New York State Stormwater Managment Design Manual
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Author surname Author first name Title Genre Copies Abercrombie Joe Red country Fantasy 10 Shy South hoped to bury her bloody past and ride away smiling, but she'll have to sharpen up some bad old ways to get her family back, and she's not a woman to flinch from what needs doing. She sets off in pursuit with only a pair of oxen and her cowardly old stepfather Lamb for company. But it turns out Lamb's buried a bloody past of his own. And out of the lawless Far Country the past never stays buried. Ackroyd Peter Hawksmoor Crime 10 Nicholas Dyer, assistant to Sir Christopher Wren and the man with a commission to build seven London churches, plans to conceal a dark secret at the heart of each church. 250 years later, detective Nicholas Hawksmoor is investigating a series of gruesome murders. Ackroyd Peter The Lambs of London Historical 10 Touching and tragic, ingenious, funny and vividly alive, this is Ackroyd at the top of his form in a masterly retelling of a 19th century drama which keeps the reader guessing right to the end. Adichie Chimamanda Ngozi Americanah General 10 From the award winning author of Half of a Yellow Sun', a powerful story of love, race and identity. As teenagers in Lagos, Ifemelu and Obinze fall in love. Their Nigeria is under military dictatorship, and people are fleeing the country if they can. The self-assured Ifemelu departs for America. There she suffers defeats and triumphs, finds and loses relationships, all the while feeling the weight of something she never thought of back home: race. -
Delicate Affections
DDDDeeeelllliiiiccccaaaatttteeee AAffffffffeeeeccccttttiiiioooonnnnssss by Adrian Saldanha Let me take you away, for a moment, to a place far from here. A lush green forest meadow grows with patches of exquisite wildflowers blossoming everywhere — a veritable paradise on earth. In the middle of it all is a tiny, crystal clear pond that reflects the light that falls on it. The pond isn't very deep, and you can see the assortment of pebbles at the bottom of it. From that pond stems a wandering stream that ventures further into the wilderness. The grass beneath your feet is thick and a very healthy shade of green. The trees are tall and mighty, a worthy inspiration with their vast grandeur, and between some of the high branches, great rays of sunlight manage to shine through into the forest and create a nearly holy and spiritual glow. The very sight of it is so beautiful and soothing; it makes you wonder how some divine force in the universe could not exist. In the morning, you and I are together. The songbirds sing their tunes melodically, as the world gently wakes up. Despite its great solace, however, you and I are too restless. We quickly amuse ourselves by trying to climb the trees, toss pebbles into the pond, and chase one another throughout the wilderness. We haven't a care in the world, and I find myself unable to admire the calmness of meadow, for I am too busy admiring your beauty and your grace, as you're basked in that gentle morning light. My heart races and skips because I know I am in love, though I dare not say a word, for I know not how you feel yourself. -
June Una Voce JOURNAL of the PAPUA NEW GUINEA ASSOCIATION of AUSTRALIA INC
ISSN 1442-6161, PPA 224987/00025 2012, No 2 - June Una Voce JOURNAL OF THE PAPUA NEW GUINEA ASSOCIATION OF AUSTRALIA INC Patrons: Major General Michael Jeffery AC CVO MC (Retd) Mr Fred Kaad OBE Note: Annual Membership List In This Issue is included with this Una Voce. COMPLETE UV AVAILABLE ONLINE 3 * * * PNG…IN THE NEWS 5 CHRISTMAS LUNCHEON – LETTERS TO THE EDITOR 8 This year’s Christmas Luncheon will be NOTES FROM THE N T 10 held on Sunday 2 December at the ANZAC DAY 2012 IN RABAUL 12 Killara Golf Club, 556 Pacific DAWN SERVICE ADDRESS AT RABAUL 14 Highway, Killara (Sydney, NSW.) Keep an eye on the PNGAA Forum: RABAUL CENOTAPH 2012 16 Notebook for further information which AS YOU RIP SO SHALL YOU SEW 17 will also be in the September Una Voce KOKODA: 70 YEARS ON 18 with the booking form. We hope to see PACIFIC ISLANDS EXHIBITION 20 as many there as possible so put the date WATABUNG PRIMARY SCHOOL 21 in your diary NOW!! THE JIMI VALLEY PINE STANDS 23 NEW FACILTY NOW A RAW DEAL 24 AVAILABLE ON THE PNGAA MT GILUWE 26 WEBSITE - PNGAA MEMBERS UP AND DOWN MOUNTAINS 27 ONLY: GLIMMER OF HOPE 28 – Search and retrieve from LETTER by Corporal Llew Pippen 31 archived Una Voces, 1978 to present, DEDICATION OF RABAUL & MONTEVIDEO now available ONLINE. MARU MEMORIAL 32 Please see page 3 INDEXATION UPDATE 33 GIVING THE BAD NEWS 35 GOULBURN ART GALLERY HELP WANTED 36 Visit from Sydney 29 SEP 2012 See page 20. RSVP 15Aug 2012 BOOK REVIEW 36 * * * FRYER PNGAA COLLECTION 38 VISIT TO THE MOUNTAINS WALK INTO PARADISE 41 The annual spring visit to the Blue LLOYD HURRELL 44 Mountains: Thursday 4 October. -
Madonna - 1982 - 2009 : the Lyrics Book - 1 SOMMAIRE
Madonna - 1982 - 2009 : The Lyrics Book - www.madonnalex.net 1 SOMMAIRE P.03 P.21 P.51 P.06 P.26 P.56 P.09 P.28 P.59 P.10 P.35 P.66 P.14 P.40 P.74 P.15 P.42 P.17 P.47 Madonna - 1982 - 2009 : The Lyrics Book - www.madonnalex.net 2 ‘Cause you got the best of me Chorus: Borderline feels like I’m going to lose my mind You just keep on pushing my love over the borderline (repeat chorus again) Keep on pushing me baby Don’t you know you drive me crazy You just keep on pushing my love over the borderline Something in your eyes is makin’ such a fool of me When you hold me in your arms you love me till I just can’t see But then you let me down, when I look around, baby you just can’t be found Stop driving me away, I just wanna stay, There’s something I just got to say Just try to understand, I’ve given all I can, ‘Cause you got the best of me (chorus) Keep on pushing me baby MADONNA / Don’t you know you drive me crazy You just keep on pushing my love over the borderline THE FIRST ALBUM Look what your love has done to me 1982 Come on baby set me free You just keep on pushing my love over the borderline You cause me so much pain, I think I’m going insane What does it take to make you see? LUCKY STAR You just keep on pushing my love over the borderline written by Madonna 5:38 You must be my Lucky Star ‘Cause you shine on me wherever you are I just think of you and I start to glow BURNING UP And I need your light written by Madonna 3:45 Don’t put me off ‘cause I’m on fire And baby you know And I can’t quench my desire Don’t you know that I’m burning -
TONY WHYTON Telling Tales: Witnessing and the Jazz Anecdote
The Source: Challenging Jazz Criticism TONY WHYTON Telling tales: witnessing and the jazz anecdote Language as culture is the collective memory bank of a people’s experience in history. Culture is almost indistinguishable from language that makes possible its genesis, growth, banking, articulation and indeed its transmission from one generation to the next. (Thiong’o,1999:289) He lies like an eye-witness… (Volkov, 1981:1) Understanding anecdote The conventional jazz narrative is dominated by mythologies, chronological ‘packaged’ histories, stereotypical imagery and colourful stories that often oversimplify and romanticise issues surrounding the music. Notably, the role of the jazz anecdote is something that forms a part of any jazz musician’s everyday life and yet seems to be the most uncritical of methods used to discuss the music. Anecdote derives from the Greek meaning ‘unpublished’ but, unlike the more fashionable ‘oral history’, the word normally implies an uncritical and less academic approach. Indeed, the semantic connotations of anecdote have allowed it to slip virtually unnoticed, and without critical appraisal, into the canon of jazz history. The boundaries between anecdote and other forms of narrative, such as oral history and testimony, are often blurred; however, I have deliberately chosen to use the term ‘anecdote’ as a descriptor within this article, and all that the term implies, with the aim of raising the semantic stakes. Anecdotal accounts of jazz are an essential ingredient in musicians' interactions and discussions of music. The deeply social nature of the music, its celebrated oral tradition and the obsession with documentation have established anecdotal stories as a primary means of communicating historical information. -
THIRD WAVE FEMINISM in POP MUSIC by THAILAN PHAM
ARTICULATING FEMINISM AND POLITICS: THIRD WAVE FEMINISM IN POP MUSIC by THAILAN PHAM (Under the Direction of Jay Hamilton) ABSTRACT This study examines pop music in context of third wave feminism. The songs selected as material text are: Gretchen Wilson’s “Redneck Woman,” Avril Lavigne’s “Sk8er Boi,” Christina Aguilera’s “Can’t Hold Us Down,” featuring Lil’ Kim, and Missy Elliott’s “Work It.” The songs and corresponding music videos were analyzed for their responses and solutions to the issue of gender inequality. The songs were also examined for contradiction among songs and in relationship to third wave feminism. Results indicated similarities along ethnic lines and visual displays of sexuality rooted in patriarchal gender construction. INDEX WORDS: Pop music, Third wave feminism, Contradiction, Songs, Music videos, Sexuality, Patriarchy ARTICULATING FEMINISM AND POLITICS: THIRD WAVE FEMINISM IN POP MUSIC by THAILAN PHAM B.A., The University of Georgia, 2003 A.B.J., The University of Georgia, 2003 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2005 © 2005 Thailan Pham All Rights Reserved ARTICULATING FEMINISM AND POLITICS: THIRD WAVE FEMINISM IN POP MUSIC by THAILAN PHAM Major Professor: Jay Hamilton Committee: Christine Harold Anandam Kavoori Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia August 2005 DEDICATION For my grandmother Nelle Morgan Burton August 10, 1917 – February 21, 2005 who taught me strength, love, and laughter My parents Dr. An Van Pham and Lienhoa Pham who have always demanded the most and expected absolutely nothing less My brother Binh Pham who has always offered a sympathetic ear and valuable advice even from halfway across the world iv ACKNOWLEDGEMENTS First and foremost, I would like to thank Dr. -
Pale Fire Quite Simple | Victims the Buck Pets
w/ Cover Page (feed) Æ play dead | pale fire the buck pets | a little murder 12" single from the LP The Buck Pets c. 1985 Clay Records c. 1989 Island Records Play Dead were an English post-punk group from Oxford that The Buck Pets were an American alternative rock band formed grew out of the fading English punk scene in 1980. Though in the late 1980s in Dallas, Texas. While they initially gained a the band was identified with groups like UK Decay and Sex degree of support from Island Records for their first LP, 1989's Gang Children, the band felt they didn't belong under the hard edged The Buck Pets, on the eve of the release of their gothic title. The band made three studio albums for four 2nd LP Mercurotones, Island was bought by PolyGram - the A&R different small labels—Fresh Records, Jungle Records, staff was let go, and projects were shelved while the new Situation 2, and Clay Records—before forming their own owners evaluated their new property. During their short label, Tanz, for their final album, Company Of Justice, tenure, The Buck Pets garnered tour spots with larger acts such which appeared in 1985. as Neil Young (Ragged Glory Tour) and Jane's Addiction, but in the end, they failed to see much commercial success. quite simple | victims crash street kids | little girls 7" Single from the LP Little Girls c. 1982 Fat City Records c. 1987 self-released Endless gigging throughout the Minneapolis area and the Quite Simple was a very short-lived Gothic Rock band from Midwest built this Twin Cities power pop outfit a strong The Netherlands. -
The Quietus | Features | Quietus Charts | Quietus Albums of The
Quietus Albums Of The Year 2018, In Association With Norman Records Luke Turner , December 5th, 2018 15:19 ‘Best In Show!’ by Lisa Cradduck 2018, in case you missed the memo, marks a decade since The Quietus launched as a digital websheet. As ever, back in January, we probably thought 'what if this is the year that music goes crap?' Thankfully, against a wider climate that just gets ever bleaker, music has rewarded us with the best birthday present it could, for this year's top 100 albums of the year curiously feels like the 'most Quietus' we've ever done. What, exactly, this site is all about remains something of a mystery, even to us after a decade producing it, but that's sort of the point. We're not really fussed by hype and trends or a desperate desire to be focusing on the next hot thing - that sort of thinking is what has got the music media and industry alike into bother again and again. Instead, we focus on the marginal and ignored, the New Weird scenes of the world in a list compiled by the Quietus HQ crew Anna Wood, Christian Eede, Patrick Clarke, John Doran and myself, with help from our various genre columnists. Indeed, it's fair to say that this list is a counterblast to the algorithmic systems of music discovery that increasingly shape our culture, largely to negative effect. When we started The Quietus way back in 2008, that technology was in its infancy and the threat to the leftfield was arguably a conservative media landscape. -
Billboard 1967-08-05
AUGUST 5, 196-- SEVENTY -THIRD YEAR 75 CENTS The International Music -Record 1110 Newsweekly Music City 'Needles' Chappell Erupts Into Rock; Mono & Spurs Stereo Pushes BMI Pace in U.S., U.K. By HANK FOX By ELIOT TIEGEL NEW YORK -Chappell Music, traditionally a vehement opponent of BMI. With the opening of LOS ANGELES -The five -store Music City chain here is mainstay among old -line ASCAP publishers, is a BMI outlet, Chappell further reduces the roster using a promotional compatible diamond needle as an incentive to entering the rock music field wiìth a vengeance. of BMI holdout publishers. Only a few remain spur stereo sales and eliminate monaural product. The giant publishing firm's American division is without BMI ties. When a customer asks for a monaural record which the store stepping up its BMI activity. Chappell is also spurring its operation in carries in stereo only, the customer is offered a Fidelitone diamond The company, through its British division the classically oriented music and books- on -rec- needle -which usually lists for $6.95 to $9.98 -for $1.98. The (British Chappell), has already formed Bondola ord fields. A new partnership firm, with Vernon is cited needle can be used only with ceramic pickups, and this fact Music, a BMI firm, and two U. S. writers have Duke, has been established for Duke's composi- on a coupon which the customer gets when he buys the stereo record. been signed here to channel material to Bondola tions. Duke will pen material under his real The customer then takes the coupon to a service desk and selects for world -wide exploitation. -
Blom, Tine. 2019. Nature, Wilderness and Ecological Awareness: Exploration, Experience and the Creation of Audiovisual Artworks of a Mountain
Blom, Tine. 2019. Nature, wilderness and ecological awareness: Exploration, experience and the creation of audiovisual artworks of a mountain. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/26311/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Nature, wilderness and ecological awareness: Exploration, experience and the creation of audiovisual artworks of a mountain Tine Blom Ph.D. in Sonic Arts Department of Music Goldsmiths, University of London 2019 1 I hereby declare that the work in this thesis and the artworks and sounds presented in the accompanying portfolio are my own. I created the photographs, sounds and figures used herein and I therefore own and control copyrights. Signed, Date: 6th of March 2019 2 ACKNOWLEDGEMENTS This research is the outcome of long and winding wanderings that would not have been carried through without the support and company along the way. Prof. John Levack Drever at the Department of Music introduced me to soundscape studies and encouraged and supervised this thesis all the way through. Noortje Marres at the Department of Sociology introduced me to Whitehead. Prof. Janis Jefferies at the Department of Computing gave clear advice on combining academic and artistic research. -
WATER RESEARCH COMMISSION by Alan William Seed Directorate Of
WATER RESEARCH COMMISSION THE GENERATION OF A SPATIALLY DISTRIBUTED DAILY RAINFALL DATABASE % FOR VARIOUS WEATHER MODIFICATION SCENARIOS by Alan William Seed Directorate of Hydrology Department of Water Affairs and Forestry Private Bag X313 Pretoria • ISBN 1 874858 56 X September 1992 WRC Report No 373/1/92 CONTENTS EXECUTIVE SUMMARY i LIST OF TABLES iii LIST OF FIGURES iv ACKNOWLEDGEMENTS vi Chapter 1 INTRODUCTION 1 PART 1 : BACKGROUND Chapter 2 SELECTION OF THE STUDY AREA 3 2.1 Wilge Catchment 3 2.2 Crocodile Catchment 3 2.3 Upper Usutu Catchment 4 2.4 Conclusions 4 Chapter 3 RAINFALL CHARACTERISTICS THAT HAVE A BEARING ON SIMULATING A WEATHER MODIFICATION OPERATION 5 3.1 Classification of seedable and non-seedable rain days 5 3.2 Differences between wet and dry years 7 3.3 Diurnal distribution 7 3.4 Response of a storm to rainfall stimulation 8 Chapter 4 RADAR DATA PROCESSING 10 4.1 Introduction to radar rainfall measurement 10 4.2 Constructing the radar rainfall maps 10 4.3 Tracking storms 12 Chapter 5 QUANTIFICATION OF THE EFFECT OF WEATHER MODIFICATION ON MEAN AREAL DAILY RAINFALL 14 5.1 Seedable rainfall vs total rainfall 14 5.2 Effect of weather modification on mean areal daily rainfall 14 5.3 Seeding efficiency 19 5.4 Impact of operational constraints 20 PART 2 : MODELLING Chapter 6 METHODOLOGY ADOPTED FOR THE SIMULATION OF A WEATHER MODIFICATION OPERATION 23 6.1 Model for the effect of weather modification 23 6.2 Rain day model 24 Chapter 7 GENERATION OF DAILY RAINFALL MAPS 27 7.1 Introduction 27 7.2 Method 28 7.3 Results 31 7.4 Discussion 31 7.5 A fast algorithm for inverse distance squared interpolation 34 Chapter 8 SIMULATION OF A WEATHER MODIFICATION PROGRAMME 35 8.1 The generation of a rainfall data base for the Carolina study area .. -
Oklahoma State University Collections
OFFICIAL MAGAZINE OF THE STATE OF OKLAHOMA November-December '86 George Nigh, Vol. 36, No. 6 COVERS I HEV LADY DANCER. I 'SEND YE ANOTHER 4 K -IIILIIIIIlPllll WOULD YOU SET OF CHAINS' 30 DO THAT AOAIN... 1 Bump along in a '23 Dodge across Traveling artists take their talents all miles of unpaved mads and unbridged over Oklahoma to introduce students- rivers as a retired traveling salesman young, old and in between-to the recounts his experiences in 1920s joys of self-expression. western Oklahoma. PORTFOLIO 40 Photographer Jack Hammett takes you to a Miami pow wow, a balloon race in Tulsa and the Tahlequah town square. 4 Every December, Guthrie OUTHRIE'S residents turn their city into a VICTORIAN CHRISTMAS 20 territorial holiday. Photo by Jim Argo. Inside front A Join Guthrie folks as they step back cardinal weathers an early- nearly a century to celebrate Christmas winter cold snap. Photo by the way territorial Oklahomans did- Bob Jenni. Back. with plum pudding, roast goose and a Downtown Oklahoma City spirit of cooperation. gets dressed up for Christmas. Photo by Jim Argo. FEATURES Seven craftsmen show their work, FORT SILL'S and you'll see how the pursuit of DEPARTMENTS OLD POST QUADRANOLE 8 perfection sets them apart. Today In Oklahoma .................................4 Ghosts quarrel with each other, move Bodcs/Letters ...........................................5 furniture and mingle with Army officers PLEASE PASS THE PEAS 34 Uncommon Common Folk ......................6 and their hilies in Oklahoma's A Woodward writer finally confesses Oklahoma Omnibus: Red Earth ...........18 oldest continuously occupied homes. her 70-year-old secret.