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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Aftermath of the Porn Rock Wars
Loyola of Los Angeles Entertainment Law Review Volume 7 Number 2 Article 1 3-1-1987 Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars Jonathan Michael Roldan Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Jonathan Michael Roldan, Radio-Active Fallout and an Uneasy Truce - The Aftermath of the Porn Rock Wars, 7 Loy. L.A. Ent. L. Rev. 217 (1987). Available at: https://digitalcommons.lmu.edu/elr/vol7/iss2/1 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. RADIO-ACTIVE FALLOUT AND AN UNEASY TRUCE-THE AFTERMATH OF THE PORN ROCK WARS Jonathan Michael Roldan * "Temperatures rise inside my sugar walls." - Sheena Easton from the song "Sugar Walls."' "Tight action, rear traction so hot you blow me away... I want a piece of your action." - M6tley Criie from the album Shout at the Devil.2 "I'm a fairly with-it person, but this stuff is curling my hair." - Tipper Gore, parent.3 "Fundamentalist frogwash." - Frank Zappa, musician.4 I. OVERTURE TO CONFLICT It began as an innocent listening of Prince's award-winning album, "Purple Rain,"5 and climaxed with heated testimony before the Senate Committee on Commerce in September 1985.6 In the interim the phrase "cleaning up the air" took on new dimensions as one group of parents * B.A., Journalism/Political Science, Cal. -
Cashbox Subscription: Please Check Classification;
July 13, 1985 NEWSPAPER $3.00 v.'r '-I -.-^1 ;3i:v l‘••: • •'i *. •- i-s .{' *. » NE RIAA CERTIFICATIONS ANNOUNCED R.E.M. AFFILIATES LIVE-AID Crass Roots Audience Blossoms TWORK, GEAR FOR Story on Page 13 WEHIND THE BULLETS: TEARS FOR FEARS #1 MTV AWARDS ENTER NEXT PHASE GUEST EDITORIAL: AL KOOPER SUBSCRIPTION ORDER: PLEASE ENTER MY CASHBOX SUBSCRIPTION: PLEASE CHECK CLASSIFICATION; RETAILER ARTIST I NAME VIDEO JUKEBOXES DEALER AMUSEMENT GAMES COMPANY TITLE ONE-STOP VENDING MACHINES DISTRIBUTOR RADIO SYNDICATOR ADDRESS BUSINESS HOME APT. NO. RACK JOBBER RADIO CONSULTANT PUBLISHER INDEPENDENT PROMOTION CITY STATE/PROVINCE/COUNTRY ZIP RECORD COMPANY INDEPENDENT MARKETING RADIO OTHER: NATURE OF BUSINESS PAYMENT ENCLOSED SIGNATURE DATE USA OUTSIDE USA FOR 1 YEAR I YEAR (52 ISSUES) $125.00 AIRMAIL $195.00 6 MONTHS (26 ISSUES) S75.00 1 YEAR FIRST CLASS/AIRMAIL SI 80.00 01SHBCK (Including Canada & Mexico) 330 WEST 58TH STREET • NEW YORK, NEW YORK 10019 ' 01SH BOX HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME XLIX — NUMBER 5 — July 13, 1985 C4SHBO( Guest Editorial : T Taking Care Of Our Own ^ GEORGE ALBERT i. President and Publisher By A I Kooper MARK ALBERT 1 The recent and upcoming gargantuan Ethiopian benefits once In a very true sense. Bob Geldof has helped reawaken our social Vice President and General Manager “ again raise an issue that has troubled me for as long as I’ve been conscience; now we must use it to address problems much closer i SPENCE BERLAND a part of this industry. We, in the American music business do to home. -
HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C
THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge. -
90Er-Tag Am 2. August 2014 PLAYLIST
90er-Tag am 2. August 2014 PLAYLIST Der 2. August 2014 stand bei Radio Pilatus ganz im Zeichen der 90er-Jahre. Während 15 Stunden gab es die beste Musik aus den 90er-Jahren. Und am folgenden Freitagabend, 8. August steht die Radio Pilatus-Ü30-Popkeller-Party im Casineum Luzern ganz im Zeichen der 90er-Jahre. Tickets und Infos gibt es hier: http://www.radiopilatus.ch/artikel/134680/ba ck-to-the-90s 02.08.2014, 07.00-08.00 Uhr Tom Petty & The Heartbreakers Learning To Fly Boyzone No Matter What Fool's Garden Lemon Tree Annie Lennox Walking On Broken Glass Elton John Circle Of Life Cher The Shoop Shoop Song The Rolling Stones Anybody Seen My Baby Roxette Spending My Time Culture Beat Rendez-vous Patent Ochsner W. Nuss vo Bümpliz Jessica How Will I Know (Who You Are) 02.08.2014, 08.00-09.00 Uhr Wes Alane All-4-One I Swear Depeche Mode Enjoy The Silence Sophie B. Hawkins As I Lay Me Down Martin Schenkel Sometimes Spin Doctors Two Princes K-CI & Jojo All My Life Backstreet Boys Larger Than Life R.E.M. Man On The Moon Soultans Can't Take My Hands Off You Shania Twain You're Still The One Montserrat Caballé & Gotthard One Life, One Soul 02.08.2014, 09.00-10.00 Uhr Blue Boy Remember Me Rednex Wish You Were Here Lou Bega Mambo No. 5 (A Little Bit Of...) Joshua Kadison Jessie Lionel Richie Do It To Me Lovebugs Bitter Moon Snap! Rhythm Is A Dancer No Doubt Don't Speak Hooters Boys Will Be Boys Phats & Small Turn Around 02.08.2014, 10.00-11.00 Uhr Gölä I hätt no viu blöder ta Go West The King Of Wishful Thinking Whitney Houston & E. -
THESIS Gender and Sexuality in Hard Rock
GGeennddeerr aanndd SSeexxuuaalliittyy iinn HHaarrdd RRoocckk aanndd iittss SSuubb GGeennrreess An analysis of image, queerness and the femme fatale idea in glam, sleaze, hair metal and related genres Vanessa Floréal Promoter: Prof. Dr. Gert Buelens Master English 2009-2010 Ghent University The image above represents the much talked-of American hard rock band KISS in the company of their so beloved women. Acknowledgements I would like to show my gratitude to professor Gert Buelens for his interest in my subject matter, his suggestions and the very useful feedback that I have got over the last few months. Without his support this dissertation would not have been possible. I also want to thank Ruben De Baerdemaeker for sharing his thoughts on my ‘pretty glam boys’ and discussing Butler’s Gender Trouble with me. ‘Tack så mycket’ to Lisbeth Hellman for helping me out with Freudian and Lacanian theories. I also want to thank Bob Ruysschaert from the KULeuven and Aurora Van Hamme for their comments and advice . Many thanks also go to librarian Mario Floryn from the department of Art, Music and Theatre Sciences at the UGent. I want to thank my friends Sjar and Staffan for their support, and Jon for transcribing some song lyrics for me. Last but not least I thank Liz from Leaded Fuel and Autostrada Outlaws, G.A. Sinn from Cyanide 4, Lizzy from Lizzy Borden and all the guys from Frenchkiss for talking about their music with me. You guys rock hard! 2 Table of Contents: 0. Introduction 4 1. Gender and Normativity 8 a. -
The Cord Weekly
theCORDweekly Inside Crombie on campus 3 Witches 9 Playoffs Begin 15 Volume 27 Wilfrid Laurier Number 10 University, Waterloo Thursday, October 30, 1986 VP: Finance 'pleased' with WLUSU, despite deficit Cordphotos by Sarah Hayward. By Sarah Hayward "My major concern is that this $194.73 to replace an answering machine stolen from the deficit of$13,000 will come outof the Legal WLUSU's Vice President: Finance capital," she said. Resource Office. President Brian says she is optimistic about the The projected deficit is caused by Thompson blasted union's the board at the 21 financial situation despite a the board's decision to spend an September when the projected deficit of $13,742.27. additional $10,632.27 on unbudgeted meeting speaker purchase was decided "I've Lynn Kurtz told theboard Sunday capital expenses. on. never sat on a that she board voted board before where has been although was "basically The initially at a July money with the this he told board pleased way things are 26 meeting to spend only $16,639 on spent fast," she members. going," was concerned about capital expenses. the projected deficit because it could The board later decided to spend Kurtz, however, said this year's board has been cut into WLUSU's cash reserves. $8,827.54 on Turret speakers, $1600 fiscally responsible She later told the Cord WLUSU to replace picture tubes in the Continued on 5 Lynn Kurtz page Brian has about $54,000 in the Royal Bank. Willison Lounge television, and Thompson Task force hears from students By Eric Beyer Two representatives of Waterloo university students laws to gave a students' perspective of Ontario drinking force last a task on liquor regulations Thursday. -
Afisrmatiye Action Will Host Anti-Racism Workshop
AfiSrmatiye Action will host anti-racism workshop By ALEX HENDERSON said OstrofT, a member of the math primarily being aimed at faculty and become chief executives at universities. Senior Staff Writer • department. administration — "those who influence Jacobs reported dn her participation in \ Pan-African studies Professor policy" — because "that's where it is most the Summer Institute for Women In An anti-racism workshop is being Rosentene Pumell, who also serves on important." Higher Education at Bryn Mawr College planned for early November by the the board, said the workshop is being Ostroff said students also may be in Pennsylvania. The prt^am, which -Educational Subconunittee of the Equal planned to "sensitize" faculty, ad invited to ttw progf am. ' "^ -concluded July 25, was intended to Employment Opportunity/Affirmative prepare women for positions as chief ministration and staff to the "the issUes The workshop will be led by Ricky Action Advisory Board. regarding racism on campus." executives at colleges. Board members discussed the program Sherover-Marcuse, a counselor, teacher ft. during their meeting Wednesday but did Pumell said racism "does exist rather and group leader who has taught "It was an hdnor to be there," Jacobs not set an exact date for the workshop, frequently" at CSUN. philosophy at several colleges. She has said. "I enjoyed every minute of it."—^--- which will be called "Un-leaming "It's not overt," she said. "ThS~ conducted similar workshops at other In other business, the board discussed Racism." workshop will help us understand the universities. an upcoming search for a director of the Board member David Ostroff said the form it exists in on campus. -
Rock & Roll's War Against
Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429 -
February 1991
VOLUME 15, NUMBER 2 RALPH PETERSON FEATURES The reason bebop is still alive is because artists like drummer Ralph Peterson instill their fire and creativity into it. In this exclusive interview, Peterson tells FRED about leading his quintet and "fotet" and his time playing alongside Art Blakey, and shares COURY some thoughts on the DAVID forces that make his Will the real Cinderella drummer music what it is. please stand up? Have no •by Ken Micallef 28 GARIBALDI doubt—it's Fred Coury, and on Cinderella's latest album and As the drummer with Tower of recent tours, Coury unmistakably Power, David Garibaldi laid down proves it. In this interview, Fred some of the freshest—and most explains how he's turned embar- MD's studied—grooves to emerge rassing dissapoint- from a drumset. Here David ments into inspiration. FESTIVAL talks about his Tower days and fay Teri Saccone 24 what he's been up to since—and offers up definitive transcriptions WEEKEND '90 of some of his favorite TOP grooves. Photo-essay of MD's 1990 •by Robyn Flans 18 Festival, starring William Calhoun, Larrie Londin, Tony Williams, Joe Morello, Ed Shaughnessy, Anton Fig, Alex Acuna, and Jonathan Mover. 32 MD TRIVIA CONTEST Win Sonor Piccolo and "Soprano" snare drums! 82 Cover Photo: Lissa Wales COLUMNS Education 56 ROCK 'N' Equipment JAZZ CLINIC Developing The "Two Sound Level" Concept 44 PRODUCT BY DAVID GARIBALDI CLOSE-UP Ludwig LR-2426 Departments 64 HEALTH AND Rocker Kit BY RICK VAN HORN 4 EDITOR'S SCIENCE OVERVIEW Profiles The Problem 46 Sabian B8 Pro Cymbals Of Addiction -
Listen to the New Albumns from Lone Justice And
_lI PAGE 10 The Tech FRIDAY, APRIL 10, 1987 1I~*L~l~a~L~~pa~s~s~~_~r Is~, -Rs--~---ql II~ -- ,81 bBLs·II[[ no~·-_-- R T S _ -iLl _ .-. · ~~A.. I---C III-- L -~~~~~~~~~~~~, -- , ,- .....- e I m _ r- p~-L-Ie d·I n. '·F- 'I Listen to the new albumns from Lone Justice and XTC SHELTER -Cvgf ADVIR^I 7 YLtTLAKIN U Lone C p-- Justice Pc--,c-eeeeeeeeeeeeeeee -c p _ a XTCOn G..ie. R d- On Geffen Records. On Geffen Records. By JULIAN WEST By JULIAN WEST WINDON, ENGLAND is an odd place HE FIRST I HEARD Off the new LP for a pop band to come from, and by Lone Justice was the title a stranger place still to wish to track, "Shelter." I liked it imme- stay. Take my word for it. Perhaps diately. It was catchy and seemed it is because XTC chose not to abandon to have something to say. It also sounded a their home base that they never quite hit little different from the general run of Top the top of the charts, especially in North 40 hits, for reasons mostly - but not America. quite entirely - to do with Maria McKee's Their new album, "Skylarking," could voice. She has a distinctive deepish voice well explode this theory. It rises to the level with a trace of an accent, and sounds of their earlier material, which has earned agreeably like a clear-voiced version of them critical acclaim and a devoted fol- Stevie Nicks. -
All-Star Lineup Gives America the Message by MICHAEL GOLDBERG
~~------------------------~------------------------~ · , Left: Bob Geldof, U2's i Bono, Bryan Adams and Sting (from left) join in the finale at the Los • l Angeles Forum stop of ~ the Amnesty tour. • Clockwise from boHom j right: Eurythmics' Dave Stewart and Bob Geldof Ill pair up to perform a ~ UJ version of Bob Marley's l ~ "Get Up, Stand Up" in .....(.) ' z L.A.; Sting gets intense (3 UJ during his set at the c:: z tour's opening night at ~ ili San Francisco's Cow (f) Palace; Bono during :I:a. ~ U2's explosive set in (.!) ~ San Francisco. 0 a.:I: All-star lineup gives America the message BY MICHAEL GOLDBERG BEFORE IT GOT UNDER WAY, THE MAIN The Neville Brothers got things U2 hit the stage with an in question about Amnesty International's going with an ebullient <tHey Pocky spired version of Eddie Coch Conspiracy of Hope benefit tour was A-W ay," one of their classic N ew ran's ttC'mon Everybody," one that's become increasingly common O rleans dance grooves, then turned turning the rock standard into these days: Would the music be equal, serious with "Everybody Better Wake both an invitation and a chal or even relevant, to the cause? At the Up," a song they introduced as t<a lenge to the audience. The end of the tour's opening show at San prayer for peace." T hey were then crowd responded with equal ur Francisco's Cow Palace, the answer .was joined by Joan Baez, who, in a friendly gency, and promoter Bill Gra a rousing, defiant yes.