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The Charismatic Leadership and Cultural Legacy of Stan Lee
REINVENTING THE AMERICAN SUPERHERO: THE CHARISMATIC LEADERSHIP AND CULTURAL LEGACY OF STAN LEE Hazel Homer-Wambeam Junior Individual Documentary Process Paper: 499 Words !1 “A different house of worship A different color skin A piece of land that’s coveted And the drums of war begin.” -Stan Lee, 1970 THESIS As the comic book industry was collapsing during the 1950s and 60s, Stan Lee utilized his charismatic leadership style to reinvent and revive the superhero phenomenon. By leading the industry into the “Marvel Age,” Lee has left a multilayered legacy. Examples of this include raising awareness of social issues, shaping contemporary pop-culture, teaching literacy, giving people hope and self-confidence in the face of adversity, and leaving behind a multibillion dollar industry that employs thousands of people. TOPIC I was inspired to learn about Stan Lee after watching my first Marvel movie last spring. I was never interested in superheroes before this project, but now I have become an expert on the history of Marvel and have a new found love for the genre. Stan Lee’s entire personal collection is archived at the University of Wyoming American Heritage Center in my hometown. It contains 196 boxes of interviews, correspondence, original manuscripts, photos and comics from the 1920s to today. This was an amazing opportunity to obtain primary resources. !2 RESEARCH My most important primary resource was the phone interview I conducted with Stan Lee himself, now 92 years old. It was a rare opportunity that few people have had, and quite an honor! I use clips of Lee’s answers in my documentary. -
The North Turns Rocks to Riches with Mining and Exploration
The North turns rocks to riches with mining and exploration NORTHWEST TERRITORIES & NUNAVUT CHAMBER OF MINES Explore for More: Table of Contents Exploration starts here! ..................................................................2 Environment – highest level of protection .....................31 Giant mine – a big role in defining Yellowknife ....................32 Mining North Works! for Canada’s Environmental legacy ...........................................................................32 Northwest Territories and Nunavut .......................................3 Leading the way through government legislation .............33 Minerals are the North’s economic advantage ...................... 4 Climate change – mining has important role to play ...... 34 Northern rocks – a diverse and vast geology .......................... 5 Infrastructure legacy – building makes it better .................35 Rich mining history and legacy ......................................................... 6 Geologic time scale spans over four billion years ............... 7 Minerals in our lives – what do we make Exploration and mining span several centuries .................... 8 from them? ...........................................................................................36 Cobalt .........................................................................................................36 Mineral resources cycle – how it works ............................10 Diamonds .................................................................................................36 -
Whole Fanzine11.Pdf
EDITORIAL THE WHOLE FANZINE CATALOG 11/12 BRIAN EARL BROWN 16711 BURT R 07 it's late DETROIBMI . USA ■Well,I think this is a late issue since I intended tci .get it out about three weeks ago, which would have been 6 weeks after the last issue of hlofan should have been out. That was delayed,too.... That's one . reason why, if you'll check the indica below, you'll see that WoFan is now listed as a bimonthly publication TABLE OF CONTENTS There's a lot of bother to publishing an issue and I want to cut -bock a little on that bother. CHANGES Editorial page 2 In fact WoFan is going to be changing a lot in the Booksellers page A next few issues, a fact that you probably won't notice Clubzines page A because it's been different every time its come out. The most noticable difference is that starting with Newszines page A this issue, it's being mailed by via bulk mailing. Coraiczines page 5 There are currently about 150 US copies which isn't the magical 200 copies that the post office requires, Genzines but it's cheaper to mail out 200 by Bulk than it is to Australia page 6 mail 150 copies by fir,st class mail, and even more . with a double-sized issue like this. The 50 extra Canada page 7 copies will be mailed back to myself, then pi-obably England page 7 mailed overseas. It's kind of nasty of my to mail overseas fans 'used' fanzines, but I've been trying fr France page 7 from the first to find ways to make WoFan a breakeven Neu Zealand page 8 publication and I certainly can use the savings in postage that a bulk mailing will allow. -
Research Commons at The
http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. FROM 'AMBIGUOUSLY GAY DUOS' TO HOMOSEXUAL SUPERHEROES: THE IMPLICATIONS FOR MEDIA FANDOM PRACTICES A thesis submitted in fulfilment of the requirements for the degree of Master of Arts in Screen and Media At The University of Waikato By GEMMA CORIN The University of Waikato 2008 Abstract Despite traversing the fine line between homosocial and homosexual (Brooker, 2000) in his controversial text Seduction of the Innocent, Fredric Wertham’s (1954) description of Batman and Robin as a ‘wish dream of two homosexuals living together’ (Lendrum, 2004, p.70) represents one of the first published queer readings of superhero characters. This text can also be interpreted as the commencement of, and subsequent intense interest in the way superhero characters often portray a ‘camp’ sensibility (Medhurst, 1991) representative of a queer performative identity (Butler, 1993). -
3M™ Iron Man Plus Workstation Monitor CTC331 User’S Guide Table of Contents
3M™ Iron Man Plus Workstation Monitor CTC331 User’s Guide Table of Contents Section Page 1.0 Safety Information .......................................................................................3 Intended Use ................................................................................................3 2.0 Environmental Conditions ...........................................................................5 3.0 Package Contents .........................................................................................5 4.0 General Product Specifications ....................................................................6 5.0 Operation ......................................................................................................6 6.0 Installation ....................................................................................................8 7.0 Verification Procedures ..............................................................................12 8.0 Replacing the Wrist Strap Input Jack .........................................................12 9.0 Accessory Items .........................................................................................13 Regulatory Information .......................................................................................14 Warranty ..............................................................................................................16 2 1.0 Safety Information Read, understand, and follow all safety information contained in this user guide prior to installation and -
Limits, Malice and the Immortal Hulk
https://lthj.qut.edu.au/ LAW, TECHNOLOGY AND HUMANS Volume 2 (2) 2020 https://doi.org/10.5204/lthj.1581 Before the Law: Limits, Malice and The Immortal Hulk Neal Curtis The University of Auckland, New Zealand Abstract This article uses Kafka's short story 'Before the Law' to offer a reading of Al Ewing's The Immortal Hulk. This is in turn used to explore our desire to encounter the Law understood as a form of completeness. The article differentiates between 'the Law' as completeness or limitlessness and 'the law' understood as limitation. The article also examines this desire to experience completeness or limitlessness in the work of George Bataille who argued such an experience was the path to sovereignty. In response it also considers Francois Flahault's critique of Bataille who argued Bataille failed to understand limitlessness is split between a 'good infinite' and a 'bad infinite', and that it is only the latter that can ultimately satisfy us. The article then proposes The Hulk, especially as presented in Al Ewing's The Immortal Hulk, is a study in where our desire for limitlessness can take us. Ultimately it proposes we turn ourselves away from the Law and towards the law that preserves and protects our incompleteness. Keywords: Law; sovereignty; comics; superheroes; The Hulk Introduction From Jean Bodin to Carl Schmitt, the foundation of the law, or what we more readily understand as sovereignty, is marked by a significant division. The law is a limit in the sense of determining what is permitted and what is proscribed, but the authority for this limit is often said to derive from something unlimited. -
Darick Robertson: Into the Night
Darick Robertson: Into The Night “There are some things in this world that are neither human nor mutant, but threaten both species. There are places in this world where shadows rule—and creatures of darkness and light struggle, hidden from view. Where the superhuman and the supernatural meet, where the line between sorcery and science blurs, where the occult and the quotidian intermingle… there stalks the Nightcrawler.” That’s how writer Roberto Aguirre-Sacasa pitched Nightcrawler, a new monthly series set to debut this September from Marvel Comics. The book will be the first to feature the solo adventures of the fuzzy blue mutant on an ongoing basis. Joining Sacasa on the series will be talented artist Darick Robertson. Robertson cut his teeth on the acclaimed DC/Vertigo series Transmetropolitan before moving over to Marvel to pencil the controversial mini-series Fury and the Punisher origin tale Born. Late last year he also relaunched the monthly title Wolverine with writer Greg Rucka. Although Nightcrawler is still in the early stages of development, Darick took some time to answer questions about the recently revealed project. MARKISAN NASO: How did you get involved with Nightcrawler? DARICK ROBERTSON: It was offered to me by Marvel when it was clear that I would be available towards the end of my Wolverine run. I had mentioned to a few people there how much I love the character and how badly I wanted to do a Nightcrawler project. [Marvel Editor] CB Cebulski nominated me for the title immediately, recalling how much I enjoy drawing the character and our collaboration on X-Men Unlimited. -
Estuary Cover
SSppiirriitt ooff tthhee EEssttuuaarryy Using Art to Understand Ecology y y r r a a u u t t s s E E e e h h t t f f o o t t i i r r i i p p S S BARATARIA-TERREBONNE NATIONAL ESTUARY PROGRAM SSppiirriitt ooff tthhee EEssttuuary Using Art to Understand Ecology BARATARIA-TERREBONNE NATIONAL ESTUARY PROGRAM www.btnep.org I SSUsingppiirr iArtitt otooff Understand tthhee EEs sEcologyttuuaarryy AUTHORS/EDITORS Mary M. Banbury, Ph.D. University of New Orleans University of Nevada, Las Vegas Anne B. Rheams Lake Pontchartrain Basin Foundation Sue Ellen Lyons Holy Cross School, New Orleans ARTIST/GRAPHIC DESIGNER Marian Brister Martinez Pleiades Illustration Company PRODUCTION MANAGERS Deborah Schultz Susan Testroet-Bergeron Barataria-Terrebonne National Estuary Program CONTRIBUTORS Sandra Helmuth Dinah F. Maygarden Cindy Ybos Hollis Gabriel Wendy Foy Virginia Henry Christina Melancon Traci Vedros Nann Galloway Brenda Montalbano Semaj Allen Terrill Salter Robyn Kennedy Cally Chauvin Funding for this publication has been made possible through a grant. This publication was partially funded by the United States Environmental Protection Agency (USEPA) and the State of Louisiana - Louisiana University Marine Consortium (LUMCON) through Grant #CE 006660-01, 02, and 04. The contents of this document do not necessarily represent views of the USEPA or LUMCON. The mention of trade names or commercial products does not in any way constitute an endorsement or recommendation for use. Permission is given to reproduce portions of this publication for use in educational activities. This public document was published at a total cost of $______. XXXX copies of this public document were published in this first printing at a cost of $________. -
Wolverine Logan, of the X-Men and the New Avengers
Religious Affiliation of Comics Book Characters The Religious Affiliation of Comic Book Character Wolverine Logan, of the X-Men and the New Avengers http://www.adherents.com/lit/comics/Wolverine.html Wolverine is the code name of the Marvel Comics character who was long known simply as "Logan." (Long after his introduction, the character's real name was revealed to be "James Howlett.") Although originally a relatively minor character introduced in The Incredible Hulk #180-181 (October - November, 1974), the character eventually became Marvel's second-most popular character (after Spider-Man). Wolverine was for many years one of Marvel's most mysterious characters, as he had no memory of his earlier life Above: Logan and the origins of his distinctive (Wolverine) prays at a Adamantium skeleton and claws. Like Shinto temple in Kyoto, much about the character, his religious Japan. affiliation is uncertain. It is clear that [Source: Wolverine: Wolverine was raised in a devoutly Soultaker, issue #2 (May Christian home in Alberta, Canada. His 2005), page 6. Written by family appears to have been Protestant, Akira Yoshida, illustrated although this is not certain. At least by Shin "Jason" Nagasawa; reprinted in into his teen years, Wolverine had a Wolverine: Soultaker, strong belief in God and was a Marvel Entertainment prayerful person who strived to live by Group: New York City specific Christian ethics and moral (2005).] teachings. Above: Although Logan (Wolverine) is not a Catholic, and Over the many decades since he was a Nightcrawler (Kurt Wagner) is not really a priest, Logan child and youth in 19th Century nevertheless was so troubled by Alberta, Wolverine's character has his recent actions that he changed significantly. -
Democratizing E-Book Retailing
3,000 plus Join us and more than 3,000 publishers in Democratizing E-Book Retailing 10 Finger Press Acrobat Books Alan Phillips 121 Publications Action Publishing LLC Alazar Press 1500 Books Active Interest Media, Inc. Alban Books 3 Finger Prints Active Parenting Albion Press 3G Publishing, Inc. Adair Digital Alchimia 498 Productions, LLC Adaptive Studios Alden-Swain Press 4th & Goal Publishing Addicus Books Aleph Book Company Pvt.Ltd 5Points Publishing Adlai E. Stevenson III Algonquin Books 5x5 Publications Adm Books Ali Warren 72nd St Books Adriel C. Gray Alight/Swing Street Publishing A & A Johnston Press Advanced Perceptions Inc. Alinari 24 Ore A & A Publishers Inc Advanced Publishing LLC All Clear Publishing A C Hubbard Advantage Books All In One Books - Gregory Du- A Sense Of Nature Adventure Street Press LLC pree A&C Publishing Adventures Unlimited Press Allen & Unwin A.R.E. Press Aepisaurus Publishing, LLC Allen Press Inc AA Publishing Aesop Press ALM Media, LLC Aadarsh Pvt Ltd Affirm Press Alma Books AAPC Publishing AFG Weavings LLC Alma Rose Publishing AAPPL Aflame Books Almaden Books Aark House Publishing AFN Alpha International Aaron Blake Publishers African American Images Altruist Publishing Abdelhamid African Books Collective AMACOM Abingdon Press Afterwords Press Amanda Ballway Abny Media Group AGA Institute Press AMERICA SERIES Aboriginal Studies Press Aggor Publishers LLC American Academy of Abrams AH Comics, Inc. Oral Medicine Absolute Press Ajour Publishing House American Academy of Pediatrics Abstract Sounds Books, Ltd. AJR Publishing American Automobile Association Academic Foundation AKA Publishing Pty Ltd (AAA) Academy of Nutrition & Dietetics Akmaeon Publishing, LLC American Bar Association Acapella Publishing Aladdin American Cancer Society, Inc. -
Batwoman and Catwoman: Treatment of Women in DC Comics
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D. -
The Tragedy of Macbeth
Learning Modalities Visual/Spatial Learners Throughout the reading of Macbeth, have students refer to the photo- graph of the reconstructed Globe theater on p. 295. Suggest that they envision the action as it would take place in the acting areas. 1 About the Selection In The Tragedy of Macbeth, Act I, the The Tragedy of war hero Macbeth returns home and, on the way, encounters three witches who prophesy that he will one day be king of Scotland. Seized by ruth- Macbeth less ambition and spurred on by his wife, Macbeth plans to murder King Duncan, thus setting in motion a series of events that will lead to his William Shakespeare eventual downfall. 2 Background Reading Shakespeare Many students will find Shakespeare’s language a challenge. He uses words and structures not familiar to the modern ear. This situation is less of a problem in a theater, where actors communicate meaning through their interpretation, but it does pose a problem for readers. (Underscore 1 that the richness of the language and insights into human nature make Shakespeare worth the work.) 2 Background The Elizabethans viewed the universe, in its ideal It may help students to see a per- state, as both orderly and interconnected. They believed that a great chain formance. Encourage them to watch linked all beings, from God on high to the lowest beasts and plants. They one of the recent film versions of also believed that universal order was based on parallels between different Shakespeare’s plays, to hear how the realms. Just as the sun ruled in the heavens, for example, the king ruled language sounds in performance.