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MARCO BELLOCCHIO HAROLD PINTER AGNÈS VARDA ANIMATION 2018 MAURICE JULY 2018 JULY BFI SOUTHBANK BFI BROADCAST LIVE TO CINEMAS 18 JULY ONSCREEN.RSC.ORG.UK C S R © ‘A s i l l i G BLADE-SHARP c M r e h REVIVAL’ p DAILYTELEGRAPH o T y b y h p a r g o t o EVENING STANDARD WHATSONSTAGE h P & THE TIMES ROMEO THE STAGE WILLIAM JULIETSHAKESPEARE COMING SOON THE MERRY WIVES AND TROILUS OF WINDSOR & CRESSIDA JULY AT BFI SOUTHBANK BROADCAST LIVE TO CINEMAS 18 JULY Welcome to BFI Southbank, home to great film and TV, plus spaces for you to relax in, explore and enjoy ONSCREEN.RSC.ORG.UK PREVIEWS 6 NEW RELEASES 10 RE-RELEASES 13 MEMBER EXCLUSIVES 17 EVENTS 18 MARCO BELLOCCHIO 22 C S R AGNÈS VARDA 30 © ‘A s i Mary Shelley (p17) Vertigo (p14) Silken Skin (p45) l HAROLD PINTER 34 l i G BLADE-SHARP c PREVIEWS & NEW RELEASES RE-RELEASES BIG SCREEN CLASSICS ANIMATION 2018 40 M r e Catch the latest film and TV alongside Plenty of chances for you to revisit these Every day we’ll take you on an adventure BIG SCREEN CLASSICS 42 h REVIVAL’ p DAILYTELEGRAPH Q&As and special events great titles – many newly restored with these timeless films, for just £8 o T KERMODE LIVE, 47 y b AFRICAN ODYSSEYS y h p WOMAN WITH A MOVIE 48 a r g BOOKING DATES CAMERA, PODCASTS LIVE o t o EVENING STANDARD WHATSONSTAGE h Patrons and Champions EXPERIMENTA 49 P Mon 4 Jun (from 11:30) & TERROR VISION, 50 Tue 5 Jun (from 11:30) Members PROJECTING THE ARCHIVE, Public Tue 12 Jun (from 11:30) SILENT CINEMA THE TIMES ROMEO THE STAGE bfi.org.uk/whatson FAMILIES 52 020 7928 3232 11:30 – 20:30 daily FUTURE FILM, SENIORS 54 In-person 11:00 – 20:30 daily BFI COURSES 55 JOIN TODAY FOR PRIORITY BOOKING Alice, Sweet Alice (p50) Pink Floyd: The Wall (p41) AND DISCOUNTS: BFI.ORG.UK/JOIN BFI PLAYER 56 WILLIAM STRANDS SEASONS LIBRARY, MEDIATHEQUE, 58 JULIETSHAKESPEARE MEZZANINE GALLERY Our regular programme includes Carefully curated collections of film and COMING SOON something for everyone: world cinema; TV by genre, theme, actor or director The BFI is proud to screen on film where SHOP, IMAX 60 THE archive; families; LGBTQ+ and more! possible, showcasing restorations and sourcing archive prints from our partners. MERRY WIVES AND TROILUS At the time of going to print every effort was made to ensure the information in this Guide was Look out for ‘35mm’ or ‘70mm’ in the OF WINDSOR & CRESSIDA correct. However, we reserve the right to make programme changes. See bfi.org.uk for updates. film credits. Cover: Summer 1993 (p48) WELCOME! OUR PICKS Each month, we give you our top choices from the programme We know cinema to be a collaborative medium, but the finest filmmakers ‘MARCO are themselves very dexterous; working with the written word, art, BELLOCCHIO’S ideas, psychology, society and 50-YEAR politics. This is why film endures – FILMMAKING the form is an embodiment of the ‘multifaceted self.’ We are all more CAREER than one thing. Agnès Varda and SHOWCASED FUNNY, Harold Pinter are certainly more than one thing. Varda’s films are as SAD, SMART, SHARP much a study of her own artistic AND TOTALLY processes as they are of her DISTINCTIVE subjects, as we’ll find out when she joins us in conversation. Pinter was ITALIAN CINEMA’ ADRIAN WOOTTON, first and foremost a dramatist, SEASON PROGRAMMER obsessed with the psychological Marco Bellocchio season (p22) sparring between men and women Vincere and the upper and lower class. We also see a fair bit of bourgeoisie- skewering in the UK’s first ‘THE MOST ‘MAURICE LOOKS retrospective of Italian master INFLUENTIAL, SUMPTUOUS, IS Marco Bellocchio, who holds a mirror up to class, the state and PROVOCATIVE PACKED FULL OF religion in these most human of AND POETIC BRITISH TALENT, dramas. Talking of human dramas; DRAMATIST OF AND DESERVES TO we have the best of Sheffield Doc/Fest, and the UK’s favourite HIS GENERATION’ BE REDISCOVERED doc presenter Reggie Yates will MICHAEL BILLINGTON, PINTER BIOGRAPHER IN LIGHT OF JAMES discuss his new work as a fiction AND THEATRE CRITIC IVORY’S RECENT filmmaker. Hopefully he’ll stick Harold Pinter season (p34) ® around this month – there’s much OSCAR WIN’ to inspire him. JUSTIN JOHNSON, LEAD PROGRAMMER Gaylene Gould, Head of Cinemas and Events Maurice (p15) ‘ESCAPE TO A TROPICAL PARADISE WITH THIS FORGOTTEN BRITISH FEATURE’ JO BOTTING, BFI CURATOR Virgin Island (p50) PREVIEWS Catch the latest film and TV alongside Q&As and special events DOC Image courtesy of the Estate of Whitney Houston Preview: Whitney UK 2018. Dir Kevin MacDonald. With Whitney Houston. 120min. Digital. Cert tbc. Courtesy of Altitude Entertainment An in-depth portrait of the life and Kevin MacDonald looks at the work music of singer Whitney Houston, the and creative process of Houston, film features a wealth of previously giving us an intimate portrait of PREVIEWS unreleased recordings and never- a woman both blessed and cursed before-seen home-movie footage. with her talent. Academy Award-winning filmmaker Tickets £15, concs £12 (Members pay £2 less) WED 4 JUL 20:40 NFT1 Sicilian Ghost Story Ghost Sicilian 6 Q&A Preview: Apostasy + Q&A with writer-director Dan Kokotajlo Preview: Sicilian Ghost Story PREVIEWS UK 2017. Dir Dan Kokotajlo. With Siobhan Finneran, Sacha Parkinson, Molly Wright. 96min. Italy-France-Switzerland 2017. Dirs Fabio Grassadonia, Antonio Piazza. With Julia Jedlikowska, Digital. Cert tbc. Courtesy of Curzon Artificial Eye Gaetano Fernandez, Corinne Musallari. 122min. Digital. EST. Cert tbc. Courtesy of Altitude Film Eighteen year-old Alex, her elder Written and directed by a former Distribution sister Luisa and their mother Jehovah’s Witness, Apostasy provides When the son of a Mafia hitman in her search for him. A crime drama Ivanna live as part of a close-knit a remarkably authentic insight into disappears after having turned is cleverly reimagined as a fantasy community of Jehovah’s Witnesses the complex nature of faith, family informant, it’s widely assumed that in this inventive new film from the in Manchester. After Luisa commits and duty. he’s been kidnapped by his father’s directors of Salvo. an act of transgression, the Elders Tickets £15, concs £12 (Members pay £2 less) bosses. His determined 12-year-old Tickets £15, concs £12 (Members pay £2 less) threaten to expel her from the girlfriend Luna, however, is relentless congregation, and her mother and sister must either persuade her to return, or shun her completely. TUE 24 JUL FRI 27 JUL 20:45 NFT1 20:40 NFT1 @BFI 7 PIN CUSHION BACKED BY Dir. Deborah Haywood THE BFI MARY SHELLEY 6 JULY Director Haifaa Al-Mansour Wadjda recounts the love affair between a young Mary Godwin (Elle Fanning) and poet Percey Shelley (Douglas Booth), which was the inspiration for her seminal novel Frankenstein. Q&A Q&A PIN CUSHION TV preview: Strangers + Q&A with actors John Simm and Emilia Fox, Agnès Varda in Conversation 13 JULY and creators Mark Denton and Jonny Stockwood, chaired by ITN’s TRT 90min iconoclast of cinema, photography Deborah Haywood’s award-winning debut centres Nina Hossain Formally inventive, unabashedly and art; director Agnès Varda takes on a close-knit mother and daughter (Joanna Scanlan ITV-Two Brothers Pictures 2018. Dir Paul Andrew Williams. With John Simm, Anthony Wong, feminine and with a wide-reaching to the BFI stage to discuss her and Lily Newmark) struggling with bullying in their new Emilia Fox, Dervla Kirwan. Eps 1 & 2. Total 92min influence on the French New Wave, career so far. Join us for a preview of ITV’s new But not long after arriving, Jonah creative non-fiction and feminist Tickets £15, concs £12 town, who retreat into fantasy and lies. eight-part conspiracy thriller, from makes a shocking discovery about cinema, this artist hardly needs an (Members pay £2 less) S VARDA Q&A S VARDA the makers of Liar and The Missing. Megan, which draws him into a web introduction. One of the greatest See p30 for our Agnès Varda season APOSTASY È Professor Jonah Mulray’s (Simm) of conspiracy. With the help of Sally living filmmakers, an undisputed life is turned upside-down when Porter (Fox) of the British Consulate, 27 JULY his wife, Megan (Kirwan), is killed Jonah must navigate this utterly Written and directed by Daniel Kokotajlo, a former in a car-crash in Hong Kong. alien environment and uncover Jehovah’s Witness, Apostasy is a remarkable and Now he must cross oceans to the truth about his wife’s death. bring home the woman he loved. authentic debut film, providing rare insight into the complex nature of faith, family, duty and love. PREVIEWS | AGN #NationalLottery #BFIBacked TUE 24 JUL TUE 10 JUL 18:00 NFT1 18:30 NFT1 IN CINEMAS ACROSS THE UK bfi.org.uk/filmfund 8 book online at bfi.org.uk Film Fund Ad SB Guide 2018-07.indd 1 03/05/2018 12:00 PIN CUSHION BACKED BY Dir. Deborah Haywood THE BFI MARY SHELLEY 6 JULY Director Haifaa Al-Mansour Wadjda recounts the love affair between a young Mary Godwin (Elle Fanning) and poet Percey Shelley (Douglas Booth), which was the inspiration for her seminal novel Frankenstein. PIN CUSHION 13 JULY Deborah Haywood’s award-winning debut centres on a close-knit mother and daughter (Joanna Scanlan and Lily Newmark) struggling with bullying in their new town, who retreat into fantasy and lies. APOSTASY 27 JULY Written and directed by Daniel Kokotajlo, a former Jehovah’s Witness, Apostasy is a remarkable and authentic debut film, providing rare insight into the complex nature of faith, family, duty and love.
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  • 43E Festival International Du Film De La Rochelle Du 26 Juin Au 5 Juillet 2015 Le Puzzle Des Cinémas Du Monde

    43E Festival International Du Film De La Rochelle Du 26 Juin Au 5 Juillet 2015 Le Puzzle Des Cinémas Du Monde

    43e Festival International du Film de La Rochelle du 26 juin au 5 juillet 2015 LE PUZZLE DES CINÉMAS DU MONDE Une fois de plus nous revient l’impossible tâche de synthétiser une édition multiforme, tant par le nombre de films présentés que par les contextes dans lesquels ils ont été conçus. Nous ne pouvons nous résoudre à en sélectionner beaucoup moins, ce n’est pas faute d’essayer, et de toutes manières, un contexte économique plutôt inquiétant nous y contraint ; mais qu’une ou plusieurs pièces essentielles viennent à manquer au puzzle mental dont nous tentons, à l’année, de joindre les pièces irrégulières, et le Festival nous paraîtrait bancal. Finalement, ce qui rassemble tous ces films, qu’ils soient encore matériels ou virtuels (50/50), c’est nous, sélectionneuses au long cours. Nous souhaitons proposer aux spectateurs un panorama généreux de la chose filmique, cohérent, harmonieux, digne, sincère, quoique, la sincérité… Ambitieux aussi car nous aimons plus que tout les cinéastes qui prennent des risques et notre devise secrète pourrait bien être : mieux vaut un bon film raté qu’un mauvais film réussi. Et enfin, il nous plaît que les films se parlent, se rencontrent, s’éclairent les uns les autres et entrent en résonance dans l’esprit du festivalier. En 2015, nous avons procédé à un rééquilibrage géographique vers l’Asie, absente depuis plusieurs éditions de la programmation. Tout d’abord, avec le grand Hou Hsiao-hsien qui en est un digne représentant puisqu’il a tourné non seulement à Taïwan, son île natale mais aussi au Japon, à Hongkong et en Chine.