Cultivating Identity and the Music of Ultimate Fighting
CULIVATING IDENTITY AND THE MUSIC OF ULTIMATE FIGHTING Luke R Davis A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2012 Committee: Megan Rancier, Advisor Kara Attrep © 2012 Luke R Davis All Rights Reserved iii ABSTRACT Megan Rancier, Advisor In this project, I studied the music used in Ultimate Fighting Championship (UFC) events and connect it to greater themes and aspects of social study. By examining the events of the UFC and how music is used, I focussed primarily on three issues that create a multi-layered understanding of Mixed Martial Arts (MMA) fighters and the cultivation of identity. First, I examined ideas of identity formation and cultivation. Since each fighter in UFC events enters his fight to a specific, and self-chosen, musical piece, different aspects of identity including race, political views, gender ideologies, and class are outwardly projected to fans and other fighters with the choice of entrance music. This type of musical representation of identity has been discussed (although not always in relation to sports) in works by past scholars (Kun, 2005; Hamera, 2005; Garrett, 2008; Burton, 2010; Mcleod, 2011). Second, after establishing a deeper sense of socio-cultural fighter identity through entrance music, this project examined ideas of nationalism within the UFC. Although traces of nationalism fall within the purview of entrance music and identity, the UFC aids in the nationalistic representations of their fighters by utilizing different tactics of marketing and fighter branding. Lastly, this project built upon the above- mentioned issues of identity and nationality to appropriately discuss aspects of how the UFC attempts to depict fighter character to create a “good vs.
[Show full text]