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Shanghaing Mumbai – Politics of Evictions and Resistance in Slum
Page 1 WORKING PAPER - 7 Shanghaing Mumbai – Politics of Evictions and Resistance in Slum Settlements Darshini Mahadevia Harini Narayanan October, 1999 CENTRE FOR DEVELOPMENT ALTERNATIVES E-71, Akash, Near Chief Justice‟s Bungalow, Bodakdev, Ahmedabad- 380054. INDIA Tel: +91-79-26850160 Telefax: +91-79-26844240 Email: [email protected] Web site: www.cfda.ac.in Page 2 Shanghaing Mumbai – Politics of Evictions and Resistance in Slum Settlements Darshini Mahadevia ( Faculty, School of Planning, Centre for Environmental Planning & Technology, Ahmedabad and Visiting Faculty, Centre for Development Alternatives, Ahmedabad, INDIA ) Harini Narayanan (Independent Urban Researcher, New Delhi, INDIA) Page 3 1 Published by Center for Development alternatives, Ahmedabad E/ 71, Akash, Near Chief Justice‟s Bungalow, Bodakdev, Ahmedabad-380 054. INDA Tel: +91-79-2685 0160, Telefax: +91-79-2684 4240 E-mail: [email protected] Web site: www.cfda.ac.in CFDA Working papers are the output of research work or research projects conducted at CFDA. This paper has been peer reviewed and edited. The paper is also available on the Web site : www.cfda.ac.in Page 4 2 Shanghaing Mumbai – Politics of Evictions and Resistance in Slum Settlements 1 Darshini Mahadevia Harini Narayanan “Citizens will see many suburban road projects completed on a war footing by next December, although the rehabilitation of as many as 20,000 slum families is an onerous task. The proliferation of slums throughout the city has created obstacles for development and today there are demands that the cut-off date for regularising hutments be extended to 2000. But, the existing law clearly stipulates that protection to slums can be given only if they existed prior to January 1, 1995. -
Responses to 100 Best Acts Post-2009-10-11 (For Reference)
Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions. -
Hindi DVD Database 2014-2015 Full-Ready
Malayalam Entertainment Portal Presents Hindi DVD Database 2014-2015 2014 Full (Fourth Edition) • Details of more than 290 Hindi Movie DVD Titles Compiled by Rajiv Nedungadi Disclaimer All contents provided in this file, available through any media or source, or online through any website or groups or forums, are only the details or information collected or compiled to provide information about music and movies to general public. These reports or information are compiled or collected from the inlay cards accompanied with the copyrighted CDs or from information on websites and we do not guarantee any accuracy of any information and is not responsible for missing information or for results obtained from the use of this information and especially states that it has no financial liability whatsoever to the users of this report. The prices of items and copyright holders mentioned may vary from time to time. The database is only for reference and does not include songs or videos. Titles can be purchased from the respective copyright owners or leading music stores. This database has been compiled by Rajiv Nedungadi, who owns a copy of the original Audio or Video CD or DVD or Blu Ray of the titles mentioned in the database. The synopsis of movies mentioned in the database are from the inlay card of the disc or from the free encyclopedia www.wikipedia.org . Media Arranged By: https://www.facebook.com/pages/Lifeline/762365430471414 © 2010-2013 Kiran Data Services | 2013-2015 Malayalam Entertainment Portal MALAYALAM ENTERTAINMENT PORTAL For Exclusive -
VOLVIV January 2015 No. 1 HIGHLIGHTS
VOLVIV January 2015 No. 1 HIGHLIGHTS Censor Board revamped Padma Awards announced 13th Pune International Film Festival held 60th Britannia Filmfare Awards presented Karnataka State Film Awards announced PK tax free in UP and Bihar Birth centenary of Honnappa Bhagavathar celebrated NATIONAL DOCUMENTATION CENTRE ON MASS COMMUNICATION NEW MEDIA WING (FORMERLY RESEARCH, REFERENCE AND TRAINING DIVISION ) MINISTRY OF INFORMATION AND BROADCASTING Room No.437-442, Phase IV, Soochana Bhavan, CGO Complex, New Delhi-3 Compiled, Edited & Issued by National Documentation Centre on Mass Communication NEW MEDIA WING (Formerly Research, Reference & Training Division) Ministry of Information & Broadcasting Chief Editor L. R. Vishwanath Editor H.M.Sharma Asstt. Editor Alka Mathur CONTENTS FILM AWARDS Bafta 2 Filmfare 4-5 Padma 1-2 State 6-7 FESTIVALS Indian Panorama 2-3 Pune International 3-4 OBITUARIES 8-11 PUBLICATIONS 7 REVIEW/DEVELOPMENT 1 REVIEW/DEVELOPMENT IN STATES 11 TAXATION 7 REVIEW/DEVELOPMENT Censor Board revamped In exercise of the powers conferred by sub-section (1) of section 3 of the Cinematograph Act 1952 (37 of 1952) read with rule 3 of the Cinematograph (Certification) Rules, 1983, the Central government has appointed Shri Pahlaj Nihalani as Chairperson of the Central Board of Film Certification in an honorary capacity for a period of three years or until further orders, whichever is earlier. Further, In exercise of the powers conferred by sub-section (1) of section 3 of the Cinematograph (Certification) Rulers, 1983, the Central government has appointed the following persons as members of the Central Board of Film Certification with immediate effect for a period of three years and until further orders:- Shri Mihir Bhuta, Prof Syed Abdul Bari, Shri Ramesh Patange, Shri George Baker, Dr. -
Supreme Court of India Notice Take Notice That the Bench
SUPREME COURT OF INDIA NOTICE TAKE NOTICE THAT THE BENCH SHOWN IN THE WEEKLY LIST NO. 5 OF 2015 FOR THE WEEK COMMENCING FROM 10.02.2015 IN COURT NO. 10 MAY BE READ AS UNDER :- COURT NO. 10 HON'BLE MR. JUSTICE MADAN B. LOKUR HON'BLE MR. JUSTICE R.K. AGRAWAL –------------------------------------------------------ [ ON 10.02.2015 THIS BENCH WILL SIT IN COURT NO. 8 ] [ NOTE : THE MATTERS WHICH MAY NOT BE TAKEN UP BY THE BENCH OF HON'BLE MADAN B. LOKUR AND HON'BLE R.K. AGRARWAL, JJ. ON 10.02.2015 AND THE MATTERS SHOWN IN WEEKLY LIST, WILL BE TAKEN UP BY THE FOLLOWING BENCH ON 11.02.2015 AND 12.02.2015 :- ] HON'BLE MR. JUSTICE MADAN B. LOKUR HON'BLE MR. JUSTICE UDAY UMESH LALIT –-------------------------------------------------------------- DATED THIS THE 6TH DAY OF FEBRUARY, 2015. BY ORDER DEPUTY REGISTRAR (LISTING) SUPREME COURT OF INDIA LIST OF BUSINESS PUBLISHED UNDER THE AUTHORITY OF THE CHIEF JUSTICE OF INDIA WEEKLY LIST NO. 5 OF 2015 FROM TUESDAY, 10TH FEBRUARY, 2015 TO THURSDAY, 12TH FEBRUARY, 2015 [Website : http://sci.nic.in] WEEKLY LIST NO. 5 OF 2015 SUPREME COURT OF INDIA Page 2 of 231 WEEKLY LIST NO. 5 OF 2015 SUPREME COURT OF INDIA Page 3 of 231 SUPREME COURT OF INDIA WEEKLY LIST NO. 5 OF 2015 FROM TUESDAY, 10TH FEBRUARY, 2015 TO THURSDAY, 12TH FEBRUARY, 2015 ATTENTION BRANCH OFFICER / ATTENTION BRANCH OFFICER/DEALING ASSISTNATS ARE REQUESTED TO CHECK THE FILES ORDER TO MAKES DOUBLE SURE THAT THE MATTERS SHOWN IN TERMINAL LIST/WEEKLY LIST ARE READY FOR HEARING IN ALL RESPECT AND ACTION IS DUE TO BE TAKEN IN THE FILES AND IN THE PAPER BOOKS SO THAT NO DIFFICULTY IS FACED WHEN THE MATTER IS LISTED FOR HEARING AND ALSO TO AVOID LISTING OF NOT READY MATTERS INADVERTENENTLY. -
Recently the Victory of Eunuch Team in the Pakistan and Media Has Given It a Wide Coverage What Is Most Intriguing Or for That M
International Journal of Humanities and Social Science Invention ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org Volume 2 Issue 7 ǁ July. 2013ǁ PP.34-42 Tryst With Destiny: Sexual Discourse and Third Gender in Select Indian Bollywood Films Dr. Md. Habib Subhan Department of English, Aligarh Muslim University, India ABSTRACT: The postmodern era has observed a shift from what has so long been considered as fixed and static to nothing is constant or fixed like concepts. Taking such notion as the parameter postcolonial theorists, feminists, poststructuralists have tried to see and analyze various issues from different angles. Issues like identity, subjectivity, representation, authentic voices have got new perspectives. Like culture, body or sex is a site of conflict where individual’s identity is being contested endlessly. The ‘third gender’, which has long been marginalized or deprived of their identity, representation, true and authentic voice in the main stream of social and cultural milieu deserves the critical attention. ‘Third gender’ or the ‘People of In-between’ are considered not belonging to the general binary division of gender - male and female. Since long their plight is more like the ‘subaltern’. The Bollywood cinema has long been portraying the character of ‘third gender’ in various films. These films clearly reveal that their representation is biased, sensitive and stereotyping. The violation and violence, centered on issues of sex and body, is not only sexual violence in nature but it is a kind of denial of identity and voice in the society. They are judged and studied in terms of sexual behavior. -
Whoswho 2018.Pdf
Hindi version of the Publication is also available सत㔯मेव ज㔯ते PARLIAMENT OF INDIA RAJYA SABHA WHO’S WHO 2018 (Corrected upto November 2018) सं द, र ी㔯 स ाज㔯 त सभ ार ा भ P A A H R B LI A AM S EN JYA T OF INDIA, RA RAJYA SABHA SECRETARIAT NEW DELHI © RAJYA SABHA SECRETARIAT, NEW DELHI http://parliamentofindia.nic.in http://rajyasabha.nic.in E-mail: [email protected] EDITORIAL TEAM Shri D. S. Prasanna Kumar Director Smt. Vandana Singh Additional Director Smt. Asha Singh Joint Director Shri Md. Salim Ali Assistant Research Officer Shri Mohammad Saleem Assistant Research Officer PUBLISHED BY THE SECRETARY-GENERAL, RAJYA SABHA AND PRINTED BY DRV GrafIx Print, 41, Shikshak BHAwAN, INSTITUTIonal AREA, D-BLoCK JANAKPURI, NEw DELHI-110058 PREFACE TO THE THIRTY-FOURTH EDITION Rajya Sabha Secretariat has the pleasure of publishing the updated thirty- fourth edition of ‘Rajya Sabha who’s who’. Subsequent to the retirement of Members and biennial elections and bye- elections held in 2017 and 2018, information regarding bio-data of Members have been updated. The bio-data of the Members have been prepared on the basis of information received from them and edited to keep them within three pages as per the direction of the Hon’ble Chairman, Rajya Sabha, which was published in Bulletin Part-II dated May 28, 2009. The complete bio-data of all the Members are also available on the Internet at http://parliamentofindia.nic.in and http://rajyasabha.nic.in. NEW DELHI; DESH DEEPAK VERMA, December, 2018 Secretary-General, Rajya Sabha CONTENTS PAGES 1. -
1St Filmfare Awards 1953
FILMFARE NOMINEES AND WINNER FILMFARE NOMINEES AND WINNER................................................................................ 1 1st Filmfare Awards 1953.......................................................................................................... 3 2nd Filmfare Awards 1954......................................................................................................... 3 3rd Filmfare Awards 1955 ......................................................................................................... 4 4th Filmfare Awards 1956.......................................................................................................... 5 5th Filmfare Awards 1957.......................................................................................................... 6 6th Filmfare Awards 1958.......................................................................................................... 7 7th Filmfare Awards 1959.......................................................................................................... 9 8th Filmfare Awards 1960........................................................................................................ 11 9th Filmfare Awards 1961........................................................................................................ 13 10th Filmfare Awards 1962...................................................................................................... 15 11st Filmfare Awards 1963..................................................................................................... -
Portraying Third Gender: a Study of Select Bollywood Movies *Syeda Afshana and **Heeba Din *Sr
International Journal of Interdisciplinary and Multidisciplinary Studies (IJIMS), 2017, Vol 4, No.3,60-68. 60 Available online at http://www.ijims.com ISSN - (Print): 2519 – 7908 ; ISSN - (Electronic): 2348 – 0343 IF:4.335; Index Copernicus (IC) Value: 60.59; UGC Recognized -UGC Journal No.: 47192. 1st July Portraying Third Gender: A study of select Bollywood Movies *Syeda Afshana and **Heeba Din *Sr. Assistant Professor, Kashmir University, Media Education Research Centre, India **Research Scholar, Kashmir University,Media Education Research Centre, India Corresponding author: Heeba Din Abstract Over the years the portrayal of third gender in Bollywood movies has been under scanner for their typical stereotyping. The third gender in Indian subcontinent most commonly is identified as “Hijra” over the period of years through media representations and misrepresentations has come to be associated with either as neither male or female, impotent men who dress as females or deceitful characters. Adding the dismal socio-political and economic conditions of third gender in India and their traditional way of earning through alms, the stereotypical character of “Hijra” gets further institutionalized. This paper will however try to break from the stereotypical clutches of portraying the typical clichéd third gender on celluloid and try to analyze some path breaking movies which have been successful in representing very realistic aspects of third gender. The reference period for the study will be more than two decades from 1990-2010, whereby two representational movies from each decade and will studied and critically examined. The paper will seek to focus on the less stereotypical portrayals of third gender and will try to find if there is a gradual shift from the stereotypical generalizations in portrayal of third gender on Indian celluloid. -
2014: Spotting the Stars
SUNDAY, DECEMBER 28, 2014 (PAGE-4) 2014: SPOTTING THE STARS It has been a busy year for Bollywood stars and as the calendar reaches its fag end, correspondent Supriyo Hazra moves through the different corners of the year to check out their performances in the past 12 Months Aamir Khan: He kept his promise of delivering some- edition of the gala football league. tence since May 2013 for illegal possession of arms in a case thing strong at the box office at the end of year and this time Kareena Kapoor: Bebo knows how to make a bang on related to the 1993 serial blasts. it was with his ‘PK’. Playing a cute alien, Khan’s latest Bol- the box office and this year she teamed up Ajay Devgn aka Sidharth Malhotra: This hot hunk has graduated from lywood flick had a strong message to deliver to his fans. If tough cop Inspector Bajirao Singham in ‘Singham Returns’. the 'Student of the Year' to a matured actor. He paired with it was his ‘Dhoom 3’ that roared at the Box Office last year, The action film joined the 100 –crore club and undoubtedly two lovely ladies of Bollywood-first with Parineeti Chopra in this year it is ‘PK’ which ended the season with a bang. emerged as one of the hit movies of the year. Begum Kareena 'Hasee Toh Phasee' and then with Shraddha Kapoor in 'Ek Khan was back again with his TV show Satyamev Jayate. was also seen doing few cameo roles in ‘Happy Ending’ and Villain'. While it was not all smiles at the box office for Hasee Like the previous season, he once again put forward sev- ‘The Shaukeens’. -
(LGBT) in Hindi Cinema
Amity Journal of Media & Communication Studies (ISSN 2231 – 1033) Copyright 2017 by ASCO 2017, Vol. 7, No. 1 Amity University Rajasthan Gender, Sexuality and (Be) longing: The Representation of Queer (LGBT) in Hindi Cinema Pushpinder Kaur Punjabi University, India Abstract We do not yet live in a world free from homophobia, transphobia, prejudice and discrimination and we live in a world where majority wins and overpower the voices of the minority. In India, we need a space that listens to those who need to be heard. Sexual minority comprises of all those people who fall under the categories of Lesbian, Gay, Bisexual and Transgender and they are exactly that-a minority within our own homes, families, schools, institutions, communities, work places etc. Adding to their woes is Section 377 of the Indian penal Code which criminalises Homosexuality. Many of these problems leave many among them feeling isolated, afraid, depressed and even suicidal. So a space for LGBT is needed to look at these specific issues not from a hetero-normative perspective or with pre-conceived binary notions. LGBT is in fact short for LGBTTQQIIA+? It includes, lesbian, gay, bisexual, transgender, transexual, queer, questioning, intersex, intergender and asexuals. Films that depict reality are of supreme importance. It is also quite important that we start to desire for films that have characters belonging to the community, living a usual life, facing normal societal or personal conflicts and not discriminatory or oppressing ones. Cinema is an all-pervasive tool that reaches so many people at once and challenges the conditioning of the society and even in cinema, if members of LGBT community get casted as manipulative, negative and fearful characters; it simply reinforces the existing hatred in the real world. -
Dtp1november3a.Qxd
The Damon factor: Urmila and Manoj THE TIMES OF INDIA Love’s labour lost for Bajpai score a reel Monday, Posh & Beckham? point with Pinjar! Cops in trunks & bikinis bust crime November 3, 2003 Going undercover couldn’t eventual formations of dr- Page 5 Page 6 be simpler. By stripping to ug traders, beach robbers swimming trunks or bikin- or any kind of disturbanc- is and mixing with bathers, es, and inform uniformed the Rio de Janeiro police beach police,’’ says a secu- will combat beach crime. rity spokesperson. As part of a wider plan Violence in Rio’s teeming for beach security in Rio, shanty towns makes it one men and wom- of the world’s en from the sp- most violent ci- ecial undercov- ties. Now, of er unit will inf- course, with iltrate among cops in trunks bathers. ‘‘They and bikinis, th- will be in swi- ey should be in mwear, unarm- the swim of th- OF INDIA ed, monitoring ings. AMOL KAMBLE Dilli’s metro goes global! ARUN KUMAR DAS their metro projects. Delegations from Times News Network FAST TRACK these countries are expected to visit De- lhi to study the metro model ast things first. It’s full here.’’ Incidentally,while expe- speed ahead on the repli- rts from the US and Japan we- F cation track for the met- re involved in the initial const- ro. Yes, the model of the unde- ruction work of the Delhi met- rground train service in Delhi ro, it now appears as if the DM- will soon be recreated in Mum- RC has become self-sufficient bai, Bangalore, Chennai, Hyd- as regards technical knowhow.