Inventory of American Sheet Music (1844-1949)
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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
MUSICAL NOTES a Guide to Goodspeed Musicals Productions 2009 Season
MUSICAL NOTES A Guide to Goodspeed Musicals Productions 2009 Season Musical Notes is made possible through the generosity of Music by HARRY WARREN Lyrics by AL DUBIN Book by MICHAEL STEWART and MARK BRAMBLE Directed by RAY RODERICK Choreographed by RICK CONANT Scenery Design Costume Design Lighting Design HOWARD JONES DAVID H. LAWRENCE CHARLIE MORRISON Hair and Wig Design Sound Orchestrations Music Supervisor Music Director MARK ADAM RAMPMEYER JAY HILTON DAN DELANGE MICHAEL O’FLAHERTY WILLIAM J. THOMAS Production Manager Production Stage Manager Casting R. GLEN GRUSMARK BRADLEY G. SPACHMAN STUART HOWARD ASSOCIATES, PAUL HARDT Associate Producer Line Producer BOB ALWINE DONNA LYNN COOPER HILTON Produced for Goodspeed Musicals by MICHAEL P. PRICE Cast of Characters Andy Lee………………………………………………………TIM FALTER Maggie Jones…………………………………………………..DOROTHY STANLEY Bert Barry………………………………………………………DALE HENSLEY Phyllis Dale…………………………………………………….ELISE KINNON Lorraine Fleming……………………………………………….ERIN WEST Ann Reilly……………………………………………………....JENIFER FOOTE Billy Lawlor…………………………………………………….AUSTIN MILLER Peggy Sawyer…………………………………………………..KRISTEN MARTIN Julian Walsh…………………………………………………….JAMES LLOYD REYNOLDS Dorothy Brock………………………………………………….LAURIE WELLS Abner Dillon……………………………………………………ERICK DEVINE Pat Denning…………………………………………………….JONATHAN STEWART Ensemble……………………………………………………….ALISSA ALTER KELLY DAY BRANDON DAVIDSON ERIN DENMAN TIM FALTER JOE GRANDY CHAD HARLOW ELISE KINNON ASHLEY PEACOCK KRISTYN POPE COLIN PRITCHARD ERNIE PRUNEDA TARA JEANNE VALLEE ERIN WEST Swings TYLER ALBRIGHT EMILY THOMPSON Biographies Harry Warren and Al Dubin (Music and Lyrics) Harry Warren and Al Dubin were legendary tunesmiths both as a team and as individuals. Between the two, their prodigious careers spanned six decades. They wrote Broadway shows and revues and were pioneer song- writers for sound pictures. Their combined output of songs can only be described as astonishing. Al Dubin, born in Switzerland in 1891, died in New York in 1945. -
(Single Sheet Music) Title Composer Publisher Copyright / Publication
Printed Music Collection (Single Sheet Music) Copyright / Publication Title Composer Publisher Date Physical description Other information lyrics by Byron Gay; music by Byron O (Oh!) Gay and Arnold Johnson Leo Feist Inc. 1919 9" x 12", 6 pages words by Brian Hooker; music by O Love Of Mine Hugo Felix Harms, Inc. 1922 9.25" x 12", 6 pages from Marjolaine words by Ed Teschemacher; music by O Lovely Night! Landon Ronald Enoch & Sons 1901 10.25" x 14", 8 pages from the song cycle "Summertime" featured in "Chauve Souris"; Walk-around (One-step) lyrics by L. Wolfe Gilbert; music by song (or shimmy fox-trot); with ukelele O, Katharina! Richard Fall Leo Feist Inc. 1924 9" x 12", 6 pages accompaniment by may Singhi Breen Object Of My Affection, The Pinky Tomlin, Coy Poe & Jimmie Grier Irving Berlin, Inc. 1934 9" x 12", 6 pages introduced and featured by Jimmie Grier lyrics by Al. Dubin; music by Rennie O'Brien Is Tryin' To Learn To Talk Hawaiian Cormack M. Witmark & Sons 1916 10.5" x 13.5", 4 pages novelty song lyrics by Roger Lewis; music by Lucien Oceana Roll, The Denni Jerome H. Remick & Co. 1911 11" x 13.5", 6 pages featured by Charlotte Greenwood in Oliver Oh By Jingo! Oh By Gee! (You're The Only lyrics by Lew Brown; music by Albert Morosco's musical production "Linger Girl For Me) Von Tilzer Broadway Music Corporation 1919 9" x 12", 6 pages Longer Letty" lyrics by Joseph Mc Carthy; music by Oh Dearie! (You Must Come Over) Harry Tierney Leo Feist Inc. -
Songs-Of-Protest-2020.Pdf
Elliott Forrest Dara Falco Executive & Artistic Director Managing Director Board of Trustees Stephen Iger, President Melanie Rock, Vice President Joe Morley, Secretary Tim Domini, Treasurer Karen Ayres Rod Greenwood Simon Basner Patrick Heaphy David Brogno James Sarna Hal Coon Lisa Waterworth Jeffrey Doctorow Matthew Watson SUPPORT THE ARTS Donations accepted throughout the show online at ArtsRock.org The mission of ArtsRock is to provide increased access to professional arts and multi-cultural programs for an underserved, diverse audience in and around Rockland County. ArtsRock.org ArtsRock is a 501 (C)(3) Not For-Profit Corporation Dear Friends both Near and Far, Welcome to SONGS OF PROTEST 4, from ArtsRock.org, a non- profit, non-partisan arts organization based in Nyack, NY. We are so glad you have joined us to celebrate the power of music to make social change. Each of the first three SONGS OF PROTEST events, starting in April of 2017, was presented to sold-out audiences in our Rockland, NY community. This latest concert, was supposed to have taken place in-person on April 6th, 2020. We had the performer lineup and songs already chosen when we had to halt the entire season due to the pandemic. As in SONGS OF PROTEST 1, 2 & 3, we had planned to present an evening filled with amazing performers and powerful songs that have had a historical impact on social justice. When we decided to resume the series virtually, we rethought the concept. With so much going on in our country and the world, we offered the performers the opportunity to write or present an original work about an issue from our current state of affairs. -
Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937
An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937 Peter Stanfield Cinema Journal, 41, Number 2, Winter 2002, pp. 84-108 (Article) Published by University of Texas Press DOI: 10.1353/cj.2002.0004 For additional information about this article http://muse.jhu.edu/journals/cj/summary/v041/41.2stanfield.html Access Provided by Amherst College at 09/03/11 7:59PM GMT An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929–1937 by Peter Stanfield This essay considers how Hollywood presented the song St. Louis Blues in a num- ber of movies during the early to mid-1930s. It argues that the tune’s history and accumulated use in films enabled Hollywood to employ it in an increasingly com- plex manner to evoke essential questions about female sexuality, class, and race. Recent critical writing on American cinema has focused attention on the struc- tures of racial coding of gender and on the ways in which moral transgressions are routinely characterized as “black.” As Eric Lott points out in his analysis of race and film noir: “Raced metaphors in popular life are as indispensable and invisible as the colored bodies who give rise to and move in the shadows of those usages.” Lott aims to “enlarge the frame” of work conducted by Toni Morrison and Ken- neth Warren on how “racial tropes and the presence of African Americans have shaped the sense and structure of American cultural products that seem to have nothing to do with race.”1 Specifically, Lott builds on Manthia D iawara’s argument that “film is noir if it puts into play light and dark in order to exhibit a people who become ‘black’ because of their ‘shady’ moral behaviour.2 E. -
HOLLYWOOD – the Big Five Production Distribution Exhibition
HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927 -
I Didn't Raise My Boy to Be A…” Mothers, Music, and the Obligations
GREAT WAR, FLAWED PEACE, AND THE LASTING LEGACY OF WORLD WAR I I “I DIDN’T RAISE MY BOY TO BE A…” MOTHERS, MUSIC, AND OBLIGATIONS OF WAR GUIDING QUESTION: How did the idea of a mother’s sacrifice impact how World War I was viewed? AUTHOR STANDARDS CONNECTIONS Jennifer Camplair CONNECTIONS TO COMMON CORE Lorena High School › CCSS.ELA-LITERACY.RH.11-12.2 Determine the central Lorena, Texas ideas or information of a primary or secondary source; provide an accurate summary that makes clear the WHY? relationships among the key details and ideas. Mothers had an enormous impact on the American › CCSS.ELA-LITERACY.CCRA.R.4 Interpret words and public supporting the war. As women gained more phrases as they are used in a text, including determining political agency, their voices of approval or disapproval technical, connotative, and figurative meanings, and analyze for their sons' service were vital to the war effort. how specific word choices shape meaning or tone. › CCSS.ELA-LITERACY.CCRA.R.5 Analyze the structure of texts, including how specific sentences, paragraphs, and OVERVIEW larger portions of the text (e.g., a section, chapter, scene, or Using the cover and lyrics from two popular songs of stanza) relate to each other and the whole. the time, photographs, and primary source analysis, students will evaluate how popular culture sought to influence mothers’ support of the war and how the DOCUMENTS USED government recognized their sacrifice with Gold Star PRIMARY SOURCES Mothers’ Pilgrimages to their sons’ and daughters' final Leo Friedman and Helen Wall, “I Didn’t Raise My Boy To Be A resting places. -
African American Sheet Music Collection, Circa 1880-1960
African American sheet music collection, circa 1880-1960 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Title: African American sheet music collection, circa 1880-1960 Call Number: Manuscript Collection No. 1028 Extent: 6.5 linear feet (13 boxes) and 2 oversized papers boxes (OP) Abstract: Collection of sheet music related to African American history and culture. The majority of items in the collection were performed, composed, or published by African Americans. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. The use of personal cameras is prohibited. Source Collected from various sources, 2005. Custodial History Some materials in this collection originally received as part of the Delilah Jackson papers. Citation [after identification of item(s)], African American sheet music collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey, October 13, 2006. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. African American sheet music collection, circa 1880-1960 Manuscript Collection No. 1028 This finding aid may include language that is offensive or harmful. -
The Great American Songbook in the Classical Voice Studio
THE GREAT AMERICAN SONGBOOK IN THE CLASSICAL VOICE STUDIO BY KATHERINE POLIT Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Patricia Wise, Research Director and Chair __________________________________ Gary Arvin __________________________________ Raymond Fellman __________________________________ Marietta Simpson ii For My Grandmothers, Patricia Phillips and Leah Polit iii ACKNOWLEDGMENTS I wish to express my sincerest thanks to the members of my committee—Professor Patricia Wise, Professor Gary Arvin, Professor Marietta Simpson and Professor Raymond Fellman—whose time and help on this project has been invaluable. I would like to especially thank Professor Wise for guiding me through my education at Indiana University. I am honored to have her as a teacher, mentor and friend. I am also grateful to Professor Arvin for helping me in variety of roles. He has been an exemplary vocal coach and mentor throughout my studies. I would like to give special thanks to Mary Ann Hart, who stepped in to help throughout my qualifying examinations, as well as Dr. Ayana Smith, who served as my minor field advisor. Finally, I would like to thank my family for their love and support throughout my many degrees. Your unwavering encouragement is the reason I have been -
Mr. Gamer LINCOLN ROCKETS Wear a Ten Pretty and Clever TERPSICHOREAN ARTISTS Strap Watch of New Haven, Connecticut Beaver's- - Novelty Orchestra ORPHEUM Nite and Mat
T If E DAILY NEBRASKAN Buildings Cig.r.tt.. Construct Young Coolldgo is a junior at Am- herst Records Are Given To Talk Over Income from college. Ho is just a plain, or- Dr. Harms Gives Radio South Dakota the College Press dinary Is used solely fellow, and mado out of the. Two Years Ago German Department; .tato cigarette tax same on Adenoid Conditions 2 of at kind of cluy as the rest of us KFAB construction building I Will Be Used in Class he POOR JOHN nis and, according to Dolitical and advor. Eleanor Flatemersh was officially ?.U colleges (Wisconsin Daily Cardinal.) tiHementa used to pitch hay symptoms of enlarged ing to Doctor Harms. The tendency Sough cigarette, wtfte consumed and milk appointed president of tho Women's Causes and Thoso of us who squirm under tho cows on a farm in Vermont. Young Throgh cho generosity of some diseased adenoids and the bad to havo enlarged adenoids is also her- Jurlnlt past year to erect two Athletic Association. Eleanor was a and the allegod injustices of W. S. G. A. rules John was developing normally friends of tho German department, such a condition, especially editary In somo families. like mombor of Alpha XI Delta, Silver effects of consider ourselves lucky that wo ore any other American boy Prof. Laurence Foaslcr and his staff in case of children, wero dis Tho commonest symptom and most when a great Sorpcnt, Vestals, and tho Y. W. C. A. the not the son of President Coolidge. minfortuno happened to him. For havo become tho owner and custo cussed by Dr. -
[email protected] a BROADWAY ROMANCE
FOR IMMEDIATE RELEASE December 18, 2014 Contact: Katherine E. Johnson (212) 875-5718; [email protected] A BROADWAY ROMANCE One-Night-Only Valentine’s Day Concert Featuring Vocalists Laura Osnes and Santino Fontana Conducted by Ted Sperling February 14, 2015 Ted Sperling will conduct the New York Philharmonic and vocalists Laura Osnes and Santino Fontana in A Broadway Romance, a one-night-only Valentine’s Day concert, Saturday, February 14, 2015, at 8:00 p.m. The program will feature songs from popular musicals ranging from Bernstein’s West Side Story and Gershwin’s Girl Crazy to Rodgers & Hammerstein’s Carousel and Stephen Sondheim’s Company, woven together to tell a unified narrative of a romance from beginning to end, from meeting to first date to falling in love to marriage. Ted Sperling led the Philharmonic in a similar program, Broadway Night with the Philharmonic, during its July 2013 Bravo! Vail residency, with vocalists Betsey Wolfe and Andrew Samonsky. During the following summer’s residency, Mr. Sperling led the Philharmonic with Laura Osnes and Santino Fontana — who starred together on Broadway in Rodgers + Hammerstein’s Cinderella — as well as Christine Ebersole in Broadway Night with the Philharmonic: The Music of Frank Loesser. Ted Sperling most recently appeared with the Philharmonic conducting and directing its semi-staged production of Kern & Hammerstein’s Show Boat, in November 2014. Artists Ted Sperling’s recent collaborations with the New York Philharmonic include Show Boat in November 2014; Broadway Night with the Philharmonic at Bravo! Vail in July 2013; An Enchanted Evening with Paulo Szot, the 2013 Spring Gala; and Anywhere I Wander: The Frank Loesser Songbook, the 2012 Spring Gala. -
Sheet Music Collection
McLean County Museum of History Sheet Music Collection Inventoried by Sharon Tallon, Museum Library volunteer German translation by Eleanor Mede April 2012 Collection Information VOLUME OF COLLECTION: Three Boxes COLLECTION DATES: 1870 – 1968 PROVENANCE: None RESTRICTIONS: Collection has several brittle documents. Before making photocopies of items please obtain permission from librarian or archivist. REPRODUCTION RIGHTS: Permission to reproduce or publish material in this collection must be obtained in writing from the McLean County Museum of History. ALTERNATIVE FORMATS: None OTHER FINDING AIDS: None LOCATION: Archives Scope Note This collection includes approximately 750 individual pieces of sheet music, booklets and books copyrighted from 1870 through 1968. A few are encapsulated and may appear in displays in the People or Politics room on the Museum’s first floor. Sheet music also is sometimes featured in temporary, but long-running, displays. People who lived in (or once lived in) McLean County donated most, if not all, of the individual sheets, booklets and books of music that represent the 90 years of music listed in this collection. The first section (Box 1, Folders 1 through 6) is devoted to music that has a direct connection to McLean County. Other sections in Box 1 include music with Chicago connections as well as other places in Illinois, a few other states and Canada, as well as cultural and subject-related music. Dance and instrumental music (with or without vocal) make up the bulk of Box 2 along with a listing and some sheet music by Irving Berlin and Walt Disney. Five folders (10, 11, 15, 16, and 17) are devoted to German instrumental music.