The Best Philosophical Novels According to Authors
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Philosophical Fiction? on J. M. Coetzee's Elizabeth Costello
Philosophical Fiction? On J. M. Coetzee’s Elizabeth Costello Robert Pippin University of Chicago i he modern fate of the ideal of the beautiful is deeply intertwined with the beginnings of European aesthetic modernism. More specifically, from the point of view of modernism, commitment to the ideal of the beautiful is often understood to be both Tirrelevant and regressive. This claim obviously requires a gloss on “modernity” and “modern- ism.” Here is a conventional view. European modernism in the arts can be considered a reaction to the form of life coming into view in the mid-nineteenth century as the realization of early Enlightenment ideals: that is, the supreme cognitive authority of modern natural science, a new market economy based on the accumulation of private capital, rapid urbanization and industri- alization, ostensibly democratic institutions still largely controlled by elites, the privatization of religion and so the secularization of the public sphere. The modernist moment arose from some sense that this form of life was so unprecedented in human history that art’s very purpose or rationale, its mode of address to an audience, had to be fundamentally rethought. Nothing about the purpose or value of art, as it had been understood, could be taken for granted any longer, and the issue was: what kind of art, committed to what ideal, could be credible in such a world (if any)? A response to such a development was taken by some to require a novelty, experimentation and formal radicality so extreme as to seem unintelligible to its “first responders.” Modernism was to be an anti-Romanticism, rejecting lyrical expression of the inner in favor of impersonal- ity, or of multiple, fractured authorial personae, attempting an ironic distancing, experimental 2 republics of letters innovation, and, in so-called high modernism, assuming an elite position, sometimes with mul- tiple, obscure allusions, defiantly resistant to commercialization or a public role. -
Abubakr Bin Ṭufayl's Ḥayy Bin Yaqzān and Its Reception in Early Modern
Abubakr bin Ṭufayl’s Ḥayy bin Yaqzān and its Reception in Early Modern England by Muhammad I.U. Sid-Ahmad Ismail A thesis submitted in conformity with the requirements of the degree of Doctor of Philosophy submitted to the Graduate Department of English University of Toronto © Copyright by Muhammad I.U. Sid-Ahmad (2014) Abubakr bin Ṭufayl’s Ḥayy bin Yaqzān and its Reception in Early Modern England Muhammad I.U. Sid-Ahmad Doctor of Philosophy Graduate Department of English University of Toronto 2014 Abstract This study of Abubakr bin Ṭufayl’s Ḥayy bin Yaqzān and its reception in early modern England aims to determine the extent and nature of John Milton’s, John Locke’s and Daniel Defoe’s engagement of Ḥayy. I begin with historical research that offers the interpretative contexts upon which my comparative analyses rely. The dissertation begins with a study of seventeenth-century England where Ḥayy was received and twelfth-century Morocco where it was written, correcting misunderstandings in recent studies of the meaning and role of Ḥayy. In Chapter Two, I argue that Milton’s representation of Adam’s awakening in Book VIII of Milton’s Paradise Lost may have been influenced by Ḥayy. I further suggest considering whether Milton had access to other medieval Islamic sources, particularly Islamic stories of ascent. The shared elements suggest considering these stories part of a common cycle. As for John Locke, my analysis corrects earlier suggestions that his Essay Concerning Humane Understanding and Ḥayy are in agreement. I show that Locke in fact disagreed with the claims made in Ḥayy. -
Utopian Literature of the Ideal Society a Study in Al-Farabi's Virtuous City & More's Utopia اﻷدب اﻟﻴﻮﺗ
Utopian Literature of the Ideal Society A Study in Al-Farabi’s Virtuous City & More’s Utopia اﻷدب اﻟﻴﻮﺗﻮﺑﻲ ﻟﻠﻤﺠﺘﻤﻊ اﳌﺜﺎﻟﻲ دراﺳﺔ ﻲﻓ اﳌﺪﻳﻨﺔ اﻟﻔﺎﺿﻴﻠﺔ ﻟﻠﻔﺎراﺑﻲ ﻭﻳﻮﺗﻮﺑﻴﺎ ﻟﺘﻮﻣﺎس ﻣﻮر Dr. Abdulla A. Bukier Associate Professor in English Literature Dean: Faculty of Arts and Humanities, Alandalus University, Yemen. ﻣﻠﺨﺺ اﻟﺒﺤﺚ: אאFאEא אאא، אאאא אאאK אאאKאא א אאאJ א،אJ א ؛J א א Kאאאאא K אאא אאא אא אאאאא אאא אאא אK ABSTRACT: Utopian literature in its broadest this research, an example of the meaning deals with the idealistic virtuous and idealistic community they conceptions and themes that are not aspire, as philosophers, to be achieved applicative in real human life. in real human life, if virtue and This type of literature and thinking, goodness guide mankind to its though we regard it as imaginative and perfection and happiness. may be fanciful, yet it embodies great This research discusses these two themes, and aiming at noble human works as Utopian literature, irrespective goals and purposes. to the profound philosophical thoughts Al-Farabi in his work the Virtuous they comprise. City and More in his Utopia present to Key words: Humanism, Ideality, the humanity through these two Renaissance, Utopian Literature magnificent works, under discussion in Utopian Literature of the Ideal Society: A Study… | Dr. Abdulla A. Bukier ISSN : 2410-1818 Introduction: The concept of Utopian Literature dates back almost as long as literature itself. It is the philosophy of how man can construct a society void of social and political evils. Therefore, it is literature that emanates from man’s innate goodness right away to his reason; but to soar highly above rational meditation to man’s passion and fantasy. -
Ali Dissertation Revised
Recuperating Deliberation in Early-Postmodern US Fiction by Alistair M. C. Chetwynd A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2016 Doctoral Committee: Professor Gregg D. Crane, Chair Professor Patricia S. Yaeger, Chair (Deceased) Professor Sarah Buss Professor Jonathan E. Freedman Associate Professor Gillian C. White Acknowledgments This project took an aeon, and first thanks are equally to the English department at the University of Michigan for time and money, and my family and friends for never actually saying out loud that I should give it up and do something easier and more useful with my life. I’m also extremely grateful to each of my committee for stepping in to help me work on something a long way from any of their own academic interests. I really miss Patsy Yaeger: in particular her enthusiasm about getting to read bits of what she called a “weird” and “wonky” project. I’m grateful to her for feedback on sentence-level writing and the excellent, frequent marginal comment “Where’s The Joy???” Gregg Crane very helpfully took over after Patsy’s death, and his exhortations to be more precise, especially in talking about the relationship between fictions and philosophies, were always energizing: only Danny Hack’s Novel Theory course pushed me more forcefully in the directions my PhD work finally took than Gregg’s 20-second aside about how useful he found early pragmatism for thinking about literature, back in the second or third class session I sat in at Michigan. -