DOCSLIB.ORG

Philippa H Deeley Ltd Catalogue 17 Oct 2015

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Philippa H Deeley Ltd Catalogue 17 Oct 2015 Philippa H Deeley Ltd Catalogue 17 Oct 2015 1 A Pinxton porcelain teapot decorated in gilt with yellow cartouches with gilt decoration and hand hand painted landscapes of castle ruins within a painted botanical studies of pink roses, numbered square border, unmarked, pattern number 300, 3824 in gilt, and three other porcelain teacups and illustrated in Michael Bertould and Philip Miller's saucers from the same factory; Etruscan shape 'An Anthology of British Teapots', page 184, plate with serpent handle, hand painted with pink roses 1102, 17.5cm high x 26cm across - Part of a and gilt decoration, the saucer numbered 3785 in private owner collection £80.00 - £120.00 gilt, old English shape, decorated in cobalt blue 2 A Pinxton porcelain teacup and saucer, each with hand painted panels depicting birds with floral decorated with floral sprigs and hand painted gilt decoration and borders, numbered 4037 in gilt landscapes with in ornate gilt surround, unmarked, and second bell shape, decorated with a cobalt pattern no. 221, teacup 6cm high, saucer 14.7cm blue ground, gilt detail and hand painted diameter - Part of a private owner collection £30.00 landscape panels - Part of a private owner - £40.00 collection £20.00 - £30.00 3 A porcelain teapot and cream jug, possibly by 8A Three volumes by Michael Berthoud FRICS FSVA: Ridgway, with ornate gilding, cobalt blue body and 'H & R Daniel 1822-1846', 'A Copendium of British cartouches containing hand painted floral sparys, Teacups' and 'An Anthology of British Teapots' co 26cm long, 15cm high - Part of a private owner written with Philip Miller - Part of a private owner collection £20.00 - £30.00 collection £20.00 - £30.00 4 An H & R Daniel porcelain teapot, second gadroon 9 An H & R Daniel porcelain slops bowl, first shape variation A, with gilt detail and sandy gadroon shape, variation A, decorated with an coloured ground over painted with red and gilt apple green band, gilt detail and cartouches of lines, numbered 4682 in gilt, 27cm across x 14cm hand painted floral sprays, numbered 4090, 8.5cm high - Part of a private owner collection £40.00 - high, and another slops bowl by the same factory, £60.00 savoy shape, on raised pedestal decorated in pink and gilt, numbered 8837 in gilt, 12.5cm high - Part 5 An H & R Daniel porcelain dessert plate, second of a private owner collection £20.00 - £40.00 gadroon shape, variation B, with pink border and hand painted with individual botanical studies of 10 A Derby porcelain teapot and stand decorated with flowers, with ornate gilt borders, 22.8cm diameter hand painted trailing blule flowers, standard and another dessert plate by the same factory, painted red meark to the base and numbered 48 gadroon shape, with green border, similar floral and 15 to the base of the teapot and 48 and 45 to decoration with gilt border, 23cm diameter - Part of the base of the stand, also in red, circa 1800- a private owner collection £20.00 - £30.00 1825, teapot 25cm across, stand 19.25cm diameter - Part of a private owner collection £30.00 6 A 19th century English porcelain teapot and lidded - £50.00 sugar bowl with rose head finials, raised on quatrefoil scroll pedestals, with scroll handles, gilt 11 A Mintons 'Thames' pattern porcelain part teaset, detail, blue ground panels and hand painted floral transfer decorated in green/blue with trailing sprays, the teapot 29cm across x 18cm high, the flowers, comprised of a teapot, lidded sugar bowl, sugar bowl and cover, 17.5cm across x 16cm high cream jug, sugar bowl, two cups and three - Part of a private owner collection £20.00 - £30.00 saucers, the teapot 20cm across - Part of a private owner collection £20.00 - £30.00 6A A 19th century porcelain two-handled vase with blue ground, gilt detail and hand painted panels 12 A Victorian porcelain part tea service with containing a floral spray and a landscape, impressed 'AYNSLEY'S' mark to the base of the 19.25cm high - Part of a private owner collection saucers and numbered 5627 in blue, decorated in £20.00 - £30.00 red and gilt with foliate spray and sprigs, comprised of a sucrier, two cups and saucers- 7 An H & R Daniel porcelain cream bowl, cover and Part of a private owner collection £20.00 - £30.00 stand, First Gadroon shape, with vine and fruit moulding around the handles and the finial, with 13 An H & R Daniel porcelain sucrier, shell variation maroon floral and foliate transfer decoration and A shape, with circular pedestal foot, decorated gilt detail, cornucopia finial lacking, the bowl with a yellow band and gilt detail, 18.5cm across - 19.5cm across, and a teapot by the same factory, Part of a private owner collection £20.00 - £30.00 second gadroon shape, variation A, with acanthus 13A A J & W Ridgway porcelain cream bowl and cover scroll handle and feet, apple green bands and with indistinct red painted pattern no. to base, hand painted with botanical studies of flowers with c1825-30, 21.5cm across and a John Ridgway gilt detail, handle and spout, finial lacking, 26.5cm teapot numered 2/1917 in red, 25.5cm across - across - Part of a private owner collection £20.00 - Part of a private owner collection £20.00 - £30.00 £30.00 14 A Neale and Co. porcelain tea bowl and saucer, 8 An H & R Daniel teacup and saucer, Etruscan decorated in gilt with a single rose to the centre shape, angular handle, with cobalt blue bands and with gilt bands and rim. As illustrated in 'A BidMaster Office 1 Compendium of British Tea Cups', by Michael 'Royal Worcester Porcelain 1862 - Present Day' Berthoud, plate 123 - Part of a private owner by Henry Sandon, signed by the author, and 'The collection £50.00 - £70.00 Sandon Guide to Royal Worcester figures 1900- 15 Three Worcester porcelain teacups decorated with 1970' by David, John and Henry Sandon (6 vols) - flower sprays possibly by James Giles, c.1760, Part of a private owner collection £25.00 - £35.00 unmarked, a similar example is illustrated in 'A 23 An early 19th century Minton porcelain trio Compendium of British Teacups' by Michael decorated with Oriental gentlemen in the manner Berthoud', plate 12 - Part of a private owner of William Billingsley with blue painted mark to the collection £100.00 - £150.00 base of each piece with the letter 'M' and 15A 'In Search of James Giles', by Gerald Coke, numbered 539 - Part of a private owner collection published by Miacawber Publications, Kent, 1983, £30.00 - £40.00 limited edition number 22/250, signed by the 24 A Welsh porcelain trio and cream jug retailed by authour, fully leather bound with gilt tooling, in William Pardoe of Cardiff with red transfer mark to excellent condition, housed in brown cloth covered the base of the teacup, saucer and jug, possibly cardboard sleeve - Part of a private owner decorated by William Pollard, c.1830, the jug collection £15.00 - £25.00 15cm across - Part of a private owner collection 16 A 19th century porcelain cup and saucer, hand £100.00 - £150.00 painted with an anemone and an autumn crocus, 24A 'Swansea Porcelain', by W D John, published by each titled to the base and another similar The Ceramic Book Co., Newport, Monmouthshire, porcelain cup and saucer hand painted with 1958, in blue cloth binding with gilt tooling - Part of Oenothena and Neapolitan Star of Bethlehem, a private owner collection £35.00 - £45.00 each piece also titled to the base - Part of a 25 A Swansea porcelain coffee cup and tea cup private owner collection £40.00 - £60.00 possibly decorated by William Pollard, teacup 17 A Caughley blue and white custard cup and cover 5cm high, coffee cup 7cm high - Part of a private (at fault), 7.5cm high - Part of a private owner owner collection £80.00 - £100.00 collection £50.00 - £70.00 25A 'Nantgarw Porcelain', by W D John, published by 18 A quantity of late 18th and early 19th century R H Johns Ltd, Newport, Monmouthshire, 1948, porcelain tea and coffee cups and saucers, fully leather bound and gilt tooled - Part of a private comprised of a teacup and two saucers, a cup and owner collection £50.00 - £80.00 saucer, a single tea cup, two coffee cans and 26 Two Swansea porcelain coffee cups, one with red seven saucers - Part of a private owner collection printed factory mark, 7cm high - Part of a private £30.00 - £40.00 owner collection £40.00 - £60.00 19 A collection of five various 18th century porcelain 26A An 19th century porcelain tea cup with kidney tea bowls and saucers, including Newhall shaped handle, possibly Nantgarw or Coalport, the examples - Part of a private owner collection interior decorated with a pink ground and hand £40.00 - £60.00 painted with floral swags, with gilt rim and handle, 20 An early Rye Pottery candlestick decorated with and gilt decoration to the exterior of the bowl, hops and leaves, 8.3cm high - Part of a private c1820, 8cm high - Part of a private owner collection owner collection £30.00 - £50.00 £20.00 - £30.00 21 An 18th century teapot stand, possibly Worcester, 27 A 19th century porcelain teacup and saucer, decorated in enamels with floral sprigs, unmarked, possibly Pinxton, with ironstone red, cobalt blue 15.3cm diameter and a late 18th century Derby and gilt decoration, numbered 167 in black and teapot stand of quatrefoil form with painted puce red, cup 6cm high, saucer 13.5cm diameter - Part mark 13.7cm x 14.3cm - Part of a private owner of a private owner collection £30.00 - £50.00 collection £60.00 - £80.00 28 A Caughley porcelain teacup, teabowl and saucer 22 A Worcester porcelain teacup with fluted body and of fluted design, decorated in underglaze blue and shaped handle, decorated
Load more

Recommended publications
  • Leeds Pottery
    Leeds Art Library Research Guide Leeds Pottery Our Art Research Guides list some of the most unique and interesting items at Leeds Central Library, including items from our Special Collections, reference materials and books available for loan. Other items are listed in our online catalogues. Call: 0113 378 7017 Email: [email protected] Visit: www.leeds.gov.uk/libraries leedslibraries leedslibraries Pottery in Leeds - a brief introduction Leeds has a long association with pottery production. The 18th and 19th centuries are often regarded as the creative zenith of the industry, with potteries producing many superb quality pieces to rival the country’s finest. The foremost manufacturer in this period was the Leeds Pottery Company, established around 1770 in Hunslet. The company are best known for their creamware made from Cornish clay and given a translucent glaze. Although other potteries in the country made creamware, the Leeds product was of such a high quality that all creamware became popularly known as ‘Leedsware’. The company’s other products included blackware and drabware. The Leeds Pottery was perhaps the largest pottery in Yorkshire. In the early 1800s it used over 9000 tonnes of coal a year and exported to places such as Russia and Brazil. Business suffered in the later 1800s due to increased competition and the company closed in 1881. Production was restarted in 1888 by a ‘revivalist’ company which used old Leeds Pottery designs and labelled their products ‘Leeds Pottery’. The revivalist company closed in 1957. Another key manufacturer was Burmantofts Pottery, established around 1845 in the Burmantofts district of Leeds.
    [Show full text]
  • 'A Mind to Copy': Inspired by Meissen
    ‘A Mind to Copy’: Inspired by Meissen Anton Gabszewicz Independent Ceramic Historian, London Figure 1. Sir Charles Hanbury Williams by John Giles Eccardt. 1746 (National Portrait Gallery, London.) 20 he association between Nicholas Sprimont, part owner of the Chelsea Porcelain Manufactory, Sir Everard Fawkener, private sec- retary to William Augustus, Duke of Cumberland, the second son of King George II, and Sir Charles Hanbury Williams, diplomat and Tsometime British Envoy to the Saxon Court at Dresden was one that had far-reaching effects on the development and history of the ceramic industry in England. The well-known and oft cited letter of 9th June 1751 from Han- bury Williams (fig. 1) to his friend Henry Fox at Holland House, Kensington, where his china was stored, sets the scene. Fawkener had asked Hanbury Williams ‘…to send over models for different Pieces from hence, in order to furnish the Undertakers with good designs... But I thought it better and cheaper for the manufacturers to give them leave to take away any of my china from Holland House, and to copy what they like.’ Thus allowing Fawkener ‘… and anybody He brings with him, to see my China & to take away such pieces as they have a mind to Copy.’ The result of this exchange of correspondence and Hanbury Williams’ generous offer led to an almost instant influx of Meissen designs at Chelsea, a tremendous impetus to the nascent porcelain industry that was to influ- ence the course of events across the industry in England. Just in taking a ca- sual look through the products of most English porcelain factories during Figure 2.
    [Show full text]
  • Non-Invasive On-Site Raman Study of Blue
    Non-invasive on-site Raman study of blue-decorated early soft-paste porcelain: The use of arsenic-rich (European) cobalt ores – Comparison with huafalang Chinese porcelains Philippe Colomban, Ting-An Lu, Véronique Milande To cite this version: Philippe Colomban, Ting-An Lu, Véronique Milande. Non-invasive on-site Raman study of blue-decorated early soft-paste porcelain: The use of arsenic-rich (European) cobalt ores – Comparison with huafalang Chinese porcelains. Ceramics International, Elsevier, 2018, 10.1016/j.ceramint.2018.02.105. hal-01723496 HAL Id: hal-01723496 https://hal.sorbonne-universite.fr/hal-01723496 Submitted on 5 Mar 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Non-Invasive on-site Raman study of blue-decorated early soft-paste porcelain: the use of Arsenic-rich (European) cobalt ores – Comparison with huafalang Chinese porcelains Philippe Colomban, 1 Ting-An Lu1, Véronique Milande2 1 Sorbonne Universités, UPMC Univ. Paris 06, MONARIS UMR8233, CNRS, 4 Place Jussieu, 75005 Paris, France 2 Département du Patrimoine et des Collections de la Cité de la Céramique, 92310 Sèvres, France corresponding author : [email protected] Tel+33144272785 ; fax +33144273021 Abstract Both European and Asian historical records report that Jesuits were at the origin of enamelling technology transfers from France (and Italy) to Asia during the 17th century.
    [Show full text]
  • Haddon Hall's Poems
    HADDON HALL’S POEMS NINETEENTH CENTURY SENTIMENTS DAVID TRUTT Copyright © David Trutt 2007 All rights reserved. Haddon Hall’s Dorothy Vernon - The Story Of The Legend was published in 2006. The following people were very helpful during the formation of this book: Sandra Trutt provided much needed help and support. Kendra Spear digitized various engravings. Alastair Scrivener pointed out the use of the Haddon Hall illustration for the poem In The Olden Time. His Buxton bookshop has been the source of many hard-to-find books on Derbyshire and its environs. Revised October 2010: Pages 4, 6, 124 to reflect that the author of “A Legend of Haddon Hall” was John James Robert Manners 7th Duke of Rutland, and not as indicated, John Henry Manners 5th Duke of Rutland, his father. Both were alive in 1850 when English Ballads and Other Poems was published. Published by David Trutt Los Angeles, California USA [email protected] CONTENTS 3 Contents 3 Introduction 7 The Seven Foresters Of Chatsworth (1822) Allan Cunningham 11 The King Of The Peak, A Derbyshire Tale (1822) Allan Cunningham 21 The King Of The Peak, A Romance (1823) William Bennet 25 Haddon Hall, A Poetical Sketch (1823) John Holland 27 Haddon Hall, Bijou (1828) H. B. (Mary Hudson Balmanno) 37 Haddon Hall At The Present Day (1841) Benjamin Fenton 40 Haddon Hall Before 1840 Henry Alford (1836) 49 Henry Glassford Bell (1832) 50 Delta (David Moir) (1834) 52 George Bayldon (1838) 54 F. R. C. (1831) 55 Haddon, Reliquary (1863) Llewellynn Jewitt 56 The Elopement Door (1869) William Kingston Sawyer 57 Visiting Chatsworth and Haddon Hall (1860) E.
    [Show full text]
  • The Wilman Collection
    The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Lot 1 Lot 4 1. A Meissen Ornithological part dessert service 4. A Derby botanical plate late 19th / early 20th century, comprising twenty plates c.1790, painted with a central flower specimen within with slightly lobed, ozier moulded rims and three a shaped border and a gilt line rim, painted blue marks square shallow serving dishes with serpentine rims and and inscribed Large Flowerd St. John's Wort, Derby rounded incuse corners, each decorated with a garden mark 141, 8½in. (22cm.) diameter. or exotic bird on a branch, the rims within.ects gilt £150-180 edges, together with a pair of large square bowls, the interiors decorated within.ects and the four sides with 5. Two late 18th century English tea bowls a study of a bird, with underglaze blue crossed swords probably Caughley, c.1780, together with a matching and Pressnumern, the plates 8¼in. (21cm.) diameter, slop bowl, with floral and foliate decoration in the dishes 6½in. (16.5cm.) square and the bowls 10in. underglaze blue, overglaze iron red and gilt, the rims (25cm.) square. (25) with lobed blue rings, gilt lines and iron red pendant £1,000-1,500 arrow decoration, the tea bowls 33/8in. diameter, the slop bowl 2¼in. high. (3) £30-40 Lot 2 2. A set of four English cabinet plates late 19th century, painted centrally with exotic birds in Lot 6 landscapes, within a richly gilded foliate border 6.
    [Show full text]
  • European Art & Decorative Arts Wall Text and Extended Labels
    European Art & Decorative Arts Wall Text and Extended Labels FIRST FLOOR The Morgan Memorial The construction of the Morgan Memorial, completed in two sections in 1910 and 1915, more than doubled the size of the original Wadsworth Atheneum that opened in 1844. The building is dedicated to Junius Spencer Morgan, whose bust by William Wetmore Story stands at the top of the western stairs. Morgan was a Hartford man who founded a banking empire, and his son, J. Pierpont Morgan, chose to build the museum’s new wing as a tribute to his father. The total cost of the Memorial—over $1,400,000—represents the largest of J. Pierpont Morgan’s generous gifts. He spent over twelve years purchasing the several properties on which the Memorial stands, and was involved in its construction until his death in 1913. Benjamin Wistar Morris, a noted New York architect, was selected to design what was to be a new home for the Wadsworth Atheneum’s art collection. It was built in the grand English Renaissance style, and finished with magnificent interior details. Four years after J. Pierpont Morgan’s death, his son, J. Pierpont Morgan Jr., followed the wishes outlined in his father’s will and gave the Wadsworth Atheneum a trove of ancient art and European decorative arts from his father’s renowned collection. Living in the Ancient World Ordinary objects found at sites from the countries surrounding the Mediterranean Sea and the Middle East reveal a great deal about daily life in the ancient world. Utensils for eating and drinking, glassware, lamps, jewelry, pottery, and stone vessels disclose the details of everyday life.
    [Show full text]
  • Movers & Shakers in American Ceramics
    A Ceramics Monthly Handbook Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics A Collection of Articles from Ceramics Monthly Edited by Elaine M. Levin Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics A Collection of Articles from Ceramics Monthly Edited by Elaine M. Levin Published by The American Ceramic Society 600 N. Cleveland Ave., Suite 210 Westerville, Ohio 43082 USA The American Ceramic Society 600 N. Cleveland Ave., Suite 210 Westerville, OH 43082 © 2003, 2011 by The American Ceramic Society, All rights reserved. ISBN: 1-57498-165-X (Paperback) ISBN: 978-1-57498-560-3 (PDF) No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher, except by a reviewer, who may quote brief passages in review. Authorization to photocopy for internal or personal use beyond the limits of Sections 107 and 108 of the U.S. Copyright Law is granted by The American Ceramic Society, provided that the appropriate fee is paid directly to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923 U.S.A., www.copyright.com. Prior to photocopying items for educational classroom use, please contact Copyright Clearance Center, Inc. This consent does not extend to copyright items for general distribution or for advertising or promotional purposes or to republishing items in whole or in part in any work in any format. Requests for special photocopying permission and reprint requests should be directed to Director, Publications, The American Ceramic Society, 600 N.
    [Show full text]
  • The Future of Derby Museums Service a Review of Alternative
    Ab Derby City Council The Future of Derby Museums Service A Review of Alternative Governance Models August 2011 CONTENTS 1. PURPOSE OF THE REVIEW ..................................................................................................1 2. INTRODUCTION AND BACKGROUND TO THE REVIEW ....................................................2 3. APPROACH AND METHODOLOGY ......................................................................................5 4. EXECUTIVE SUMMARY .........................................................................................................7 5. POLICY BACKGROUND ......................................................................................................13 6. LOCAL AUTHORITY MUSEUMS IN THE NATIONAL CONTEXT .......................................17 7. OVERVIEW OF DERBY MUSEUMS SERVICE ....................................................................22 Deleted: 30 8. ALTERNATIVE GOVERNANCE MODELS...........................................................................24 Deleted: 40 9. FEEDBACK FROM KEY STAKEHOLDERS.........................................................................24 Deleted: 45 10. EVALUATION OF GOVERNANCE MODELS.......................................................................24 Deleted: 46 11. FINANCIAL OVERVIEW .......................................................................................................24 Deleted: 50 12. THE NDPO GOVERNANCE MODEL....................................................................................24 Deleted: 59
    [Show full text]
  • RCD Magazine July 2010
    GUILD EXCLUSIVE 2010 The Royal Crown Derby magazine ISSUE 39 July 2010 Guild Duck and Duckling COLLECTOR Duckling Modelled by Hilary Walker, Designed by Jane James. Height 5.5cm Duck Modelled by Hilary Walker, Designed by Jane James. Length 15.5cm On joining the Guild or renewing your membership you will receive the delightful little Duckling paperweight as a complimentary gift A special welcome pack will contain your complimentary Guild Duckling paperweight and a wealth of information about our collectables Royal Crown Derby Headquarters 194 Osmaston Road, Derby, DE23 8JZ, England Tel: (01332) 712846 Fax: (01332) 712863 royalcrownderby.co.uk CONTENTS NEW PIECES New Pieces 2 - 7 New Exclusives 8 - 10 Osprey Visitor Centre News 11 Modelled by Donald Brindley This stunning new piece is once again a Local Interest 12 Designed by Tien Manh Dinh. successful collaboration between modeller Height: 15cm News / Events 13 - 14 Donald Brindley and designer Tien Manh History/Tradition 15 Dinh. The Osprey sits high on its look-out point holding a tasty meal between its Guild Exclusive 2010 16 talons. The feathers are decorated in stunning shades of grey with black and Once again it is time for me to sit down with white flecks to create an opulent textured the proof of the latest magazine and write effect. The base is decorated with pebbles my small contribution. Usually this is and turquoise ripples to represent the something that I like to do sitting looking out at the garden but after a day spent swirling waters of the preparing a new price list at home Ospreys’ hunting yesterday, today I have to be in the office.
    [Show full text]
  • Soho Depicted: Prints, Drawings and Watercolours of Matthew Boulton, His Manufactory and Estate, 1760-1809
    SOHO DEPICTED: PRINTS, DRAWINGS AND WATERCOLOURS OF MATTHEW BOULTON, HIS MANUFACTORY AND ESTATE, 1760-1809 by VALERIE ANN LOGGIE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis explores the ways in which the industrialist Matthew Boulton (1728-1809) used images of his manufactory and of himself to help develop what would now be considered a ‘brand’. The argument draws heavily on archival research into the commissioning process, authorship and reception of these depictions. Such information is rarely available when studying prints and allows consideration of these images in a new light but also contributes to a wider debate on British eighteenth-century print culture. The first chapter argues that Boulton used images to convey messages about the output of his businesses, to draw together a diverse range of products and associate them with one site. Chapter two explores the setting of the manufactory and the surrounding estate, outlining Boulton’s motivation for creating the parkland and considering the ways in which it was depicted.
    [Show full text]
  • 2 Day Derbyshire Fine
    Auction - 2 day Derbyshire Fine Art Auction Including 2 private estates contents - Webcast Only - Postage and Safe Click/Collect Only NO ONLINE FEES ON HANSONSLIVE.CO.UK 02/07/2020 10:30 AM GMT+1 Lot Title/Description Lot Title/Description 1 A Continental porcelain plaque by G. Fremont, Dated 1877, of oval form 8 Two pairs of German porcelain figures, circa 1900, the first Sitzendorf and painted with a scene of a neoclassical maiden in flowing robes and modelled as a shepherd and shepherdess playing pipes, 22cm carrying a water jar, framed. high, the second Volkstedt and modelled as a rustic maid and man, she 25cm (frame 36cm x 39cm) carrying a basket, he carrying a downed doe, 20cm high. (4) Condition: negligible signs of age only. Condition: Sitzendorf - losses to pipes, chips to leaves, oxidation to A Continental porcelain plaque by G. Fremont, Dated 1877, of oval form man's jacket. Volkstedt - minor rubbing to gilt, tiny chips to flower and painted with a scene of a neoclassical maiden in flowing robes petals. carrying a water jar, framed. 25cm (frame 36cm x 39cm) Condition: Two pairs of German porcelain figures, circa 1900, the first Sitzendorf negligible signs of age only. and modelled as a shepherd and shepherdess playing pipes, 22cm Est. 200 - 300 high, the second Volkstedt and modelled as a rustic maid and man, she 2 A George III mahogany and inlaid serpentine writing table, circa 1790, carrying a basket, he carrying a downed doe, 20cm high. (4) Condition: the moulded top above three cock-beaded frieze drawers, raised on Sitzendorf - losses to pipes, chips to leaves, oxidation to man's jacket.
    [Show full text]
  • View Or Download the Dealers List Here
    DEALERS Compiled by Robin Hildyard FSA (Last updated July 2021) “CHINA-MEN. This business is altogether shopkeeping, and some of them carry on a very considerable trade, joining white flint glass, fine earthenware and stoneware, as well as teas, with their china ware. They usually take with an apprentice from 20 to 50£, give a journeyman 20 to 30£ a year and his board, and employ a stock of 500£ and often more” A General Description of all Trades digested in alphabetical order Printed by T.Walker at the Crown & Mitre, opposite Fetter Lane, Fleet Street 1747. --------------------------------------------------------------- “The Earthen-Ware Shop is a Dependant on the Pot-House. They buy their Goods from several Houses in England, from Holland, and at the Sales of the East-India Company. They generally deal in Tea, Coffee and Chocolate” R.Campbell, The London Tradesman, London 1747 ----------------------------------------------- This list, which can never be complete, includes retailers with their shops and warehouses, factory shops, auctioneers, suppliers of tools and materials to the pottery trade, independent enamellers, gilders and printers together with their suppliers, japanners, glass cutters, glass engravers, glass enamellers, china menders, toymen, jewellers, confectioners, wine merchants and other trades likely to be involved in selling, embellishing or hiring china, earthenware or glass. ----------------------------------------------------------- ANONYMOUS: 1735, at the Glass Sellers Arms, next door to the Globe Tavern in Fleet Street, to be sold very cheap, “very cheap China Ware” and glass etc. (Daily Journal 30 Aug. 1735, Buckley notes Ceramics Dept. library 9B10). This is Benjamin Payne (qv), and see also under Mr.Ward at this address in 1736.
    [Show full text]