University Microfilms International 300 N

Total Page:16

File Type:pdf, Size:1020Kb

University Microfilms International 300 N INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality o f the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in “sectioning" the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. Requests can be made to our Dissertations Customer Services Department. 5. Some pages in any document may have indistinct print. In ail cases we have filmed the best available copy. University Microfilms International 300 N. ZEEB RD„ ANN ARBOR, Ml 48106 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1317279 COGSWELL, ELIZABETH WAVLAND AGEE THE HENRY LIPPITT HOUSES A DOCUMENT DF LIFE AND TASTE IN MID-VICTORIAN AMERICA. UNIVERSITY OF DELAWARE (WINTERTHUR PROGRAM), M.A., 1981 COPR. 1981 COGSWELL, ELIZABETH WAYLAND AGEE University Microfilms International 300 N. Zeeb Road, Ann Arbor, M I <48106 © 1981 ELIZABETH WAYLAND AGEE COGSWELL All Rights Reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. Problems encountered with this document have been identified here with a check mark V . 1. Glossy photographs or pages 2. Colored illustrations, paper or print______ 3. Photographs with dark background 4. Illustrations are poor copy______ 5. Pages with black marks, not original copy______ 6. Print shows through as there is text on both sides of page______ 7. Indistinct, broken or small print on several pages_______ 8. Print exceeds margin requirements ______ 9. Tightly bound copy with print lost in spine______ 10. Computer printout pages with indistinct print______ 11. Page(s)____________ lacking when material received, and not available from school or author. 12. Page(s) ____________ seem to be missing in numbering only as text follows. 13. Two pages numbered ____________ . Text follows. 14. Curling and wrinkled pages______ 15. Other ____________________________________________________ __ ___________________ University Microfilms International Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE HENRY LIPPITT HOUSE: A DOCUMENT OP LIFE AND TASTE IN MID-VICTORIAN AMERICA By Elizabeth Wayland Agee Cogswell A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of Arts in Early American Culture. June, 1981 Copyright Elizabeth Wayland. Agee Cogswell 1981 All Rights Reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE HENRY LIPPITT HOUSE: A DOCUMENT OP LIFE AND TASTE IN MID-VICTORIAN AMERICA By Elizabeth Wayland Agee Cogswell Approved: KennethVi TL Ames,A m A n "DirtPh.D. T"\ Professor in charge of thesis on behalf of the Advisory Committee O l f C j-XI 1CJ*I ILL O U • n U l i . | V il« i J » X ^ Coordinator, Winterthur Program in Early American Culture Aonroved: H.'B.iJ. • J-' * TTurray1 1 tAJL X •,"~Ph X 1 1 * J-/ « University Coordinator for Graduate Studies Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ACKNOWLEDGMENTS Sincere thanks to Mr. and Mrs. Lytton Doolittle for their warm and gracious hospitality during my stay at the Lippitt House, and to Mrs. Doolittle for sharing her memories and collections with me. To Providence members of the Lippitt family— Mr. and Mrs. John S. Chafee, Mr. Frederick Lippitt, Mr. Gorton Thayer Lippitt, Miss Mary Ann Lippitt, Mrs. George Metcalf, Mr. and Mrs. Charles Steedman— my appreciation for their willingness to allow me to examine their collections and discuss their recollections. Special thanks to Mr. Henry F. Lippitt, 2nd of Los Angeles for his encouragement, and for generously furnishing materials which he has assembled about the Lippitt family and their mansion. My gratitude to the following individuals who gave me assistance in using materials from their institutions: Mr. Mark Brown, Manuscript Librarian, John Hay Library, Brown University; Mr. Harold E. Kemble, Jr., Manuscript Curator, The Rhode Island Historical Society; Mr. Roger Williams, Jr., Historian and Librarian, Stonington Historical Society; and Ms. Margaret Stearns, Curator, The Museum of < the City of New York. Thanks too to Kathryn Keller for her help in checking references. My appreciation to Kenneth L. Ames, my thesis advisor, for his enthusiasm about the topic of this thesis and for his insistence on a tighter manuscript than might otherwise have been produced. Most of all, my thanks to my husband James for his unfailing support and for having borne the brunt of this project, and to Thomas for having suffered my preoccupation during the first year of his life. lii Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. TABLE OP CONTENTS Pace List of Illustrations vi Introduction 1 Notes to the Introduction 5 Chapter I Henry Lippitt and the Construction of His House 7 Notes to Chapter I 23 Chapter II Interior Ornamentation and Furnishings: The Main Floor 29 Notes to Chapter II 101 Chapter III Interior Ornamentation and Furnishings: The Upper Stories 122 Notes to Chapter III 1^5 Conclusion 1^9 Notes to the Conclusion 155 Illustrations 156 Bibliography 177 Appendix A Transcription of Henry Lippitt's Contract Book 189 Appendix B Transcription of "New House Account" 202 Appendix C Transcription of Bill from Anthony, Potter & Denison 211 Appendix D Transcription of Bill from Pottier & & Stymus 221 iv Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. V Page Appendix E Transcription of Bill from Knowles, Scholze & Co. 223 Appendix F Transcription of Bill from French, Wells & Co. 225 Appendix G Transcription of Bill from Alex. T. Stewart & Co. 226 Appendix H Transcription of Three Bills from E.V. Haughwout & Co. 227 Appendix I Transcription of Bill from C. Earle Whitaker 229 Appendix J Transcription of Bill from Gorham, Co. & Brown 230 Appendix K Transcription of Bill from Vose & Huxford 231 Appendix L Transcription of Bill from American & General Commission Agency 232 Appendix M Transcription of Bill from Potter & Co. 234 Appendix N Profile of Anthony, Potter & Denison 244 Appendix 0 Profile of Carpenter & Childs 249 Appendix P Profile of Cattanach & Cliff 251 Appendix Q, Profile of Pottier & Stymus 255 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. LIST OP ILLUSTRATIONS Page Pig. 1 Schematic Floor Plan, Main Floor 156 Pig. 2 Schematic Floor Plan, Second Story 157 Plate 1 Henry Lippitt House, Providence, Rhode Island 158 2 Thomas Hoppin House, Providence, Rhode Island 158 3 Marshall Woods House, Providence, Rhode Island 159 4 Left: Drawing Room Short Arm Chair— Pottier & Stymus Right: Hall Chair— Anthony, Potter & Denison 159 5 Hall Stand— Anthony, Potter & Denison 160 6 Front Hall, Main Floor, circa 1890 160 7 Reception Room, circa 1890 161 8 Center Table— Anthony, Potter & Denison 161 9 Etagdre Top— possibly Anthony, Potter & Denison 162 10 Etag&re Base— possibly Anthony, Potter & Denison 162 11 Detail, Reception Room Fireplace Grater- William H. Jackson & Co. I63 12 Detail, Reception Room Chandelier— attributed to Cox "others I63 13 Library, circa lbyO 164 14 Ornament from the Arches of the Court of the Lions, Alhambra. Source: Wm. Gibbs, The Universal Decorator: A Complete Guide to Ornamental Design 164 15 Dwarf Bookcases— Anthony, Potter & Denison 165 vi Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. v i i Plate Page 16 Sideboard— Anthony, Potter & Denison 17 Dining Room Side Table— Anthony, Potter & Denison 166 18 Dining Room Mantle Mirror— Anthony, Potter & Denison; Mantle Clock—-Cox Brothers 166 19 Silver Tea Set— Gorham & Co. 167 20 Dining Room, circa 1890 16-7 21 South Lawn with Fountain
Recommended publications
  • Survey Report African American Struggle for Civil Rights in Rhode Island: the Twentieth Century Statewide Survey and National Register Evaluation
    Survey Report African American Struggle for Civil Rights in Rhode Island: The Twentieth Century Statewide Survey and National Register Evaluation Printed in January 2020 This material was produced with assistance from the Historic Preservation Fund, administered by the National Park Service, Department of the Interior. Any opinions, findings, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the Department of the Interior Survey Report African American Struggle for Civil Rights in Rhode Island: The Twentieth Century Phase 2: Statewide Survey and National Register Evaluation July 2, 2019 Submitted to: RI Historical Preservation and Heritage Commission 150 Benefit Street Providence, RI 02903 Background and Purpose The Rhode Island Historical Preservation and Heritage Commission (RIHPHC), in partnership with the Rhode Island Historical Society (RIHS) and the Rhode Island Black Heritage Society (RIBHS), engaged the Public Archaeology Laboratory, Inc. (PAL) to complete a Statewide Survey and National Register Evaluation of sites relating to the Twentieth-Century African American Civil Rights Movement in Rhode Island. This project was Phase 2 of a three-phase project funded by the National Park Service’s African American Civil Rights Grant Program; Phase 1 was completed by RIBHS researchers in July 2018. This Survey Report for Phase 2 includes a methodology statement, a historical context statement, a summary of surveyed sites, and a bibliography. A list of the surveyed resources and corresponding maps are provided in the attached appendix. Methodology Statement The purpose of this project was to complete an intensive-level survey of extant cultural and architectural resources associated with the African American Civil Rights Movement in twentieth- century Rhode Island.
    [Show full text]
  • Copyrighted Material
    14_464333_bindex.qxd 10/13/05 2:09 PM Page 429 Index Abacus, 12, 29 Architectura, 130 Balustrades, 141 Sheraton, 331–332 Abbots Palace, 336 Architectural standards, 334 Baroque, 164 Victorian, 407–408 Académie de France, 284 Architectural style, 58 iron, 208 William and Mary, 220–221 Académie des Beaux-Arts, 334 Architectural treatises, Banquet, 132 Beeswax, use of, 8 Academy of Architecture Renaissance, 91–92 Banqueting House, 130 Bélanger, François-Joseph, 335, (France), 172, 283, 305, Architecture. See also Interior Barbet, Jean, 180, 205 337, 339, 343 384 architecture Baroque style, 152–153 Belton, 206 Academy of Fine Arts, 334 Egyptian, 3–8 characteristics of, 253 Belvoir Castle, 398 Act of Settlement, 247 Greek, 28–32 Barrel vault ceilings, 104, 176 Benches, Medieval, 85, 87 Adam, James, 305 interior, viii Bar tracery, 78 Beningbrough Hall, 196–198, Adam, John, 318 Neoclassic, 285 Bauhaus, 393 202, 205–206 Adam, Robert, viii, 196, 278, relationship to furniture Beam ceilings Bérain, Jean, 205, 226–227, 285, 304–305, 307, design, 83 Egyptian, 12–13 246 315–316, 321, 332 Renaissance, 91–92 Beamed ceilings Bergère, 240, 298 Adam furniture, 322–324 Architecture (de Vriese), 133 Baroque, 182 Bernini, Gianlorenzo, 155 Aedicular arrangements, 58 Architecture françoise (Blondel), Egyptian, 12-13 Bienséance, 244 Aeolians, 26–27 284 Renaissance, 104, 121, 133 Bishop’s Palace, 71 Age of Enlightenment, 283 Architrave-cornice, 260 Beams Black, Adam, 329 Age of Walnut, 210 Architrave moldings, 260 exposed, 81 Blenheim Palace, 197, 206 Aisle construction, Medieval, 73 Architraves, 29, 205 Medieval, 73, 75 Blicking Hall, 138–139 Akroter, 357 Arcuated construction, 46 Beard, Geoffrey, 206 Blind tracery, 84 Alae, 48 Armchairs.
    [Show full text]
  • Taubman Center Public Policy
    Taubman Center for Public Policy AND AMERICAN INSTITUTIONS ANNUAL REPORT 2013–2014 INSIDE Taubman’s new director signals change PAGE 1 Senator Olympia Snowe on how to fix Congress PAGE 19 FROM THE INCOMING DIRECTOR New Directions, New Connections I’m thrilled to have been named the new director of the Taubman Center for Public Policy. The study of public policy is so exciting — to me and to most of you — because it’s about imagining a better world. The whole point of a center like ours is to combine our policy dreams with the skills to make them reality. I want to thank Professor Marion Orr for his inspiring There is one thing that will never change. We will always leadership. For six years, Marion raised the profile of the return to the same powerful idea: Individuals can make a Center — developing new educational programs and find- difference. Our mission, first and foremost, is to train students ing fresh ways to engage the broader community. Professor who can make a difference, and to engage in scholarship Orr will remain a vital part of our program. that opens minds and builds a better world. In that spirit, let me invite you to participate in the life What lies ahead? We’re planning to introduce many of the Center. The Center thrives on lively discussion. Please innovations. We’ll broaden our focus to include interna- Contact us About the Taubman Center feel free to come visit us, to engage our many speakers, and tional public policy. Perhaps it made sense to limit public 67 George Street, Box 1977 to share your ideas about education, about policy, about Since 1984, the A.
    [Show full text]
  • Artful Teaching: a Brief History of the Harriet W
    Artful Teaching: A Brief History of the Harriet W. Sheridan Center for Teaching and Learning, 1987 - 2007 A Publication of The Harriet W. Sheridan Center for Teaching and Learning Brown University ©2007 Table of Contents I. A Brief History of the Sheridan Center 5 II. Reminiscences on Harriet Sheridan and the Founding of the Center 13 III. The Brown Teaching Community, 1987-2007 23 IV. The Frederick Lippitt Endowment 39 V. Twentieth Anniversary Celebration & Conference 41 Harriet W. Sheridan I. A Brief History of the Harriet W. Sheridan Center for Teaching and Learning, 1987 - 2007 Few endeavors survive the departure or demise of their creators. Unless firmly rooted in the needs of a constituency, the growth and ongoing development of a community organization may only last a short while. So it is with tremendous respect for the enduring value of Harriet Walzer Sheridan’s vision for professional development in higher education at Brown, that we salute the twentieth anniversary of the founding of the Sheridan Center. Her vision continues to inspire a growing cohort of faculty, post-doctoral fellows and graduate students, at Brown, across the country and internationally, to challenge themselves to think substantively about the purpose of education in a complex global environment. The endowment of the Sheridan Center by Frederick Lippitt is a testament to the commitment by both Dean Sheridan and Mr. Lippitt to the value of education in a democratic society and the need to support the professional development of its faculty, present and future. —5— A Definition of the Purpose of Education The origins of the Harriet W.
    [Show full text]
  • C Emlen Urban: to Build Strong and Substantial Booklet
    To Build Strong and Substantial: The Career of Architect C. Emlen Urban The City of Lancaster, Pennsylvania Produced by The City of Lancaster, Pennsylvania Printed in 2009 Design and layout by William W. Boyce III, Boyce Design Cover design and site map by Caroline Eddy, The Demuth Museum Developed in conjunction with the exhibition Lancaster’s Architect: C. Emlen Urban, produced by the Demuth Museum, Lancaster, Pennsylvania (May 2, 2009 – June 28, 2009) Historical photographs courtesy of Lancaster County Historical Society, Lancaster, Pennsylvania This project was supported by a grant from the Pennsylvania Historical and Museum Commission The City of Lancaster 120 North Duke Street Lancaster, Pennsylvania 17602 www.cityoflancasterpa.com To Build Strong and Substantial: The Career of Architect C. Emlen Urban The City of Lancaster, Pennsylvania – 1 – To Build Strong and Substantial Introduction In A History of Lancaster County (1924), historian H.M.J. Klein wrote of architect C. Emlen Urban: “Few men of Lancaster County can point to a finer array of useful and beautiful work than can Cassius Emlen Urban, of the City of Lancaster, whose skilled hand and artistic talent mean much to the civic dignity of this and other municipalities.” Over the span of a 45-year career in Lancaster, Urban’s designs included major commercial and public buildings, churches, hotels, schools, industrial buildings and private residences. His designs were stylistically eclectic, reflecting the influence of Queen Anne, French Renaissance, Gothic Revival, Beaux Arts and Colonial Revival periods. Although he spent his entire professional career living within the City of Lancaster, his designs were informed by knowledge of classical and historical architecture as well as work being produced by his contemporaries in larger cities such as Philadelphia and New York.
    [Show full text]
  • CHÂTEAU DU SAILHANT (Andelat, Cantal)
    Christian CORVISIER Historien34, Grande de l’architecture Rue 02130 BRUYERES SUR FERE TEL: 03 23 71 20 93 fax: 03 23 71 47 00 CHÂTEAU DU SAILHANT (Andelat, Cantal) MONOGRAPHIE HISTORIQUE ET ARCHITECTURALE AOUT 1999 Christian CORVISIER Historien34, Grande de l’architecture Rue 02130 BRUYERES SUR FERE TEL: 03 23 71 20 93 fax: 03 23 71 47 00 CHÂTEAU DU SAILHANT (Andelat, Cantal) MONOGRAPHIE HISTORIQUE ET ARCHITECTURALE ETUDE APPROFONDIE DE DOCUMENTATION ET D’ANALYSE HISTORIQUE ET ARCHEOLOGIQUE AOUT 1999 I HISTORIC DATA: THE CASTLE, ITS FUNCTION, ITS MUTATIONS, ITS OWNERS The history of the castle of Sailhant was the subject of a substantial monograph dating from the beginning of the century, written by Alfred Douet, a clerk and scholar in St. Flour. This monograph totally neglects the archaeological and architectural aspects of the castle of Sailhant, and provides no real description or dates. Alfred Douet concentrates mainly on the genealogy of the Lords of Sailhant: he uses and completes data taken from the ancient book of Baluze (among others) about the Lords of Auvergne. He also focuses on the purpose of the castle during the Hundred Years’ war, and uses works published before his book and written by another local historian specialized in texts, Marcelin Boudet, famous for his archival work and his scientific method. The goal here is not to simply paraphrase or summarize Alfred Douet’s complex work but to retain the essential contextual information which will allow us to refine the hypothesis relative to the nature and dates of the successive campaigns of construction which are still imprinted in the fabric of the existing castle.
    [Show full text]
  • Lot Description LOW Estimate HIGH Estimate 2000 Pair of French
    LOW HIGH Lot Description Estimate Estimate Pair of French Samson covered urns, 19th century, each having a gilt knop surmounting 2000 the floral covered body on a white ground, underside with Samson mark, and Made In France, 14"h x 7.5"w $ 800 ‐ 1,200 Continental porcelain sculpture depicting a courting couple, depicted seated on a rock 2001 form, the lady with a wreath in her hands and a basket of flowers at her side, the gent bearing a rose, underside with underglaze blue crown mark, 8.5"h x 7.5"w $ 300 ‐ 500 (lot of 2) Continental porcelain two light boudoir lamps, each centered with a young 2002 couple bearing fruit, flanked with porcelain floral sprays continuing to the gilt two arms, the whole rising on a footed base, 12"h x 12"w $ 300 ‐ 500 2003 Royal Vienna porcelain partial gilt scenic charger, having a central scenic reserve depicting a well executed scene with King David, verso with underglaze beehive mark, 14"w $ 1,500 ‐ 2,500 Continental hand painted miniature porcelain plaque, depicting Queen Louise in the 2004 classic pose, plaque 3.5"h, overall 7.5"h x 7"w $ 300 ‐ 500 Continental Santos figure with polychrome decorated body, 18th Century, with remnants 2005 of early painted surface, rising on a wood frame terminating on the rectangular base, 19"h $ 800 ‐ 1,200 2006 Mid Century malachite bowl, having a brass rim, unsigned 2"h x 10"w $ 400 ‐ 600 2007 (lot of 2) Paolo Soleri bronze bells, largest 22"l $ 400 ‐ 600 2008 (lot of 2) Paolo Soleri bells, largest 25"l $ 500 ‐ 700 Twain, Mark: Celebrated Jumping Frog of Calaveras County, New York, Webb 1868, 2009 original green cloth, beveled edges, stamped in gilt, brown coated endpapers, lacking inserted advertisements, binding rubbed, otherwise fine condition $ 6,000 ‐ 9,000 2010 Jaeger Le Coultre Atmos clock in brass with glass paneled case, 9''h x 8''w x 6''d $ 300 ‐ 500 Needlework sampler, executed by Hannah Nutt, 1827, having a foliate decorated border surrounding the central panel decorated with a dog, a bird and flowers, the text reads 2011 "Our Saviours Golden Rule.
    [Show full text]
  • Clars January 14Th 15Th Prices Realized Page 1 of 72 Chinese
    Clars January 14th 15th Prices Realized Lot Description Price (Lot of 2) Pre‐Columbian style gilt metal figures, the first of a male standing with two offering vessels to the 4000 front, the second of a female walking with a child straped to her back, each 6.25'' $ 100 Chinese large lead glazed red‐pottery figure of a fu‐lion, the mythical beast standing on a rectangular plinth with its blue‐glazed body applied with yellow‐ochre on the ears, tufts of hair, mane and collar of bells, 4001 12.75''h; Provenance: Du Mochelles, May 2010, #1284 $ 175 (Lot of 3) Chinese carved figurines, the first of lapis lazuli and depicting a beauty standing with an up‐turned baskets, the blue stone mottled with white and light inclusions, now attached to a wooden base, the next a 4002 pair of ivory maidens in mirror poses with a lotus held up in one hand, 4.125''h, with wooden stands $ 75 (Lot of 5) Chinese ivory carvings, consisting of a small study of a duck with pigment accents, a small peach‐ shaped box, a slender pipe fashioned as a bird‐claw and a facetted cigarette holder; together with a carnelian 4003 figurine of a goose, 2.25''l $ 200 (Lot of 3) Chinese ruby red Peking glass two‐part circular container (with extra base), Qing/Republic period, the flattened lid carved in relief with dissolving dragon and phoenix, the lower section with two chilong also with scrolling foliate‐form bodies encircling the small ring foot, 3.825''dia; Provenance: Collection of Martha 4004 Kramer, who lived and worked in China in 1920‐1930 $ 950 (Lot of 3) Chinese carved ivory figures, the first carved with a figure of Guanyin holding an amphora issuing willow branches and prayer beads in hand; the second of the Daoist immortal He Xiangu with lotus sprigs; the last of a celestial general clutching a wrapped seal and rank stick, ivory: 5''h; with wooden stands; 4005 Provenance: Estate of Mr.
    [Show full text]
  • Historic Centre of Vienna
    WHC Nomination Documentation File Name: 1033.pdf UNESCO Region: EUROPE AND THE NORTH AMERICA __________________________________________________________________________________________________ SITE NAME: Historic Centre of Vienna DATE OF INSCRIPTION: 16th December 2001 STATE PARTY: AUSTRIA CRITERIA: C (ii)(iv)(vi) DECISION OF THE WORLD HERITAGE COMMITTEE: Excerpt from the Report of the 25th Session of the World Heritage Committee The Committee inscribed the Historic Centre of Vienna on the World Heritage List under criteria (ii), (iv), and (vi): Criterion (ii): The urban and architectural qualities of the Historic Centre of Vienna bear outstanding witness to a continuing interchange of values throughout the second millennium. Criterion (iv): Three key periods of European cultural and political development - the Middle Ages, the Baroque period, and the Gründerzeit - are exceptionally well illustrated by the urban and architectural heritage of the Historic Centre of Vienna. Criterion (vi): Since the 16th century Vienna has been universally acknowledged to be the musical capital of Europe. While taking note of the efforts already made for the protection of the historic town of Vienna, the Committee recommended that the State Party undertake the necessary measures to review the height and volume of the proposed new development near the Stadtpark, east of the Ringstrasse, so as not to impair the visual integrity of the historic town. Furthermore, the Committee recommended that special attention be given to continuous monitoring and control of any changes to the morphology of the historic building stock. BRIEF DESCRIPTIONS Vienna developed from early Celtic and Roman settlements into a Medieval and Baroque city, the capital of the Austro- Hungarian Empire. It played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century.
    [Show full text]
  • Rippl-Rónai József Iparművészeti Munkássága, Az Andrássy-Ebédlő
    Horváth János Rippl-Rónai József iparművészeti munkássága, az Andrássy-ebédlő Kaposvár, Rippl-Rónai József Emlékház, Róma-villa látogatóközpont 2013. augusztus 15. Támogatók: Kaposvár Megyei Jogú Város A kiállítást rendezte: Horváth János Katalógusterv: Matucza Ferenc Fotó: dr. Géger Melinda Az ebédlő rekonstrukciót bemutató fotókat ifj. Lőrincz Ferenc készítette Korrektúra: Horváth Kinga Angol fordítás: Hegedüs Veronika Angol lektor: Mogyorósiné Futó Kinga és Valerie Inwood ISBN 978-963-7212-80-2 Kiadja: Rippl-Rónai Múzeum, Kaposvár Felelős kiadó: dr. Ábrahám Levente PhD. múzeumigazgató Nyomda: Pethő Nyomda, Kaposvár Rippl-Rónai József vallomása az iparművészeti munkásságáról: „Testtel – lélekkel a rám közvetlenül ható élet, esetek, a mai kor jellemző vonásai, emberei, amelyek- ben s akik között éltem és élek, foglalkoztattak és foglalkoztatnak. Ezekből odaadással, a magam elő- adási módja szerint igyekeztem megrajzolni vagy megfesteni tanulmányaimat. Ha pedig ízlésem appli- kálására volt szükség, szobaberendezés, kiállításrendezés, képszőnyegkészítés, plakát- vagy meghívó- csinálás, szóval műipari munka, tervezés foglalta le tevékenységemet: a legegyszerűbb eszközeimmel s az egyszerű elbeszélési mód szintézisével stabilizáltam, iparkodván beleélni magamat egyúttal lelki- világába annak is, akinek a mű készült s a kinek néha mintegy az életét kellett a tervem szerint készült dolgokkal körülvennem, életében részt vennem, élnie segítenem.”1 „L’art appliqué” – applikált, avagy alkalmazott művészet. – Az 1890-es évek Párizsában ez a fogalom egyre fontosabbá vált azon élvonalra törő fiatal művészek körében, akik minden addiginál, még az impresz- szionistákénál is újabb művészetet igyekeztek megteremteni. A technikai és társadalmi változások sodrában a művészet kereste a helyét. Új kifejezési formák és új esz- mék születtek. Párizsban terítéken volt a művészet minden formája. A modern művész több fronton is küzdött.
    [Show full text]
  • Lot Description LOW Estimate HIGH Estimate 4000 a Wooden Vessel
    LOW HIGH Lot Description Estimate Estimate A wooden vessel with a hardstone ring handle, carved with Indian deities, 5.5"W 4000 x 19"H $ 100 - 200 4001 A blue and white Chinese vase depicting scholar and servant, 6.5"W x 12.5"H $ 200 - 300 A Chinese blue and white revolving vase, with pair of mystical beast handles , six- 4002 character mark to the base; 5.5"w x 8.75"h $ 300 - 500 A Chinese blue and white footed bowl decorated with dragon chasing flaming 4003 pearls and elephant head handles , 10.5"W x 12"H $ 200 - 300 4004 A Tang-style Sancai ewer in a phoenix head shape; 4.5"W x 9.75"H $ 100 - 200 A pair of Chinese double gourd Familie-rose vases, enameled with floral 4005 decoration on a green ground, 8.5"W x 14"H $ 500 - 700 Chinese Guan-type ceramic brush washer, of drum form with two rows of raised 4006 bosses accenting the side, the blue-gray glaze suffused with a network of dark crackles, 6"W x 2.75"H $ 500 - 700 A Chinese hardstone carving of a covered antique vase surrounded with four 4007 dragons 9"H x 6"W $ 150 - 250 A Chinese wooden ruyi scepter inset with three carved jade panels 19.5"W x 4008 3.25"H $ 500 - 700 A Chinese wooden ruyi scepter, with "longevity" incised in the central panel, 4009 14.5"W x 4.5"H $ 150 - 250 4010 (lot of 6) A group of six Southeast Asian dishes and wares, 8"W x 1.5"H $ 100 - 200 4011 A large Chinese celadon bowl with incised decorative patterns, 13"W x 6"H $ 200 - 300 A large Chinese yellow ground bowl with incised patterns of dragon and cloud 4012 scrolls, 13.5"W x 5.75"H $ 200 - 300 4013 A
    [Show full text]
  • Machine Politics and Urban Renewal in Providence, Rhode Island: the Era of Mayor Joseph A
    Providence College DigitalCommons@Providence History & Classics Dissertations and Masters Theses History & Classics 5-15-2012 Machine Politics and Urban Renewal in Providence, Rhode Island: The Era of Mayor Joseph A. Doorley, Jr., 1965-74 Carl Antonucci Providence College, [email protected] Follow this and additional works at: https://digitalcommons.providence.edu/history_dissertations_theses Part of the United States History Commons Antonucci, Carl, "Machine Politics and Urban Renewal in Providence, Rhode Island: The Era of Mayor Joseph A. Doorley, Jr., 1965-74" (2012). History & Classics Dissertations and Masters Theses. 4. https://digitalcommons.providence.edu/history_dissertations_theses/4 This Thesis is brought to you for free and open access by the History & Classics at DigitalCommons@Providence. It has been accepted for inclusion in History & Classics Dissertations and Masters Theses by an authorized administrator of DigitalCommons@Providence. For more information, please contact [email protected]. Machine Politics and Urban Renewal in Providence, Rhode Island: The Era of Mayor Joseph A. Doorley, Jr., 1965-74 by Carl A. Antonucci, Jr. Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy at Providence College 2012 Dedicated to my wife, Luisa, and my children, Natalie and Antonio iv CONTENTS INTRODUCTION……………………………………………………………………………… 1 CHAPTER 1. THE RISE OF THE DEMOCRATIC MACHINE IN PROVIDENCE…………………………………………………………………………4 CHAPTER 2. THE EDUCATION OF A MAYOR………………………………....……….27 The 1964 Mayoral Primary and General Election……………………………………43 CHAPTER 3. DOORLEY’S FIRST TWO TERMS AS MAYOR…………………………..58 Doorley as “Strong Mayor”……………………………………………………………58 Doorley’s Second Term………………………………………………………………………...70 Fiscal Problems of the City During Doorley’s First Two Terms…………………………….74 Doorley and State and National Politics………………………………………………………87 CHAPTER 4.
    [Show full text]