National Grasslands Management a Primer
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The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes
Media Industries 5.2 (2018) The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes Annemarie Navar-Gill1 UNIVERSITY OF MICHIGAN amngill [AT] umich.edu Abstract Because companies, not writer-producers, are the legally protected “authors” of television shows, when production disputes between series creators and studio/ network suits arise, executives have every right to separate creators from their intellectual property creations. However, legally disempowered series creators can leverage an audience mandate to gain the upper hand in production disputes. Examining two case studies where an audience mandate was involved in overturning a corporate production decision—Rob Thomas’s seven-year quest to make a Veronica Mars movie and Dan Harmon’s firing from and subsequent rehiring to his position as the showrunner of Community—this article explores how the social media ecosystem around television rebalances power in disputes between creators and the corporate entities that produce and distribute their work. Keywords: Audiences, Authorship, Management, Production, Social Media, Television Scripted television shows have always had writers. For the most part, however, until the post-network era, those writers were not “authors.” As Catherine Fisk and Miranda Banks have shown in their respective historical accounts of the WGA (Writers Guild of America), television writers have a long history of negotiating the terms of what “authorship” meant in the context of their work, but for most of the medium’s history, the cultural validation afforded to an “author” eluded them.2 This began to change, however, in the 1990s, when the term “showrunner” began to appear in television trade press.3 “Showrunner” is an unofficial title referring to the executive producer and head writer of a television series, who acts in effect as the show’s CEO, overseeing the program’s story development and having final authority in essentially all production decisions. -
Patrick John Cosgrove
i o- 1 n wm S3V NUI MAYNOOTH Ollfctel na t-Ciraann W* huatl THE WYNDHAM LAND ACT, 1903: THE FINAL SOLUTION TO THE IRISH LAND QUESTION? by PATRICK JOHN COSGROVE THESIS FOR THE DEGREE OF PHD DEPARTMENT OF HISTORY NATIONAL UNIVERSITY OF IRELAND MAYNOOTH HEAD OF DEPARTMENT: Professor R. V. Comerford Supervisor of Research: Dr Terence Dooley September 2008 Contents Acknowledgements Abbreviations INTRODUCTION CHAPTER ONE: THE ORIGINS OF THE WYNDHAM LAND BILL, 1903. i. Introduction. ii. T. W. Russell at Clogher, Co. Tyrone, September 1900. iii. The official launch of the compulsory purchase campaign in Ulster. iv. The Ulster Farmers’ and Labourers’ Union and Compulsory Sale Organisation. v. Official launch of the U.I.L. campaign for compulsory purchase. vi. The East Down by-election, 1902. vii. The response to the 1902 land bill. viii. The Land Conference, ix. Conclusion. CHAPTER TWO: INITIAL REACTIONS TO THE 1903 LAND BILL. i. Introduction. ii. The response of the Conservative party. iii. The response of the Liberal opposition to the bill. iv. Nationalist reaction to the bill. v. Unionist reaction to the bill. vi. The attitude of Irish landlords. vii. George Wyndham’s struggle to get the bill to the committee stage. viii. Conclusion. CHAPTER THREE: THE PARLIAMENTARY DEBATES THAT FORGED THE WYNDHAM LAND ACT, 1903. i. Introduction. ii. The Estates Commission. iii. The system of price‘zones’. iv. The ‘bonus’ and the financial clauses of Wyndham’s Land Bill. v. Advances to tenant-purchasers. vi. Sale and repurchase of demesnes. vii. The evicted tenants question. viii. The retention of sporting and mineral rights. -
Lancaster County, PA Archives
Fictitious Names in Business Index 1917-1983 Derived from original indexes within the Lancaster County Archives collection 1001 Hobbies & Crafts, Inc. Corp 1 656 1059 Columbia Avenue Associates 15 420 120 Antiquities 8 47 121 Studio Gallery 16 261 1226 Gallery Gifts 16 278 1722 Motor Lodge Corp 1 648 1810 Associates 15 444 20th Century Card Co 4 138 20thLancaster Century Housing County,6 PA332 Archives 20th Century Television Service 9 180 222 Service Center 14 130 25th Hour 14 43 28th Division Highway Motor Court 9 225 3rd Regular Infantry Corp 1 568 4 R's Associates 16 227 4 Star Linen Supply 12 321 501 Diner 11 611 57 South George Street Associates 16 302 611 Shop & Gallery 16 192 7 Cousins Park City Corp 1 335 78-80 West Main, Inc. Corp 1 605 840 Realty 16 414 A & A Aluminum 15 211 A & A Credit Exchange 4 449 A & B Associates 13 342 A & B Automotive Warehouse Company Corp 1 486 A & B Electronic Products Leasing 15 169 A & B Manufacturing Company 12 162 A & E Advertising 15 54 A & H Collectors Center 12 557 A & H Disposal 15 56 A & H Drywall Finishers 12 588 A & L Marketing 15 426 A & L Trucking 16 358 A & M Enterprises 15 148 A & M New Car Brokers 15 128 A & M Rentals 12 104 A & P Roofing Company 14 211 A & R Flooring Service 15 216 A & R Nissley, Inc. Corp 1 512 A & R Nissley, Inc. Corp 1 720 A & R Nissley, Inc. Corp 2 95 A & R Tour Services Co. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
Download This Issue As
Wednesday, April 5, 2017 • Vol. 11 Issue 3 Celebrate Lafayette-Orinda Presbyterianwithwwiithth Church 26,000 copies •Easter Sunday Services, April 16 delivereddeliv biweekly to LamorindaLam homes & 6:30 a.m. • 8:00 a.m. • businesses 9:30 a.m. • 11:00 a.m. www.lamorindaweekly.com 925-377-0977 Visit LOPC.org/news/easter FREE for Holy Week Service Info 49 Knox Drive Lafayette CA 94549 (925) 283-8722 • LOPC.org Twins Sadie and Morgan took their father David to the Opening Day of the market after a morning playing Tot Baseball across the street at the Orinda Community Park. Photo Andy Scheck Farmers Market Celebrates 20th Anniversary By Sora O’Doherty t was no April Fool’s Joke when the Orinda Farmers attendance and offer some new attractions. According to Enabled by the Orinda Community Center’s donation Imarket cut the ribbon on its 20th season of providing Staci DeShasier, executive director of Contra Costa County of chairs, the market was able to expand its customer seat- fresh food on April 1. The Farmers Market will run Farmers’ Markets, Orinda accomplished that goal with a 10 ing area. DeShasier says that when they added top musi- until mid-November, with a focus on food and music from percent increase in customer attendance. DeShasier was de- cians in front of the new seating, it made the market the 9 a.m. to 1 p.m. Saturdays in front of the Rite Aide store lighted, noting that the increase translates into real dollars for place to be on Saturday mornings, and now the market has on Orinda Way. -
The Irish National Land League 1879-1881
THE UNIVERSITY OF ILLINOIS LIBRARY bis 3Vr '4 Digitized by the Internet Archive in 2013 http://archive.org/details/irishnationallanOOjenn THE IRISH NATIONAL LAND LEAGUE 1879 - 1881 BV WALTER WILSON JENNINGS THESIS FOR THE DEGREE OF BACHELOR OF ARTS IN HISTORY COLLEGE OF LIBERAL A UTS AND SCIENCES UNIVERSITY OF ILLINOIS 1915 UNIVERSITY OF ILLINOIS 191 THIS IS TO CERTIFY THAT THE THESIS PREPARED UNDER MY SUPERVISION BY ENTITLED IS APPROVED BY ME AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF i.c^^^. ^ £. Instructor in Charge APPROVED: HEAD OF DEPARTMENT OF TABLE OF CONTENTS CHAPTER I Historical Sketch - the Remote Background: Elizabeth's system of colonization - Sir Charles Coote - Cromwell - Charles II - William III - Condi- tions in Ireland - Famine of 1847 and 1848 - Land Act 1 CHAPTER II Certain Conditions in Ireland. 1879-1881: Geography of Ireland - Population - Occupations - Products - Famine of 1879 - Land owners and their power - Evictions - Proposed remedies - Actual emigra- tion - Charity - Help from the United States - Relief committees - Duchess of Marlborough's Fund - Mansion— 9 CHAPTER III Organization. Ob.iects. and Methods of the Land League: Founding of the League - Support - Leaders and members - Executive meetings - Objects - Parnell's early plan - MasB meetings - Navan - Gurteen - Balla - Irishtown - Keash - Ennis - Ballybricken - Feenagh - Dublin demonstration - Dungarven local convention - General convention at Dublin - Newspapers - Frustra- tion of sales - Reinstatements - Boycotting - Some 22 CHAPTER -
Engineering for Women in the United States: 1966-1978
DOCUMENT RESUME ED 199 049 SE 034 170 AUTHOR Aldrich, Michele L., Comp.: And Others "IITLE Programs in Science, Mathematics and Engineering for Women in the United States: 1966-1978. INSTITUTION American Association for the Advancement of Science, Washington, D.C. SPONS National Science Foundation, Washington, D.C. REPORT 00 AAAS-80-11 PUB DATE Nov 80 GRANT NSF -SPI77-27279 NOTE 294p.: Contains occasional light and broken type. AVAILABLE FRCMAmerican Association for the Advancement of Science, 1776 Massachusetts Ave., N.W., Washington, DC 20036 (no price quoted) . EDRS PRICE MF01/PC12 Plus Postage. LESCRIPTORS *Career Choice: Career Planning: *Directories: *Educational Opportunities: Engineering: Engineering Education: Equal Education: *Females; *Improvement Programs: Mathematics: Mathematics Education: Science Education: Sciences: Sex Fairness: *Special Programs ABSTRACT Presented is a description of over 300 projects designed to increase the numbers and status of women in science, engineering, and mathematics training and careers. Each project description begins with a beading which conveys standardized data abcut the program in a condensed form. The headings are explained on the inside front cover of this text. A narrative paragraph details the recruitment strategies, goals, methods, and insights of the project. Each paragraph closes with citations of any publications, films, or tapes created during the program, followed by the name, address, and telephone number cf someone knowledgeable about the project. The projects are arranged by grade level, and alphabetically by program title within levels. When a project crosses more than one level, it is listed with the earliest applicable grade. The title page of each section cress-references relevant projects in other sections. -
DARK CITY HIGH the High School Noir of Brick and Veronica Mars Jason A
DARK CITY HIGH THE HIGH SCHOOL NOIR OF BRICK AND VERONICA MARS Jason A. Ney ackstabbing, adultery, blackmail, robbery, corruption, and murder—you’ll find them all here, in a place where no vice is in short supply. You want drugs? Done. Dames? They’re a dime a dozen. But stay on your toes because they’ll take you for all you’re worth. Everyone is work- ing an angle, looking out for number one. Your friend could become your enemy, and if the circumstances are right, your enemy could just as easily become your friend. Alliances are as unpredictable and shifty as a career criminal’s moral compass. Is all this the world of 1940’s and 50’s film noir? Absolutely. But, tures like the Glenn Ford vehicle The Blackboard Jungle (1955) and Bas two recent works—the television show Veronica Mars (2004- melodramas like James Dean’s first feature,Rebel Without a Cause 2007) and the filmBrick (2005)—convincingly argue, it is also the (1955). But a noir film from the years of the typically accepted noir world of the contemporary American high school. cycle (1940-1958) populated primarily by teenagers and set inside a That film noir didn’t extend its seductive, deadly reach into the high school simply does not exist. Perhaps noir didn’t make it all the high schools of the forties and fifties is somewhat surprising, given way into the halls of adolescent learning because adults still wanted how much filmmakers danced around the edges of what we now to believe that the teens of their time retained an element of their call noir when crafting darker stories about teens gone bad. -
Agrarian Reform in Eighteenth -Century Denmark
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers from the University Studies series (The University of Nebraska) University Studies of the University of Nebraska 1977 Agrarian Reform in Eighteenth -Century Denmark Lawrence J. Baack Follow this and additional works at: https://digitalcommons.unl.edu/univstudiespapers Part of the Arts and Humanities Commons This Article is brought to you for free and open access by the University Studies of the University of Nebraska at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers from the University Studies series (The University of Nebraska) by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. new senes no. 56 University of Nebraska Studies 1977 Agrarian Reform in Eighteenth-Century Denmark The University of Nebraska The Board of Regents JAMES H. MOYLAN ROBERT L. RAUN chairman EDWARD SCHWARTZKOPF CHRISTINE L. BAKER STEVEN E. SHOVERS KERMIT HANSEN ROBERT G. SIMMONS, JR. ROBERT R. KOEFOOT, M.D. KERMIT WAGNER WILLIAM J. MUELLER WILLIAM F. SWANSON ROBERT J. PROKOP, M.D. corporation secretary The President RONALD W. ROSKENS The Chancellor, University of Nebraska-Lincoln Roy A. YOUNG Committee on Scholarly Publications GERALD THOMPSON DAVID H. GILBERT chairman executive secretary JAMES HASSLER KENNETH PREUSS HENRY F. HOLTZCLAW ROYCE RONNING ROBERT KNOLL Lawrence J. Baack Agrarian Reform in Eighteenth-Century Denmark university of nebraska studies : new series no. 56 published by the university at lincoln: 1977 For my mother. Frieda Baack Copyright © 1977 by the Board of Regents of the University of Nebraska Library of Congress Catalog Card Number 77-78548 UN ISSN 0077-6386 Manufactured in the United States of America Contents Preface vii Agrarian Reform in Eighteenth-Century Denmark 1 Notes 29 Acknowledgments 45 Preface AGRARIAN REFORM can be one of the most complex tasks of gov ernment. -
Investigating Veronica Mars the Noir and Teen Clash in Neptune, California
Investigating Veronica Mars The Noir and Teen Clash in Neptune, California by Kim Johansen Østby Master’s Thesis in Media Studies Department of Media and Communication University of Oslo Spring 2010 “[…] why is Veronica Mars so good? It bears little resemblance to life as I know it, but I can't take my eyes off the damn thing.” (Stephen King, Entertainment Weekly, 01/02-2007) I Abstract What happens when you combine the long tradition of film noir and the contemporary television teen drama? Through genre analysis, this thesis explores how the television show Veronica Mars (2004-2007) mixes noir and teen drama and how this creates a dark vision of society and teen life. Through four chapters I investigate key points of the show, such as the narration and aesthetics, the representation of the noir universe through the show’s depiction of social class inequalities and an incapacitated criminal justice system, the show’s exploration of teen drama themes and how this is affected by noir and finally, an analysis of the main characters and how they relate to this hybrid universe. Noir and teen elements pulsate throughout the entire show. Together they create a tense, paranoid and mysterious atmosphere and allow the show to repeatedly explore dark themes and plots that do not commonly appear in teen dramas. The teen private investigator protagonist Veronica must tackle mysteries ranging everywhere from disappearances, blackmail, scams and theft, to situations where she must deceive the FBI, confront and battle a serial rapist and solve the mass murder of her fellow classmates, all while making her way through high school and college. -
La Co-Construction D'un Dispositif Sociotechnique
UNIVERSITÉ DU QUÉBEC À MONTRÉAL LA CO-CONSTRUCTION D'UN DISPOSITIF SOCIOTECHNIQUE DE COMMUNICATION: LE CAS DE L'INTERNET RELAY CHAT THÈSE PRÉSENTÉE COMME EXIGENCE PARTIELLE DU DOCTORAT EN COMMUNICATION PAR GUILLAUME LATZKO-TOTH MAI 2010 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de cette thèse se fait dans le respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522 - Rév.01-2006). Cette autorisation stipule que «conformément à l'article 11 du Règlement no 8 des études de cycles supérieurs, [l'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication de la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l'auteur] autorise l'Université du Québec à Montréal à reproduire, diffuser, prêter, distribuer ou vendre des copies de [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entraînent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf entente contraire, [l'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire.» À ma grand-mère Elen In memoriam AVANT-PROPOS Il n'est jamais aisé de choisir un sujet de thèse, car cela signifie renoncer, et ce pour plusieurs années, à d'autres questionnements qui nous semblent tout aussi dignes d'attention.