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A Passion for Porcelain: a Symposium in Honour of Meredith Chilton September 21 - 22, 2018
A Passion for Porcelain: A Symposium in Honour of Meredith Chilton September 21 - 22, 2018 Friday September 21 9 - 9:45 am Registration and light breakfast 9:45 - 10 am Welcome Remarks James Appleyard, Chair of the Board of Trustees, Gardiner Museum 10 - 10:45 am Flights of Imagination: Claudius Innocentius du Paquier and the Tastes of his Patrons Dr. Claudia Lehner-Jobst, Independent Art Historian and Curator, Vienna This year we celebrate the 300th anniversary of the founding of Claudius Innocentius Du Paquier's private porcelain manufactory. Based on newly discovered objects, this lecture explores the connections of early Vienna porcelain with the tastes of its noble patrons at a time when the city was absorbing a Baroque international style and developing its distinctive character in a uniquely playful manner. Dr. Claudia Lehner-Jobst will explore the artistic and social vibrancy of the imperial city around 1718 through the eyes of the modellers and painters of Du Paquier, who created works for the elite—confident members of the cultural avant-garde—as well as fulfilling imperial orders of diplomatic gifts which charmed the tastes of their recipients. 10:45 - 11:30 am Porcelaine à la mode: The Eighteenth-Century Collections of the Baden Princesses Sebastian Kuhn, Bonhams, London The ruling family of Baden in southwestern Germany boasted three notable porcelain collectors in the eighteenth century: the Margravines Sibylla Augusta of Baden-Baden (1675-1733), Magdalena Wilhelmine of Baden-Durlach (1677-1742), and Karoline Luise of Baden-Durlach (1723-83). Whereas the first two collections were displayed in a Northern European Baroque manner, Karoline Luise—who inherited the collections of her forebears—perceived porcelain through the lens of the Enlightenment and had a more scientific approach to collecting. -
Trabajo Fin De Máster
UNIVERSIDAD DE JAÉN Centro de Estudios de Postgrado Trabajo Fin de Máster FOSTERING POSITIVE TRANSFER AND PREVENTING INTERFERENCE IN THE TEACHING OF ENGLISH AS A FOREIGN LANGUAGE Alumna: Guerrero Simón, Raquel Tutor: Prof. Dr. Antonio Bueno González Dpto: Filología Inglesa Centro de Estudios de Postgrado Junio, 2015 Table of contents Abstract and key words 3 1. Introduction 4 2. Objectives 6 3. Methodology of the project 7 4. Theories and concepts behind the idea of transfer 8 4.1. Relevant theories 8 4.2. The concepts of error and mistake 10 4.3. Positive transfer and interference 11 5. Transfer in the classroom 13 5.1. How to incorporate transfer in the classroom 14 5.2. Fostering positive transfer 16 5.2.1. Skills 17 5.2.2. English components 18 5.2.2.1. Pronunciation 18 5.2.2.2. Vocabulary 19 5.2.2.3. Grammar 20 5.3. Avoiding negative transfer or interference 21 5.3.1. Skills 21 5.3.2. English components 22 5.3.2.1. Pronunciation 22 5.3.2.2. Vocabulary 22 5.3.2.3. Grammar 23 5.4. How to provide feedback 24 6. Didactic unit 25 6.1. Topic 25 6.2. Justification 25 6.3. Background and contextual information 26 6.4. Objectives and competences 27 6.5. Contents 31 6.6. Methodology 32 1 6.7. Interdisciplinary aspects 33 6.8. Cross-curricular issues 34 6.9. Attention to diversity 34 6.10. Materials 35 6.11. Timing 36 6.12. Classroom procedures 41 6.13. Evaluation 58 6.14. -
Philippa H Deeley Ltd Catalogue 17 Oct 2015
Philippa H Deeley Ltd Catalogue 17 Oct 2015 1 A Pinxton porcelain teapot decorated in gilt with yellow cartouches with gilt decoration and hand hand painted landscapes of castle ruins within a painted botanical studies of pink roses, numbered square border, unmarked, pattern number 300, 3824 in gilt, and three other porcelain teacups and illustrated in Michael Bertould and Philip Miller's saucers from the same factory; Etruscan shape 'An Anthology of British Teapots', page 184, plate with serpent handle, hand painted with pink roses 1102, 17.5cm high x 26cm across - Part of a and gilt decoration, the saucer numbered 3785 in private owner collection £80.00 - £120.00 gilt, old English shape, decorated in cobalt blue 2 A Pinxton porcelain teacup and saucer, each with hand painted panels depicting birds with floral decorated with floral sprigs and hand painted gilt decoration and borders, numbered 4037 in gilt landscapes with in ornate gilt surround, unmarked, and second bell shape, decorated with a cobalt pattern no. 221, teacup 6cm high, saucer 14.7cm blue ground, gilt detail and hand painted diameter - Part of a private owner collection £30.00 landscape panels - Part of a private owner - £40.00 collection £20.00 - £30.00 3 A porcelain teapot and cream jug, possibly by 8A Three volumes by Michael Berthoud FRICS FSVA: Ridgway, with ornate gilding, cobalt blue body and 'H & R Daniel 1822-1846', 'A Copendium of British cartouches containing hand painted floral sparys, Teacups' and 'An Anthology of British Teapots' co 26cm long, 15cm high - -
Copyrighted Material
14_464333_bindex.qxd 10/13/05 2:09 PM Page 429 Index Abacus, 12, 29 Architectura, 130 Balustrades, 141 Sheraton, 331–332 Abbots Palace, 336 Architectural standards, 334 Baroque, 164 Victorian, 407–408 Académie de France, 284 Architectural style, 58 iron, 208 William and Mary, 220–221 Académie des Beaux-Arts, 334 Architectural treatises, Banquet, 132 Beeswax, use of, 8 Academy of Architecture Renaissance, 91–92 Banqueting House, 130 Bélanger, François-Joseph, 335, (France), 172, 283, 305, Architecture. See also Interior Barbet, Jean, 180, 205 337, 339, 343 384 architecture Baroque style, 152–153 Belton, 206 Academy of Fine Arts, 334 Egyptian, 3–8 characteristics of, 253 Belvoir Castle, 398 Act of Settlement, 247 Greek, 28–32 Barrel vault ceilings, 104, 176 Benches, Medieval, 85, 87 Adam, James, 305 interior, viii Bar tracery, 78 Beningbrough Hall, 196–198, Adam, John, 318 Neoclassic, 285 Bauhaus, 393 202, 205–206 Adam, Robert, viii, 196, 278, relationship to furniture Beam ceilings Bérain, Jean, 205, 226–227, 285, 304–305, 307, design, 83 Egyptian, 12–13 246 315–316, 321, 332 Renaissance, 91–92 Beamed ceilings Bergère, 240, 298 Adam furniture, 322–324 Architecture (de Vriese), 133 Baroque, 182 Bernini, Gianlorenzo, 155 Aedicular arrangements, 58 Architecture françoise (Blondel), Egyptian, 12-13 Bienséance, 244 Aeolians, 26–27 284 Renaissance, 104, 121, 133 Bishop’s Palace, 71 Age of Enlightenment, 283 Architrave-cornice, 260 Beams Black, Adam, 329 Age of Walnut, 210 Architrave moldings, 260 exposed, 81 Blenheim Palace, 197, 206 Aisle construction, Medieval, 73 Architraves, 29, 205 Medieval, 73, 75 Blicking Hall, 138–139 Akroter, 357 Arcuated construction, 46 Beard, Geoffrey, 206 Blind tracery, 84 Alae, 48 Armchairs. -
The Future of Derby Museums Service a Review of Alternative
Ab Derby City Council The Future of Derby Museums Service A Review of Alternative Governance Models August 2011 CONTENTS 1. PURPOSE OF THE REVIEW ..................................................................................................1 2. INTRODUCTION AND BACKGROUND TO THE REVIEW ....................................................2 3. APPROACH AND METHODOLOGY ......................................................................................5 4. EXECUTIVE SUMMARY .........................................................................................................7 5. POLICY BACKGROUND ......................................................................................................13 6. LOCAL AUTHORITY MUSEUMS IN THE NATIONAL CONTEXT .......................................17 7. OVERVIEW OF DERBY MUSEUMS SERVICE ....................................................................22 Deleted: 30 8. ALTERNATIVE GOVERNANCE MODELS...........................................................................24 Deleted: 40 9. FEEDBACK FROM KEY STAKEHOLDERS.........................................................................24 Deleted: 45 10. EVALUATION OF GOVERNANCE MODELS.......................................................................24 Deleted: 46 11. FINANCIAL OVERVIEW .......................................................................................................24 Deleted: 50 12. THE NDPO GOVERNANCE MODEL....................................................................................24 Deleted: 59 -
RCD Magazine July 2010
GUILD EXCLUSIVE 2010 The Royal Crown Derby magazine ISSUE 39 July 2010 Guild Duck and Duckling COLLECTOR Duckling Modelled by Hilary Walker, Designed by Jane James. Height 5.5cm Duck Modelled by Hilary Walker, Designed by Jane James. Length 15.5cm On joining the Guild or renewing your membership you will receive the delightful little Duckling paperweight as a complimentary gift A special welcome pack will contain your complimentary Guild Duckling paperweight and a wealth of information about our collectables Royal Crown Derby Headquarters 194 Osmaston Road, Derby, DE23 8JZ, England Tel: (01332) 712846 Fax: (01332) 712863 royalcrownderby.co.uk CONTENTS NEW PIECES New Pieces 2 - 7 New Exclusives 8 - 10 Osprey Visitor Centre News 11 Modelled by Donald Brindley This stunning new piece is once again a Local Interest 12 Designed by Tien Manh Dinh. successful collaboration between modeller Height: 15cm News / Events 13 - 14 Donald Brindley and designer Tien Manh History/Tradition 15 Dinh. The Osprey sits high on its look-out point holding a tasty meal between its Guild Exclusive 2010 16 talons. The feathers are decorated in stunning shades of grey with black and Once again it is time for me to sit down with white flecks to create an opulent textured the proof of the latest magazine and write effect. The base is decorated with pebbles my small contribution. Usually this is and turquoise ripples to represent the something that I like to do sitting looking out at the garden but after a day spent swirling waters of the preparing a new price list at home Ospreys’ hunting yesterday, today I have to be in the office. -
Poetics of Enchantment: Language, Sacramentality, and Meaning in Twentieth-Century Argentine Poetry
University of Kentucky UKnowledge Theses and Dissertations--Hispanic Studies Hispanic Studies 2011 POETICS OF ENCHANTMENT: LANGUAGE, SACRAMENTALITY, AND MEANING IN TWENTIETH-CENTURY ARGENTINE POETRY Adam Gregory Glover University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Glover, Adam Gregory, "POETICS OF ENCHANTMENT: LANGUAGE, SACRAMENTALITY, AND MEANING IN TWENTIETH-CENTURY ARGENTINE POETRY" (2011). Theses and Dissertations--Hispanic Studies. 3. https://uknowledge.uky.edu/hisp_etds/3 This Doctoral Dissertation is brought to you for free and open access by the Hispanic Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Hispanic Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies. -
ORIENTAL and EUROPEAN CERAMICS and GLASS
SECOND DAY’S SALE WEDNESDAY 9th JULY 2014 ORIENTAL AND EUROPEAN CERAMICS AND GLASS Commencing not before 10.00pm Oriental and European Ceramics and Glass will be on view on: Friday 4th July 9.00am to 4.00pm Saturday 5th July 9.00am to 1.00pm Sunday 6th July 2.00pm to 4.00pm Monday 7th July 9.00am to 5.15pm Tuesday 8th July 9.00am to 5.15pm Limited viewing on sale day Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 321 A clear glass decanter of mallet shaped form, wheel cut with three shield shaped panels between narrow bands of printies below a facet cut neck and star cut lozenge shaped stopper, early 19th century, 30.5cm high. £180 - 220 322 An airtwist wine glass the bell shaped bowl set on a straight single series airtwist stem on a fold over foot, circa 1740-60, 18cm high. £100 - 150 326 323 An opaque twist wine glass the rounded funnel shaped bowl set on a slightly tapering double series opaque twist stem comprising a lace twist within spiral threads, on a conical foot, circa 1760-80, 14.5cm high. £80 - 120 324 A Regency cut glass water jug, probably Irish of oval form with faceted and hobnail cut decoration, star cut base, 21cm high [small chip to base of handle]. £80 - 120 325 327 328 A large Continental painted and enamelled glass vase in Lobmeyr style, applied with 327 328 eight prunts and on spreading A Rindskopf art glass vase A cameo glass vase by Fritz foot, decorated with stylised of slender garlic-shaped form, Heckert of frosted clear and flowers, foliage and iron red the green body applied with a pink colour cut with trees and cartouches on a green ground, textured and iridescent silver foliage, signed, circa 1905/10, late 19th century, 32cm high. -
A Study in Portable Architecture Ernest Brian Abuin Florida International University
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-27-2003 Kinetic performance : a study in portable architecture Ernest Brian Abuin Florida International University Follow this and additional works at: http://digitalcommons.fiu.edu/etd Part of the Architecture Commons Recommended Citation Abuin, Ernest Brian, "Kinetic performance : a study in portable architecture" (2003). FIU Electronic Theses and Dissertations. Paper 1132. http://digitalcommons.fiu.edu/etd/1132 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida KINETIC PERFORMANCE: A STUDY IN PORTABLE ARCHITECTURE A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARCHITECTURE by Ernest Brian Abuin 2004 To: Dean Juan Antonio Bueno School of Architecture This thesis, written by Ernest Brian Abuin, and entitled Kinetic Performance: A Study in Portable Architecture, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. Marta Canaves Nathanial Belcher Camilo Rosales, Major Professor Date of Defense: November 27, 2003 The thesis of Ernest Brian Abuin is approved. Dean Juan Antonio B no Sgh 6of Arch' te Deaiouglas Wartzok University Graduate School Florida International University, 2004 ii © Copyright 2004 by Ernest Brian Abuin All rights reserved. iii DEDICATION To my mom and family who have been a source of support throughout my life. -
Bamfords Auctioneers & Valuers
Bamfords Auctioneers & Valuers Peak Village Shopping Centre Rowsley Three Day Fine Art Sale Bakewell DE4 2JE Started 11 Dec 2013 10:30 GMT United Kingdom Lot Description A garniture of Sampson Hancock tapering cylindrical spill vases, each decorated with a bouquet of colourful summer flowers with an 1 oval cartouche on an emerald ground, 12cm and 9cm high, S, H, crown, crossed swords and D mark in red A good Sampson Hancock Derby shaped circular cabinet plate, the centre painted by James Rouse, snr, signed, with an array of 2 flowers including passion flowers tulips and roses in a basket on a ledge, basketwork border, 24cm diam, S, H, crown, crossed swords and D mark in red, c.1875 - 1882 A large Sampson Hancock Derby figure, of a man, standing bare footed, holding his hat and a pipe, wearing a neck tie, jacket and 3 striped trousers, rocky circular base, 30cm high, S, H, crown, crossed swords and D mark in blue, c.1880 A pair of Derby figures, of a Milkmaid and Milkman, they stand wearing broad brimmed hats, holding pails, gilt lined circular base, 14cm 4 high, crown and crossed swords in red A pair of rare Sampson Hancock wine tasters, painted with roses, gilt line borders, 6cm diam, S, H, crown, crossed swords and D mark 5 in red A pair of Royal Crown Derby Mansion House dwarves, derived from engravings by Jacques Callot, richly attired in 17th century cavalier 6 costume, one with long moustache, his left hand on his hip and grasping a staff in his right, the tall funnel shaped hat with play bill of the Theatre Royal, the othe ...[more] -
Landscape Architecture + Environmental and Urban Design
380 College of Communication Architecture + The Arts Undergraduate Catalog 2020-2021 Applicants should plan for the financial aspects of a Landscape Architecture + design education. This includes the costs of computers, Environmental and Urban software, travel and field trips, tools and equipment, and modeling supplies. Students must also have continuing Design access to a laptop computer through purchase, lease or other arrangements. For further information contact the Roberto J. Rovira, Professor and Chair CARTA Student Services & Advising Center. Juan Antonio Bueno, Professor The first professional Master of Landscape Architecture Ebru Ozer, Associate Professor (MLA) degree is fully accredited by The Landscape Linda Chamorro, Assistant Professor Architectural Accreditation Board (LAAB), an autonomous Gianno Feoli, Adjunct Professor committee of the American Society of Landscape Hernan Guerrero Applewhite, Adjunct Professor Architects. TJ Marston, Adjunct Professor Admission Requirements Susan Sprunt, Adjunct Professor Admissions decisions are made on a rolling basis as applications are completed and all supporting documents The Landscape Architecture + Environmental and Urban are received. You may apply as early as July of your Design (LAEUD) Department focuses on the development senior year. In order to be scholarship eligible you must of the basic knowledge, skills, and abilities appropriate to submit your Fall application by November 1. Check the the practice of landscape architecture, with a special department website for updated application deadlines: emphasis on tropical and sub-tropical environments and http://carta.fiu.edu/landscape/academics/undergraduate/a urban design. Situated between two of the richest coastal dmissions/ and inland ecosystems in the world, Miami presents The department admits students once a year to begin unparalleled opportunities as an important design their course work in the fall semester; therefore, it is laboratory. -
Poetry and the Visual in 1950S and 1960S Italian Experimental Writers
The Photographic Eye: Poetry and the Visual in 1950s and 1960s Italian Experimental Writers Elena Carletti Faculty of Arts and Social Sciences The University of Sydney A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy 2020 This is to certify that to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. I acknowledge that this thesis has been read and proofread by Dr. Nina Seja. I acknowledge that parts of the analysis on Amelia Rosselli, contained in Chapter Four, have been used in the following publication: Carletti, Elena. “Photography and ‘Spazi metrici.’” In Deconstructing the Model in 20th and 20st-Century Italian Experimental Writings, edited by Beppe Cavatorta and Federica Santini, 82– 101. Newcastle upon Tyne: Cambridge Scholars Publishing, 2019. Abstract This PhD thesis argues that, in the 1950s and 1960s, several Italian experimental writers developed photographic and cinematic modes of writing with the aim to innovate poetic form and content. By adopting an interdisciplinary framework, which intersects literary studies with visual and intermedial studies, this thesis analyses the works of Antonio Porta, Amelia Rosselli, and Edoardo Sanguineti. These authors were particularly sensitive to photographic and cinematic media, which inspired their poetics. Antonio Porta’s poetry, for instance, develops in dialogue with the photographic culture of the time, and makes references to the photographs of crime news.