The National Melodist. [A Collection of Songs.] First
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MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063. -
Super! Drama TV April 2021
Super! drama TV April 2021 Note: #=serial number [J]=in Japanese 2021.03.29 2021.03.30 2021.03.31 2021.04.01 2021.04.02 2021.04.03 2021.04.04 Mon Tue Wed Thu Fri Sat Sun 06:00 06:00 TWILIGHT ZONE Season 5 06:00 TWILIGHT ZONE Season 5 06:00 06:00 TWILIGHT ZONE Season 5 06:00 TWILIGHT ZONE Season 5 06:00 #15 #17 #19 #21 「The Long Morrow」 「Number 12 Looks Just Like You」 「Night Call」 「Spur of the Moment」 06:30 06:30 TWILIGHT ZONE Season 5 #16 06:30 TWILIGHT ZONE Season 5 06:30 06:30 TWILIGHT ZONE Season 5 06:30 TWILIGHT ZONE Season 5 06:30 「The Self-Improvement of Salvadore #18 #20 #22 Ross」 「Black Leather Jackets」 「From Agnes - With Love」 「Queen of the Nile」 07:00 07:00 CRIMINAL MINDS Season 10 07:00 CRIMINAL MINDS Season 10 07:00 07:00 STAR TREK Season 1 07:00 THUNDERBIRDS 07:00 #1 #2 #20 #19 「X」 「Burn」 「Court Martial」 「DANGER AT OCEAN DEEP」 07:30 07:30 07:30 08:00 08:00 THE BIG BANG THEORY Season 08:00 THE BIG BANG THEORY Season 08:00 08:00 ULTRAMAN towards the future 08:00 THUNDERBIRDS 08:00 10 10 #1 #20 #13「The Romance Recalibration」 #15「The Locomotion Reverberation」 「bitter harvest」 「MOVE- AND YOU'RE DEAD」 08:30 08:30 THE BIG BANG THEORY Season 08:30 THE BIG BANG THEORY Season 08:30 08:30 THE BIG BANG THEORY Season 08:30 10 #14「The Emotion Detection 10 12 Automation」 #16「The Allowance Evaporation」 #6「The Imitation Perturbation」 09:00 09:00 information[J] 09:00 information[J] 09:00 09:00 information[J] 09:00 information[J] 09:00 09:30 09:30 THE GREAT 09:30 SUPERNATURAL Season 14 09:30 09:30 BETTER CALL SAUL Season 3 09:30 ZOEY’S EXTRAORDINARY -
Orphee Manuscript Engl Translation.Pdf
ORPHÉE MÉCANIQUE Orpheus: Can you still remember the noise of the world? The noise of the streets, the subway, the noise of the electronic industry and the noise of the forests and rivers? Now, in this unbearable silence don't you yearn for it again? My head is full of this noise. I give it to you. Would you like to have it? Then, wait and attention....now! (the sound of the Psykotron) Orpheus: Can you remember the sound of breaking glass the harbor's nocturnal song the silent explosions from afar the sudden cloudburst in the afternoon the panting of your lover the buzzing of the fridge the instructing voice of a CAT scan the Christmas eve demonstrations Orpheus: Think of all the wonders, the sounds, the voices that filled you with light, there up above. Chorus: When Orpheus: The librarian standing on noise insulated floor gets scared of the visitors. Chorus: When Orpheus: On the 17th floor the elevator gets stuck Chorus: When Orpheus: The young physicist discovers numb spots on his skin Chorus: When Orpheus: The wind wails through the halls of an abandoned schoolhouse Chorus: When Orpheus: The doting old lady tenant always dials the wrong number Chorus: When Orpheus: Somebody suddenly plunges to a fall pass your window Chorus: When Orpheus: In the icy cold winter harbor the girls stand frozen to lampposts Chorus: When Orpheus: The world explodes behind your eyes Chorus: When Orpheus: At night the huge luminous ships arrive Chorus: When Orpheus: Out of narcosis, the patient awakes GHOSTS (Orpheus) Maya Deren is dead, Dennis Hopper is -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
The Righteous Brothers by Jerry Bfay At
The Righteous Brothers B yJerry Bfayat •— —■ a d i o , w i t h o u t a d o u b t , is t h e m o s t i m p o r - and “Leaving It All lip to You,” which years later tant vehicle for a recording artist. How became a Number One hit for Dale & Grace. Two- many times did y o u turn on your radio part harmony was not unique then - but a pair of and hear a great song b y a great a r t i s t s ! white boys emulating the great black two-part-har Rmaybe Johnny Otis singing “Willie and thm e Hand on y sound? That w as new. Jive,” the Magnificent Men doing “Peace of Mind,” or For Bobby Hatfield and Bill M edley (bom a m onth the Soul Survivors performing “Expressway (To Your apart in 1940), it began separately. Both started Heart)” - not realizing these were white performers, singing at Orange County, California, clubs as ones who had the soul and the ability to sound teenagers. In the early 1960s, Bobby had his group, black? Conversely, did you ever lis the Variations, and Bill his, the ten to an artist like Ella Fitzgerald, Paramours. In 1962, Bobby’s group Carmen McRae or Nancy Wilson incorporated with the Paramours. and say to yourself, “Wow, what a One of their first big shows together fantastic performer,” and assume was at the Rendezvous Ballroom, in she was white? That’s the wonder Balboa, California, a famous haunt ful thing about music: The great during the big-band era. -
Download Booklet
MONTEVERDI © Lebrecht Music & Arts Photo Library ???????????? Claudio Monteverdi (1567 – 1643) The Coronation of Poppea Dramma musicale in a Prologue and two acts Libretto by Giovanni Francesco Busenello, English translation by Geoffrey Dunn Prologue Fortune Barbara Walker soprano Virtue Shirley Chapman soprano Love Elizabeth Gale soprano Opera Ottone, most noble lord Tom McDonnell baritone Poppea, most noble lady, mistress of Nero, Janet Baker mezzo-soprano raised by him to the seat of empire Nero, Roman emperor Robert Ferguson tenor Ottavia, reigning empress, repudiated by Nero Katherine Pring mezzo-soprano Drusilla, lady of the court, in love with Ottone Barbara Walker soprano Seneca, philosopher, preceptor to Nero Clifford Grant bass Arnalta, aged nurse and confidante of Poppea Anne Collins mezzo-soprano Lucano, poet, intimate of Nero, nephew of Seneca Emile Belcourt tenor Valletto, page of the empress John Brecknock tenor Damigella, lady-in-waiting to the empress Iris Saunders soprano Liberto, Captain of the praetorian guard Norman Welsby baritone First soldier Robin Donald tenor Second soldier John Delaney tenor Lictor, officer of imperial justice Anthony Davey bass Pallas Athene, goddess of wisdom Shirley Chapman soprano Chorus of Sadler’s Wells Opera Orchestra of Sadler’s Wells Opera Raymond Leppard 3 compact disc one Time Page Act I 1 Sinfonia 2:55 p. 30 Prologue 2 ‘Virtue, go hide yourself away’ 7:16 p. 30 Fortune, Virtue, Love Scene 1 3 ‘Again I’m drawn here’ 8:32 p. 31 Ottone, Soldier 2, Soldier 1 4 ‘My lord, do not go yet!’ 9:54 p. 32 Poppea, Nero Scene 2 5 ‘At last my hopes have ended’ 6:38 p. -
The Saint's Tragedy 1
The Saint's Tragedy 1 The Saint's Tragedy The Project Gutenberg eBook, The Saint's Tragedy, by Charles Kingsley This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Saint's Tragedy Author: Charles Kingsley Release Date: February 27, 2004 [eBook #11346] Language: English Character set encoding: US-ASCII The Saint's Tragedy 2 ***START OF THE PROJECT GUTENBERG EBOOK THE SAINT'S TRAGEDY*** Transcribed by David Price, email [email protected] THE SAINT'S TRAGEDY PREFACE BY THE REV. F. D. MAURICE, M.A. (1848) The writer of this play does not differ with his countrymen generally, as to the nature and requirements of a Drama. He has learnt from our Great Masters that it should exhibit human beings engaged in some earnest struggle, certain outward aspects of which may possibly be a spectacle for the amusement of idlers, but which in itself is for the study and the sympathy of those who are struggling themselves. A Drama, he feels, should not aim at the inculcation of any definite maxim; the moral of it lies in the action and the character. It must be drawn out of them by the heart and experience of the reader, not forced upon him by the author. The men and women whom he presents are not to be his spokesmen; they are to utter themselves freely in such language, grave or mirthful, as best expresses what they feel and what they are. -
Romeo and Juliet Textbook.Pdf
Before Reading Video link at The Tragedy of Romeo and Juliet thinkcentral.com Drama by William Shakespeare VIDEO TRAILER KEYWORD: HML9-1034 Is LOVE stronger than HATE? It sounds like a story ripped from the tabloids. Two teenagers fall in RL 2 Determine a theme of a love at a party. Then they learn that their parents hate each other. text. RL 3 Analyze how complex The teenagers’ love is forbidden, so not surprisingly, they cling to characters develop over the course of a text, interact with each other even more tightly. Murder and suffering ensue, and by other characters, and advance the the end, a whole town is in mourning. What love can—and cannot— plot or develop the theme. RL 9 Analyze how an author overcome is at the heart of Romeo and Juliet, considered by many to draws on source material in a be the greatest love story of all time. specific work. RL 10 Read and comprehend dramas. L 3 Apply knowledge of language to understand how language DEBATE People say that love conquers all. Is this statement true, functions in different contexts or is it just a cliché? How powerful is love? Discuss this topic in a and to comprehend more fully when reading or listening. small group. Talk about instances in which love has brought people together as well as times when hate has driven them apart. Then form two teams and debate the age-old question, Is love stronger than hate? 1034 NA_L09PE-u10-brRome.indd 1034 1/14/11 8:34:36 AM Overview text analysis: shakespearean drama Act One You can probably guess that a tragedy isn’t going to end We meet the Montagues and the Capulets, with the words “and they all lived happily ever after.” two long-feuding families in the Italian city Shakespearean tragedies are dramas that end in disaster— of Verona. -
Flying the Navy's First Jets (Sierra Hotel)
FLYING THE NAVY’S FIRST JETS (SIERRA HOTEL) By Steven Craig Reynolds As Told By Charles “Gil” Erb, Cdr. USN (Ret.) TABLE OF CONTENTS PROLOGUE .........................................................................................................1 CHAPTER 1: IN THE BEGINNING .................................................................. 3 CHAPTER 2: THE SKY IS CALLING ................................................................9 CHAPTER 3: CABBIE ADVENTURES AT THE MISSION RANCH ...............11 CHAPTER 4: ARMY DAYS AS A PRE-AVIATION CADET .............................15 CHAPTER 5: ALEXANDRE NYEFSKY YARASLOVICH SLATOFFOVOICH (SLATS) ................................................................................................. 18 CHAPTER 6: THE RAT IN THE CAN .............................................................22 CHAPTER 7: BATHING BEAUTY BOBBY BROWN ......................................24 CHAPTER 8: A HECTIC THREE WEEKS AND THEN SOME ...................... 27 CHAPTER 9: GETTING HIS WINGS .............................................................30 CHAPTER 10: JET TRAINING .......................................................................36 CHAPTER 11: FIRST BORN ...........................................................................38 CHAPTER 12: A “NUGGET’S” FIRST NEAR-FATAL CARRIER EXPERIENCE........................................................................................39 CHAPTER 13: INVERTED IN THE DARK ....................................................42 CHAPTER 14: OSCAR’S FEET ........................................................................46 -
Download Entire Issue
THE DRAMA MAGAZINE FOR YOUNG PEOPLE OCTOBER 2019 UPPER AND MIDDLE GRADES PSafe Harbolr . .a. y. .s . Craig Sodaro 2 DRAMATIZED CLASSIC (F OR UPPER AND MIDDLE GRADES ) Martin Chuzzlewit. Charles Dickens 11 Adapted for roundtable reading by Lewy Olfson MIDDLE AND LOWER GRADES The Skill of Pericles . Paul T. Nolan 21 The Ghost of El Castillo . Barbara Winther 28 The Stolen Pumpkins. Joellen Bland 35 Wings for the King. Anne Sroda 41 Terms of Use • Vol. 79, No. 1 Subscribers . Persons and entities with subscriptions in force at the time of the performance may produce the plays in any issue of this magazine royalty-free, provided the performance is part of a regular school or dramatic club activity. Such persons and entities may also reproduce copies of the individual play being produced for members of the cast, and may videotape or record rehearsals or performances of the play, for use by such members in connection with preparation for a performance of the play. Subscribers may not videotape or record the production of the play for any other reason, and may not reproduce or transmit the production via television or radio, or via the internet or other electronic methods, without the written permission of, and the payment of any required royalties to, Plays/Sterling Partners, Inc. Non-subscribers . Persons and entities that are not current subscribers to this magazine must apply in writing to Plays/Sterling Partners, Inc. for royalty quotations and permission to copy, reproduce, distribute, transmit, publicly display, or publicly perform any of the plays herein. Permission will be granted on a per-performance basis only, and under no condition may permission be transferred. -
The Natural History Topography
THE NATURAL HISTORY AND THE TOPOGRAPHY OF GROTON, MASSACHUSETTS TOGETHER WITH OTHER MATTER RELATING TO THE HISTORY OF. THE TOWN BY SAMUEL ABBOTT GREEN Facts lie at the foundation of history, and they are the raw material of all narrative writing GROTON: 1912 fflnibnsitJ! ~ms :_ JOHN WILSON AND SON, CAM:SRIDGE, C. S. A. OF SAMUEL AUGUSTUS SHATTUCK AND HIS WIFE SARAH PARKER SHATTUCK -BOTH NATIVES OF THE TOWN- WITH WHOM MY PERSONAL ASSOCIATIONS DURING THE LATER YEARS OF THEIR LIVES WERE ALWAYS SO PLEASANT THESE PAGES ARE INSCRIBED INTRODUCTORY NO.TE. WITH the exception of Miss Elizabeth Sewall Hill's paper on the Flora and Fauna of the town, and of a very few others that were first printed in newspapers, these several articles have already appeared in the Gro~on Historical Series. In the present forn1 the opportunity has been taken to make certain changes in the text of such articles. Miss Hill, by her knowledge and love of nature, is remark ably well fitted to describe the Flora and Fauna. The hills and valleys of the town, with all their shrubbery and other vegetation, and the brooks and meadows with their moats and swamps, are well-known to· her ; and the varioµs animals that live on the land or in the-water are equally familiar. The birds even seem to know that she is a lover of their species, and they are always ready to answer her calls when she imi-, tates their notes. As a labor of love on her part, she has written this description, and, by her courtesy and kindness in the matter, she has placed me un_der special obligation~.