Broadway Close up Dorothy Fields Sean Hartley, Host Featuring Gabrielle Stravelli 2020-21
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2014 Broadway Season
2014 Broadway Season Les Miserables:́ May 9-18 Set against the backdrop of 19th-century France, Les Miserableś tells an enthralling story of broken dreams and unrequited love, passion, sacrifice, and redemption—a timeless testament to the survival of the human spirit. Ex-convict Jean Valjean is hunted for decades by the ruthless policeman Javert after he breaks parole. When Valjean agrees to care for factory worker Fantine’s young daughter, Cosette, their lives change forever. Featuring the songs “I Dreamed A Dream,” “Bring Him Home,” “One Day More,” and “On My Own”—Les Miserableś is the show of shows. Oliver: June 14-22 The first time at the Croswell in more than a decade, Oliver is the larger-than-life adaptation of the Charles Dickens classic Oliver Twist. Follow the orphaned Oliver as he learns how to survive on London’s mean streets of the 19th century. The Artful Dodger and Fagin introduce him to a life of crime, but true kindness comes only in the form of Nancy who is on her own quest for love. Wonderful songs that you’ll know by heart include: “Consider Yourself,” “Food Glorious Food,” “As Long As He Needs Me,” and many more. Catch Me If You Can: July 18-27 A new musical from the team who brought you Hairspray, Catch Me If You Can is the musical version of the Leonardo DiCaprio movie. This stylish and fun show is based on the real life story of Frank Abagnale, Jr. who, before the age of 19, conned millions of dollars’ worth of checks and posed as a Pan Am pilot, doctor, and prosecuting attorney. -
Sweet Charity Is Sure to Be a Wonderful Show
The English Theatre Frankfurt Cy Coleman has captured the rhythms and sounds, and Dorothy Fields the vernacular of fun, of the 1960s New York. With a song list that includes, Big Spender, The Rhythm of Life, If My Friends Could See Me Now and many more, Sweet Charity is sure to be a wonderful show. It is a musical in every sense of the word. Teacher`s Support Pack Version for advanced Students (Gymnasium) Coleman, Fields, Simon „Sweet Charity“ - The English Theatre Frankfurt - Teacher`s Support Pack (advanced version) Contents 1. "How Long Has This Been Going On?" A Brief History of Musical Theatre p. 03 2 Cy Coleman and “Sweet Charity” p. 06 3 The Characters p. 07 4 The Story - Synopsis of Scenes p. 08 5 INFO: Musical Numbers p.11 6 Looking at various scenes (I,1; I,8; II,11) p.12 7 Why are Men Scared of Commitment? p.18 8 Federico Fellini's film “Nights of Cabiria” p.20 9 REVIEWS p.22 ff. 9.1 “Sweet Charity” in London p.22 9.2 INFO: Robert Louis “Bob” Fosse p.23 9.3 “Sweet Charity” in Atlanta U.S.A. p.25 10 The Reality of Prostitution p.27 Activities 1 Presentation p.05 2 Interpretation p. 12 3 Working with the script: Improvisation and Creative Writing p.15 4 Discussion of the ending p.18 5 Further points for discussion p.19 6 a Understanding a text p.26 6 b Controversial discussion p.27 7 Topics for essays p.27 8 Creative Writing p.29 For booking workshops, talkback appointments with actors, ordering the Word.doc version of this Support Pack or any other inquiries etc. -
Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
Redhead Little Theatre on the Square
Eastern Illinois University The Keep 1960 Shows Programs 1960 Spring 8-23-1960 Redhead Little Theatre on the Square Follow this and additional works at: http://thekeep.eiu.edu/little_theatre_1960_programs Part of the Theatre History Commons Recommended Citation Little Theatre on the Square, "Redhead" (1960). 1960 Shows Programs. 1. http://thekeep.eiu.edu/little_theatre_1960_programs/1 This Book is brought to you for free and open access by the 1960 at The Keep. It has been accepted for inclusion in 1960 Shows Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. Guy S. Little, JrmVs "CENTRAL ILLINOIS' ONLY EQUITY MUSIC THEATRE" Grand Theatre Fourth Season Sullivan August 23rd through August 28th 'Wb) ammat m W.Bk h *QWTIL PAW- hw d~~.mn*t.~~OlYI '~oU1flu m*. tkR M J&ro in @u4&eph %f?r'r'IFE5 WWr@H&9T .Ma 'smtxuina wall 0,Codirrurs rd liFJrn &tee. *b8, UWk lt#~.dd'd.&th. md 0- :WId,ia eoopqsr 0 YcsrawfIosn. Opcw rtur ia MkDJIYE BQTTZtIWLT. Bw mb st tkr WmQ during thc gut tSRI e.mma 8# hl- btb UIitlla eed ia Qtrr1;) AMD PC)UI, in Bntb ASLL &IHaIleQ Imlw 1. ~AW,BAWWIOI, XasIki i. tBBmWYUb hwlla a.Q*1IPIPI Y.pcrII* L .sgaw sans, TW~~.m mm I SM5delo AwiE 0ST YWWR @V)1! &4 mm Bltt =TIC. 1s .Nm ?+% BH ~p. PU.8 *tIL Y* PmplQL sonct TBe8@eSt i. a* witli tfR .sp&&i* .Lltrarfrlpd 0- *t the Wabcnit*, oi Illirols Ib-. in 8eBESFA-opppt#i# Pete P.llsrr, em~ot a* mmt Broabay hit. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
Meet the Spqitful Cast of the Sweet Potato Queens
Meet The SPQitful Cast of The Sweet Potato Queens For Immediate Release February 23, 2016 Artwork: Logo Headshots are linked in bios Media Contacts: Lisa Holmes, Manager, Public Relations (713) 558-2654, [email protected] Laura Pettitt, Assistant Director, Marketing (713) 558-2653, [email protected] (HOUSTON) – TUTS Underground presents the world premiere of The Sweet Potato Queens in March 2016. This new musical is brought to the stage in partnership with writer Rupert Holmes (Tony® Award winner for Best Musical, Best Book, and Best Music and Lyrics for The Mysteries of Edwin Drood), Grammy® Award- winning composer Melissa Manchester, and Oscar-nominated lyricist Sharon Vaughn. TUTS Underground not only brings a wider musical theatre experience to Houston, but also serves as a launchpad – giving the TUTS Underground audience first view of new, emerging works. Based on The New York Times best-selling series (with a cult following) The Sweet Potato Queens ® by author Jill Connor Browne, the musical version is loosely based on Browne’s life – showcasing the juxtaposition between her life before creating the larger-than-life character of a Sweet Potato Queen, and after. An uplifting, empowering tale of perseverance and following dreams, The Sweet Potato Queens reminds audiences that everyone deserves to be special. Susan Koozin stars as Queen Jill with Kathryn Porterfield in the role of Jackson Jill. Her friends – all named Tammy – are Christina Stroup as Floozie Tammy, Julia Krohn as Flower Tammy and, new to the TUTS Underground stage, Kerissa Arrington as Too Much Tammy. The rest of the cast includes Dylan Godwin as George, Adam Gibbs as Tyler, Theresa Nelson as Mama and Kevin Cooney as Daddy. -
Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit. -
Here Are a Number of Recognizable Singers Who Are Noted As Prominent Contributors to the Songbook Genre
Music Take- Home Packet Inside About the Songbook Song Facts & Lyrics Music & Movement Additional Viewing YouTube playlist https://bit.ly/AllegraSongbookSongs This packet was created by Board-Certified Music Therapist, Allegra Hein (MT-BC) who consults with the Perfect Harmony program. About the Songbook The “Great American Songbook” is the canon of the most important and influential American popular songs and jazz standards from the early 20th century that have stood the test of time in their life and legacy. Often referred to as "American Standards", the songs published during the Golden Age of this genre include those popular and enduring tunes from the 1920s to the 1950s that were created for Broadway theatre, musical theatre, and Hollywood musical film. The times in which much of this music was written were tumultuous ones for a rapidly growing and changing America. The music of the Great American Songbook offered hope of better days during the Great Depression, built morale during two world wars, helped build social bridges within our culture, and whistled beside us during unprecedented economic growth. About the Songbook We defended our country, raised families, and built a nation while singing these songs. There are a number of recognizable singers who are noted as prominent contributors to the Songbook genre. Ella Fitzgerald, Fred Astaire, Rosemary Clooney, Nat King Cole, Sammy Davis Jr., Judy Garland, Billie Holiday, Lena Horne, Al Jolson, Dean Martin, Frank Sinatra, Mel Tormé, Margaret Whiting, and Andy Williams are widely recognized for their performances and recordings which defined the genre. This is by no means an exhaustive list; there are countless others who are widely recognized for their performances of music from the Great American Songbook. -
2013 Annual Report
2013 ANNUAL REPORT The ASCAP Foundation, established in 1975, is a publicly supported charity dedicated to supporting American music creators and encouraging their development through music education and talent development programs such as: songwriting workshops, scholarships, awards, community outreach and humanitarian programs, and providing grants to other 501(c)(3) organizations engaged in educational programs for aspiring songwriters and composers. The ASCAP Foundation supports programs in all musical genres that are national and regional in scope. Over the years, The ASCAP Foundation has developed and established its own scholarships, awards and music education programs and has collaborated with other organizations to meet its objectives. We are proud of the musical greats who have chosen to establish programs in their name and the families that have memorialized loved ones’ achievements by creating and funding named programs. They include: Harold Adamson, Richard Adler, Robert Allen, Herb Alpert, Harold Arlen, Louis Armstrong, Nick Ashford, Irving Berlin, Leonard Bernstein, Freddy Bienstock, Irving Burgie, Irving Caesar, Sammy Cahn, Desmond Child, George M. Cohan, Cy Coleman, Aaron Copland, Hal David, John Denver, Duke Ellington, George and Ira Gershwin, Jay Gorney, Morton Gould, Marvin Hamlisch, W.C. Handy, Lorenz Hart, Jerry Herman, Bart Howard, Billy Joel, Quincy Jones, Leo Kaplan, Steve Kaplan, Dean Kay, Leiber & Stoller, Tania Leon, Livingston & Evans, Frederick Loewe, John LoFrumento, Henry Mancini, Johnny Mandel, Michael Masser, Joseph Meyer, Vic Mizzy, Jason Mraz, Jack Norworth, Rudy Perez, Cole Porter, Louis Prima, Jerry Ragovoy, Joe Raposo, Irwin Robinson, Mary Rodgers, Richard Rodgers, Betty Rose, David Rose, Stephen Sondheim, Jimmy Van Heusen, Paul Williams, Lucille and Jack Yellen, and others. -
November 13 – the Best of Broadway
November 13 – The Best of Broadway SOLOISTS: Bill Brassea Karen Babcock Brassea Rebecca Copley Maggie Spicer Perry Sook PROGRAM Broadway Tonight………………………………………………………………………………………………Arr. Bruce Chase People Will Say We’re in Love from Oklahoma……….…..Rodgers & Hammerstein/Robert Bennett Try to Remember from The Fantasticks…………………………………………………..Jack Elliot/Jack Schmidt Can’t Help Lovin’ Dat Man from Show Boat……………………………Oscar Hammerstein/Jerome Kern/ Robert Russell Bennett Gus: The Theatre Cat from Cats……………………………………….……..…Andrew Lloyd Webber/T.S. Eliot Selections from A Chorus Line…………………………………….……..Marvin Hamlisch/Arr. Robert Lowden Glitter and Be Gay from Candide…………………….………………………………………………Leonard Bernstein Let’s Call the Whole Thing Off from Shall We Dance…….…….……………………George & Ira Gershwin Impossible Dream from Man of La Mancha………………………………………….…Mitch Leigh/Joe Darion Mambo from Westside Story……………………………………………..…………………….…….Leonard Bernstein Somewhere from Westside Story……………………………………….…………………….…….Leonard Bernstein Intermission Seventy-Six Trombones from The Music Man………………………….……………………….Meredith Willson Before the Parade Passes By from Hello, Dolly!……………………………John Herman/Michael Stewart Vanilla Ice Cream from She Loves Me…………..…………....…………………….Sheldon Harnick/Jerry Bock Be a Clown from The Pirate..…………………………………..………………………………………………….Cole Porter Summer Time from Porgy & Bess………………………………………………………….………….George Gershwin Move On from Sunday in the Park with George………….……..Stephen Sondheim/Michael Starobin The Grass is Always Greener from Woman of the Year………….John Kander/Fred Ebb/Peter Stone Phantom of the Opera Overture……………………………………………………………….Andrew Lloyd Webber Music of the Night from Phantom of the Opera…….………………………………….Andrew Lloyd Webber Love Never Dies from Love Never Dies………………..…..……………………………….Andrew Lloyd Webber Over the Rainbow from The Wizard of Oz….……………………………………….Harold Arlen/E.Y. Harburg Arr. Mark Hayes REHEARSALS: Mon., Oct. 17 7 p.m. -
A Hep Kid with a Beat
A Hep Kid With a Beat The Early Years of Songwriter Jimmy McHugh By Richard Vacca If you are unfamiliar with Jimmy McHugh, the first thing to know is that he was a prolific Boston- born songwriter who prospered between the early 1920s and the mid 1950s. He had a way with a tune, and he composed some truly memorable contributions to the Great American Songbook. He was also an accomplished pianist, and made a living at it for a time, but that was always secondary to his song- writing. The second thing to know is that he was a born promoter. It didn’t matter what it was—a song, a show, a good cause, himself—he promoted it with gusto. He was a born salesman, blessed with a per- sonality brimming with energy, enthusiasm and charm. McHugh would have understood today’s mar- keting practices intuitively. He carefully tended the Jimmy McHugh brand. His highly compatible talents for music and promotion were formed in his home town of Boston, where he lived for the first 25 of his 74 years. James Francis McHugh was born on School Street in Jamaica Plain on July 10, 1893, the son of James, a plumber, and Julia, his music-loving mother. It was Julia who taught Jimmy how to play piano. His father wanted Jimmy to take up the trade, and he did try it for a short while, but he was destined for a career in music. His mother was his first teacher, and a fine one. Jimmy would noodle around on the piano while Julia listened, and the story he later told was that if she heard something imitative, a copy, she’d give him a rap across the knuckles. -
My Fair Lady
TEACHER RESOURCE GUIDE Teacher Resource Guide by Sara Cooper LINCOLN CENTER THEATER AT THE VIVIAN BEAUMONT André Bishop Adam Siegel Producing Artistic Director Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Nederlander Presentations, Inc. presents LERNER & LOEWE’S Book and Lyrics Music Alan Jay Lerner Frederick Loewe Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture “Pygmalion” with Lauren Ambrose Harry Hadden-Paton Norbert Leo Butz Diana Rigg Allan Corduner Jordan Donica Linda Mugleston Manu Narayan Cameron Adams Shereen Ahmed Kerstin Anderson Heather Botts John Treacy Egan Rebecca Eichenberger SuEllen Estey Christopher Faison Steven Trumon Gray Adam Grupper Michael Halling Joe Hart Sasha Hutchings Kate Marilley Liz McCartney Justin Lee Miller Rommel Pierre O’Choa Keven Quillon JoAnna Rhinehart Tony Roach Lance Roberts Blair Ross Christine Cornish Smith Paul Slade Smith Samantha Sturm Matt Wall Michael Williams Minami Yusui Lee Zarrett Sets Costumes Lighting Sound Michael Yeargan Catherine Zuber Donald Holder Marc Salzberg Musical Arrangements Dance Arrangements Robert Russell Bennett & Phil Lang Trude Rittmann Mindich Chair Casting Hair & Wigs Production Stage Manager Musical Theater Associate Producer Telsey + Company Tom Watson Jennifer Rae Moore Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Music Direction Ted Sperling Choreography Christopher Gattelli Directed by Bartlett Sher The Jerome L. Greene Foundation is the Lead Sponsor of MY FAIR LADY. Major support is also generously provided by: The Blanche and Irving Laurie Foundation • Florence Kaufman The New York Community Trust - Mary P. Oenslager Foundation Fund • The Ted & Mary Jo Shen Charitable Gift Fund The Bernard Gersten LCT Productions Fund • The Peter Jay Sharp Foundation’s Special Fund for LCT with additional support from the National Endowment for the Arts.