.
    [Show full text]