UKIYO-E Ou Les Images Du Monde Flottant
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Vente Du 14 Septembre À 14 Heures, Cologne, Allemagne Exposition
Vente du 14 Septembre à 14 heures, Cologne, Allemagne Exposition publique du 6 septembre au 13 septembre, chaque jour de 12 à 20 heures Lieu d´exposition et de vente: Riehler Str. 77, 50668 Cologne, Allemagne [email protected] Tel. + 221 16899440 Fax: + 221 16898889 www.signens.com (catalogue illustré) Expert Art Asie Julie Weissenberg-deville Contenu du catalogue. Asie Centrale .................................................................................................................................................. 2 Asie du Sud Est et du Sud Ouest ................................................................................................................... 3 Art Japonais ................................................................................................................................................... 7 Estampes Japonaises ................................................................................................................................... 11 Art Chinois ................................................................................................................................................... 39 Afrique ......................................................................................................................................................... 50 Art et antiquités européennes ................................................................................................................... 54 Verre Européen .......................................................................................................................................... -
Leca, Radu (2015) the Backward Glance : Concepts of ‘Outside’ and ‘Other’ in the Japanese Spatial Imaginary Between 1673 and 1704
Leca, Radu (2015) The backward glance : concepts of ‘outside’ and ‘other’ in the Japanese spatial imaginary between 1673 and 1704. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/23673 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. The Backward Glance: Concepts of ‘Outside’ and ‘Other’ in the Japanese Spatial Imaginary between 1673 and 1704 Radu Leca Thesis submitted for the degree of PhD 2015 Department of the History of Art and Archaeology SOAS, University of London 1 Declaration I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
International Workshop
Special event preceding EAJRS Conference, Leiden, September 16-19, 2015 INTERNATIONAL WORKSHOP “IMAGES OF WOMEN IN THE AGE OF MECHANICAL REPRODUCTION: PRINT CULTURE IN EARLY MODERN AND MODERN JAPAN” Tuesday, September 15, 2015, Leiden University Abstracts and Speakers’ Biographical Notes (in the order of appearance) Masato Naitō (Keio University) Harbingers of Modernity: Objective Portrayal of Women in ukiyo-e Many beauties were depicted in ukiyo-e, mainly in prints or on commercial objects that needed to appeal to potential buyers. As ukiyo-e was driven by consumer demand it is necessary to be cautious when analyzing it as a historical document of the Edo period. This presentation aims at a comparative study of two different ways of representing women in ukiyo-e: one that is considered typical and one that is atypical and as such heralds the coming modernity. Masato NAITŌ is Professor of Art History at Keio University and Director at Keio University Art Center (Tokyo). Formerly, he served as head curator at the Idemitsu Museum of Art (Tokyo). His research intrests focus on Edo period art and inlcude ukiyo-e as well as painting of the Rimpa and the Kanō school. His major publications include Ukiyo-e to patoron (Ukiyo-e and Its Patrons, Keio Univrestity Press, 2014), Katuskawa Shunshō to Tenmeiki no ukiyo-e bijinga (Katsukawa Shunshō and Images of Beautiful Women of the Tenmei Era, Tokyo University Press, 2012) and Rimpa Art (co-authored, British Museum, 1998) etc. Prof. Naito received the Kajima Foundation for the Arts Award in 1994 and the International Ukiyo-e Society Award in 2015. -
Shunga, Estampes Érotiques - Drouot - Richelieu, Salle 7, Vendredi 12 Octobre 2012
Shunga, estampes érotiques - Drouot - Richelieu, salle 7, vendredi 12 octobre 2012 vendredi12octoBre2012à14heures venteauxenchèrespubliques drouot-richelieu-salle7 9,ruedrouot-75009paris SHUNGA Estampes japonaises et peintures chinoises érotiques COLLECTION DE M. X. ET À DIVERS Experts : thierry poRtiER Avec la collaboration d’alice bUHlmann 26, bd Poissonnière 75 009 Paris Tél. : 01 48 00 03 41 [email protected] Expositions publiques à l’hôtel Drouot - salle 7 Jeudi 11 octobre de 11 h à 18 h Vendredi 12 octobre de 11 h à 12 h Téléphone pendant la vente : 01 48 00 20 07 Catalogue visible sur www.ader-paris.fr Enchérissez en direct sur www.drouotlive.com En 1re de couverture, est reproduit le lot 58 En 2e de couverture, est reproduit le lot 57 En 4e de couverture, est reproduit le lot 146 ADER, Société de Ventes Volontaires - Agrément 2002-448 - Sarl au capital de 7 500 euros 3, rue Favart 75 002 Paris - Tél. : 01 53 40 77 10 - Fax : 01 53 40 77 20 - [email protected] N° siret : 450 500 707 000 28 - TVA Intracom. : FR 66 450 500 707 - www.ader-paris.fr Shunga ou « images de printemps » Le terme Shunga, « images de printemps », rassemble dans un sens large l’ensemble de l’imagerie érotique incluant les livres, les rouleaux et les estampes. Elle peut aussi être désignée par les termes de makura-e, « images sous l’oreiller » ou par warai-e, « images pour rire ». Dans un sens plus usuel, les Shunga se présentent sous forme d’estampes réalisées par xylographie (gravure sur bois), technique existant au Japon depuis le VIIIe siècle. -
PICTURES of the FLOATING WORLD an Exploration of the World of the Yoshiwara, 吉原
Cherry Blossom in the Yoshiwara by Yoshikazu PICTURES OF THE FLOATING WORLD An exploration of the world of the Yoshiwara, 吉原 PICTURES OF THE FLOATING WORLD In the nightless city Floating free from life’s cares Picture memories Haiku Keith Oram INTRODUCTION Japanese woodblock prints that recorded the Ukiyo, the ‘Floating World’ of the Yoshiwara of Edo city were so numerous that during the nineteenth century they were used to wrap ceramics exported to Europe. This practice provided some European artists with their first proper encounter with these beautifully created images. The impact on western art of their bold colours and sensuous line was quite significant influencing many artists of the avant gard. The story of those prints, however, began much earlier in the seventeenth century. First a little background history. The battle of Sekigahara in 1600 and the fall of Osaka in 1615 allowed Tokugawa Ieyasu to gain complete control of Japan. He had been made Shogun, supreme military leader, in 1603, but the fall of Osaka was the final action that gave him complete control. Almost his first act was to move the capital from Kyoto, the realm of the Emperor, to Edo, now Tokyo. This backwater town, now the new capital, grew very quickly into a large town. Tokugawa Iemitsu, Shogun 1623-51, required the daimyo of Japan, local rulers and warlords, to remain in Edo every other year, but when they returned to their fiefs he made them leave their families in the capital. This ‘hostage’ style management, sankin tokai, helped to maintain the peace. The other affect was that the daimyo needed to build large homes in Edo for their families. -
Publisbing Culture in Eighteentb-Century Japan: the Case of the Edo Publisher Tsutaya Jqzaburô (1751-97)
Publisbing Culture in Eighteentb-Century Japan: The Case of the Edo Publisher Tsutaya JQzaburô (1751-97) Yu Chang A thesis submitted in conformity with the requirements for the degree of Master of Arts Graduate Department of East Asian Studies University of Toronto 0 Copyright by Yu Chang 1997 National Library Bibliothèque nationale 1*1 of Canada du Canada Acquisitions and Acquisitions et Bibliogtaphic Services services bibliographiques 395 Wellington Street 395. rue Wellingtm Ottawa ON K1A ON4 OnawaOFJ KlAW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence diowing the exclusive permettant à la National Librq of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seil reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othenvise de celle-ci ne doivent être imprimés reproduced without the author' s ou autrement reproduits sans son permission. autorisation. ABSTRACT Publishing Culture in Eighteentb-Century Japan: The Case of the Edo Pubüsher Tsutaya Jûzaburô (1750-97) Master of Arts, March 1997 Yu Chang Department of East Asian Studies During the ideologicai program of the Senior Councillor Mitsudaira Sadanobu of the Tokugawa bah@[ governrnent, Tsutaya JÛzaburÔ's aggressive publishing venture found itseif on a collision course with Sadanobu's book censorship policy. -
Ukiyo-E DAIGINJO
EXCLUSIVE JAPANESE IMPORT Ukiyo-e DAIGINJO UKIYO-E BREWERY Ukiyo-e (ooh-kee-yoh-eh) is a Japanese Founded in 1743 in the Nada district of woodblock print or painting of famous Kobe, Hakutsuru is the #1 selling sake kabuki actors, beautiful women, travel brand in Japan. landscapes and city life from the Elegant, thoughtful, and delicious Edo period. Ukiyo-e is significant in sake defines Hakutsuru, but tireless expressing the sensual attributes of innovation places it in a class of its Japanese culture from 17th to 19th own. Whether it’s understanding water century. sources at the molecular level, building a facility to create one-of-a-kind yeast, ARTIST/CHARACTER or developing its own sake-specific rice, Hakutsuru Nishiki, it’s the deep dive into This woodblock print displays the famed research and development that explains kabuki actor, Otani Oniji III, as Yakko Hakutsuru’s ascension to the top of a Edobei in the play, Koi Nyobo Somewake centuries-old craft. Tazuna. The play was performed at the Kawarazakiza theater in May 1794. The artist, Toshusai Sharaku, was known for Brewery Location Hyogo Prefecture creating visually bold prints that gave a Founding Date 1743 Brewmaster Mitsuhiro Kosa revealing look into the world of kabuki. DAIGINJO DAIGINJO DEFINED Just like Ukiyo-e, making beautiful sake Sake made with rice milled to at least takes time, mastery, and creativity. To 50% of its original size, water, koji, and a craft an exquisite sake, such as this small amount of brewers’ alcohol added aromatic and enticing Daiginjo, is both for stylistic purposes. -
Animaleshombres-Dossier.Pdf
De animales y hombres Estampa japonesa y katagami del MNAD Una parte considerable de los fondos de este museo está compuesta por piezas de origen oriental, entre ellas podemos encontrar una destacada colección de ukiyo-e y los recién identificados katagami. De animales y hombres, nos permite adentrarnos en un mundo de papel que retrata un entorno natural y cultural a través del prisma de artista japonés del momento. Con una enorme capacidad de detalle, las piezas muestran escenas de la vida cotidiana en la ciudad de Edo; sus cánones de belleza y elegan- cia; una rica tradición literaria; su pasión por el paisaje y la naturaleza, desde la mirada científica a la poética. Todos ellos aspectos esenciales para comprender el inmenso magnetismo que provocan estas manifestaciones. Esta muestra forma parte del proyecto “Relectura de la colecciones del museo”, a través del cual se intenta poner a disposición del público un mayor porcentaje de la colección a través de diversas ex- posiciones temáticas en las puedan ver la luz piezas que habitualmente, por cuestiones de espacio o conservación, deben permanecer en almacenes; y asi mismo ofrecer nuevas datos e interpretaciones entorno a las mismas. Esta selección se centra en dos tipos de objeto que tienen el papel como soporte, que fueron produ- cidos en Japón entre los siglos XVIII y XX, y con una temática limitada centrada en representaciones del mundo animal y el ser humano. Corresponden a dos técnicas concretas: el grabado polícromo con planchas de madera (ukiyo-e) y plantillas de estarcido para teñir tejidos: (katagami). El Ukiyo-e Como otras manifestaciones de las artes plásticas japonesas, el ukiyo-e es una técnica compleja en la frontera entre la producción artística y la artesanía de alta calidad. -
Introduction This Exhibition Celebrates the Spectacular Artistic Tradition
Introduction This exhibition celebrates the spectacular artistic tradition inspired by The Tale of Genji, a monument of world literature created in the early eleventh century, and traces the evolution and reception of its imagery through the following ten centuries. The author, the noblewoman Murasaki Shikibu, centered her narrative on the “radiant Genji” (hikaru Genji), the son of an emperor who is demoted to commoner status and is therefore disqualified from ever ascending the throne. With an insatiable desire to recover his lost standing, Genji seeks out countless amorous encounters with women who might help him revive his imperial lineage. Readers have long reveled in the amusing accounts of Genji’s romantic liaisons and in the dazzling descriptions of the courtly splendor of the Heian period (794–1185). The tale has been equally appreciated, however, as social and political commentary, aesthetic theory, Buddhist philosophy, a behavioral guide, and a source of insight into human nature. Offering much more than romance, The Tale of Genji proved meaningful not only for men and women of the aristocracy but also for Buddhist adherents and institutions, military leaders and their families, and merchants and townspeople. The galleries that follow present the full spectrum of Genji-related works of art created for diverse patrons by the most accomplished Japanese artists of the past millennium. The exhibition also sheds new light on the tale’s author and her female characters, and on the women readers, artists, calligraphers, and commentators who played a crucial role in ensuring the continued relevance of this classic text. The manuscripts, paintings, calligraphy, and decorative arts on display demonstrate sophisticated and surprising interpretations of the story that promise to enrich our understanding of Murasaki’s tale today. -
Extreme Japan
Extreme Japan At its roots, Japan has two deities who represent opposite extremes – Amaterasu, a Nigitama (peaceful spirit), and Susanoo, an Aratama (wrathful spirit). The dichotomy can be seen reflected in various areas of the culture. There is Kinkaku-ji (the Golden Pavilion) to represent the Kitayama culture, and Ginkaku-ji (the Silver Pavilion) to represent the Higashiyama culture. Kabuki has its wagoto (gentle style) and aragoto (bravura style). There are the thatched huts of wabicha (frugal tea ceremony) as opposed to the golden tea ceremony houses. Japan can be punk – flashy and noisy. Or, it can be bluesy – deep and tranquil. Add to flash, the kabuki way. Subtract to refine, the wabi way. Just don’t hold back - go to the extreme.Either way, it’s Japan. Japan Concept 5 Kabuku Japan Concept 6 wabi If we awaken and recapture the basic human passions that are today being lost in each moment, new Japanese traditions will be passed on with a bold, triumphant face. Taro Okamoto, Nihon no Dento (Japanese Tradition) 20 kabuku Extreme Japan ① Photograph: Satoshi Takase ③ ② Eccentrics at the Cutting Edge of Fashion ① Lavish preferences of truck drivers are reflected in vehicles decorated like illuminated floats. ② The crazy KAWAII of Kyary Pamyu Pamyu. ③ The band KISHIDAN. Yankii style, characterized by tsuppari hairstyles and customized high ⑤ school uniforms. ④ Kabuki-style cosmetic face masks made by Imabari Towel. Kabuki’s Kumadori is a powerful makeup for warding off evil spirits. ⑤ Making lavish use of combs and hairpins, oiran were the fashion leaders of Edo. The “face-showing” event is a glimpse into the sleepless world of night. -
The Auction Barn Pty Ltd Catalogue Asian Antiques, Art
The Auction Barn Pty Ltd Phone 02 6239 2095 9 Wiluna Street www.theauctionbarn.com.au Fyshwick ACT 2609 Catalogue Asian Antiques, Art, Collectables Furniture (Specialized Auction A) Auction Date and Time: 2021-06-18 10:30:00 Auction Type: Online To be held at: Showrooms | 10 Wiluna St, FYSHWICK Terms: Cash, EFTPOS, Visa and MasterCard (a 1.6% surchargeapplies to Credit Card Payments) Lot Description Closing Time Lot 1 A Large Ceramic Indian Elephant Occasional Table Height 55cm as Found 07:00 PM Lot 2 A Chinese Wooden Panel Inlaid with Carved Stones to Create a Scene Featuring a Peach Tree and Bats 07:01 PM (symbols of Immortality and Good Fortune), all Surrounded by a Heavily Carved Frame, 81 cm (w), 56 cm (h). The Work May be Hung from Two Ornate Metal Brackets Attached to One Edge. Lot 3 A Green Jade Bangle, 8cm (dia.) 07:00 PM Lot 4 A Thick White Jade Bangle, 7.5cm (dia.) 07:04 PM Lot 5 A Red & Pale White-Green Jade Bangle, 8cm (dia.) 07:00 PM Lot 6 A Pair of Red Agate Bangles, 7cm & 7.5cm (dia.) each 07:00 PM Lot 7 A White Jade Bangle, 7.5cm (dia.) 07:04 PM Lot 8 A Green Jade Bangle, 8cm (dia.) 07:08 PM Lot 9 A Dark Grey-White Jade Bangle, with Unique Moss-like Inclusions, 8cm (dia.) 07:00 PM Lot 10 A Pale Green Jade Bangle, featuring a Beautiful Deep Green Swirl ranging to Pale White, 7.5cm (dia.), in Red 07:02 PM Silk Wrapper Lot 11 A White Jade Bangle, 7cm (dia.) 07:05 PM Lot 12 A Stunning Pair of Emerald Green Cloisonne Enamelled Vases with A Beautiful Red Flower and Black 07:00 PM Butterfly, 10cm each, with Stands Lot 13 Three Antique Style Chinese Silver Alloy Ingots with Chinese Foundry Marks to Bases (metal content 07:03 PM untested), total weight 3.568kg, approx. -
Modern Living in Southeast Asia
Appreciating Asian modern : mASEANa Project 2015-2020 mASEANa Project 2017 modern living in Southeast Asia The Report of mASEANa Project 2017 4th & 5th International Conference 2015 - 2020 The Report of mASEANa project 2017 : 4th & 5th International Conference modern living in Southeast Asia Introduction Why Are We So Interested in modern architecture in Asia? -The Story behind mASEANa Project 2015-20 and a Report on its Fiscal 2017 Activities- Shin Muramatsu 09 The Housing Question Ana Tostões 11 CONTENTS Part1: modern living in Southeast Asia Part2: Inventory of modern Buildings modern living in Southeast Asia - Inventory of modern Buildings in Yangon - Setiadi Sopandi, Kengo Hayashi 16 History of modern architecture in Yangon Friedrich Silaban Inventory & Research, 2006-2018 Win Thant Win Shwin, Su Su 65 Setiadi Sopandi 18 Inventory of modern Buildings in Yangon 67 - 1. Sports and Modern Urbanisim - - Inventory of modern Buildings in Jakarta - The Role of Sports Facilities in Metro Manila’s Urban Living from the 1930s to 1970s History of modern architecture in Jakarta Gabriel Victor Caballero 22 Setiadi Sopandi, Nadia Purwestri 77 The Shape of Sports Diplomacy: Inventory of modern Buildings in Jakarta 79 Gelora Bung Karno, Jakarta, and the Fourth Asian Games Robin Hartanto 26 Modern Architecture Literacy Development: The mASEANa Project in 2017 Kengo Hayashi 88 PHNOM PENH 1964: Architecture and Urbanism of GANEFO Masaaki Iwamoto 30 Transformation of modern Living in Japan after WWII: Washington Heights, Tokyo Olympic and Yoyogi Sports Complex Saikaku Toyokawa 34 Acknowledgment 92 - 2. Modern Projects, Changing Lifestyles, Resilience - Living in KTTs – the Formation of Modern Community in Vietnam Pham Thuy Loan, Truong Ngoc Lan, Nguyen Manh Tri 36 Pulomas: A Social Housing Project which Never Was Mohammad Nanda Widyarta 40 Modernization of Tatami, Shoji, & En Yasuko Kamei 44 Collective Housing in Japan Toshio Otsuki 48 - 3.