Mixed Martial Arts 1 Mixed Martial Arts
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GRACIE COMBATIVES® August 2019
® GRACIE COMBATIVES The Best of Gracie Jiu-Jitsu Gracie Combatives August 2019 23 36 Essential Techniques Classes Monday Tuesday Wednesday Thursday Friday Saturday Trap and Roll Escape – Mount 1 Leg Hook Takedown Aug 1 2 3 Americana Armlock – Mount 2 Clinch (Aggressive Opponent) 7:15 -8:15pm 5:30 – 6:30pm 10-11am Positional Control – Mount Class #2 Class #3 Class #4 3 Body Fold Takedown Take the Back + R.N.C. – Mount 4 Clinch (Conservative Opponent) Punch Block Series (1-4) – Guard 5 5 6 7 8 9 10 Guillotine Choke (Standing) Straight Armlock – Mount 5:30 – 6:30pm 5:30 – 6:30pm 5:30 – 7:30pm 6:30 – 7:30pm 5 – 6pm 10-11am 6 Guillotine Defense Class #5 Class #6 Open Mat Class #7 Class #8 Class #8 Triangle Choke – Guard 7 Haymaker Punch Defense Elevator Sweep – Guard 8 Rear Takedown 12 13 14 15 16 17 Elbow Escape – Mount 9 Pull Guard 5 – 6pm 6:30 – 7:30pm 5:30 – 7:30pm CLOSED 5 – 6pm 10-11am Positional Control – Side Mount Class #9 Class #10 Open Mat Class #11 Class #12 10 Double Leg Takedown (Aggressive) Headlock Counters – Mount 11 Standing Headlock Defense Headlock Escape 1 – Side Mount 19 20 21 22 23 24 12 Standing Armlock 5 – 6pm 6:30 – 7:30pm 5:30 – 7:30pm 6:30 – 7:30pm CLOSED 10-11am Straight Armlock – Guard 13 Clinch (Aggressive Opponent) Class #13 Class #14 Open Mat Class #15 Class #16 Double Ankle Sweep – Guard 14 Guillotine Choke (Guard Pull) Headlock Escape 2 – Side Mount 26 27 28 29 30 31 15 Clinch (Conservative Opponent) 5 – 6pm 6:30 – 7:30pm 5:30 – 7:30pm 6:30 – 7:30pm 5 – 6pm 10-11am Shrimp Escape – Side Mount 16 Body Fold Takedown Class #17 Class #18 Open Mat Class #19 Class #20 Class #21 Kimura Armlock – Guard 17 ® Leg Hook Takedown Gracie Combatives Punch Block Series (5) – Guard Although there are over 600 techniques in Gracie Jiu-Jitsu studies of real fights have shown that 36 techniques have been 18 Haymaker Punch Defense used more often and with greater success than all the other techniques combined. -
The Evolution from Martial Arts to Self Defence
The Evolution from Martial Arts to Self Defence There is no doubt that Jujitsu has changed along with human evolution. Currently, this art has shifted to more functional practices to suit present needs. With this change in Jujitsu practices, it has taken it away from being a martial art and transformed to a self-defence style, combat sport or combat art. The etymology of martial art is of importance in determining whether Jujitsu can still be classified as such. In this context, martial means ‘of war, warlike’ and art a ‘nonscientific branch of knowledge’. Taking this description into account, can it be stated still that Jujitsu is a warlike art? Jujitsu was originally a martial art from Japan created to defeat an opponent without using weapons or only a short weapon. Jujitsu was developed among the samurai of feudal Japan and also, limited to this upper class group. The Samurais knew that striking against an armored opponent was ineffective, hence they learned to neutralize the enemies by using forms of pins, joint locks, and throws. These techniques were developed based on the principle mentioned above that seeks to use the attacker's energy against them. There are many variations of the art, which leads to a diversity of approaches. Jujutsu schools (ryū) may utilize all forms of grappling techniques to some degree, for example, throwing, trapping, joint locks, holds, gouging, biting, disengagements, striking, and kicking. In addition to jujitsu, many schools teach the use of weapons. Then, to describe Jujitsu as a martial art would no longer be correct as it is no longer used to defeat opponents that wear armour or carry small weapons in battle fields. -
Plano De Comunicação Em Mídias Sociais Para O Site MMA Brasil
Plano de Comunicação em mídias sociais para o site MMA Brasil Florianópolis Novembro de 2017 1.Introdução1 O MMA Brasil, fundado em 2008, é um site sobre esportes de luta, com maior foco no MMA. Assim como outros sites que serão citados mais a frente, ele faz parte da geração de veículos de mídia que surgiram com a popularização da internet e de sites para criação de outros sites, como o Blogspot (do Google) e Wordpress. As mídias sociais são tecnologias e práticas online usadas por pessoas ou empresas para disseminar conteúdo (RECUERO, 2009, p.102 apud SOUSA; AZEVEDO, 2010), enquanto as redes sociais são os locais onde essas pessoas ou empresas se encontram (Facebook, Twitter etc.). A primeira rede social criada foi a Classmates2 em 1995, voltada a reencontros entre colegas de colégio ou faculdade. Depois disso surgiu o Six Degrees, primeiro a apresentar o modelo de mensagens privadas e postagens em murais. Paralelo a esses sites, surgia o ICQ, plataforma para mensagens instantâneas que serviu de base para o MSN Messenger e o Skype. O ICQ não é uma rede social, mas permitia a criação de grupos de chats onde pessoas com interesses em comum podiam conversar. O MySpace, da MSN, surge em 2003 com duas opções “revolucionárias”: permitia compartilhar músicas e manter um blog. Como marketing, a empresa teve como garotos propagandas Ronaldinho Gaúcho e David Beckham, que mantinham blogs atualizados na rede. Inclusive a banda Arctic Monkeys e a cantora brasileira Mallu Magalhães ganharam fama após a divulgação de suas músicas no MySpace. No ano seguinte, duas redes sociais surgiram: Facebook e Orkut. -
Absolute Championship Berkut History+Geography
ABSOLUTE CHAMPIONSHIP BERKUT HISTORY+GEOGRAPHY The MMA league Absolute Championship Berkut was founded in early 2014 on the basis of the fight club “Berkut”. The first tournament was held by the organization on March 2 and it marked the beginning of Grand Prix in two weight divisions. In less than two years the ACB company was able to become one of three largest Russian MMA organizations. Also, a reputable independent website fightmatrix.com named ACB the number 1 promotion in our country. 1 GEOGRAPHY BELGIUM The geography of the tournaments covered GEORGIA more than 10 Russian cities, as well as Tajikistan, Poland, Georgia and Scotland. 50 MMA tournaments, 8 kickboxing ones HOLLAND POLAND and 3 Brazilian Jiu-Jitsu tournaments will be held by the promotion by the end of 2016 ROMANIA TAJIKISTAN SCOTLAND RUSSIA 2 OUR CLIENT’S PORTRAIT AGE • 18-55 YEARS OLD TARGET AGE • 23-29 YEARS OLD 9\1 • MEN\WOMEN Income: average and above average 3 TV BROADCAST Tournaments are broadcast on TV channels Match!Fighter and BoxTV as well as online. Average audience coverage per tournament: - On TV - 500,000 viewers; - Online - 150,000 viewers. 4 Media coverage Interviews with participants of the tournament are regularly published in newspapers and on websites of leading Russian media: SPORTBOX.RU, R- SPORT.RU, CHAMPIONAT.COM, MMABOXING.RU, ALLFIGHT.RU , etc. Foremost radio stations, Our Radio, Rock FM, Sport FM, etc. also broadcast the interviews. 5 INFORMATION SUPPORT Our promotion is also already well known outside Russia. Tournament broadcasts and the main news of the league regularly appear on major international websites: 6 Social networks coverage THOUSAND 400 SUBSCRIBERS 4,63 MILLION VIEWS 7 COMPANY MANAGEMENT The founder of the ACB league is one of the most respected citizens of the Chechen Republic – Mairbek Khasiev. -
2005 75Th NCAA Wrestling Tournament 3/17/2005 to 3/19/2005
75th NCAA Wrestling Tournament 2005 3/17/2005 to 3/19/2005 at St. Louis Team Champion Oklahoma State - 153 Points Outstanding Wrestler: Greg Jones - West Virginia Gorriaran Award: Evan Sola - North Carolina Top Ten Team Scores Number of Individual Champs in parentheses. 1 Oklahoma State 153 (5) 6 Illinois 70.5 2 Michigan 83 (1) 7 Iowa 66 3 Oklahoma 77.5 (1) 8 Lehigh 60 4 Cornell 76.5 (1) 9 Indiana 58.5 (1) 5 Minnesota 72.5 10 Iowa State 57 Champions and Place Winners Wrestler's seed in brackets, [US] indicates unseeeded. 1251st: Joe Dubuque [5] - Indiana (2-0) 2nd: Kyle Ott [3] - Illinois 3rd: Sam Hazewinkel [1] - Oklahoma (6-3) 4th: Nick Simmons [2] - Michigan State 5th: Efren Ceballos [6] - Cal State-Bakersfield (3-2) 6th: Vic Moreno [4] - Cal Poly-SLO 7th: Bobbe Lowe [8] - Minnesota (7-3) 8th: Coleman Scott [9] - Oklahoma State 1331st: Travis Lee [1] - Cornell (6-3) 2nd: Shawn Bunch [2] - Edinboro 3rd: Tom Clum [5] - Wisconsin (2-1) 4th: Mack Reiter [3] - Minnesota 5th: Matt Sanchez [10] - Cal State-Bakersfield (10-5) 6th: Evan Sola [11] - North Carolina 7th: Mark Jayne [4] - Illinois (5-3) 8th: Drew Headlee [US] - Pittsburgh 1411st: Teyon Ware [2] - Oklahoma (3-2) 2nd: Nate Gallick [1] - Iowa State 3rd: Cory Cooperman [4] - Lehigh (10-1) 4th: Daniel Frishkorn [7] - Oklahoma State 5th: Michael Keefe [11] - Tennessee-Chattanooga (Med FFT) 6th: Andy Simmons [5] - Michigan State 7th: Casio Pero [12] - Illinois (6-5 TB1) 8th: Josh Churella [3] - Michigan 1491st: Zack Esposito [1] - Oklahoma State (5-2) 2nd: Phillip Simpson [2] - Army 3rd: -
Ization PAID 16 I
Centralight Non-Profi t Organization U.S. POSTAGE PAID Carlin Alumni House PERMIT NO. 16 Central Michigan University Midland, MI Mount Pleasant, MI 48859 CHANGE SERVICE REQUESTED Executive Editor and Director of Alumni Relations Mary Lu Fleming, ’90 MSA ’92 Editor Barbara Sutherland Chovanec Photographers Robert Barclay Peggy Brisbane VOLUME 72 • NUMBER 3 • FALL 2002 Writers Patricia Housley, ’87 Janell Johnson, ’84 Dan Mazei, ’03 Nikita Murray On the cover Mike Silverthorn, ’79 Fred Stabley Jr. Ray Lawson, ’40, has taught for more than fi ve decades at Rochester High School, and Nicole Graphic Designers O’Karma, ’01, was Michigan’s 2001-2002 Amy Gouin Stacy Simmer Outstanding Student Teacher of the Year. Read their stories on pages 4 and 12. Alumni Board Communications Committee PHOTOS BY ROBERT BARCLAY Daniel Bodene, ’78 Thomas Olver, ’98 Michael Perry, ’84 4 Shirley Posk, ’60 Paknatchanit “Ling” Sirikururat, ’96 Judy Smith, ’65 16 Printer The McKay Press, Midland Features For Advertising Information call Cindy Jacobs, ’93 (800) 358-6903 3 Alumni profi les 9 Learning to teach Vice President of Development and Alumni Relations 16 Alumni support Special Olympics Michael Leto Homecoming 2002 Senior Offi cer 17 for Public Relations and Marketing Departments Rich Morrison 2 Commentary Alumni association president Stay Connected Thomas Lapka Send change of address information to: Alumni relations executive director Mary Lu Fleming Alumni relations Carlin Alumni House 22 Digest Central Michigan University Mount Pleasant, MI 48859 24 Athletics Phone: (800) 358-6903 Fax: (989) 774-7159 26 Discovery E-mail: [email protected] 35 Philanthropy Web: www.cmich.edu/alumni-friends.htm 17 Maroon and gold Centalight is published three times each year by Central 50 Michigan University Offi ce of Development and Alumni Relations and is produced by the Offi ce of Public Alumni in action Relations and Marketing. -
U.S. and Iraqi Soldiers Aid Bedouin Camp Near Karbala by Pfc
Click here to subscribe September 1, 2009 U.S. and Iraqi Soldiers aid Bedouin camp near Karbala By Pfc. Bethany L. Little Bedouins are nomadic shepherds who choose to live in 172nd Inf. Bde. the desert and are able to sustain themselves by bartering KARBALA - Soldiersldiers ooff 1st Platoon, Bravo Batt ery, 1st their livestock and things they produce. Batt alion, 77th Fieldld ArtilleryA ill helped Soldiers of the 33rd There are three Bedouin camps in the area surrounding Iraqi Army Brigade hand out 20 boxes fi lled with toys, Karbala constantly changing locations in search of the best clothes, shoes, coloring books and crayons to a Bedouin conditions for their livestock. camp just outside of Karbala recently. “We only visited one of the camps today, because we knew the exact location,” said Staff Sgt. Joseph W. Rippey, squad leader, 1st plt., Bravo Btry., 1st Bn., 77th FA Regt.. “This is our second time here; last time there were approx- imately 12 tents, but now there are only three tents and one permanent dwelling.” The clothing, shoes and toys were a combined dona- tion from the 172nd Infantry Brigade Public Aff airs Of- fi ce, Tactical Psychological Operations Detachment 303-1, Thompson Toyota car dealership and Sherah Oberman from Doylestown, Pa. The Bedouin children cheered and shrieked with excite- ment as Soldiers passed out the donated items. “We are very grateful,” said Ali Shallal, a young camp resident. “These are all things that everyone here can use, especially the clothes and shoes for the smaller children.” Bedouin camps are spread throughout the Middle East. -
Revue De Recherche En Civilisation Américaine, 4 | 2013 Professional Wrestling As Culturally Embedded Spectacles in Five Core Countri
Revue de recherche en civilisation américaine 4 | 2013 Le catch et... Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Édition électronique URL : http://journals.openedition.org/rrca/548 ISSN : 2101-048X Éditeur David Diallo Référence électronique Dan Glenday, « Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan », Revue de recherche en civilisation américaine [En ligne], 4 | 2013, mis en ligne le 12 janvier 2014, consulté le 19 avril 2019. URL : http:// journals.openedition.org/rrca/548 Ce document a été généré automatiquement le 19 April 2019. © Tous droits réservés Professional wrestling as culturally embedded spectacles in five core countri... 1 Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Introduction 1 This paper addresses a succession of complicated issues surrounding the cross-cultural popularity of professional wrestling. While boasting fans in several countries from across the globe, today, professional wrestling maintains a lasting presence in five territories - USA, Canada, United Kingdom, Japan and Mexico. ‘Culturally embedded spectacle’ is the unique conceptual framework developed for this paper to explain the longevity of professional wrestling in these five locations and includes the following factors: a continuous history of professional wrestling, national television exposure during the Old School era highlighting larger-than-life characters playing the face, an extensive group of independent professional wrestling federations and commemorative cultural experiences for young and old fans. 2 Granted, there may be other aspects not included here. -
The Effects of Sexualized and Violent Presentations of Women in Combat Sport
Journal of Sport Management, 2017, 31, 533-545 https://doi.org/10.1123/jsm.2016-0333 © 2017 Human Kinetics, Inc. ARTICLE The Effects of Sexualized and Violent Presentations of Women in Combat Sport T. Christopher Greenwell University of Louisville Jason M. Simmons University of Cincinnati Meg Hancock and Megan Shreffler University of Louisville Dustin Thorn Xavier University This study utilizes an experimental design to investigate how different presentations (sexualized, neutral, and combat) of female athletes competing in a combat sport such as mixed martial arts, a sport defying traditional gender norms, affect consumers’ attitudes toward the advertising, event, and athlete brand. When the female athlete in the advertisement was in a sexualized presentation, male subjects reported higher attitudes toward the advertisement and the event than the female subjects. Female respondents preferred neutral presentations significantly more than the male respondents. On the one hand, both male and female respondents felt the fighter in the sexualized ad was more attractive and charming than the fighter in the neutral or combat ads and more personable than the fighter in the combat ads. On the other hand, respondents felt the fighter in the sexualized ad was less talented, less successful, and less tough than the fighter in the neutral or combat ads and less wholesome than the fighter in the neutral ad. Keywords: brand, consumer attitude, sports advertising, women’s sports February 23, 2013, was a historic date for women’s The UFC is not the only MMA organization featur- mixed martial arts (MMA). For the first time in history, ing female fighters. Invicta Fighting Championships (an two female fighters not only competed in an Ultimate all-female MMA organization) and Bellator MMA reg- Fighting Championship (UFC) event, Ronda Rousey and ularly include female bouts on their fight cards. -
Cultivating Identity and the Music of Ultimate Fighting
CULIVATING IDENTITY AND THE MUSIC OF ULTIMATE FIGHTING Luke R Davis A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2012 Committee: Megan Rancier, Advisor Kara Attrep © 2012 Luke R Davis All Rights Reserved iii ABSTRACT Megan Rancier, Advisor In this project, I studied the music used in Ultimate Fighting Championship (UFC) events and connect it to greater themes and aspects of social study. By examining the events of the UFC and how music is used, I focussed primarily on three issues that create a multi-layered understanding of Mixed Martial Arts (MMA) fighters and the cultivation of identity. First, I examined ideas of identity formation and cultivation. Since each fighter in UFC events enters his fight to a specific, and self-chosen, musical piece, different aspects of identity including race, political views, gender ideologies, and class are outwardly projected to fans and other fighters with the choice of entrance music. This type of musical representation of identity has been discussed (although not always in relation to sports) in works by past scholars (Kun, 2005; Hamera, 2005; Garrett, 2008; Burton, 2010; Mcleod, 2011). Second, after establishing a deeper sense of socio-cultural fighter identity through entrance music, this project examined ideas of nationalism within the UFC. Although traces of nationalism fall within the purview of entrance music and identity, the UFC aids in the nationalistic representations of their fighters by utilizing different tactics of marketing and fighter branding. Lastly, this project built upon the above- mentioned issues of identity and nationality to appropriately discuss aspects of how the UFC attempts to depict fighter character to create a “good vs. -
Martial Arts from Wikipedia, the Free Encyclopedia for Other Uses, See Martial Arts (Disambiguation)
Martial arts From Wikipedia, the free encyclopedia For other uses, see Martial arts (disambiguation). This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2011) Martial arts are extensive systems of codified practices and traditions of combat, practiced for a variety of reasons, including self-defense, competition, physical health and fitness, as well as mental and spiritual development. The term martial art has become heavily associated with the fighting arts of eastern Asia, but was originally used in regard to the combat systems of Europe as early as the 1550s. An English fencing manual of 1639 used the term in reference specifically to the "Science and Art" of swordplay. The term is ultimately derived from Latin, martial arts being the "Arts of Mars," the Roman god of war.[1] Some martial arts are considered 'traditional' and tied to an ethnic, cultural or religious background, while others are modern systems developed either by a founder or an association. Contents [hide] • 1 Variation and scope ○ 1.1 By technical focus ○ 1.2 By application or intent • 2 History ○ 2.1 Historical martial arts ○ 2.2 Folk styles ○ 2.3 Modern history • 3 Testing and competition ○ 3.1 Light- and medium-contact ○ 3.2 Full-contact ○ 3.3 Martial Sport • 4 Health and fitness benefits • 5 Self-defense, military and law enforcement applications • 6 Martial arts industry • 7 See also ○ 7.1 Equipment • 8 References • 9 External links [edit] Variation and scope Martial arts may be categorized along a variety of criteria, including: • Traditional or historical arts and contemporary styles of folk wrestling vs. -
The Three Pillars of Catch in Japan Pro-Wrestling"
ne go g e in ith v rn ve w ha a a d le o le h ho u itt to t er y w fe ly l c m ft a s d nt is gi e a . M r ry n re e lo y se n st he ve a a er r an 't pa e ot t ts pp th o sn a W d u gh a t - ad g e J e e , b fi n bu ve h in o to th nc n is ka , ro is tl D k n e pa . H ? ed p th es ac i flu a e d n to t r b ch in J er K? e ha -W at d/ to h pp ce - t ro C e n e a n P n in ur nc h de te n pa ra et e vi la o a t r id e cu e J id ev pe nc in d e s e A ttl d flu M li an in M d US to n n k , a i ac an g ch b z lin at it do st C ht ki e n g Ri r i ou d -W ed r le ro in , b st P ra pe re n T ro w ow u , s E an hi p d on Ja te ti ar iza st n ga or ; an ap nt J e to ud h st tc a o so t G al h y ug el , ro lik rs B t e os ch ch d ry m ot a A ve G te m 't of y ro n to at an f e as t d m ng th w o e d ni g n a g oy a ar tin o ur he tr h le si n m n s sz g vi a Ki e de e in d ig s h t f Th d n W s y ; w go t o lu a in on a d e it n nc el it si S lle h P e is i nt P a ki n e ud h .