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CILICIA: the FIRST CHRISTIAN CHURCHES in ANATOLIA1 Mark Wilson
CILICIA: THE FIRST CHRISTIAN CHURCHES IN ANATOLIA1 Mark Wilson Summary This article explores the origin of the Christian church in Anatolia. While individual believers undoubtedly entered Anatolia during the 30s after the day of Pentecost (Acts 2:9–10), the book of Acts suggests that it was not until the following decade that the first church was organized. For it was at Antioch, the capital of the Roman province of Syria, that the first Christians appeared (Acts 11:20–26). Yet two obscure references in Acts point to the organization of churches in Cilicia at an earlier date. Among the addressees of the letter drafted by the Jerusalem council were the churches in Cilicia (Acts 15:23). Later Paul visited these same churches at the beginning of his second ministry journey (Acts 15:41). Paul’s relationship to these churches points to this apostle as their founder. Since his home was the Cilician city of Tarsus, to which he returned after his conversion (Gal. 1:21; Acts 9:30), Paul was apparently active in church planting during his so-called ‘silent years’. The core of these churches undoubtedly consisted of Diaspora Jews who, like Paul’s family, lived in the region. Jews from Cilicia were members of a Synagogue of the Freedmen in Jerusalem, to which Paul was associated during his time in Jerusalem (Acts 6:9). Antiochus IV (175–164 BC) hellenized and urbanized Cilicia during his reign; the Romans around 39 BC added Cilicia Pedias to the province of Syria. Four cities along with Tarsus, located along or near the Pilgrim Road that transects Anatolia, constitute the most likely sites for the Cilician churches. -
The Influence of Achaemenid Persia on Fourth-Century and Early Hellenistic Greek Tyranny
THE INFLUENCE OF ACHAEMENID PERSIA ON FOURTH-CENTURY AND EARLY HELLENISTIC GREEK TYRANNY Miles Lester-Pearson A Thesis Submitted for the Degree of PhD at the University of St Andrews 2015 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/11826 This item is protected by original copyright The influence of Achaemenid Persia on fourth-century and early Hellenistic Greek tyranny Miles Lester-Pearson This thesis is submitted in partial fulfilment for the degree of Doctor of Philosophy at the University of St Andrews Submitted February 2015 1. Candidate’s declarations: I, Miles Lester-Pearson, hereby certify that this thesis, which is approximately 88,000 words in length, has been written by me, and that it is the record of work carried out by me, or principally by myself in collaboration with others as acknowledged, and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September 2010 and as a candidate for the degree of PhD in September 2011; the higher study for which this is a record was carried out in the University of St Andrews between 2010 and 2015. Date: Signature of Candidate: 2. Supervisor’s declaration: I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
How to Restart an Oracle: Politics, Propaganda, and the Oracle of Apollo
How to Restart an Oracle: Politics, Propaganda, and the Oracle of Apollo at Didyma c.305-300 BCE The Sacred Spring at Didyma dried up when the Persians deported the Branchidae to central Asia at the conclusion of the Ionian revolt c.494. It remained barren throughout the fifth and most of the fourth centuries and thus prophecy did not flow. However, when Alexander the Great liberated Miletus in 334, the spring was reborn and with it returned the gift of prophecy. After nearly two centuries, the new oracle at Didyma was not the same as the old one. This begs the question, how does one restart an oracle? The usual account is that Alexander appointed a new priestess, who immediately predicted his victory over Persia and referred to him as a god. In the historical tradition, largely stemming from Callisthenes, the renewed oracle is thus linked to Alexander, but words are wind and tradition can be manipulated. There are issues with the canonical chronology: Miletus reverted briefly to Persian control in Alexander’s wake; the Branchidae, the hereditary priests, still lived in central Asia (Hammond 1998; Parke 1985); and, most tellingly, construction on a new temple did not start for another thirty years. In fact, the renewal of the oracle only appears after Seleucus, who supposedly received three favorable oracles in 334, found the original cult statue and returned it to Miletus (Paus. 1.16.3). In the satiric account of the prophet Alexander, Lucian of Samosata declares the oracles of old, including Delphi, Delos, Claros, and Branchidae (Didyma), became wealthy by exploiting the credulity and fears of wealthy tyrants (8). -
The Greek, Lycian and Roman Craft of Encaustica
e-ISSN: 2149-7826 Disiplinlerarası Akdeniz Araştırmaları Dergisi Journal of Interdisciplinary Mediterranean Studies journal.phaselis.org Volume II (2016) Not just the Shadows on the Stone: the Greek, Lycian and Roman Craft of Encaustica (ἔγκαυσις) and the Polishing (γάνωσις) of Coloured Inscriptions, that is, of Graphō (γράφω) and its Study - Epigraphy Taş Üstündeki Gölgelerin Ötesinde: Renkli Yazıtlardaki Hellen, Lykia ve Roma Yakı Tekniği (ἔνκαυσις) ve Cilalama (γάνωσις) İşçiliği, Diğer Adıyla, Graphō (γράφω) ve İlgili Disiplin - Epigrafi T. M. P. DUGGAN The entire contents of this journal, Phaselis: Journal of Interdisciplinary Mediterranean Studies, is open to users and it is an ‘open access’ journal. Users are able to read the full texts, to down- load, to copy, print and distribute without obtaining the permission of the editor and author(s). However, all references to the book notices, criticisms and translations published in the e-jour- nal Libri are to indicate through reference the source of the citation from this journal. Phaselis: Journal of Interdisciplinary Mediterranean Studies is an international peer-reviewed jour- nal and the book notices, criticisms and translations which have had their peer reviewing process completed will be published on the web-site (www.libridergi.org) in the year of the journal’s issue (e.g. Volume II: January-December 2016). At the end of December 2016 the year’s issue is comp- leted and Volume III: January-December 2017 will begin. Responsibility for the book notices, criticism and translations published in this journal remains with the authors. Citation T. M. P. Duggan, “Not just the Shadows on the Stone: the Greek, Lycian and Roman Craft of Encaustica (ἔγκαυσις) and the Polishing (γάνωσις) of Coloured Inscriptions, that is, of Graphō (γράφω) and its Study - Epigraphy”. -
An Ancient Cave Sanctuary Underneath the Theatre of Miletus
https://publications.dainst.org iDAI.publications ELEKTRONISCHE PUBLIKATIONEN DES DEUTSCHEN ARCHÄOLOGISCHEN INSTITUTS Dies ist ein digitaler Sonderdruck des Beitrags / This is a digital offprint of the article Philipp Niewöhner An Ancient Cave Sanctuary underneath the Theatre of Miletus, Beauty, Mutilation, and Burial of Ancient Sculpture in Late Antiquity, and the History of the Seaward Defences aus / from Archäologischer Anzeiger Ausgabe / Issue 1 • 2016 Seite / Page 67–156 https://publications.dainst.org/journals/aa/1931/5962 • urn:nbn:de:0048-journals.aa-2016-1-p67-156-v5962.3 Verantwortliche Redaktion / Publishing editor Redaktion der Zentrale | Deutsches Archäologisches Institut Weitere Informationen unter / For further information see https://publications.dainst.org/journals/aa ISSN der Online-Ausgabe / ISSN of the online edition 2510-4713 Verlag / Publisher Ernst Wasmuth Verlag GmbH & Co. Tübingen ©2017 Deutsches Archäologisches Institut Deutsches Archäologisches Institut, Zentrale, Podbielskiallee 69–71, 14195 Berlin, Tel: +49 30 187711-0 Email: [email protected] / Web: dainst.org Nutzungsbedingungen: Mit dem Herunterladen erkennen Sie die Nutzungsbedingungen (https://publications.dainst.org/terms-of-use) von iDAI.publications an. Die Nutzung der Inhalte ist ausschließlich privaten Nutzerinnen / Nutzern für den eigenen wissenschaftlichen und sonstigen privaten Gebrauch gestattet. Sämtliche Texte, Bilder und sonstige Inhalte in diesem Dokument unterliegen dem Schutz des Urheberrechts gemäß dem Urheberrechtsgesetz der Bundesrepublik Deutschland. Die Inhalte können von Ihnen nur dann genutzt und vervielfältigt werden, wenn Ihnen dies im Einzelfall durch den Rechteinhaber oder die Schrankenregelungen des Urheberrechts gestattet ist. Jede Art der Nutzung zu gewerblichen Zwecken ist untersagt. Zu den Möglichkeiten einer Lizensierung von Nutzungsrechten wenden Sie sich bitte direkt an die verantwortlichen Herausgeberinnen/Herausgeber der entsprechenden Publikationsorgane oder an die Online-Redaktion des Deutschen Archäologischen Instituts ([email protected]). -
Monuments, Materiality, and Meaning in the Classical Archaeology of Anatolia
MONUMENTS, MATERIALITY, AND MEANING IN THE CLASSICAL ARCHAEOLOGY OF ANATOLIA by Daniel David Shoup A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Art and Archaeology) in The University of Michigan 2008 Doctoral Committee: Professor Elaine K. Gazda, Co-Chair Professor John F. Cherry, Co-Chair, Brown University Professor Fatma Müge Göçek Professor Christopher John Ratté Professor Norman Yoffee Acknowledgments Athena may have sprung from Zeus’ brow alone, but dissertations never have a solitary birth: especially this one, which is largely made up of the voices of others. I have been fortunate to have the support of many friends, colleagues, and mentors, whose ideas and suggestions have fundamentally shaped this work. I would also like to thank the dozens of people who agreed to be interviewed, whose ideas and voices animate this text and the sites where they work. I offer this dissertation in hope that it contributes, in some small way, to a bright future for archaeology in Turkey. My committee members have been unstinting in their support of what has proved to be an unconventional project. John Cherry’s able teaching and broad perspective on archaeology formed the matrix in which the ideas for this dissertation grew; Elaine Gazda’s support, guidance, and advocacy of the project was indispensible to its completion. Norman Yoffee provided ideas and support from the first draft of a very different prospectus – including very necessary encouragement to go out on a limb. Chris Ratté has been a generous host at the site of Aphrodisias and helpful commentator during the writing process. -
ROUTES and COMMUNICATIONS in LATE ROMAN and BYZANTINE ANATOLIA (Ca
ROUTES AND COMMUNICATIONS IN LATE ROMAN AND BYZANTINE ANATOLIA (ca. 4TH-9TH CENTURIES A.D.) A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY TÜLİN KAYA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF SETTLEMENT ARCHAEOLOGY JULY 2020 Approval of the Graduate School of Social Sciences Prof. Dr. Yaşar KONDAKÇI Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. Prof. Dr. D. Burcu ERCİYAS Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. Assoc. Prof. Dr. Lale ÖZGENEL Supervisor Examining Committee Members Prof. Dr. Suna GÜVEN (METU, ARCH) Assoc. Prof. Dr. Lale ÖZGENEL (METU, ARCH) Assoc. Prof. Dr. Ufuk SERİN (METU, ARCH) Assoc. Prof. Dr. Ayşe F. EROL (Hacı Bayram Veli Uni., Arkeoloji) Assist. Prof. Dr. Emine SÖKMEN (Hitit Uni., Arkeoloji) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Tülin Kaya Signature : iii ABSTRACT ROUTES AND COMMUNICATIONS IN LATE ROMAN AND BYZANTINE ANATOLIA (ca. 4TH-9TH CENTURIES A.D.) Kaya, Tülin Ph.D., Department of Settlement Archaeology Supervisor : Assoc. Prof. Dr. -
First Missionary Journey & the Jerusalem Conference
The Apostle Paul, Servant of Christ Boiling Springs, NC Overview Study Guide 704 966-6845 Unit II, Chapter 5 [email protected] “The First Missionary Journey” © All rights reserved by Lorin L Cranford Quick Links to Study 5.0 First Missionary Journey 5.0.1 Establishing Christian Congregations 5.0.2 Discipling Christian Congregations, Acts 14:21-28 5.0.1.1 Work in Seleucia, Acts 13:4 Summary: Gal. 3:1-5, 4:12-20 5.0.1.2 Work in Cyprus, Acts 13:5-12 5.1. Jerusalem Council, Acts 15:1-36, Gal. 2:1-10 5.0.1.3 Work in Perga, Acts 13:13 5.1.1 Problems at Antioch, Acts 15:1-3 5.0.1.4 Work in Pisidian Antioch, Acts 13:14-52 5.1.2 Victory in Jerusalem, Acts 15:4-29, Gal. 2:1-10 5.0.1.5 Work in Iconium, Acts 14:1-7 5.1.3 Ministry in Antioch, Acts 15:30-35, Gal. 2:11-14 5.0.1.6 Work in Lystra, Acts 14:8-20 5.0.1.7 Work in Derbe, Acts 14:21 Conclusion Introduction After Paul and Barnabas arrived back at Antioch, along with John Mark, some time passed before the next major event that would change Christianity forever. The breakthrough to the non-Jewish world with the Gos- pel had largely started at Antioch. And now this group of believers would launch a movement toward Gentiles that would revolutionize Christianity. This event was the beginning of the first missionary journey of Paul and Barnabas. -
Numismata Graeca; Greek Coin-Types, Classified For
NUMISMATA GRAECA GREEK COIN-TYPES CLASSIFIED FOR IMMEDIATE IDENTIFICATION PROTAT BROTHERS, PRINTERS, MACON (fRANCb). NUMISMATA GRAEGA GREEK GOIN-TYPES GLASSIFIED FOR IMMEDIATE IDENTIFICATION BY L^" CI flu pl-.M- ALTAR No. ALTAR Metal Xo. Pi.ACi: OBVEnSE Reverse V\t Denom . 1)a Pl.A Ri;it:iii;n(:i; SlZE II Nicaen. AVTKAINETPAIANOC. Large altar ready laid with /E.8 Tra- II un teriaii (]oll Jiilhijni:t. Ileadof Trajan r., laur. wood and havin^' door in 20 jan. p. 247, Xo 8. front; beneath AIOC. Ves- Prusiiis AYTKAilAPIIEBAI EniMAPKOYnAAN. P. I. R. .M. Pontus, etc, pasian, ad IIy])ium. TnOYEinAIIAN KIOYOY APOYAN- 22.5 12 p. 201, No 1. A. D. Billiynia. Headof Altar. nnPOYIIEII- eYHATOY. 200 Vespasian to r., laur. \:i .Aiiiasia. (]ara- 10, \o 31, AYKAIMAYP AAPCeYANTAMACIACM... , , p. Ponliirt. ANTnNINOC-Biislof in ex., eTCH. Altar of 1.2 caila. Caracalla r., laureale two stages. 30 A. n. in Paludamentum and 208 ciiirass. 14 l ariiini. Hust of Pallas r., in hel n A Garlanded altar, yE.5 H. C. R. M. Mysia, p. 1(11, Mijsiu. niet ; borderofdots. 12.5 P I 200 No 74. to Au- gus- tus. 15 Smyrna. TIB€PIOC C€BAC- ZMYPNAICON lonia. TOC- Ilead of Tibe- lePGONYMOC. Altar -ar- .E.65 Tibe- B. M. lonia, p. 268, rius r.,laur. landed. 10 No 263. 16 .\ntioch. BOYAH- Female bust ANTlOXenN- Altar. ^E.7 Babelon,/»^. Wadd., C.nria. r., veiled. 18 p. 116, \o 21.')9. 17 ANTIOXeWN cesAC CYNAPXiA AFAAOY .E.6 Au- ,, ,, No 2165. TOY- Nil^e staiiding. TOY AfAAOY. Altar, 15 gus- tus. -
URBANIZATION PRESSURES in PROTECTED HERITAGE SITES and TOURISM- DRIVEN LANDSCAPE CHANGE: a CASE STUDY of OLYMPOS, TURKEY Barış
URBANIZATION PRESSURES IN PROTECTED HERITAGE SITES AND TOURISM- DRIVEN LANDSCAPE CHANGE: A CASE STUDY OF OLYMPOS, TURKEY Barış Seyhan ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efectuades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). Para otros usos se requiere la autorización previa y expresa de la persona autora. -
Notes Du Mont Royal ←
Notes du mont Royal www.notesdumontroyal.com 쐰 Cette œuvre est hébergée sur « No- tes du mont Royal » dans le cadre d’un exposé gratuit sur la littérature. SOURCE DES IMAGES Google Livres HERODOTI MUSÆ, SIVE HISTORIARUM LIBRI IX. la E R o D 0T I) S Æ, - HISTQÊIARUMÆBBux.SNE AD VETERUM CODICUM FIDEM DENUO summum, CONTINUÆINTERPRETATIONE LATINA, ADNOTATIONIBUS WESSELINGII ET VALCKENARII ALIORUMQUE ET SUIS ILLUSTRAVIT JOHANNES SCHWEIGHÆUSER, m ACAD. ARGENT. ET 8EM- PBOT. LITEBAR. GREC. PROF. ACADEHIB REG. IXBCIIPT. ET HUM. LITEm. ADHÉR- ACCEDUNT GÉOGRAPHIE ET VIANOLOGIÆ HEBODOTEÆ SPECIMINA A G. G. BEEDOW; --T. C. BBEIGEB COMMENTATIO DE DIFFICILIOBIBUS QUIBUS- un: MIE HERODOTEÆ ;-ASIÆ HEBODO’IEÆ DIFFICILIOBA, AUCTOBE Co G. B. FRôMMICHEN’ ;--Jo F. HENNICKE C0)!- HENTATIO DE GEOGBAPHIA MINCE HERODO’IEA : ITEHQUE SUHÉABIA, SCBOLIA,VABIÆQUE LBCTIONEB E CODICE PALATINO ;-CAN0N CHEONOLOGICUS LABCHBBIANUS, AUCTUB ET EMENDATUS ;-COLLAT10 ÉDITIONUH SCHWEIGHÆUIEBI, 3.31211 ET SCHÆFEBI, AC WESSBLINGII: NEC NON M. ÆMILII PORTI DICTIONARIUM IONICUM GRÆCO-LATINUM, CUM APPENDICE TRACTATUS QUOSDAM COMPLECTENTE DE DIALECTO IONICA, nanan, WHAIHS BINAIRE, 63mm commun, 61mm: umlNSlS, GRAKHA’I’ICI KEIIHA’NNIANI, GMMIIATIC! AUGUBTAIII. TOMUS QUINTUS. LONDIN I EXCUDIT T. DAVISON; VENEUNT APUD RICARDUM PRIESTLEY. 1824..-.-. 19Aq00; .AÀSQ* H414- VS l 1605006, HÉRODOTI HALICARNASSENSISI HISTORIARUM LIBRI IX. LATINE. Û. A r HERODOTI HALICARNASSENSIS H I STORIARUM LIBÈI IX. LATINE, EX VERSIONE JOHANNIS SCHWEIGHÆUSER, IN ACAD- ABGENT. ET 8EM. PBOT. LITEBAR. GREC. PROF. ACADEHIÆ REG. INSCRIPT. ET HUM. LITEBAR- ADSCL LONDINI ExcUDlT T. DAVIBON; VENEUNT APUD RICARDUM PRIESTLEY. 1824. nERODOTr l HISTORIARUM LIBER PRIMUS. CLIO. Henonorus Halicarnasseus, quæ quum cæteris de rebus, tum de causa belloi-um Græcos inter Barbsmsque gestorum, perquirendo cognovit, en bis iibris consignais in publicum edit; ne, quæ ab hominibus gesta sunt, progressu temporis oblivione deleantur, neve præclara mirabiliaque fileta, quæ vel a Græcis edita surit val a Barn baris, suaiaude fraudentur; V - 1. -
THE GEOGRAPHY of GALATIA Gal 1:2; Act 18:23; 1 Cor 16:1
CHAPTER 38 THE GEOGRAPHY OF GALATIA Gal 1:2; Act 18:23; 1 Cor 16:1 Mark Wilson KEY POINTS • Galatia is both a region and a province in central Asia Minor. • The main cities of north Galatia were settled by the Gauls in the third cen- tury bc. • The main cities of south Galatia were founded by the Greeks starting in the third century bc. • Galatia became a Roman province in 25 bc, and the Romans established colonies in many of its cities. • Pamphylia was part of Galatia in Paul’s day, so Perga and Attalia were cities in south Galatia. GALATIA AS A REGION and their families who migrated from Galatia is located in a basin in north-cen- Thrace in 278 bc. They had been invited tral Asia Minor that is largely flat and by Nicomedes I of Bithynia to serve as treeless. Within it are the headwaters of mercenaries in his army. The Galatians the Sangarius River (mode rn Sakarya) were notorious for their destructive and the middle course of the Halys River forays, and in 241 bc the Pergamenes led (modern Kızılırmak). The capital of the by Attalus I defeated them at the battle Hittite Empire—Hattusha (modern of the Caicus. The statue of the dying Boğazköy)—was in eastern Galatia near Gaul, one of antiquity’s most noted the later site of Tavium. The name Galatia works of art, commemorates that victo- derives from the twenty thousand Gauls ry. 1 The three Galatian tribes settled in 1 . For the motif of dying Gauls, see Brigitte Kahl, Galatians Re-imagined: Reading with the Eyes of the Vanquished (Minneapolis: Fortress, 2010), 77–127.