Lot Description Estimate Beer Labels, a Nice Selection of 22 Labels with 2 Stopper Labels, Inc
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PAVEL IS A GEORDIE Pavel Srnicek Will Scott Contents 1 Pavel’s return 2 Kenny Conflict 3 Budgie crap, crap salad and crap in the bath 4 Dodgy keeper and Kevin who? 5 Got the t-shirt 6 Hooper challenge 7 Cole’s goals gone 8 Second best 9 From Tyne to Wear? 10 Pavel is a bairn 11 Stop or I’ll shoot! 12 Magpie to Owl 13 Italian job 14 Pompey, Portugal and blowing bubbles 15 Country calls 16 Testimonial 17 Slippery slope 18 Best Newcastle team 19 Best international team 20 The Naked Chef 21 Epilogue FOREWORD Spending the first ten years of my football career away from St James’ Park didn’t mean I wasn’t aware of what was going on at my home town club. As a Geordie and a Newcastle United supporter, I always kept a keen interest on what was happening on Tyneside in the early stages of my career at Southampton and Blackburn. Although it was common for clubs to sign foreign players in the early 1990s, the market wasn’t saturated the way it is now, but it was certainly unusual for teams to invest in foreign goalkeepers. And Pavel’s arrival on Tyneside certainly caused a stir. He turned up on the club’s doorstep when it was struggling at the wrong end of the old Second Division. It must have been a baptism of fire for the young Czech goalkeeper. Not only did he have to adapt to a new style of football he had to settle in to a new town and culture. -
Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Title: the Distribution of an Illustrated Timeline Wall Chart and Teacher's Guide of 20Fh Century Physics
REPORT NSF GRANT #PHY-98143318 Title: The Distribution of an Illustrated Timeline Wall Chart and Teacher’s Guide of 20fhCentury Physics DOE Patent Clearance Granted December 26,2000 Principal Investigator, Brian Schwartz, The American Physical Society 1 Physics Ellipse College Park, MD 20740 301-209-3223 [email protected] BACKGROUND The American Physi a1 Society s part of its centennial celebration in March of 1999 decided to develop a timeline wall chart on the history of 20thcentury physics. This resulted in eleven consecutive posters, which when mounted side by side, create a %foot mural. The timeline exhibits and describes the millstones of physics in images and words. The timeline functions as a chronology, a work of art, a permanent open textbook, and a gigantic photo album covering a hundred years in the life of the community of physicists and the existence of the American Physical Society . Each of the eleven posters begins with a brief essay that places a major scientific achievement of the decade in its historical context. Large portraits of the essays’ subjects include youthful photographs of Marie Curie, Albert Einstein, and Richard Feynman among others, to help put a face on science. Below the essays, a total of over 130 individual discoveries and inventions, explained in dated text boxes with accompanying images, form the backbone of the timeline. For ease of comprehension, this wealth of material is organized into five color- coded story lines the stretch horizontally across the hundred years of the 20th century. The five story lines are: Cosmic Scale, relate the story of astrophysics and cosmology; Human Scale, refers to the physics of the more familiar distances from the global to the microscopic; Atomic Scale, focuses on the submicroscopic This report was prepared as an account of work sponsored by an agency of the United States Government. -
Three Day Golfing & Sporting Memorabilia Sale
Three Day Golfing & Sporting Memorabilia Sale - Day 2 Wednesday 05 December 2012 10:30 Mullock's Specialist Auctioneers The Clive Pavilion Ludlow Racecourse Ludlow SY8 2BT Mullock's Specialist Auctioneers (Three Day Golfing & Sporting Memorabilia Sale - Day 2) Catalogue - Downloaded from UKAuctioneers.com Lot: 1001 Rugby League tickets, postcards and handbooks Rugby 1922 S C R L Rugby League Medal C Grade Premiers awarded League Challenge Cup Final tickets 6th May 1950 and 28th to L McAuley of Berry FC. April 1956 (2 tickets), 3 postcards – WS Thornton (Hunslet), Estimate: £50.00 - £65.00 Hector Crowther and Frank Dawson and Hunslet RLFC, Hunslet Schools’ Rugby League Handbook 1963-64, Hunslet Schools’ Rugby Union 1938-39 and Leicester City v Sheffield United (FA Cup semi-final) at Elland Road 18th March 1961 (9) Lot: 1002 Estimate: £20.00 - £30.00 Keighley v Widnes Rugby League Challenge Cup Final programme 1937 played at Wembley on 8th May. Widnes won 18-5. Folded, creased and marked, staple rusted therefore centre pages loose. Lot: 1009 Estimate: £100.00 - £150.00 A collection of Rugby League programmes 1947-1973 Great Britain v New Zealand 20th December 1947, Great Britain v Australia 21st November 1959, Great Britain v Australia 8th October 1960 (World Cup Series), Hull v St Helens 15th April Lot: 1003 1961 (Challenge Cup semi-final), Huddersfield v Wakefield Rugby League Championship Final programmes 1959-1988 Trinity 19th May 1962 (Championship final), Bradford Northern including 1959, 1960, 1968, 1969, 1973, 1975, 1978 and -
November 13, 2010 Prices Realized
SCP Auctions Prices Realized - November 13, 2010 Internet Auction www.scpauctions.com | +1 800 350.2273 Lot # Lot Title 1 C.1910 REACH TIN LITHO BASEBALL ADVERTISING DISPLAY SIGN $7,788 2 C.1910-20 ORIGINAL ARTWORK FOR FATIMA CIGARETTES ROUND ADVERTISING SIGN $317 3 1912 WORLD CHAMPION BOSTON RED SOX PHOTOGRAPHIC DISPLAY PIECE $1,050 4 1914 "TUXEDO TOBACCO" ADVERTISING POSTER FEATURING IMAGES OF MATHEWSON, LAJOIE, TINKER AND MCGRAW $288 5 1928 "CHAMPIONS OF AL SMITH" CAMPAIGN POSTER FEATURING BABE RUTH $2,339 6 SET OF (5) LUCKY STRIKE TROLLEY CARD ADVERTISING SIGNS INCLUDING LAZZERI, GROVE, HEILMANN AND THE WANER BROTHERS $5,800 7 EXTREMELY RARE 1928 HARRY HEILMANN LUCKY STRIKE CIGARETTES LARGE ADVERTISING BANNER $18,368 8 1930'S DIZZY DEAN ADVERTISING POSTER FOR "SATURDAY'S DAILY NEWS" $240 9 1930'S DUCKY MEDWICK "GRANGER PIPE TOBACCO" ADVERTISING SIGN $178 10 1930S D&M "OLD RELIABLE" BASEBALL GLOVE ADVERTISEMENTS (3) INCLUDING COLLINS, CRITZ AND FONSECA $1,090 11 1930'S REACH BASEBALL EQUIPMENT DIE-CUT ADVERTISING DISPLAY $425 12 BILL TERRY COUNTERTOP AD DISPLAY FOR TWENTY GRAND CIGARETTES SIGNED "TO BARRY" - EX-HALPER $290 13 1933 GOUDEY SPORT KINGS GUM AND BIG LEAGUE GUM PROMOTIONAL STORE DISPLAY $1,199 14 1933 GOUDEY WINDOW ADVERTISING SIGN WITH BABE RUTH $3,510 15 COMPREHENSIVE 1933 TATTOO ORBIT DISPLAY INCLUDING ORIGINAL ADVERTISING, PIN, WRAPPER AND MORE $1,320 16 C.1934 DIZZY AND DAFFY DEAN BEECH-NUT ADVERTISING POSTER $2,836 17 DIZZY DEAN 1930'S "GRAPE NUTS" DIE-CUT ADVERTISING DISPLAY $1,024 18 PAIR OF 1934 BABE RUTH QUAKER -
Effectiveness of In-Season Manager Changes in English Premier League Football
Effectiveness of in-season manager changes in English Premier League football Lucas M. Besters*, Jan C. van Ours** and Martin A. van Tuijl*** May 9, 2016 Abstract We analyze the performance effects of in-season manager changes in English Premier League (EPL) football during the seasons 2000/01 – 2014/15. We find that some managerial changes are successful, while others are counterproductive. On average, performance does not improve following a managerial replacement. The successfulness of managerial turnover depends on specific highly unpredictable circumstances, as we illustrate through case-studies. JEL-codes: J44, L83 Keywords: Professional football, manager, change, performance *Department of Economics, CentER, Tilburg University, The Netherlands; [email protected] **Department of Economics, CentER, Tilburg University, The Netherlands; Department of Economics, University of Melbourne, Parkville, Australia; IZA and CEPR; [email protected] ***Department of Economics, Tilburg University, The Netherlands, [email protected] 1 1. Introduction Football is very popular worldwide. In Europe and Latin-America, football has entertained crowds for more than one century. In other continents, interest has increased in the past decades. Top players now move to the football leagues of Australia, Japan and the United States, and, more recently, also to the league of the People’s Republic of China. Both clubs and national associations employ top-class managers from all around the globe to coach their squads. Furthermore, top clubs have an enormous global fan base. The great interest in football is not restricted to fans seeking entertainment. Professional sports, in general, and professional football, in particular, have proven to be a fruitful soil for scientific research. -
Team Checklist I Have the Complete Set 1975/76 Monty Gum Footballers 1976
Nigel's Webspace - English Football Cards 1965/66 to 1979/80 Team checklist I have the complete set 1975/76 Monty Gum Footballers 1976 Coventry City John McLaughlan Robert (Bobby) Lee Ken McNaught Malcolm Munro Coventry City Jim Pearson Dennis Rofe Jim Brogan Neil Robinson Steve Sims Willie Carr David Smallman David Tomlin Les Cartwright George Telfer Mark Wallington Chris Cattlin Joe Waters Mick Coop Ipswich Town Keith Weller John Craven Ipswich Town Steve Whitworth David Cross Kevin Beattie Alan Woollett Alan Dugdale George Burley Frank Worthington Alan Green Ian Collard Steve Yates Peter Hindley Paul Cooper James (Jimmy) Holmes Eric Gates Manchester United Tom Hutchison Allan Hunter Martin Buchan Brian King David Johnson Steve Coppell Larry Lloyd Mick Lambert Gerry Daly Graham Oakey Mick Mills Alex Forsyth Derby County Roger Osborne Jimmy Greenhoff John Peddelty Gordon Hill Derby County Brian Talbot Jim Holton Geoff Bourne Trevor Whymark Stewart Houston Roger Davies Clive Woods Tommy Jackson Archie Gemmill Steve James Charlie George Leeds United Lou Macari Kevin Hector Leeds United David McCreery Leighton James Billy Bremner Jimmy Nicholl Francis Lee Trevor Cherry Stuart Pearson Roy McFarland Allan Clarke Alex Stepney Graham Moseley Eddie Gray Anthony (Tony) Young Henry Newton Frank Gray David Nish David Harvey Middlesbrough Barry Powell Norman Hunter Middlesbrough Bruce Rioch Joe Jordan David Armstrong Rod Thomas - 3 Peter Lorimer Stuart Boam Colin Todd Paul Madeley Peter Brine Everton Duncan McKenzie Terry Cooper Gordon McQueen John Craggs Everton Paul Reaney Alan Foggon John Connolly Terry Yorath John Hickton Terry Darracott Willie Maddren Dai Davies Leicester City David Mills Martin Dobson Leicester City Robert (Bobby) Murdoch David Jones Brian Alderson Graeme Souness Roger Kenyon Steve Earle Frank Spraggon Bob Latchford Chris Garland David Lawson Len Glover Newcastle United Mick Lyons Steve Kember Newcastle United This checklist is to be provided only by Nigel's Webspace - http://cards.littleoak.com.au/. -
Essential Soccer Skills
Individual Skills 60 INDIVIDUAL SKILLS Anatomy of a player Like dancers and singers, soccer players’ bodies are their instruments, their means of performance and expression. Although professionals are generally getting taller and increasingly fitter, the game still offers space for a variety of physiques and specialisms. Key requirements | ANATOMY OF A PLAYER Although players vary in size and Eyes shape, all top-level players have certain Players need to anatomical requirements in common. read the game and judge speeds Strong leg muscles—the calf, thigh and distances muscles, and hamstrings—are the most important. Good upper-body strength is also vital. Deltoids These muscles power the arms and are useful for cushioning high balls Chest muscles This muscle group helps players to run and pass Abdominals Core inner-body strength is a prerequisite of the balance and posture required for top-level soccer Quadriceps The four muscles at the front of the thigh are the soccer player’s engine room, essential for running and kicking Groin Takes much of Ankles the muscle Must be stress caused strong to cope by shooting, with the stress so pre-match of constant stretching is vital changes of direction ,, NECK 61 A PLAYER’S INDIVIDUAL SKILLS MUSCLES ARE THE KEY ,,TO POWERFUL HEADING. BODY STRENGTH A player’s leg muscles do much of the work (and are the most | prone to injury), but a strong ANATOMY OF A PLAYER neck, spine, chest, abdominals, and deltoids are all important. Neck muscles The key to powerful heading, players need to work specifically on these muscles to strengthen them Spine Liable to take a lot of stress in a match, as a player braces and stretches for every turn Hamstrings Give flexibility to the knee and hip and allow the leg to stretch. -
World Finals 1936-1994
No Rider Name 1 2 3 4 5 Tot BP TOT No Rider Name 1 2 3 4 5 Tot BP TOT No Rider Name 1 2 3 4 5 Tot BP TOT 1 Dicky Case 1 0 3 1 2 7 9 16 7 Ginger Lees 2 0 1 0 1 4 7 11 13 Bob Harrison 0 0 2 0 3 5 10 15 2 Frank Charles 3 3 0 2 0 8 12 20 8 Bluey Wilkinson 3 3 3 3 3 15 10 25 14 Eric Langton 3 3 3 2 2 13 13 26 3 Wal Phillips 1 1 0 2 1 5 7 12 9 Cordy Milne 2 2 1 3 3 11 9 20 15 Vic Huxley 1 2 0 2 2 7 10 17 4 George Newton 0 0 3 1 0 4 12 16 10 Bill Pritcher 0 1 0 0 1 2 6 8 16 Morian Hansen 2 1 2 0 0 5 10 15 5 Jack Ormston 1 1 2 3 1 8 9 17 11 Lionel Van Praag 3 3 3 2 3 14 12 26 R17 Norman Parker 1 1 6 7 6 Arthur Atkinson 0 2 1 0 0 3 6 9 12 Jack Milne 1 2 1 0 2 6 9 15 R18 Blazer Hansen 0 5 5 HEAT No. RIDER NAME COL COMMENTS No. RIDER NAME COL COMMENTS No. RIDER NAME COL COMMENTS PTS 1 Dicky Case R 2 2 Frank Charles R 0 2 Frank Charles R 0 2 Frank Charles B 3 6 Arthur Atkinson B 1 8 Bluey Wilkinson B 3 1 9 17 3 Wal Phillips W 1 11 Lionel Van Praag W 3 10 Bill Pritcher W 1 73.60 4 George Newton Y Fell 0 76.60 16 Morian Hansen Y 2 78.60 15 Vic Huxley Y 2 5 Jack Ormston R 1 1 Dicky Case R 3 1 Dicky Case R 2 6 Arthur Atkinson B 0 5 Jack Ormston B 2 7 Ginger Lees B 1 2 10 18 7 Ginger Lees W 2 12 Jack Milne W 1 9 Cordy Milne W 3 77.20 8 Bluey Wilkinson Y 3 78.60 15 Vic Huxley Y 0 78.80 16 Morian Hansen Y 0 9 Cordy Milne R 2 2 Frank Charles R 2 3 Wal Phillips R 1 10 Bill Pritcher B 0 7 Ginger Lees B 1 6 Arthur Atkinson B 0 3 11 19 11 Lionel Van Praag W 3 12 Jack Milne (US) W 0 12 Jack Milne W 2 75.80 12 Jack Milne Y 1 76.80 14 Eric Langton Y 3 79.80 13 -
RL GUIDE 2006 FRIDAY PM 17/1/12 14:40 Page 1
rfl official guide 2012 working.e$S:RL GUIDE 2006 FRIDAY PM 17/1/12 14:40 Page 1 RFL Official Guide 201 2 rfl official guide 2012 working.e$S:RL GUIDE 2006 FRIDAY PM 17/1/12 14:40 Page 2 The text of this publication is printed on 100gsm Cyclus 100% recycled paper rfl official guide 2012 working.e$S:RL GUIDE 2006 FRIDAY PM 17/1/12 14:40 Page 1 CONTENTS Contents RFL B COMPETITIONS Index ........................................................... 02 B1 General Competition Rules .................. 154 RFL Directors & Presidents ........................... 10 B2 Match Day Rules ................................ 163 RFL Offices .................................................. 10 B3 League Competition Rules .................. 166 RFL Executive Management Team ................. 11 B4 Challenge Cup Competition Rules ........ 173 RFL Council Members .................................. 12 B5 Championship Cup Competition Rules .. 182 Directors of Super League (Europe) Ltd, B6 International/Representative Community Board & RFL Charities ................ 13 Matches ............................................. 183 Past Life Vice Presidents .............................. 15 B7 Reserve & Academy Rules .................. 186 Past Chairmen of the Council ........................ 15 Past Presidents of the RFL ............................ 16 C PERSONNEL Life Members, Roll of Honour, The Mike Gregory C1 Players .............................................. 194 Spirit of Rugby League Award, Operational Rules C2 Club Officials .....................................