Jimmy Mchugh Collection of Sheet Music Title
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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Nova Bossa Repertoire
NOVA BOSSA REPERTOIRE JOBIM / BRAZILIAN JAZZ A Felicidade Dindi Agua de Beber Girl from Ipanema Aguas de Março (Waters of March) How Insensitive Amor em Paz (Once I Loved) O Morro Não Tem Vez (Favela) Bonita One Note Samba Brigas Nunca Mais Só Danço Samba Chega de Saudade Triste Corcovado (Quiet Nights) Wave Desafinado BOSSA NOVA / MPB Aquele Um - Djavan Ladeira da Preguiça - Elis Regina A Flor e o Espinho - Leny Andrade Lobo Bobo - João Gilberto Aquarela do Brasil (Brazil) - João Gilberto Maçã do Rosto - Djavan (Forró) A Rã - João Donato Mas Que Nada - Sergio Mendes Bala Com Bala - Elis Regina Maria das Mercedes - Djavan Berimbau - Baden Powell O Bêbado e a Equilibrista - Elis Regina Capim - Djavan O Mestre Sala dos Mares - Elis Regina Chove Chuva - Sergio Mendes O Pato - João Gilberto Casa Forte - Elis Regina (baião) Reza - Elis Regina Doralice - João Gilberto Rio - Leny Andrade É Com Esse Que Eu Vou - Elis Regina Serrado - Djavan Embola Bola - Djavan Telefone - Nara Leão Estate (Summer) - João Gilberto Tristeza - Beth Carvalho Fato Consumado - Djavan Vatapá - Rosa Passos Flor de Lis - Djavan Você Abusou JAZZ STANDARDS A Night in Tunisia Don't Get Around Much Anymore All of Me Fly Me To The Moon Almost Like Being in Love Gee, Baby, Ain't I Good to You As Time Goes By Green Dolphin Street Brother Can You Spare A Dime? Honeysuckle Rose Bye Bye Blackbird How High the Moon C'est Si Bon How Long Has This Been Going On? Dearly Beloved I Could Write A Book Do Nothing Til You Hear from Me I Only Have Eyes for You 1 I Remember You Save Your -
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PLATES 1. Cole Porter, Yale yearbook photograph (1913). 2. Westleigh Farms, Cole Porter’s childhood home in Indiana (2011). 3. Cole Porter’s World War I draft registration card (5 June 1917). War Department, Office of the Provost Marshal General. 4. Linda Porter, passport photograph (1919). 5. Cole Porter, Linda Porter, Bernard Berenson and Howard Sturges in Venice (c.1923). 6. Gerald Murphy, Ginny Carpenter, Cole Porter and Sara Murphy in Venice (1923). 7. Serge Diaghilev, Boris Kochno, Bronislava Nijinska, Ernest Ansermet and Igor Stravinsky in Monte Carlo (1923). Library of Congress, Music Division, Reproduction number: 200181841. 8. Letter from Cole Porter to Boris Kochno (September 1925). Courtesy of The Cole Porter Musical and Literary Property Trusts. 9. Scene from the original stage production of Fifty Million Frenchmen (1929). PHOTOFEST. 10. Irene Bordoni, star of Porter’s show Paris (1928). 11. Sheet music, ‘Love for Sale’ from The New Yorkers (1930). 12. Production designer Jo Mielziner showing a set for Jubilee (1935). PHOTOFEST. 13. Cole Porter composing as he reclines on a couch in the Ritz Hotel during out-of-town tryouts for Du Barry Was a Lady (1939). George Karger / Getty Images. 14. Cole and Linda Porter (c.1938). PHOTOFEST. 15. Ethel Merman in the New York production of Cole Porter’s Panama Hattie (1940). George Karger / Getty Images. vi PLATES 16. Sheet music, ‘Let’s Be Buddies’ from Panama Hattie (1940). 17. Draft of ‘I Am Ashamed that Women Are So Simple’ from Kiss Me, Kate (1948), Library of Congress. Courtesy of The Cole Porter Musical and Literary Property Trusts. -
Meu Brasil Brasileiro, Meu Mulato…? Intermidialidade E Etnicidade Em Discursos Visuais Sobre a Mestiçagem Afro-Brasileira
Meu Brasil brasileiro, meu mulato…? Intermidialidade e etnicidade em discursos visuais sobre a mestiçagem afro-brasileira RESUMO Este breve ensaio propõe uma aproximação entre uma pintura modernista e um vídeo contemporâneo, motivado pelo interesse em questões de inter- midialidade transversalizadas pelo fenômeno da mestiçagem no Brasil. Marcos Hill Professor dos cursos de graduação e pós-graduação da Escola de Belas Artes da UFMG. Vive e trabalha em Belo Horizonte. HILL, Marcos. Meu Brasil brasileiro, meu mulato…? Intermidialidade e etnicidade em discursos visuais sobre a mestiçagem afro-brasileira Sobre a problemática focalizada Foi o interesse em investigar imagens de mulatos na cultura brasileira que me levou a delimitar o campo onde atualmente, através de elementos iconográficos específicos, exploro as relações estabelecidas entre temas, meios e conteúdos determinados pelos diversos “textos” existentes sobre o assunto. Dentre pinturas modernistas brasileiras, selecionei, para o presente estudo, o “texto” visual Samba. Datado de 1925, ele é de autoria do pintor Emiliano Di Cavalcanti. No sentido de tratar de questões iconológicas e intermidiáticas, busquei estabelecer um paralelo com uma segunda obra, de outra natureza. Na linguagem do vídeo, encontrei Always Coca-Cola (Sempre Coca-Cola), re- 89 1 Nesse caso, estou considerando a data de 7 de alizado por Doung Jahangeer, arquiteto natural das Ilhas Maurícias e que setembro de 1822, quando o Príncipe Regente D. Pedro, futuro Pedro I, primeiro Imperador do atualmente vive na cidade sul-africana de Durban. Produzido em Belo Brasil, declarou sua independência de Portugal. Horizonte no ano 2004, esse “texto” me pareceu interessantíssimo para o estudo proposto. Além de veicular o olhar estrangeiro de Doung sobre questões brasileiras que me interessavam, Always Coca-Cola estimulou uma rica confrontação com a pintura de Di, uma vez que esta foi analisada juntamente com outra mídia mais recente, cuja tecnologia permite registros instantâneos do mo- vimento e do som, além de produzir imagens digitalizadas. -
ACADEMICS, the *ADAMS, Jerri ALAIMO, Chuck, Quartet *AL & DICK *ALEXANDRIA, Lorez *ALLEN, Joe, & His Alley Cats ANDREWS
DEBUT PEAK B-side Price Label & Number A *ACADEMICS, The White doo-wop vocal group formed in New Haven, Connecticut: Dave Fisher (lead), Billy Greenberg, Marty Gantner, Ronnie Marone and Richie “Goose” Greenberg. Fisher later formed folk group The Highwaymen (1961 hit “Michael”). Fisher died on 5/10/2010 (age 70). Darla, My Darlin’ ...................................................................At My Front Door $300 Ancho 103 THE ACADEMICS featuring Ronnie Marone 1/25/58 5 Loomis Temple Of Music / New Haven, CT *ADAMS, Jerri Born on 5/30/1930 in Cincinnati, Ohio. Female singer. Every Night About This Time 2/22/58 9 1 WTOR / Torrington, CT (Alan Field) My Heart Tells Me................................................................................... Columbia 41111 Ray Ellis (orch., above 2) 3/1/58 2 2 WADK / Newport, RI (Steve May) 3/15/58 4 3 WICE / Providence, RI (Jim Mendes) 3/22/58 6 4 WHIM / Providence, RI (Bob Bassett) ALAIMO, Chuck, Quartet Rockin’ In G .......................................................................Hop In My Jalop [I] MGM 12636 5/31/58 9 WRVM / Rochester, NY (John Holliday) *AL & DICK Prolific songwriting team of Al Hoffman (born on 9/25/1902 in Minsk, Russia; died on 7/21/1960, age 57) and Dick Manning (born on 6/12/1912 in Belarus, Russia; died on 4/11/1991, age 78). Wrote such hits as “Allegheny Moon” and “Hot Diggity.” I’ll Wait..................................................................Junior Miss (With A Senior Kiss) Carlton 452 Jimmy Lytell (orch.) 4/19/58 9 WJWL / Georgetown, DE (Bob Smith) *ALEXANDRIA, Lorez Born Dolorez Alexandria Turner on 8/14/1929 in Chicago, Illinois. Died on 5/22/2001 (age 71). -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
String Theory Song List
String Theory song list 2016/2017 New Additions Aerials - System of a Down An Affair to Remember (from “Sleepless In Seattle”) Al Di La - Trad All of the Lights - Kanye West Amazing - Alex Lloyd Ants Marching - Dave Matthews Band Ave Maria - Beyonce version Beautiful Day - U2 Beautiful Girl - INXS Bleeding Love - Leona Lewis Blower’s Daughter - Damien Rice Bright Eyes - Art Garfunkel Budapest - George Ezra Can’t Take My Eyes Off You - Frankie Valli Colours of the Wind - from “Pocahontas” Crazy in Love - Beyonce Cruise - Florida Georgia Line Dammit - Blink 182* Do You Want to Build a Snowman? - from “Frozen” Don’t Dream Its Over - Crowded House Dreams - Gabrielle The Ecstasy of Gold - Morricone Everlong - Foo Fighters Falling Slowly - from “Once” Family Tree - TV on the Radio Fire and Rain - James Taylor Flame Trees - Cold Chisel Fly Me To The Moon From The Ground Up - Dan and Shay Get Lucky - Daft Punk Good Life - Kanye West Happy - Pharrell Williams Heathens - Twenty One Pilots 1 2217 Distribution Circle * Silver Spring, MD 20910 (301) 986-4640 *(888) 986-4640 *FAX (301) 657-4315 www.entertainmentexchange.com Rev: 11/2017 Here With Me - Dido Hey Soul Sister - Train Hey There Delilah - Plain White T’s High - Lighthouse Family Hoppipola - Sigur Ros Horse To Water - Tall Heights I Choose You - Sara Bareilles I Don’t Wanna Miss a Thing - Aerosmith I Follow Rivers - Lykke Li I Got My Mind Set On You - George Harrison I Was Made For Loving You - Tori Kelly & Ed Sheeran I Will Wait - Mumford & Sons -
Kennedy Center Education Department. Funding Also Provided by the Kennedy Center Corporate Fund
DOCUMENT RESUME ED 381 839 CS 508 906 AUTHOR Carr, John C. TITLE "Crazy for You." Spotlight on Theater Notes. INSTITUTION John F. Kennedy Center for the Performing Arts, Washington, D.C. SPONS AGENCY Department of Education, Washington, DC. PUB DATE [95] NOTE 17p.; Produced by the Performance Plus Program, Kennedy Center Education Department. Funding also provided by the Kennedy Center Corporate Fund. For other guides in this series, see CS 508 902-905. PUB TYPE Guides General (050) EDRS PRTCE MF01/PC01 Plus Postage. DESCRIPTORS Acting; *Cultural Enrichment; *Drama; Higher Education; Playwriting; Popular Culture; Production Techniques; Secondary Education IDENTIFIERS *Crazy for You; Historical Background; Musicals ABSTRACT This booklet presents a variety of materials concerning the musical play "Crazy for You," a recasting of the 1930 hit. "Girl Crazy." After a brief historical introduction to the musical play. the booklet presents biographical information on composers George and Ira Gershwin, the book writer, the director, the star choreographer, various actors in the production, the designers, and the musical director. The booklet also offers a quiz about plays. and a 7-item list of additional readings. (RS) ....... ; Reproductions supplied by EDRS ore the best that can he made from the original document, U S DEPARTMENT OF EDUCATION Ofi.co ofEaucabonni Research aria improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERIC1 Et This document has been reproduced as received from the person or organization onqinallnq d 0 Minor charms have been made to improve reproduction quality. Points or view or opinions stated in this document do not necessarily represent official OERI position or policy -1411.1tn, *.,3^ ..*. -
12.4 Radio Days Song List
BIG BAND SONG LIST Laughter to raise a nation’s spirits. Music to stir a nation’s soul. Lorie Carpenter-Niska • Sheridan Zuther Kurt Niska • Michael Swedberg • Terrence Niska A Five By Design Production I’ve Got A Gal In Kalamazoo ..........................Mack Gordon & Harry Warren Big Noise From Winnetka .Bob Haggart, Ray Bauduc, Gil Rodin & Bob Crosby I’ll Never Smile Again ..............................................................Ruth Lowe Three Little Fishies .............................................................. Saxie Dowell Mairzy Doats .............................Milton Drake, Al Hoffman & Jerry Livingston Personality ........................................... Jimmy Van Heusen & Johnny Burke Managua Nicaragua ....................................... Albert Gamse & Irving Fields Opus One...................................................................................Sy Oliver Moonlight In Vermont............................... John Blackburn & Karl Seussdorf Juke Box Saturday Night ..................................Al Stillman & Paul McGrane Boogie Woogie Bugle Boy .................................. Don Raye & Hughie Prince INTERMISSION A-Tisket, A-Tasket ...................................... Van Alexander & Ella Fitzgerald Roodle Dee Doo ......................................Jimmy McHugh & Harold Adamson Halo Shampoo .......................................................................... Joe Rines The Trolley Song............................................... Ralph Blane & Hugh Martin Let’s Remember Pearl Harbor -
Final Appendices
Bibliography ADORNO, THEODOR W (1941). ‘On Popular Music’. On Record: Rock, Pop and the Written Word (ed. S Frith & A Goodwin, 1990): 301-314. London: Routledge (1publ. in Philosophy of Social Sci- ence, 9. 1941, New York: Institute of Social Research: 17-48). —— (1970). Om musikens fetischkaraktär och lyssnandets regression. Göteborg: Musikvetenskapliga in- stitutionen [On the fetish character of music and the regression of listening]. —— (1971). Sociologie de la musique. Musique en jeu, 02: 5-13. —— (1976a). Introduction to the Sociology of Music. New York: Seabury. —— (1976b) Musiksociologi – 12 teoretiska föreläsningar (tr. H Apitzsch). Kristianstad: Cavefors [The Sociology of Music – 12 theoretical lectures]. —— (1977). Letters to Walter Benjamin: ‘Reconciliation under Duress’ and ‘Commitment’. Aesthetics and Politics (ed. E Bloch et al.): 110-133. London: New Left Books. ADVIS, LUIS; GONZÁLEZ, JUAN PABLO (eds., 1994). Clásicos de la Música Popular Chilena 1900-1960. Santiago: Sociedad Chilena del Derecho de Autor. ADVIS, LUIS; CÁCERES, EDUARDO; GARCÍA, FERNANDO; GONZÁLEZ, JUAN PABLO (eds., 1997). Clásicos de la música popular chilena, volumen II, 1960-1973: raíz folclórica - segunda edición. Santia- go: Ediciones Universidad Católica de Chile. AHARONIÁN, CORIúN (1969a). Boom-Tac, Boom-Tac. Marcha, 1969-05-30. —— (1969b) Mesomúsica y educación musical. Educación artística para niños y adolescentes (ed. Tomeo). 1969, Montevideo: Tauro (pp. 81-89). —— (1985) ‘A Latin-American Approach in a Pioneering Essay’. Popular Music Perspectives (ed. D Horn). Göteborg & Exeter: IASPM (pp. 52-65). —— (1992a) ‘Music, Revolution and Dependency in Latin America’. 1789-1989. Musique, Histoire, Dé- mocratie. Colloque international organisé par Vibrations et l’IASPM, Paris 17-20 juillet (ed. A Hennion. -
Published Sheet Music from the Rudy Vallee Collection
Published Sheet Music from the Rudy Vallee Collection The Rudy Vallee collection contains almost 30.000 pieces of sheet music (about two thirds published and the rest manuscripts); about half of the titles are accessible through a database and we are presenting here the first ca. 2000 with full information. Song: 21 Guns for Susie (Boom! Boom! Boom!) Year: 1934 Composer: Myers, Richard Lyricist: Silverman, Al; Leslie, Bob; Leslie, Ken Arranger: Mason, Jack Song: 33rd Division March Year: 1928 Composer: Mader, Carl Song: About a Quarter to Nine From: Go into Your Dance (movie) Year: 1935 Composer: Warren, Harry Lyricist: Dubin, Al Arranger: Weirick, Paul Song: Ace of Clubs, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Diamonds, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Spades, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred K. Song: Actions (speak louder than words) Year: 1931 Composer: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Lyricist: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Arranger: Prince, Graham Song: Adios Year: 1931 Composer: Madriguera, Enric Lyricist: Woods, Eddie; Madriguera, Enric(Spanish translation) Arranger: Raph, Teddy Song: Adorable From: Adorable (movie) Year: 1933 Composer: Whiting, Richard A. Lyricist: Marion, George, Jr. Arranger: Mason, Jack; Rochette, J. (vocal trio) Song: African Lament (Lamento Africano) Year: 1931 Composer: Lecuona, Ernesto Lyricist: Gilbert, L. Wolfe Arranger: Katzman, Louis Song: African Lament (Lamento Africano) -
The Great American Songbook in the Classical Voice Studio
THE GREAT AMERICAN SONGBOOK IN THE CLASSICAL VOICE STUDIO BY KATHERINE POLIT Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Patricia Wise, Research Director and Chair __________________________________ Gary Arvin __________________________________ Raymond Fellman __________________________________ Marietta Simpson ii For My Grandmothers, Patricia Phillips and Leah Polit iii ACKNOWLEDGMENTS I wish to express my sincerest thanks to the members of my committee—Professor Patricia Wise, Professor Gary Arvin, Professor Marietta Simpson and Professor Raymond Fellman—whose time and help on this project has been invaluable. I would like to especially thank Professor Wise for guiding me through my education at Indiana University. I am honored to have her as a teacher, mentor and friend. I am also grateful to Professor Arvin for helping me in variety of roles. He has been an exemplary vocal coach and mentor throughout my studies. I would like to give special thanks to Mary Ann Hart, who stepped in to help throughout my qualifying examinations, as well as Dr. Ayana Smith, who served as my minor field advisor. Finally, I would like to thank my family for their love and support throughout my many degrees. Your unwavering encouragement is the reason I have been