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University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON School of Humanities: Music Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Thesis for the degree of Doctor of Philosophy October 2012 i UNIVERSITY OF SOUTHAMPTON ABSTRACT Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Josef Zawinul (1932-2007) holds a rare place in the world of jazz in view of the fact that as a European he forged a long and distinguished musical career in America. Indeed, from a position of relative obscurity when he arrived in New York in 1959, he went on to become one of contemporary jazz’s most prolific and commercially successful composers. The main focus of this dissertation will be Zawinul’s rise to prominence in American jazz during the 1960s and 1970s. -
Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
Stallings Book 4 Print.Pdf (3.603Mb)
Black Performance and Cultural Criticism Valerie Lee and E. Patrick Johnson, Series Editors Stallings_final.indb 1 5/17/2007 5:14:41 PM Stallings_final.indb 2 5/17/2007 5:14:41 PM Mutha ’ is half a word Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture L. H. Stallings The Ohio State University Press Columbus Stallings_final.indb 3 5/17/2007 5:14:42 PM Copyright © 2007 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Horton-Stallings, LaMonda. Mutha’ is half a word : intersections of folklore, vernacular, myth, and queerness in black female culture / L.H. Stallings. p. cm.—(Black performance and cultural criticism) Includes bibliographical references and index. ISBN-13: 978-0-8142-1056-7 (cloth : alk. paper) ISBN-10: 0-8142-1056-2 (cloth : alk. paper) ISBN-13: 978-0-8142-9135-1 (cd-rom) ISBN-10: 0-8142-9135-X (cd-rom) 1. American literature—African American authors—History and criticism. 2. American literature—women authors—History and criticism. 3. African American women in literature. 4. Lesbianism in literature. 5. Gender identity in literature. 6. African American women— Race identity. 7. African American women—Intellectual life. 8. African American women— Folklore. I. Title. II. Series PS153.N5H68 2007 810.9'353—dc22 2006037239 Cover design by Jennifer Shoffey Forsythe. Cover illustration by Michel Isola from shutterstock.com. Text design and typesetting by Jennifer Shoffey Forsythe in Adobe Garamond. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. -
European Journal of American Studies, 12-4
European journal of American studies 12-4 | 2017 Special Issue: Sound and Vision: Intermediality and American Music Electronic version URL: https://journals.openedition.org/ejas/12383 DOI: 10.4000/ejas.12383 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 12-4 | 2017, “Special Issue: Sound and Vision: Intermediality and American Music” [Online], Online since 22 December 2017, connection on 08 July 2021. URL: https:// journals.openedition.org/ejas/12383; DOI: https://doi.org/10.4000/ejas.12383 This text was automatically generated on 8 July 2021. European Journal of American studies 1 TABLE OF CONTENTS Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling Looking Hip on the Square: Jazz, Cover Art, and the Rise of Creativity Johannes Voelz Jazz Between the Lines: Sound Notation, Dances, and Stereotypes in Hergé’s Early Tintin Comics Lukas Etter The Power of Conformity: Music, Sound, and Vision in Back to the Future Marc Priewe Sound, Vision, and Embodied Performativity in Beyoncé Knowles’ Visual Album Lemonade (2016) Johanna Hartmann “Talking ’Bout My Generation”: Visual History Interviews—A Practitioner’s Report Wolfgang Lorenz European journal of American studies, 12-4 | 2017 2 Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling 1 The medium of music represents a pioneering force of crossing boundaries on cultural, ethnic, racial, and national levels. Critics such as Wilfried Raussert and Reinhold Wagnleitner argue that music more than any other medium travels easily across borders, language barriers, and creates new cultural contact zones (Raussert 1). -
Trevor Tolley Jazz Recording Collection
TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre. -
Dr. Demento Back As Our Guest of Honor to Help Celebrate 50 Years of the Dr
2 Welcome to FuMPFest 2021! We are thrilled to welcome Dr. Demento back as our guest of honor to help celebrate 50 years of The Dr. Demento Show! We’ve got a great lineup for you this weekend, including Dr. Demento’s Festival of Dementia, performances by some amazing artists, The Logan Awards, and, of course, Dumb Parody Ideas. Be sure to grab a Bin- go card and follow along with the ridiculousness. And please wear a mask. We plan to have fun, but we need to keep everyone safe. Table of Contents Page Content Guidelines for Parents 8 FuMP Bingo 14 Guests 5 Local Area Map 15 Merchandise Listing 12 Panels 4 Program Schedule 8 Special Thanks Dr. Demento, John Cafiero, Luke Ski, Insane Ian, Chris Mezzolesta, Bill Rockwell, Bad Beth and Beyond, Bill Larkin, Carla Ulbrich, Carrie Dahlby, Ian Lockwood, Nuclear Bubble Wrap, Ross Childs, Steve Goodie, The Gothsicles, Worm Quartet, Captain Ambivalent, Susan “Sulu” Dubow, Jungle Judy, Beefalo Bill, Artie Barnes, Jeff Morris, Eclectic Lee, Sara Trice, Dr. Don, MadMike, all of our spon- sors, HTB Press, Jacob Dawson and the Dorsai Irregulars, Dina Chi- appetta, Aaron Bastable, Aron Kamm, Don Bundy and Bundy Audio, Brett Ferlin, Jon “Bermuda” Schwartz, Mr. Tuesday, Ellen Macas, Kristina Winslow, Brett Krause, Doornail, James Russell, Ken Sher- lock, and of course everyone who actually showed up to this thing! FuMPFest Staff Tom Rockwell - Con Chair... aka Devo Spice, the guy who does things Luke Sienkowski - Co-chair, aka the great Luke Ski, who tells Devo to do things Chris Mezzolesta - Sound Guy, Tile Guy, Power Salad performer Ian Bonds - aka Insane Ian, hosting, so Devo doesn’t have to 3 Panel Descriptions Friday Opening Ceremonies - Welcome The Sidekicks - Join Sulu, to the con! Join us for an over- Jungle Judy (via Zoom), and view of what we have in store more to discuss being a sidekick this weekend and see this year’s on The Dr. -
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness. -
HIPSTERS and AMERICAN STAND-UP COMEDY By
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SHAREOK repository LAUGHING FROM THE OUTSIDE: HIPSTERS AND AMERICAN STAND-UP COMEDY By CHRISTOPHER PERKINS Bachelor of Arts in English Texas State University San Marcos, Texas 2006 Master of Arts in English Texas State University San Marcos, Texas 2008 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY May, 2017 LAUGHING FROM THE OUTSIDE: HIPSTERS AND AMERICAN STAND-UP COMEDY Dissertation Approved: Dr. Elizabeth Grubgeld Dissertation Adviser Dr. Jeffrey Walker Dr. Richard Frohock Dr. Perry Gethner ii ACKNOWLEDGEMENTS This project was made possible through the support of the faculty in the English department at Oklahoma State University, the careful critique of my advisory committee, and the thoughtful guidance of my advisor Dr. Elizabeth Grubgeld. I am also eternally grateful to my family for their love and support throughout the years. Finally, Dr. Jennifer Edwards has remained by my side throughout the process of composing this dissertation, and her love, patience, and criticism have played an essential role in its completion. iii Acknowledgements reflect the views of the author and are not endorsed by committee members or Oklahoma State University. Name: CHRISTOPHER PERKINS Date of Degree: MAY, 2017 Title of Study: LAUGHING FROM THE OUTSIDE: HIPSTERS AND AMERICAN STAND-UP COMEDY Major Field: ENGLISH Abstract: In recent years, stand-up comedy has enjoyed increased attention from both popular and scholarly audiences for its potential as a forum for public intellectualism. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
MERRICK WATTS Comedian/Presenter/Broadcaster
MERRICK WATTS Comedian/Presenter/Broadcaster Merrick first came to Australia’s attention as one half of Merrick and Rosso, as part of the Triple J Drive show with Tim Ross. In 2000 they were the first voices on the NOVA network, launching a new radio brand and coming first in Australia’s toughest radio market – Sydney Breakfast. Merrick and Rosso built a cult fan base with sold out live shows across Australia and TV series’ on Ten, Nine and the Comedy Channel. Over the last few years Merrick has branched out from the double act, demonstrating his versatility as both an actor and comedian. Most notably, Merrick showed his acting chops with roles in Underbelly – The Tale of Two Cities, and Working Dog’s Logie Award winning comedy/drama satire, The Hollowmen on ABC TV. After more than 10 years broadcasting his award winning breakfast radio show on Nova 969, Merrick made the switch to Drive with Triple M hosting the very successful Merrick Watts and the Highway Patrol, which broadcast nationally in 2012 and 2013. Amongst all this, there have been numerous guest appearances in shows for all the major networks, including Thank God You Are Here, Are You Smarter Than a 5th Grader, The Spearman Experiment, Thanks for Listening – The History of Radio, Rove Live, Burke’s Backyard, All Saints, Harry’s Practice, and Bert’s Family Feud. And more recently, Backseat Drivers, The Unbelievable Truth, Mr and Mrs Murder and Have You Been Paying Attention. In 2013, Merrick became a regular face again on our TV Screens, as host of the ABC comedy quiz show Tractor Monkeys. -
LPB & Your EBRP Library Want to See Your Shelfie!
JUNE 2018 We’re excited because it’s finally time for the FREE Movies on the Plaza Series to return! Everyone can come to the Main Library at Goodwood at 7 p.m. every Friday in June. We’ll play a fun movie on the BIG screen in the Outdoor Plaza that the whole family will enjoy. Feel free to bring your lawn chair or blanket to sit comfortably while you watch. We also will simulcast the film in the Large Meeting Room for those who prefer an air conditioned option. Local vendors and food trucks will be on site for the purchase of refreshments. Here’s the movie schedule: ★★★★★ ★★★★★ ★★★★★ ★★★★★ ★★★★★ ~ June 8 ~ ~ June 15 ~ ~ June 1 ~ ~ June 22 ~ Beauty and the Diary of a Despicable Me 3 ~ June 29 ~ The Lion King Beast (1991) Wimpy Kid Moana ★★★★★ ★★★★★ ★★★★★ ★★★★★ ★★★★★ LPB & Your EBRP Library Want to See Your Shelfie! Say cheese! In preparation for The Great American Read which will air on Louisiana Public Broadcasting (LPB) starting September 11, through October 23, LPB is having a “Shelfie” contest! Between Friday, June 1, and Tuesday, July 31, go to your local Library location and take of photo of yourself with any of the 100 of America’s Best Loved Books. A complete list can be found at lpb.org/greatamericanread. Share your “Shelfie” on Instagram, and be sure to tag it with @lpb_org, #GreatReadPBS and #ebrpl. On Friday, August 3, LPB will draw five “Shelfies” at random and each will win an LPB mug, T-shirt and booklight. For more information, visit the Great American Read InfoGuide at https://ebrpl.libguides.com/greatamericanread. -
American Comedy Institute Student, Faculty, and Alumni News
American Comedy Institute Student, Faculty, and Alumni News Michelle Buteau played Private Robinson in Fox’s Enlisted. She has performed on Comedy Central’s Premium Blend, Totally Biased with W.Kamau Bell, The Late Late Show with Craig Ferguson, Lopez Tonight and Last Comic Standing. She has appeared in Key and Peele and @Midnight. Michelle is a series regular on VH1’s Best Week Ever, MTV’s Walk of Shame, Oxygen Network’s Kiss and Tell, and was Jenny McCarthy’s sidekick on her late-night talk show Jenny. Craig Todaro (One Year Program alum) Craig performed in American Comedy Institute’s 25th Anniversary Show where he was selected by Gotham Comedy Club owner Chris Mazzilli to appear on Gotham Comedy Live. Craig is now a pro regular at Gotham Comedy Club where he recently appeared in Gotham Comedy All Stars. Yannis Pappas (One Year Program alum) Yannis recently appeared in his first Comedy Central Half Hour special. He has been featured on Gotham Comedy Live, VH1's Best Week Ever and CBS. He is currently the co-anchor of Fusion Live, a one-hour news magazine program on Fusion Network, which focuses on current events, pop culture and satire. He tours the world doing stand up comedy and is known for his immensely popular characters Mr. Panos and Maurica. Along with Director Jesse Scaturro, he is the co-founder of the comedy production company Ditch Films. Jessica Kirson is a touring national headliner. She recently made her film debut in Nick Cannon’s Cliques with Jim Breuer and George Lopez.