The Eagle 1961 (Easter)

Total Page:16

File Type:pdf, Size:1020Kb

The Eagle 1961 (Easter) THE EAGLE October I 96 I Printed in Great Britain by W. Jefferson & Son Ltd., Ely The Eagle A MAGAZI NE SUP PORTED BY MEMBERS OF ' ST JOHN S COLLEGE, CAMBRIDGE FOR SUBSCRIBERS ONLY Editorial page 213 Poems : By Exchange Telegraph 215 To an Unknown God 215 c Trivium 216 Tiger Shooting-1961 217 Poems: The Chess Players 223 No Slow Foot Turns 223 When This Black Angel 223 On the Body of a Child Calcified at Pompeii 224 A Poem �or Someone Asleep 224 The Restoration of Second Court III 225 Poem: The Landlady 232 John Masefield and a Cake 234 Praelection: Rare Birds 238 A Thirteenth Century Sketch from the Old Chapel 239 College Chronicle 240 College Notes 255 Obituary 264 Book Reviews 266 College Awards 271 Editorial Committee ...... � ...... Mr LEE (Senior Editor), Mr HINSLEY (Treasurer), W. M. NEWMAN (') ::s ...... on 0 0 � CD (Junior Editor), Dr STERN, N. WOOD, C. ADAM, D. N. L. RALPHS, CD ...... .c >, ...... on D. I. MORPHET, R. L. NOBBS. ...... Cl) .j...J -I-' c.. 0 on CO CO '0 .c rJ Cl) [Il 0 ...... .j...J .c . ..... -I-' >, c.. All contributions for the next issue of the Magazine should be sent (/) � Q) .0 >, rJ .c to The Editors, The Eagle, St John's College. The Editors will wel­ '2 ...... ::s Q) E-< .c E '0 come assistance in making the College Notes, and the Magazine CO 0 -I-' :: 0 >, ell 0 generally, as complete a record as possible of the careers of mem­ ,..., 0 ...... ..... 0 '0 (/) 0 -I-' bers of the College. They will welcome books or articles dealing � Cl) !:'- (/) -I-' s:.. with the College and its members for review; and books published Cl) ..... c.. Cl c: E 0 CD Q) (') by members of the College for shorter notice. E .0 >, (/) ...... E E s:.. (/) r) ::s ::s ..... <.) (/) (') ..... c: 0.. ..... Q) ..... 0 (') .c Cl) ...... 0 .j...J c.. � OD ::s .j...J :: .. -I-' CO (') (/) "'"' [Il on ::s [Il Q) ..... 0 (I) . ..... ...J ...... Q) ...... c.. 0 0 0.. -I-' .c 0 0 0 � ..... CO E-< 0 <.) s:.. [Il = -I-' Cl) c.. C C) ..... CD ::s [Il 0 .c .c -I-' .c 0 -I-' ::r: .j...J >, c.. <.) .j...J E-< 0.. E <.) CO = ::s c.:: 0 (J) c.. <;...., '0 <.) c.. 0 ..... >, 0 Q) 0 c: '0 -I-' c: OD .c 0 ..... ..... c;j Q) (/) (/) '0 ...... ..... ::s Q) ...... ...... 0 [Il 0 .0 ...... :> 0 <.) >, . .... ::s CD Q) 0 c: 0.. .c (J) <.) Q) .j...J c.. (J) >, Q) ...... ..... ::s CD 0 ...... Q) 0 ...... c.. .c >, c:J c: 0 ...... E-< (J) -I-' ::s ...0 .j...J ;:J 0 (/) -I-' C' c: .c ::s ...... (') (/) ...... '0 Q) Q) c.. E � .j...J s:.. CD ..... ...... ...... CO .0 .j...J .0 0.. () Q) .c E c: '0 <.) Cl) E ...... 0 :> 0 Cl) .C <.) 0 '0 .0 � Z . , • VOL. LIX OCTOBER 1961 NO. 258 Editorial OUR subscribers will perhaps be interested to have the following programme of the entertainments that were arranged in celebra­ tion of the College's 450th Anniversary. 1. Saturday, 20th May. An Evening Entertainment in the Grounds fo r Fellows and their wives, Members of the Combina­ tion Room and their wives and fo r all Junior Members of the College and their lady guests. A running buffet supper was served fr om 8 p.m. onwards in a marquee erected on the tennis. courts in fr ont of New Court with access by means of a covered way from the Wren Bridge. Lounge suits were worn, without gowns. The Entertainment consisted of a Recital by the Chapel Choir in fr ont of the Cloister Gate to New Court; an illumination of the College buildings; the performance of an operetta in three scenes, music by Leon Coates, libretto and production by Charles. • Ellis. Some consternation was caused by the absence of the prima donna who turned up late owing to a misunderstanding about tempi. The Entertainment concluded with a display of "Crystal Palace" fireworks by Messrs Brock. During this exciting pyrotechnic display the fo llowing devices were fired:­ The Blazing Gyroscopic Wheel, The Star of India, A Humorous Mechanical Device (Boxing Contest), The Revolving Fountains, The Papyrus Screen, The Fiery Pigeons, Aladdin's Jewelled Tree, The Chromatrope, The Dance of the Skeleton, Le Feu de foie, The Whirligig. The following Set Pieces were depicted:­ The College Crest, carried out in lines of coloured fire ; The Weird White Waterfall; a special royal portrait accurately portraying The Lady Margaret, carried out in lines of brilliant fire. Interspersed between the devices came the following aerial items:-Ten salvos of SHELLS, eight SHELLS, fo ur SHELLS, explosion of six large MINES bursting fr om the ground, six large TOURBILLIONS or rising umbrellas of fire, seven batteries. of ROMAN CANDLES (assorted varieties). A SIGNAL AERIAL MAROON denoted the conclusion of the display and of a very pleasant evening. 213 THE EAGLE 2. Saturday, 22nd July. A Dinner in Hall to which the Master and Fellows invited Honorary Fellows; Former Fellows' members of the College who were heads or Fellows of othe; Colle�es in C��bridge and Oxford and of Trinity College, Poems Dubhn; the VIsItor; the Chancellor and Vice-Chancellor; the Mayor and the Town Clerk; the Marquess of Exeter and the BY EXCHANGE TELEGRAPH Marquess of Salisbury; the Headmasters of certain Schools with which the College has been associated from ancient times; the SWANS are going fo r a song. Headmaster of St John's College School; and certain other Guests. The Master and Mrs Boys Smith were at Home at the The curlew has had its day. Master's Lodge from 4-6 p.m. to Fellows, Guests, and Ladies They'll give you very little fo r the lark. accompanying them. The College offered hospitality fo r the Cryptogrammatic stars night to Guests attending the dinner and provided Breakfa st in Are hardly worth the paper they're written on. the Hall on Sunday morning. In the interests of the Guests Disjected members of the Moon academical dress was optional, though Fellows were requested Are finding no takers. to wear gowns at the Dinner. 3. Saturday, 29th July. A Garden Party in the Fellows' Everybody's buying tin futures, Garden to Senior Members of the College and their Ladies, And the lead market's undertone is firm. Supervisors of the College and their Ladies, and other Guests Swans are going fo r a song. specially associated with the College. The weather was fine, Mr Summers' iced coffee excellent. 4. Saturday, 5th August. A Garden Party in the College TO AN UNKNOWN GOD :grounds to which the Master and Fellows invited all College DELPHI , Servants and their wives or husbands, from 3.30 to 6 p.m. Since but not self-knowledge; there was rain in the morning the Party was held in the Hall. It has better things to teach. Raspberries and cream, beer and claret cup were consumed in "Nothing too much": but greybeard mountains large quantities. Do not practise what they preach. 5. Thursday, 5th October. A Dinner in Hall to which the Navel of Earth still corded. Master and Fellows invited themselves, Members of the Combina­ Opposites reconciled. tion Room, and their Ladies, including the Hon. Mrs Charles Consort of Sky, All-Mother, Taylor and Mrs E. A. Benians. Is a suckling starveling child. In addition to the foregoing Entertainments the fo llowing Events were arranged fo r the Long Vacation:- Snake and smoke and olive, (a) Tuesday, 4th July. A Dinner in Hall to Agricultural Green and black and grey, Tenants and other special Guests. Dedecorate Parnassus, (b) Thursday, 6th July. A Luncheon in Hall to Members of Retrace the Sacred Way. the Commonwealth-American Universities Conference and their wives. Too soon too late too often Priestess on tripod sits, Till Chaerephon renumbers Five Muses and nine wits. Night and AlI-Things-Together, Eagles aloft, aloof. Uncertain sound of oracle Deserves the stars' reproof. 214 215 THE EAGLE TRIVIUM PROFESSOR Peter Paradox, Head of the Department. Doctor of Science, scourge of the ignorant. Tiger Shooting-I961 Dr Paul Paragon, Chairman of the Faculty, Professor of Metaphysics, pillar of propriety. IN the hills around Kumaon and the fo rests of South and Central India the tiger jungles are deep and often impenetrable; the Miss Patience Paradise, Curator of the Gallery, tiger is rarely seen by accident. This idea of the tiger is probably Reader in Aesthetics, burning hard ,and gem-like. the most common and Hollywood has helped to perpetuate the fabulous atmosphere that surrounds tiger and all big game, These three characters, searching fo r an author. understandably misrepresenting them at times. There are Ephemeral triptych. The greatest is Paradise. precious few Jim Corbetts and Harry Blacks today, and in many Robbing Dr Paul to pay Professor Peter. parts of the country shikar (big game hunting) has become highly Flyaway Paragon, fly away Paradox. organised. RENFORD BAMBROU_ In Rajasthan if one was a villager one would accept the tiger GH! as part of one's life, a nuisance fo r the most part since cattle must be kept behind huge thorn fe nces. The villager cannot afford to lose his cattle. On the whole the tiger and the man tolerate each other, keeping out of each other's way, and not being unduly perturbed when they meet. A tiger in the open is enough to scare anyone, but from long experience the villager knows it wiII do nothing to him unless provoked. Even provocation must be severe. There are cases on record of men literally chasing a tiger offtheir cattle with nothing more than a stick.
Recommended publications
  • Issues of Image and Performance in the Beatles' Films
    “All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image.
    [Show full text]
  • George Harrison
    COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they
    [Show full text]
  • 2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
    Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p.
    [Show full text]
  • The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
    The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class.
    [Show full text]
  • Entertainment Memorabilia, 3 July 2013, Knightsbridge, London
    Bonhams Montpelier Street Knightsbridge London SW7 1HH +44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax 20771 Entertainment Memorabilia, Entertainment 3 July 2013, 2013, 3 July Knightsbridge, London Knightsbridge, Entertainment Memorabilia Wednesday 3 July 2013 at 1pm Knightsbridge, London International Auctioneers and Valuers – bonhams.com © 1967 Danjaq, LLC. and United Artists Corporation. All Rights reserved courtesy of Rex Features. Entertainment Memorabilia Wednesday 3 July 2013 at 1pm Knightsbridge, London Bonhams Enquiries Customer Services The following symbol is used Montpelier Street Director Monday to Friday 8.30am to 6pm to denote that VAT is due on the hammer price and buyer’s Knightsbridge Stephanie Connell +44 (0) 20 7447 7447 premium London SW7 1HH +44 (0) 20 7393 3844 www.bonhams.com [email protected] Please see back of catalogue † VAT 20% on hammer price for important notice to bidders and buyer’s premium Viewing Senior Specialist Sunday 30 June Katherine Williams Illustrations * VAT on imported items at 11am to 3pm +44 (0) 20 7393 3871 Front cover: Lot 236 a preferential rate of 5% on Monday 1 July [email protected] Back cover: Lot 109 hammer price and the prevailing 9am to 4.30pm Inside front cover: Lot 97 rate on buyer’s premium Consultant Specialist Inside back cover: Lot 179 Tuesday 2 July W These lots will be removed to Stephen Maycock 9am to 4.30pm Bonhams Park Royal Warehouse Wednesday 3 July +44 (0) 20 7393 3844 after the sale. Please read the 9am to 11am [email protected] sale information page for more details.
    [Show full text]
  • The Eagle 1960 (Easter)
    THE EAGLE Printed in Great Britain by W. Jefferson & Son Ltd., Ely The Eagle Editorial Committee Mr LEE (Senior Editor), Mr HINSLEY (Treasurer), W. M. NEWMAN (Junior Editor), Dr STERN, N. WOOD , C. ADAM, D. N. L. RALPHS. A MAGAZINE SUPPORTED BY MEMBERS OF ST JOHN'S COLLEGE, CAMBRIDGE All contributions for the next issue of the Magazine should be sent FOR SUBSCRIBERS ONLY to The Editors, The Eagle, St John's College. The Editors will wel­ come assistance in making the College Notes, and the Magazine generally, as complete a record as possible of the careers of mem­ bers of the College. They will welcome books or articles dealing with the College and its members for review; and books published Maupygemons and Mash page 65 by members of the College for shorter notice. Ash before Oak 75 Inter-Racial Friction 78 Feminine Nature: a Praelection 89 The Restoration of Second Court II 91 College Chronicle 102 College Notes 126 The Library 133 Book Reviews 135 College Awards 141 VOL. LlX OCTOBER 1960 NO. 256 Maupygernons and Mash BY GLYN DANIEL Dr Daniel was Steward of the College from 1946 to 1955 and here discusses some of his problems and pleasures as Steward, and gives a portrait of Mr Sadler, who retires this year as Kitchen Manager after nearly half a century of service in the College. WHEN, after nearly five years away fr om the College in the Royal Air Force during the war, I came back in early 1946, I was surprised to be asked by the then Master, E.
    [Show full text]
  • Yellow Submarine George Dunning, 1968
    EL SUBMARINO AMARILLO Yellow submarine George Dunning, 1968 LA BANDA DE LOS CORAZONES PSICODÉLICOS El submarino amarillo es un film de animación producido por la King Features como extensión de la serie televisiva The Beatles, emitida en Estados Unidos entre 1965 y 1969. Siguiendo el esquema de la serie, que consistía en coger una canción de la banda y desarrollar cualquier historia sugerida por el título, el argumento del largometraje se compuso en base a dos composiciones de The Beatles. Yellow submarine cuenta la odisea de los cuatro músicos de Liverpool que se embarcan en un submarino amarillo para recorrer mares fantásticos poblados por monstruos y otras amenazas. Fue concebida y desarrollada principalmente por el escritor norteamericano Lee Minoff. Stg. Pepper cuenta la peripecia del grupo tras su llegada a Pimientalandia, donde deben rescatar mediante la música a una población férreamente sometida por un tirano azul. Es el resultado del parcheo, que no colaboración, de un número indeterminado de guionistas. En última instancia, parece que buena parte de las soluciones narrativas surgieron de la improvisación de los dibujantes. La génesis y elaboración del film se explican con más detalle en la segunda parte de este texto, titulada La sombra del submarino. Liberada de la presencia pueril y esperpéntica de los Beatles de carne y hueso, El submarino amarillo es una de las mejores expresiones del arte psicodélico. El término psicodelia es un neologismo compuesto por las raíces griegas ψυχή (psique=alma) y δήλη (dele=manifestación), lo que permite aplicarlo a todo intento de mostrar lo más recóndito de nuestra mente, algo imposible con las palabras y las figuras convencionales.
    [Show full text]
  • 'BBC Handbook 1976 Incorporating the Annual Report and Accounts 1974-75
    'BBC Handbook 1976 Incorporating the Annual Report and Accounts 1974-75 www.americanradiohistory.com www.americanradiohistory.com www.americanradiohistory.com 9L61 310oQPu-BH Dgg www.americanradiohistory.com BBC Handbook 1976 incorporating the Annual Report and Accounts 1974 -75 British Broadcasting Corporation www.americanradiohistory.com Published by the British Broadcasting Corporation 35 Marylebone High Street, London W 1 M 4AA ISBN 563 12891 7 First published 1975 © BBC 1975 Printed in England by The Whitefriars Press Ltd London & Tonbridge Illustrated section printed by Sir Joseph Causton & Sons Ltd, London www.americanradiohistory.com Contents Foreword Sir Michael Swann 7 Tables Part one World radio and television receivers 54 Annual Report and Accounts External broadcasting 65 1974 - 75 Annual Report of the Broadcasting Council for Scotland 105 Introductory 9 Annual Report of the Broadcasting Council for Wales 110 Programmes 21 Appendices 115 Television 21 I Hours of output: television 116 Radio 25 Hours of output: radio 117 Party political broadcasts and broadcasts II Programme analysis television networks by Members of Parliament 32 118 News 34 Programme analysis radio networks 119 III School broadcasting 120 Religious broadcasting 35 IV Hours of broadcasting in the External Educational broadcasting 37 Services 123 Northern Ireland 42 V Rebroadcasts of External Services 124 English regional broadcasting 43 _Network production centres 44 Part two The English television regions 47 Programme review Appeals for charity 48 Audience
    [Show full text]
  • Ooh... You Are Awful! on Talking Pictures TV Stars: Dick Emery, Derren Nesbitt, Ronald Fraser, Cheryl Kennedy, Pat Coombs, Liza Goddard
    Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 24th August 2020 FREESAT 306 | VIRGIN 445 Ooh... You Are Awful! on Talking Pictures TV Stars: Dick Emery, Derren Nesbitt, Ronald Fraser, Cheryl Kennedy, Pat Coombs, Liza Goddard. Directed by Cliff Owen in 1973. To recover a stolen fortune, stashed in Switzerland by his partner before being murdered, con man Charlie has to find a bank account number – sequences of which are tattooed on the bottoms of four girls. Dick Emery as Tully plays various characters, many of which were portrayed in his TV series, in order to track down the girls. Airs: Saturday 29th August 8:00pm. Monday 24th August 2:30pm Tuesday 25th August 7:00pm For the Love of Ada (1972) The Angry Silence (1960) Comedy. Director: Ronnie Baxter Drama. Director: Guy Green. Stars: Irene Handl, Wilfred Pickles, Stars: Richard Attenborough, Barbara Mitchell and Jack Smethurst. Pier Angeli, Michael Craig, Bernard It’s Walter and Ada’s first wedding Lee, Alfred Burke, Oliver Reed. Tom anniversary. Their family, friends and Curtis works at a factory but refuses neighbours plan a surprise party. to participate in an unofficial strike. Monday 24th August 4:15pm Wednesday 26th August 7:20am School For Secrets (1946) No Kidding (1960) War. Director: Peter Ustinov. Stars: Comedy. Director: Gerald Thomas. Ralph Richardson, Raymond Huntley Stars: Leslie Phillips, John Laurie. During On the eve of Geraldine Mcewan, Julia Lockwood the Battle of Britain, British scientists Noel Purcell and Irene Handl. develop the first radar systems. A couple inherit an estate and turn it into a summer camp for children.
    [Show full text]
  • Introduction in 2002, a Book Was Published Depicting the History of Epsom Coaches. Written by Roy and Andrew Richmond, It Celebr
    Introduction In 2002, a book was published depicting the history of Epsom Coaches. Written by Roy and Andrew Richmond, it celebrated the long life of the business and its development over then, 82 years. The book was amply illustrated with historic and modern photographs, of people, occasions and the fleet across the years. Long out of print, the full text and some of the photographs are reproduced here for the first time online. A new history bringing the story up to date, will be published on the centenary of the company’s founding in 2020 and will be previewed on this website. Andrew & Roy Richmond Pictured in 2002 Chapter 1 THE FORMATIVE YEARS Herbert Roderick Richmond, better known as Roddy, was born on 31st August 1891, and was the youngest son of Frederick and Clara Richmond. Frederick Richmond was a farmer in the village of Reepham in Norfolk. Roddy’s brother was a qualified doctor, and his sister was an accomplished pianist who had regular engagements throughout Austria and Germany. Roddy went to Chapmans Academy, a boarding school in Norwich, where he went through the indignity of being a “fag”, attending to the needs of a house prefect. On market days, his father would go to Norwich to buy and sell sheep, and this gave them an opportunity to meet up occasionally during term time. His father was used to dealing in cash for these transactions, a habit that Roddy and to some extent, Roy followed in later years. The practice ceased when Roy took his trousers for dry cleaning one day without checking his pockets! During the school holidays Roddy used to repair the farm machinery out in the fields.
    [Show full text]
  • Ooh... You Are Awful! on Talking Pictures TV Stars: Dick Emery, Derren Nesbitt, Ronald Fraser, Cheryl Kennedy, Pat Coombs, Liza Goddard
    Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 24th August 2020 FREESAT 306 | VIRGIN 445 Ooh... You Are Awful! on Talking Pictures TV Stars: Dick Emery, Derren Nesbitt, Ronald Fraser, Cheryl Kennedy, Pat Coombs, Liza Goddard. Directed by Cliff Owen in 1973. To recover a stolen fortune, stashed in Switzerland by his partner before being murdered, con man Charlie has to find a bank account number – sequences of which are tattooed on the bottoms of four girls. Dick Emery as Tully plays various characters, many of which were portrayed in his TV series, in order to track down the girls. Airs: Saturday 29th August 8:00pm. Monday 24th August 2:30pm Tuesday 25th August 6:45pm For the Love of Ada (1972) Desire Under the Elms (1958) Comedy. Director: Ronnie Baxter Drama. Director: Delbert Mann. Stars: Irene Handl, Wilfred Pickles, Stars: Sophia Loren, Anthony Perkins, Barbara Mitchell and Jack Smethurst. Burl Ives, Frank Overton. A New It’s Walter and Ada’s first wedding England farmer works his sons like anniversary. Their family, friends and slaves after two successive wives die. neighbours plan a surprise party. Two sons leave while the youngest remains. The farmer finds a new wife, Monday 24th August 4:15pm but his son is also attracted to her. School For Secrets (1946) War. Director: Peter Ustinov. Stars: Wednesday 26th August 7:20am Ralph Richardson, Raymond Huntley No Kidding (1960) John Laurie. During On the eve of Comedy. Director: Gerald Thomas. the Battle of Britain, British scientists Stars: Leslie Phillips, develop the first radar systems.
    [Show full text]
  • Lot Description Estimate Beer Labels, a Nice Selection of 22 Labels with 2 Stopper Labels, Inc
    DAY 1, TUESDAY 24 AUGUST, LOTS 1 - 403 Lot Description Estimate Beer labels, a nice selection of 22 labels with 2 stopper labels, inc. Kemp Town, £20-40 1 Heavitree & Joan Brand, various shapes and sizes (vg) (plus BP*) Beer labels, a selection of 31 UK labels, 27 are pre 1963, various shapes and £20-40 2 sizes inc. Starkey, Knight & Ford, George Beer & Rigden Ltd, Border Breweries (plus BP*) etc (vg) Beer labels, a selection of 40 UK beer labels (38 have collectors stamp on £20-40 3 back), various shapes, sizes and breweries including Bank's Wolverhampton, (plus BP*) Okell's Isle of Man, Hepworth Ripon, John Joule & Sons Stone etc (gen gd) Beer labels, Plowman, Barrett & Co Ltd, 5 different labels Tower Sparkling Ale, £20-40 4 (2 different vertical ovals) Tower Brand, Special Pale Ale (one with slight marks, (plus BP*) rest gd)& Digestive Stout (edge damage and centre hole) Beer labels, a selection of Shepherd Neame Ltd (7) , Shipstone's (2) & St Austell £20-40 5 Brewery Co Ltd (2), various shapes and sizes, attached to card (mixed (plus BP*) condition, fair/gd) (11) Beer labels, a selection of 5 labels, M B Foster & Sons Ltd, Bugle Brand, Finch Ltd, Burton Brown Ale & Burton Light Ale (hinges to backs otherwise gd), £20-40 6 Foster-Probyn Light Ale (small hole, grubby and paper staining to back), & (plus BP*) Prestonpans, Twelve Guinea Ale (slight edge hole & sl marks) Beer labels, a selection of 28 beer labels and 1 Gin label, various shapes and £20-40 7 breweries including Atkinson, Brains, Boddington etc (hinged to plastic sleeves,
    [Show full text]