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Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
Stallings Book 4 Print.Pdf (3.603Mb)
Black Performance and Cultural Criticism Valerie Lee and E. Patrick Johnson, Series Editors Stallings_final.indb 1 5/17/2007 5:14:41 PM Stallings_final.indb 2 5/17/2007 5:14:41 PM Mutha ’ is half a word Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture L. H. Stallings The Ohio State University Press Columbus Stallings_final.indb 3 5/17/2007 5:14:42 PM Copyright © 2007 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Horton-Stallings, LaMonda. Mutha’ is half a word : intersections of folklore, vernacular, myth, and queerness in black female culture / L.H. Stallings. p. cm.—(Black performance and cultural criticism) Includes bibliographical references and index. ISBN-13: 978-0-8142-1056-7 (cloth : alk. paper) ISBN-10: 0-8142-1056-2 (cloth : alk. paper) ISBN-13: 978-0-8142-9135-1 (cd-rom) ISBN-10: 0-8142-9135-X (cd-rom) 1. American literature—African American authors—History and criticism. 2. American literature—women authors—History and criticism. 3. African American women in literature. 4. Lesbianism in literature. 5. Gender identity in literature. 6. African American women— Race identity. 7. African American women—Intellectual life. 8. African American women— Folklore. I. Title. II. Series PS153.N5H68 2007 810.9'353—dc22 2006037239 Cover design by Jennifer Shoffey Forsythe. Cover illustration by Michel Isola from shutterstock.com. Text design and typesetting by Jennifer Shoffey Forsythe in Adobe Garamond. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
Marygold Manor DJ List
Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start) -
Introduction from Paul Whiteman, to Barry White, Man
Introduction From Paul Whiteman, to Barry White, Man This monograph explores a long- standing tradition of merging pop- ular music idioms with lush string orchestrations, big- band instrumentation, traditional symphonic instruments, and other markers of musical sophistica- tion, glamour, spectacle, theatricality, and epic or “cinematic” qualities. I call such deluxe—or “luxe”—pop arrangements and performance events “con- spicuous symphonization.” This phrasing underscores entertainment par- allels to Thorstein Veblen’s notion of “conspicuous consumption,” wherein luxury goods and services are employed for displays of social status, wealth, or cultural sophistication. A colloquialism with a similar social meaning is “bling,” a hip- hop slang term referring to displays of an ostentatious life- style of lavish and excessive spending. Conspicuous consumption and bling display are both tied to the purpose of inspiring envy. However, with bling, there is an aversion to melting- pot uniformity in that bling displays involve ironic stylistic tensions through juxtapositions of “low” vernacular/pop cul- ture and the high- status symbols of social power, whether real or perceived. Similar qualities permeate the US “luxe pop” repertories and events explored in this book. This music further reflects important changes in the character and aesthetic discourses of American culture and entertainment. Across the twentieth century, the United States experienced unprece- dented economic prosperity, resulting in middle- class expansion, particularly following -
Dr. Demento Back As Our Guest of Honor to Help Celebrate 50 Years of the Dr
2 Welcome to FuMPFest 2021! We are thrilled to welcome Dr. Demento back as our guest of honor to help celebrate 50 years of The Dr. Demento Show! We’ve got a great lineup for you this weekend, including Dr. Demento’s Festival of Dementia, performances by some amazing artists, The Logan Awards, and, of course, Dumb Parody Ideas. Be sure to grab a Bin- go card and follow along with the ridiculousness. And please wear a mask. We plan to have fun, but we need to keep everyone safe. Table of Contents Page Content Guidelines for Parents 8 FuMP Bingo 14 Guests 5 Local Area Map 15 Merchandise Listing 12 Panels 4 Program Schedule 8 Special Thanks Dr. Demento, John Cafiero, Luke Ski, Insane Ian, Chris Mezzolesta, Bill Rockwell, Bad Beth and Beyond, Bill Larkin, Carla Ulbrich, Carrie Dahlby, Ian Lockwood, Nuclear Bubble Wrap, Ross Childs, Steve Goodie, The Gothsicles, Worm Quartet, Captain Ambivalent, Susan “Sulu” Dubow, Jungle Judy, Beefalo Bill, Artie Barnes, Jeff Morris, Eclectic Lee, Sara Trice, Dr. Don, MadMike, all of our spon- sors, HTB Press, Jacob Dawson and the Dorsai Irregulars, Dina Chi- appetta, Aaron Bastable, Aron Kamm, Don Bundy and Bundy Audio, Brett Ferlin, Jon “Bermuda” Schwartz, Mr. Tuesday, Ellen Macas, Kristina Winslow, Brett Krause, Doornail, James Russell, Ken Sher- lock, and of course everyone who actually showed up to this thing! FuMPFest Staff Tom Rockwell - Con Chair... aka Devo Spice, the guy who does things Luke Sienkowski - Co-chair, aka the great Luke Ski, who tells Devo to do things Chris Mezzolesta - Sound Guy, Tile Guy, Power Salad performer Ian Bonds - aka Insane Ian, hosting, so Devo doesn’t have to 3 Panel Descriptions Friday Opening Ceremonies - Welcome The Sidekicks - Join Sulu, to the con! Join us for an over- Jungle Judy (via Zoom), and view of what we have in store more to discuss being a sidekick this weekend and see this year’s on The Dr. -
Understanding Korean Society Through Popular Music
Situations Vol. 5 (Winter 2011) © 2011 by Yonsei University Hannah N. Bergen (Yonsei University, Seoul) Understanding Korean Society through Popular Music Today one of the most unique aspects of inter-Asian cultural sharing is the hallyu wave. This social phenomenon began in Seoul, South Korea and today accounts for the all pervasive nature of Korean popular entertainment dominating the airwaves of nearly every Asian country. From Japan to Thailand, “K-pop” has conquered the Asian market, and is now turning its attention to the rest of the world. In order to illustrate this current social phenomenon, I have found many sources that all point to the same aspects in K-pop which have allowed one small country to make their entertainment business one of its most lucrative exports. The hallyu wave as a whole has become a blending of uniquely Korean culture with aspects of Western and other Asian cultures which has created a style unique to this particular moment of history. In the words of Sun Jung, author of the article “Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols,” “Transcultural hybridity is one of the most significant aspects of contemporary South Korean popular culture in the postmodern era and is the main driving force behind its overseas popularity” (Jung 166). This combination has allowed the music and film from Korea to be extremely accessible to a wide audience of various nationalities and languages. In order to clearly illustrate the international success of hallyu, I will focus on one specific aspect of current Korean popular culture: music. -
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness. -
HIPSTERS and AMERICAN STAND-UP COMEDY By
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SHAREOK repository LAUGHING FROM THE OUTSIDE: HIPSTERS AND AMERICAN STAND-UP COMEDY By CHRISTOPHER PERKINS Bachelor of Arts in English Texas State University San Marcos, Texas 2006 Master of Arts in English Texas State University San Marcos, Texas 2008 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY May, 2017 LAUGHING FROM THE OUTSIDE: HIPSTERS AND AMERICAN STAND-UP COMEDY Dissertation Approved: Dr. Elizabeth Grubgeld Dissertation Adviser Dr. Jeffrey Walker Dr. Richard Frohock Dr. Perry Gethner ii ACKNOWLEDGEMENTS This project was made possible through the support of the faculty in the English department at Oklahoma State University, the careful critique of my advisory committee, and the thoughtful guidance of my advisor Dr. Elizabeth Grubgeld. I am also eternally grateful to my family for their love and support throughout the years. Finally, Dr. Jennifer Edwards has remained by my side throughout the process of composing this dissertation, and her love, patience, and criticism have played an essential role in its completion. iii Acknowledgements reflect the views of the author and are not endorsed by committee members or Oklahoma State University. Name: CHRISTOPHER PERKINS Date of Degree: MAY, 2017 Title of Study: LAUGHING FROM THE OUTSIDE: HIPSTERS AND AMERICAN STAND-UP COMEDY Major Field: ENGLISH Abstract: In recent years, stand-up comedy has enjoyed increased attention from both popular and scholarly audiences for its potential as a forum for public intellectualism. -
Sooloos Collections: Advanced Guide
Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus .............................................................................................................................................................. -
Josh Groban Releases Noël (Deluxe Edition) in Celebration of Its 10Th Anniversary
JOSH GROBAN RELEASES NOËL (DELUXE EDITION) IN CELEBRATION OF ITS 10TH ANNIVERSARY ALBUM AVAILABLE HERE GROBAN'S FIRST COFFEE TABLE BOOK STAGE TO STAGE: MY JOURNEY TO BROADWAY OUT NOVEMBER 21ST Los Angeles, CA (November 3, 2017) - Multi-platinum, international recording artist and songwriter Josh Groban released a deluxe version of his beloved Christmas album Noël on CD and all digital formats today via Reprise Records. The album can be ordered HERE. Originally released on October 9, 2007, this Grammy nominated holiday recording remains one of the best-selling Christmas albums of all time, selling over 7.5 million copies worldwide. The new album consists of the original 13 tracks with an extra six new songs, including four brand new, never before released recordings: • White Christmas - a gorgeous, brand new recording with a full 70 piece orchestra recorded in Abbey Road, London. • Christmas Time Is Here - duet with the legendary Tony Bennett. This incredibly famous, cross generational song from "A Charlie Brown Christmas" will surely be a hit at family Christmas parties. • Have Yourself A Merry Little Christmas- following Josh's platinum album Stages, he wanted a holiday song that matched the theme of Stages and found that in this famous Christmas song from the show/film Meet Me In St. Louis. • Happy XMas (War is Over) - the poignant, classic Christmas song written by John Lennon & Yoko Ono with a powerful message that seems more relevant now than ever (fans who pre-order the new album will receive this song as an instant grat track TODAY). • Believe - the Academy Award-nominated song from the Polar Express film soundtrack, never before available on a Josh Groban release.