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![Walter Jurmann Papers, [1910]-1995](https://docslib.b-cdn.net/cover/1782/walter-jurmann-papers-1910-1995-1782.webp)
Walter Jurmann Papers, [1910]-1995
http://oac.cdlib.org/findaid/ark:/13030/kt5779q3vh No online items Walter Jurmann papers, [1910]-1995 Finding aid prepared by Juliane Brand, 1989; collection reprocessed by Melissa Haley, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2004 The Regents of the University of California. All rights reserved. Walter Jurmann papers, 2271 1 [1910]-1995 Title: Walter Jurmann papers Collection number: 2271 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 5.0 linear ft.(6 document boxes, 3 small flat boxes, and 1 large flat box) Date (inclusive): [1910]-1995 Abstract: Collection consists of material related to career of the composer Walter Jurmann, including scores, lyrics, business and personal papers, correspondence, photographs, and biographic items. Language of Materials: The bulk of material is in English, with numerous song scores and other items in German. Several scores are in French, one in Hungarian. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Jurmann, Walter, 1903-1971 Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. -
Humanities Research Journal Series: No. 3. 1998
EDITOR: Benjamin Penny W. J. F. Jenner, Australian National University EDITORIAL ASSISTANT: Misty Cook Peter Jones, University of COMMISSIONING EDITOR: John Docker Edinburgh EDITORIAL COMMITTEE: Graeme Clarke, E. Ann Kaplan, State University of lain McCalman, Tessa Morris-Suzuki, New York at Stony Brook Fiona Paisley, Nicholas Thomas. Joan Kerr, Australian National EDITORIAL ADVISORS: University Tony Bennett, Griffith University Dominick LaCapra, Cornell University Dipesh Chakrabarty, University of David MacDougall, Australian National Chicago University James K. Chandler, University of Chicago Fergus Millar, University of Oxford W. Robert Connor, National Humanities Anthony Milner, Australian National Center University Saul Dubow, University of Sussex Meaghan Morris, ARC Senior Fellow, Valerie I. J. Flint, University of Hull University of Technology Margaret R. Higonnet, University of Sydney Connecticut Martha Nussbaum, University of Caroline Humphrey, University of Chicago Cambridge Paul Patton, University of Sydney Lynn Hunt, University of Pennsylvania James Walter, Griffith University MaryJacobus, Cornell University lain Wright, Australian National University Cover illustration: Publicity photograph of Ruth Budd in her white union suit, circa 1916. Courtesy of the Allen County-Fort Wayne Historical Society. ISSN: 1440-0669 IEVLAIR S CONTENTS Alison Kibler The upside down lady 3 Elizabeth Furniss Cultural performance as strategic essentialism: negotiating Indianness in a western Canadian rodeo festival 23 Christopher Balme Hula and haka: performance, metonymy and identity formation in colonial Hawaii and New Zealand New CCR staff 59 New HRC visitors 62 CCR activities 64 HRC activities 67 Other forthcoming conferences 69 From the desk of the Librarian 7o Recent publications from HRC conferences 73 ALISON KIBLER 3 THE UPSIDE DOWN LADY As her body rolled over and oven the effect was saved from monotony only because the crowd counted the turns .. -
Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
The Billboard 1909-02-13: Vol 21 Iss 7
FSICE TEN CENTS. fifty SIX PAGES. THEATRES^ CIRCUSES PARKS FAIRS REGISTERED IN UNITED STATES PATENT OFFICE. Volume XXL No. 7. CINCINNATI-NEW YORK-CHICAGO February 13, 1909. ISABEL D’ARMOND. BLANCHE SHIRLEY. MASTER GABRIEL. In Tbf> OIrl Quctloo * I’**** master GABRIEL. THE LYMAN TWINS CHORUS THE MERRY WIDOW WALTZ Xtie Billboard lUIBEII BALLOOIS. 5c. SHOW DON’T PATRONIZE US SOUVENIB BOOBS. if the prices that you paid before we BUBBEB 600DS, SOUVENIRS made ELECTRIC PIANO MUSIC, CUE BACK CANES. Ja|i«ncfi<- ('hiua Wan-, |K-r Ka).$.'i.50 were satisfactory. Remember we are KNIFE BACK KNIVES. Trick Match Itox, imt aroaa .75 m Japaucac Ton Toinha, per Kroaa.75 foroinf Piano Manufacturers to estab¬ Japaucac Zlttcra, |M-r ifross .75 FOB CARNIVAL SALES. Japanese WhlutlcH. i«“r uroai- .75 lish fair prices; if you want to always Japaneae TurtU-a, In (ilaaa liox, |>cr Kroaa.. .75 Fancy colored I(elurue<l Halla, |>er Krosa.. l.(K) have them, and get music that is supe¬ ,7 f ! ■'■I Fancy colore<l tjlaaa I‘en Holders. jM-r (froaa .StO rior in all respects to what you had to Japaneae Tainlireena, (H-r Ktoaa . 1.(10 Horae Shoe Mlrrora, ja-r (trosa . 1.50 take and look pleased aL then give us Skeleton Acrohata, per groaa . 1..50 \v' Japaneae Flag I’lir.rlea, per gross . 1.00 your business. Terina—Half deposit; balance ('. (». K NEWMAN MFC. CO.. We have the largest assortment of Knife Board 641 Woodland Ave., Cleveland. Ohio. V Cl Knives west of the Mississippi River. Our ■ - 1 prices are alamlutely rock bottom. -
Hello! My Baby Student Guide.Pdf
Goodspeed’s Student Guide to the Theatre is made possible through the generosity of GOODSPEED MUSICALS GOODSPEED GUIDE TO THE THEATRE Student The Max Showalter Center for Education in Musical Theatre HELLO! MY BABY The Norma Terris Theatre November 3 - 27, 2011 _________ CONCEIVED & WRITTEN BY CHERI STEINKELLNER NEW LYRICS BY CHERI STEINKELLNER Student Guide to the Theatre TABLE OF CONTENTS NEW MUSIC & ARRANGEMENTS BY GEORGIA STITT ABOUT THE SHOW: The Story...................………………………………………….3 LIGHTING DESIGN BY JOHN LASITER ABOUT THE SHOW: The Characters...........................……………………………5 ABOUT THE SHOW: The Writers....................…..…………………………………...6 COSTUME DESIGN BY ROBIN L. McGEE Listen Up: Tin Pan Alley Tunes................………………………………................7 SCENIC DESIGN BY A Few Composers + Lyricists..............................……………………………….....8 MICHAEL SCHWEIKARDT Welcome to the Alley!...............…………………………………………………...10 CHOREOGRAPHED BY Breaking into the Boys Club......…………………………………………………...11 KELLI BARCLAY New York City..............................…………………………………………………...12 DIRECTED BY RAY RODERICK FUN AND GAMES: Word Search........................................................................13 FUN AND GAMES: Crossword Puzzle….……………………………...................14 PRODUCED FOR GOODSPEED MUSICALS BY How To Be An Awesome Audience Member…………………......................15 MICHAEL P. PRICE The Student Guide to the Theatre for Hello! My Baby was prepared by Joshua S. Ritter M.F.A, Education & Library Director and Christine Hopkins, -
Who Was Alpine's Star of Stage & Screen?
An Alpine History Mystery: Who Was Alpine’s Star of Stage & Screen? March 2014 The 2014 Academy Awards were presented this month to some of the finest stars of our time, and that brings to mind Alpine’s own star of stage and screen. If you didn’t know that Alpine was once the home of one of the most sought after stars of Broadway and Hollywood, then we have a story for you. Our celebrity was born in 1881 in Newton, Massachusetts, and first appeared on stage at age 10 in the Boston Cadets Revue. It is reported that our star stole the show and the following year the entire performance was written around this trouper. Under the stage name of Julian Eltinge, our artiste’ first appeared on Broadway in 1904, and in 1906 debuted at the Palace Theater in London, which led to a command performance for King Edward VII. Then, in 1910, a series of musical comedies were written specifically for the talents of this headliner. In one of the most famous shows, The Fascinating Widow, Eltinge masters the art of disguise, playing the part of Hal Blake who “disguises” himself as Mrs. Monte, to the delight of the audience. In 1914, Hollywood beckoned, and Eltinge played the leading lady role in the silent film version of The Crinoline Girl, followed by Cousin Lucy, and the 1917 film, The Countess Charming. The following year, Julian Eltinge starred with Rudolph Valentino in The Isle of Love. In all, Eltinge appeared in more than 18 films and 24 Broadway and Vaudeville shows. -
The Great American Songbook in the Classical Voice Studio
THE GREAT AMERICAN SONGBOOK IN THE CLASSICAL VOICE STUDIO BY KATHERINE POLIT Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Patricia Wise, Research Director and Chair __________________________________ Gary Arvin __________________________________ Raymond Fellman __________________________________ Marietta Simpson ii For My Grandmothers, Patricia Phillips and Leah Polit iii ACKNOWLEDGMENTS I wish to express my sincerest thanks to the members of my committee—Professor Patricia Wise, Professor Gary Arvin, Professor Marietta Simpson and Professor Raymond Fellman—whose time and help on this project has been invaluable. I would like to especially thank Professor Wise for guiding me through my education at Indiana University. I am honored to have her as a teacher, mentor and friend. I am also grateful to Professor Arvin for helping me in variety of roles. He has been an exemplary vocal coach and mentor throughout my studies. I would like to give special thanks to Mary Ann Hart, who stepped in to help throughout my qualifying examinations, as well as Dr. Ayana Smith, who served as my minor field advisor. Finally, I would like to thank my family for their love and support throughout my many degrees. Your unwavering encouragement is the reason I have been -
Inventory of American Sheet Music (1844-1949)
University of Dubuque / Charles C. Myers Library INVENTORY OF AMERICAN SHEET MUSIC (1844 – 1949) May 17, 2004 Introduction The Charles C. Myers Library at the University of Dubuque has a collection of 573 pieces of American sheet music (of which 17 are incomplete) housed in Special Collections and stored in acid free folders and boxes. The collection is organized in three categories: African American Music, Military Songs, and Popular Songs. There is also a bound volume of sheet music and a set of The Etude Music Magazine (32 items from 1932-1945). The African American music, consisting of 28 pieces, includes a number of selections from black minstrel shows such as “Richards and Pringle’s Famous Georgia Minstrels Songster and Musical Album” and “Lovin’ Sam (The Sheik of Alabami)”. There are also pieces of Dixieland and plantation music including “The Cotton Field Dance” and “Massa’s in the Cold Ground”. There are a few pieces of Jazz music and one Negro lullaby. The group of Military Songs contains 148 pieces of music, particularly songs from World War I and World War II. Different branches of the military are represented with such pieces as “The Army Air Corps”, “Bell Bottom Trousers”, and “G. I. Jive”. A few of the delightful titles in the Military Songs group include, “Belgium Dry Your Tears”, “Don’t Forget the Salvation Army (My Doughnut Girl)”, “General Pershing Will Cross the Rhine (Just Like Washington Crossed the Delaware)”, and “Hello Central! Give Me No Man’s Land”. There are also well known titles including “I’ll Be Home For Christmas (If Only In my Dreams)”. -
KV19 M Floor Final2 Kopie
Maskulinitäten. Eine Kooperation von Bonner Kunstverein, Kölnischem Kunstverein und Kunstverein für die Rheinlande und Westfalen, Düsseldorf September 1 – November 24, 2019 Opening: Saturday, August 31, 2019 List of Works 12 11 11 10 10 20 20 9 13 12 18 17 16 17 21 8 17 10 14 15 19 22 3 2 1 6 3 4 5 7 bar staircase 1 Henrik Olesen 2 Sister Corita Kent Hysterical Men 1, 2013, canvas, inkjet print on proof paper ZP Wet and wild, 1967, Silkscreen on paper, 49x61,5 cm, Private 55 (newspaper), 55 gouache/m2, Amsterdam gel medium matt collection glue, 215x1000 cm, Courtesy Galerie Buchholz, Berlin, Cologne, Makes Meatbal sing (a song about the greatness), 1964, New York Silkscreen on paper, 75,6x91,4 cm, Private collection Henrik Olesen sends the visitor on a walk as well. Another picture, At first, the work Wet & Wild conjures images of aroused female a detail reminding of something else, one relates it perhaps to the bodies. Yet often in the work of the nun, activist, and artist Sister previous picture and continues on. One could wander into dark Corita Kent, she appropriates, enlarges, and distorts details from thoughts – after all, several of the people are dead or jailed – but advertisements in order to draw attention to social problems like precisely this is not Henrik Olesen’s intention, and so he suggests, sexism, racism, war, and the commercialization of postwar US at least in thought, to free the pictures from prison by walking on culture. In so doing, she combines the visual language of protest one’s head for a time. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Every Saturday by the Beginning, Confidence in History Is Not Entirely with Tacoma's Past Accomplishments in Raising WOOD & REBER, Inc
Vol. XIV. No. 25 JUNE 21, 1919 Price 10 Cents Entered as second class matter at the neUnited States postoffice at Seattler. Every Seattle Saturday Hotel Del Coronado A Favorite Resort for Seattleites. The Hotel del Coronado is situated at Coronado Beach, California, just •cross San Diego Bay from tlie City of San Diego, and is one of the mos1 delightful all year vacation hotels in the West. Polo grounds and golf links are in close proximity to the Hotel. Bathing—both sheltered tank and surf—motor boating and hydro-planing. Pacific Steamship Company's direct service with Seattle at the Northern end of the line and San Diego at the South, makes it easily accessible for Seattle residents. ' i-tSVM 3S * • -is vo:; When You Purchase GREEN BLACK AND Cord Tires YELLOW TAXICABS WHITE MAKE SURE YOU GET Women Will Find Brunswick that by using the excellent TAXICAB Service which we offer them the problem of economical service is solved— HAND-MADE CORD TIRES It's Cheaper Than Driving Your Own Car Our Experience Has Been That Once You Buy a Brunswick Cord Your Tire Troubles Are Solved In every taxicab we have a Taximeter, so simplified that by looking at it you know just how far you have ridden and Try the Brunswick Cord Tire The Exact Amount of Your Fare It is quite unnecessary to ask the driver; the Taximeter gives you the desired information— DETERMINE FOR YOURSELF THAT IT HAS THE BEST OF EVERYTHING BRUNSWICK PRESTIGE Our Drivers Are Courteous and Careful Based on 73 Years of Turning Out the Best in Every Brunswick Line is Back of Them. -
Title Composer Lyricist Arranger Cover Artist Publisher Date Notes G
Title Composer Lyricist Arranger Cover artist Publisher Date Notes G. I. Jive Johnny Mercer Johnny Mercer Holley Capitol Songs, Inc. 1943 Gaby Glide, The Louis A. Hirsch Harry Pilcer Starmer Shapiro Music Pub. Co. 1911 For Guitar & 2nd Mandolin, Gaiety Polka F. O. Gutman F. O. Gutman n.d. handwritten Piano acc. Gal in Calico, A Arthur Schwartz Leo Robin A. Joel Robinson Remick Music Corporation 1946 Galway Bay Dr. Arthur Colahan Dr. Arthur Colahan Leeds Music Corporation 1947 Key of F "Game of Tag, A" (Humoresque) Geo. J. Trinkaus M. Witmark & Sons 1911 For Orchestra "Game of War, The" Warren R. Walker Chas. W. Doty Edwin S. Brill 1903 Games That Lovers Play (Eine Gunter Loose Ganze Nacht) James Last (German) Hirschfeld Miller Music Corporation 1966 Gang that Sang "Heart of My Heart", The Ben Ryan Ben Ryan Robbins Music Corporation 1946 Garden in Our Back Yard, The James Brockman Jeff Branen Kendis-Brockman Music Co. 1917 Garden in the Rain, A Carroll Gibbons James Dyrenforth Leff Gene Austin Inc. 1929 Garden of Dreams, The Clare Kummer Clare Kummer Jerome H. Remick & Co. 1908 Garden of Dreams (Reverie, Serenade) Harry J. Lincoln Vandersloot Music Pub. Co. 1909 Garden of Dreams, The (Waltz) Ernest Nield Carl Fischer Inc. 1927 For 1st Violin Garden of Roses, The Johann C. Schmid J. E. Dempsey Jerome H. Remick & Co. 1909 G minor - Medium voice Garden of Roses, The Johann C. Schmid J. E. Dempsey de Takacs Jerome H. Remick & Co. 1909 F minor; Vocal Duet Garden of Roses, The (Der Rosengarten) Duet Johann C.