DOCSLIB.ORG

Singer: Misora Hibari

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Sentimental Songs? Korean trot (teuroteu or t’ŭrot’ŭ) Japanese enka WK 7 Min-Jung Son, “Regulating and Negotiating in t’ŭrot’ŭ, a Korean Popular Song Style.” Christine Yano, “Inventing Selves: Images and Image- Making in a Japanese Popular music Genre.” • “to follow the distinctions made by the music industry which, in turn, reflect both musical history and marketing categories” (Frith, 1987). • “Classify them [genres] according to their ideological effects, the way they sell themselves as art, community or emotion” (Frith). • Musical genres continue to function as marketing categories and reference points for musicians, critics and fans, particular examples clearly demonstrate that genre divisions must be regarded as highly fluid. No style is totally independent of those that have preceded it, and musicians borrow elements from existing styles and incorporate them into new forms. Performers have always absorbed influences across genre (and colour) lines (Roy Shuker, “Genre,” in Popular Music The Key Concepts, 1998). Sentimental Songs Korean Trot Japanese Enka • https://www.youtube.com/ watch?v=_JPKop-dYJ8 • https://www.youtube.com/ watch?v=HtXSA5wNCgo Singer: Misora Hibari (美空 ひ ばり Singer: Mija Lee (李美子) “Kawa no nagare no you ni “Tongbaek agassi [Camelia [Like the flow of water] 川の lady] 동백아가씨” 流れのように) Some musical features • Trot and Enka Sentimental lyrics Emotion Pentatonic scale Close association with folksong traditions Musical gestures: vibrato, melisma, bending Stage performance gestures: little movement, formality Small market Historical and pre-modern image Women Are all trot and enka sentimental? “Sarangŭi t’ŭwisŭt’ŭ [Love twist]” https://www.youtube.com/watch?v=BdMjKDFagco “Matsuri” https://www.youtube.com/watch?v=pSXrplvy1I0 • Trot • Enka Chŏnt’ong kayo (traditional popular Nihonjin no kokoro music) -traditional aesthetics Heart of Japan -transformed as unique sound of Korea -Post-WWII Sentiment Nostalgia Emergence of popular music Trot as a case in point Popular Music in Korea • Japanese Colonial Period (1910-1945) – Commercial Recordings Introduced in 1920s • Yuhaengga: Pop • Sinminyo: New folksong – Japan, window of modernity • Education, [Western] culture, and technology • Recording Companies – Victor and Columbia: Branches in Japan, Korea – OKEH or Taepyeong Record: Korean companies Yuhaengga Singers in 1910-1945 Female Singers • Elite women who were educated and trained in Western Classical Music Male Singers (opera) • Elite men who were • Female courtesans educated and trained in Western Classical music • Popular singers without (opera) former music training • Self-motivated singers • Virtuoso singers who were recognized through competitions Yun Simdeuk (1897-1926) • 1st. female popular singer • Tokyo Music School • Opera singer • Symbol of modern lady • https://www.youtube.com /watch?v=lG4LolklcbQ • “Glorification of Death” Life, running through a vast wilderness! what are you searching for? In this or that way, life is once and you live only one time Money, status, or love, I have no desire for any of them 1st. commercial recording – Korean lyrics to the melody of a Romanian composer, Losif Ivanovich’s “The Danube Waves” (1880) • https://www.youtube.com/watch?v =Ht30HqwXoxA Yun Simdeuk (1897-1926) • Love affair with a married man • Committed a suicide with her lover on a ferry returning to Korea • Mysterious death Gisaeng [Female Courtesan] Singers • Only female group whose socialization with men had been legitimated in old Korea. • Used to be mystified with sophistication, intellectual knowledge, and performing arts skills. • From government employees to private gisaeng schools in the early 20th century. Later, the gisaeng schools supplied female entertainers to the bars and clubs. Wang Subok (1917-2003) • 1st courtesan who debuted as a popular singer • 1st album in 1933 with Columbia Record • Popular throughout 1930s • Lived as a respected singer in North Korea until her death Wang Subok (1917-2003) th “High Endurance” or “7 of July” th • The boat left on 7 day of July • Having appeared on far sea and is indeed returning home • The boatman’s song gets closer and closer • But no news from the man who left me • He swore his love to me by cutting his hair • That moment I still remember • Is this soft ocean wave his song? • Dark ocean in sleep makes me lonely https://www.youtube.com/watch?v=k_ PYysx19x8 Lee Nanyeong (1916-1965) • Born to a poor family • At her age of 15, she joined the Sunny Theatre as an actress but was never a heroine. • In 1935, her “Tears of Mokpo” became the best selling album. • Featured as the Diva of Yuhaengga: successful singer • After her husband died, she inherited her husband’s entertainment management company • Successful career woman, single mom • Mother of Kim Sisters and Kim Brothers • In 2007, selected as one of the 10 best singers in the history of Korean popular music. “Tears of Mokpo” https://www.youtube.com/watch?v=URyYRoi_B1A “Tears of Mokpo”(1935) • When the boatman’s song is fading away • The Samhak Island near Mokpo is also sunken into the deep ocean waves • The hem of a young lady at the pier is fully soaked Is she crying because of parting? • That is the sorrow of Mokpo Lee Nan Young & Kim Sisters • “Blue Dream of Café” • “Tears of Falling Blossoms” • Show American Jazz and Big Band influence on her music already in 1940. • Unlike how she was portrayed in media, she was not a traditional lady. Kim Sisters • https://www.youtube.com/watch?v=nPfOil8K 0F8 • https://www.youtube.com/watch?v=MH4IGtY wcs4 Korean Female Pop Singers in 1920s and 1950s lyrics – Tears Images of women singers – Longing • Money than self-motivation – Waiting – Separation • Filial piety or sacrificial – Love daughter • Passive, helpless, stationary, • Traditional than modern lady (e.g., traditional dress) • Famous spouses Male Singers lyrics Images of male singers • Nostalgia • Educated • Love • Modern • Separation • Western Classical music • Longing background • Away from Home • Self-driven, proactive musicians with passion Voice quality: • Gentlemen refined, nasal, high tessitura, bright, clear sound Male Singers of Yuhaengga Chae Gyuyeop (1906-1949) Nam Insu (1918-1962) Go Boksu (1911-1972) Nam Insu (1918-1962) https://www.youtube.com/watch?v=l3EUCxcPMz8 “Serenade of Sorrow” • Even though I know crying won’t bring my love back • Tears soothe my heart tonight • Looking upon the stars through the open window • I wonder who is whispering to me • Go Boksu, “Living Away From Home” https://www.youtube.com/watch?v=I93oA4agjrc • Chae Gyuyeop, “Song of Hopes” (1937) https://www.youtube.com/watch?v=uti8n0ELjSA Trot medley https://www.youtube.com/watch?v=G8zb37Az1X8 Himangga (Song of Hopes or Wishing Song) Enligh folktune “Garden Hymn” in America “Roots of White Fuji Mountain” in Japan “Himangga” in Korea • Garden Hymn • https://www.youtube.com/watch?v=ysVNIWLxz7s • http://www.youtube.com/watch?v=A97kj_pHL-s&list=PL236D26BE2118D89A • http://www.youtube.com/watch?v=fSVoxH6cBKI • What is your hope living in this world filled with difficulties and troubles? • Na huna: • http://www.youtube.com/watch?v=JY3sQVF3oDQ • Folksong: • https://www.youtube.com/watch?v=LnM8vWLcffA Early popular music in Korea and localization • Foreign melodies with vernacular text • Indigenous folksongs sung in new style • Intersection of various music styles and origins: popular folksongs, indigenous songs, foreign songs including religious hymn tunes, art songs, and school/children songs • “Vernacular text” and “indigenous singers”: what defined “Korean pop” Yuhaengga [‘song in fashion’] Teuroteu (t’ŭrot’ŭ) – Yuhaengga [‘song in fashion’] • Korean popular music in the early 20th century – Music style that immediately links to the ideas of old, past, and outdated • t’ŭrot’ŭ (teuroteu):트로트 • ppongtchak (ppongjjak): 뽕짝 • chŏnt’ong (kayo Jeontonggayo): 전통가요 TRT in 1950s and on • Korean War 1950-1953 • Post-war TRT in 1950s: – war or in relation to war experiences • “Be Brave Geumsun!” • “Heartbreak of Miari Hill” – separation • “Separation at Busan Station” Hyeon In (1919-2002): Graduated from Tokyo Music School and debuted in 1947 “Be Brave Geumsun!” https://www.youtube.com/watch?v=Cb5_tWTuU6I “Full Moon Night of Silla Dynasty” https://www.youtube.com/watch?v=_SXG8hWWMUM His deep vibrato and bending notes were imitated by following TRT singers Female Pop singers since the late 1960s • Patty Kim (1938-) • Hyun Mi (1938-) – Debut in 1962 – Debut in 1958 – GI Club Musician – Recital in 1962 – “Night Mist” – “Glorification of Seoul” – https://www.youtube.co – “Separation” m/watch?v=HPauccUJTIE – “Can’t Live without You” – https://www.youtube.com /watch?v=G2kN9TnNhfU Lee Mija (1941-): Queen of Elegy • Debut in 1958 – In 1958, “ 19-year-old Girl’s Genuine Love” – In 1964, “Camellia girl” – In 1967, “Village island teacher” – In 1968, “Goodbye Seoul” – In 1969, “Seagull Daddy” – In 1970, “Madam” – In 1971, “Black Coral Island Girl” • Known that she recorded 2000 songs through her 60s 대표곡 열아홉 순정 1959년 서울의 아가씨 1963년 동백 아가씨 1964년 • 19-year-old girl’s genuine love 흑산도 아가씨 1965년 • The Seoul lady 황포돛대 1966년 • Camellia girl (!) 빙점 1967년 • The Hŭksando girl (The girl 여자의 일생 1968년 of Black coral island) 기러기 아빠 1969년 • The teacher on a rural 아씨 1970년 island (village island 못 잊을 당신 1971년 teacher) (!) 여로 1972년 • Freezing point 낭주골 처녀 1973년 • A Life of a woman 정든 섬 1974년 • Seagull daddy (!) 안 오실까봐 1975년 • Madam 모정 1978년 • The lady of Namju valley 노래는 나의 인생 1989 • . “Camellia Girl” • So many uncountable nights • With the pain like slicing one’s
Recommended publications
  • A PARTNER for CHANGE the Asia Foundation in Korea 1954-2017 a PARTNER Characterizing 60 Years of Continuous Operations of Any Organization Is an Ambitious Task

    A PARTNER for CHANGE the Asia Foundation in Korea 1954-2017 a PARTNER Characterizing 60 Years of Continuous Operations of Any Organization Is an Ambitious Task

    SIX DECADES OF THE ASIA FOUNDATION IN KOREA SIX DECADES OF THE ASIA FOUNDATION A PARTNER FOR CHANGE A PARTNER The AsiA Foundation in Korea 1954-2017 A PARTNER Characterizing 60 years of continuous operations of any organization is an ambitious task. Attempting to do so in a nation that has witnessed fundamental and dynamic change is even more challenging. The Asia Foundation is unique among FOR foreign private organizations in Korea in that it has maintained a presence here for more than 60 years, and, throughout, has responded to the tumultuous and vibrant times by adapting to Korea’s own transformation. The achievement of this balance, CHANGE adapting to changing needs and assisting in the preservation of Korean identity while simultaneously responding to regional and global trends, has made The Asia Foundation’s work in SIX DECADES of Korea singular. The AsiA Foundation David Steinberg, Korea Representative 1963-68, 1994-98 in Korea www.asiafoundation.org 서적-표지.indd 1 17. 6. 8. 오전 10:42 서적152X225-2.indd 4 17. 6. 8. 오전 10:37 서적152X225-2.indd 1 17. 6. 8. 오전 10:37 서적152X225-2.indd 2 17. 6. 8. 오전 10:37 A PARTNER FOR CHANGE Six Decades of The Asia Foundation in Korea 1954–2017 Written by Cho Tong-jae Park Tae-jin Edward Reed Edited by Meredith Sumpter John Rieger © 2017 by The Asia Foundation All rights reserved. No part of this book may be reproduced without written permission by The Asia Foundation. 서적152X225-2.indd 1 17. 6. 8. 오전 10:37 서적152X225-2.indd 2 17.
  • D2492609215cd311123628ab69

    D2492609215cd311123628ab69

    Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films.
  • Mood Music Programs

    Mood Music Programs

    MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine
  • The K-Pop Wave: an Economic Analysis

    The K-Pop Wave: an Economic Analysis

    The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute).
  • Marygold Manor DJ List

    Marygold Manor DJ List

    Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start)
  • Introduction from Paul Whiteman, to Barry White, Man

    Introduction from Paul Whiteman, to Barry White, Man

    Introduction From Paul Whiteman, to Barry White, Man This monograph explores a long- standing tradition of merging pop- ular music idioms with lush string orchestrations, big- band instrumentation, traditional symphonic instruments, and other markers of musical sophistica- tion, glamour, spectacle, theatricality, and epic or “cinematic” qualities. I call such deluxe—or “luxe”—pop arrangements and performance events “con- spicuous symphonization.” This phrasing underscores entertainment par- allels to Thorstein Veblen’s notion of “conspicuous consumption,” wherein luxury goods and services are employed for displays of social status, wealth, or cultural sophistication. A colloquialism with a similar social meaning is “bling,” a hip- hop slang term referring to displays of an ostentatious life- style of lavish and excessive spending. Conspicuous consumption and bling display are both tied to the purpose of inspiring envy. However, with bling, there is an aversion to melting- pot uniformity in that bling displays involve ironic stylistic tensions through juxtapositions of “low” vernacular/pop cul- ture and the high- status symbols of social power, whether real or perceived. Similar qualities permeate the US “luxe pop” repertories and events explored in this book. This music further reflects important changes in the character and aesthetic discourses of American culture and entertainment. Across the twentieth century, the United States experienced unprece- dented economic prosperity, resulting in middle- class expansion, particularly following
  • Understanding Korean Society Through Popular Music

    Understanding Korean Society Through Popular Music

    Situations Vol. 5 (Winter 2011) © 2011 by Yonsei University Hannah N. Bergen (Yonsei University, Seoul) Understanding Korean Society through Popular Music Today one of the most unique aspects of inter-Asian cultural sharing is the hallyu wave. This social phenomenon began in Seoul, South Korea and today accounts for the all pervasive nature of Korean popular entertainment dominating the airwaves of nearly every Asian country. From Japan to Thailand, “K-pop” has conquered the Asian market, and is now turning its attention to the rest of the world. In order to illustrate this current social phenomenon, I have found many sources that all point to the same aspects in K-pop which have allowed one small country to make their entertainment business one of its most lucrative exports. The hallyu wave as a whole has become a blending of uniquely Korean culture with aspects of Western and other Asian cultures which has created a style unique to this particular moment of history. In the words of Sun Jung, author of the article “Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols,” “Transcultural hybridity is one of the most significant aspects of contemporary South Korean popular culture in the postmodern era and is the main driving force behind its overseas popularity” (Jung 166). This combination has allowed the music and film from Korea to be extremely accessible to a wide audience of various nationalities and languages. In order to clearly illustrate the international success of hallyu, I will focus on one specific aspect of current Korean popular culture: music.
  • Sooloos Collections: Advanced Guide

    Sooloos Collections: Advanced Guide

    Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus ..............................................................................................................................................................
  • Josh Groban Releases Noël (Deluxe Edition) in Celebration of Its 10Th Anniversary

    Josh Groban Releases Noël (Deluxe Edition) in Celebration of Its 10Th Anniversary

    JOSH GROBAN RELEASES NOËL (DELUXE EDITION) IN CELEBRATION OF ITS 10TH ANNIVERSARY ALBUM AVAILABLE HERE GROBAN'S FIRST COFFEE TABLE BOOK STAGE TO STAGE: MY JOURNEY TO BROADWAY OUT NOVEMBER 21ST Los Angeles, CA (November 3, 2017) - Multi-platinum, international recording artist and songwriter Josh Groban released a deluxe version of his beloved Christmas album Noël on CD and all digital formats today via Reprise Records. The album can be ordered HERE. Originally released on October 9, 2007, this Grammy nominated holiday recording remains one of the best-selling Christmas albums of all time, selling over 7.5 million copies worldwide. The new album consists of the original 13 tracks with an extra six new songs, including four brand new, never before released recordings: • White Christmas - a gorgeous, brand new recording with a full 70 piece orchestra recorded in Abbey Road, London. • Christmas Time Is Here - duet with the legendary Tony Bennett. This incredibly famous, cross generational song from "A Charlie Brown Christmas" will surely be a hit at family Christmas parties. • Have Yourself A Merry Little Christmas- following Josh's platinum album Stages, he wanted a holiday song that matched the theme of Stages and found that in this famous Christmas song from the show/film Meet Me In St. Louis. • Happy XMas (War is Over) - the poignant, classic Christmas song written by John Lennon & Yoko Ono with a powerful message that seems more relevant now than ever (fans who pre-order the new album will receive this song as an instant grat track TODAY). • Believe - the Academy Award-nominated song from the Polar Express film soundtrack, never before available on a Josh Groban release.
  • Traditional Christmas Music

    Traditional Christmas Music

    Samples MUSIC for TWO Flute, Oboe or Violin and Flute, Oboe or Violin Sample Music Traditional Christmas Music Table of Contents Angels We Have Heard on High Traditional 8 Away in a Manger Traditional 3 Coventry Carol Traditional 19 Deck the Halls Traditional 4 For Unto Us a Child is Born from The Messiah George Frederick Handel 6 God Rest Ye Merry Gentlemen Traditional 16 Good Christian Men, Rejoice Traditional 5 Hark! The Herald Angels Sing SampleFelix Mendelssohn 17 Jolly Old Saint Nicholas Traditional 14 Nutcracker, The Peter Ilyich Tschaikovsky Dance of the Reed Flutes 11 Music Dance of the Sugar Plum Fairy 13 Overture 9 Trepak 12 O Little Town of Bethlehem Lewis H. Redner 7 Silent Night Franz Gruber & Rev. Joseph Mohr 10 Sing We Now of Christmas Noel Nouvelet French Traditional 1 Wassail Song Traditional 15 We Three Kings of Orient Are John Henry Hopkins 18 We Wish You a Merry Christmas Traditional 2 1 Sing We Now of Christmas Noël Nouvelet French Traditional Allegro 1 q»¡™¢ . œn . - - . œn . - - . œ. œ œ œ œ œ œ œ œ œ. œ. ≥. œ œ œ œ œ œ œ œ œ. œ & b 24 ‰ œ Œ F ≥ . j j & b 24 ∑ ∑ ∑ ‰jœ ˙ œ œ ˙ œ œ > œ. A œ. œ. 9 . P . œ. œn œ. œ- - œ. œ œ . %. œ. œn œ. œ- - œ. œ œ . b œ œ œ œ œ. ‰ œ œ œ œ & sprightly P j œ j & b ‰ œ œn œ œ. œ œ œ œ ‰ œ œn œ œ. œ œ. sprightly œ . œ.
  • File Type Pdf Music Program Guide.Pdf

    File Type Pdf Music Program Guide.Pdf

    MOOD:MEDIA 2020 MUSIC PROGRAM GUIDE 2 Pop Adult Contemporary Hitline* ‡ Current Adult Contemporary Hits Current Top Charting Hits Sample Artists: Bebe Rexha, Shawn Mendes, Maroon 5, Niall Sample Artists: Ariana Grande, Zedd, Bebe Rexha, Panic! Horan, Alice Merton, Portugal. The Man, Andy Grammer, Ellie At The Disco, Charlie Puth, Dua Lipa, Hailee Steinfeld, Lauv, Goulding, Michael Buble, Nick Jonas Shawn Mendes, Taylor Swift Hot FM ‡ Be-Tween Hot Adult Contemporary Hits Family-Friendly, Modern Pop Hits Sample Artists: Ed Sheeran, Alessia Cara, Maroon 5, Vance Sample Artists: 5 Seconds of Summer, Sabrina Carpenter, Joy, Imagine Dragons, Colbie Caillat, Andy Grammer, Shawn Alessia Cara, NOTD, Taylor Swift, The Vamps, Troye Sivan, R5, Mendes, Jess Glynne, Jason Mraz Shawn Mendes, Carly Rae Jepsen Metro ‡ Cashmere ‡ Chic Metropolitan Blend Warm Cosmopolitan Vocals Sample Artists: Little Dragon, Rhye, Disclosure, Jungle, Sample Artists: Emily King, Chaka Khan, Durand Jones & The Maggie Rogers, Roosevelt, Christine and The Queens, Flight Indications, Sam Smith, Maggie Rogers, The Teskey Brothers, Facilities, Maribou State, Poolside Diplomats of Solid Sound, Norah Jones, Jason Mraz, Cat Power Pop Style Youthful Pop Hits Divas Sample Artists: Justin Bieber, Taylor Swift, DNCE, Troye Sivan, Dynamic Female Vocals Ellie Goulding, Ariana Grande, Charlie Puth, Kygo, The Vamps, Sample Artists: Chaka Khan, Amy Winehouse, Aretha Franklin, Sabrina Carpenter Ariana Grande, Betty Wright, Madonna, Mary J. Blige, ZZ Ward, Diana Ross, Lizzo, Janelle Monae
  • Category Description Guide

    Category Description Guide

    64th OEP CATEGORY DESCRIPTION GUIDE 1 Record Of The Year Singles or Tracks Only For commercially released singles or tracks of new vocal or instrumental recordings. Tracks from a previous year 's album may be entered provided the track was not entered the previous year and provided the album did not win a GRAMMY. Award to the artist(s), producer(s), recording engineer(s) and/or mixer(s) and mastering engineer(s) if other than the artist. NOTE: Associate producers and executive producers are not eligible. 2 Album Of The Year Albums Only For albums containing at least 51% playing time of new vocal or instrumental recordings. Award to Artist(s) including Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s). NOTE: Associate producers and executive producers are not eligible. Albums of previously released recordings (reissues, compilations of old recordings and "Best Of" packages) are not eligible. 3 Song Of The Year Singles or Tracks Only Songs entered for consideration in this category should represent the best achievement in songwriting. Songs that contain samples or interpolations are eligible. A song must comprise melody and lyrics to be eligible in a songwriting category and must have been released on a recording for the first time, or achieved prominence for the first time, during the current eligibility year. 1 4 Best New Artist Albums, Singles or Tracks This category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape. In adjudicating this category, the primary element to consider is the artist’s performance.