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A Peter White Christmas with Rick Braun and Mindi Abair Brings the Sounds of the Season to Parker Playhouse
November 20, 2015 Media Contact: Savannah Whaley Pierson Grant Public Relations 954-776-1999 ext. 225 Jan Goodheart, Broward Center 954-765-5814 A PETER WHITE CHRISTMAS WITH RICK BRAUN AND MINDI ABAIR BRINGS THE SOUNDS OF THE SEASON TO PARKER PLAYHOUSE FORT LAUDERDALE – Celebrate the holidays with A Peter White Christmas with Rick Braun and Mindi Abair at Parker Playhouse on Saturday, December 12 at 8 p.m. One of the most versatile and prolific acoustic guitarists, White leads the contemporary jazz lineup in this seasonal concert combining smooth jazz cheer with traditional Christmas classics such as “White Christmas” and “Silent Night,” plus a few surprises along the way. White launched his career as a keyboardist touring with Al Stewart and worked with him in the studio on the classic album Year of the Cat. The tour and that album marked the beginning of a 20-year association with Stewart. During that time, the two musicians co-wrote numerous songs, including Stewart’s 1978 hit, “Time Passages.” After years as a backup musician and a session player, White launched his solo recording career and his annual Christmas tour is fueled by the success of his two highly regarded holiday albums, Songs of the Season (1997) and A Peter White Christmas (2007). Braun adds his stylistically eclectic trumpeting to the mix. A consistent chart-topper who has amassed a catalogue of #1 Billboard Contemporary Jazz Chart and radio hits throughout his solo career, Braun has also produced #1 hits for David Benoit, Marc Antoine and former Rod Stewart band sidekick Jeff Golub. -
Jazzweek with Airplay Data Powered by Jazzweek.Com • December 13, 2010 Volume 7, Number 3 • $7.95
JazzWeek with airplay data powered by jazzweek.com • December 13, 2010 Volume 7, Number 3 • $7.95 Jazz Album No. 1: The Clayton Brothers The Smooth Album No. 1: Dave Koz Hello New Song And Dance (ArtistShare) Tomorrow (Concord) World Music No. 1: AfroCubism AfroCubism Smooth Single No. 1: Dave Koz “Put The Top (Nonesuch) Down” (Concord) Jazz Album Chart .................... 3 Jazz Add Dates ...................... 7 Smooth Jazz Album Chart ............. 4 Jazz Radio Currents .................. 8 Smooth Singles Chart ................. 5 Jazz Radio Panel ................... 11 World Music Album Chart.............. 6 Smooth Jazz Current Tracks........... 13 Smooth Jazz Station Panel............ 14 Jazz Birthdays December 13 December 17 December 25 Sonny Greer (1895) Ray Noble (1903) Kid Ory (1890) Ben Tucker (1930) Sy Oliver (1910) Cab Calloway (1907) Reggie Johnson Born (1940) Sonny Red (1932) Chris Woods (1925) Mark Elf (1949) Walter Booker (1933) Bob James (1939) December 14 December 18 Ronnie Cuber (1941) Budd Johnson (1910) Fletcher Henderson (1897) December 26 Ted Buckner (1913) Eddie “Cleanhead” Vinson (1917) Monty Budwig (1929) Clark Terry (1920) Harold Land (1928) John Scofield (1951) Cecil Payne (1922) Leo Smith (1941) Cassandra Wilson (1955) Phineas Newborn (1931) December 19 December 27 Jerome Cooper (1946) Bob Brookmeyer (1929) Bunk Johnson (1889) Dan Barrett (1955) Bobby Timmons (1935) Booty Wood (1919) December 15 December 20 Walter Norris (1931) Stan Kenton (1911) Larry Willis (1940) December 28 Billy Butler (1925) December -
Sponsorships
An event benefitting the AP World Organization th SEPTEMBER 11 , 2021 PerformingBOB JAMES Artists PIECES OF A DREAM GERALD ALBRIGHT JAZZ FUNK SOUL MARION MEADOWS ALEX BUGNON JEFF BRADSHAW AND FRIENDS 114 S. New York Avenue, Atlantic City, New Jersey AP WORLD An 501c-3, tax deductible organization built on the legacy of a beloved son, doing our part to strengthen families and inspire communities during difficult times. Professional basketball player, DeAndre’ Bembry of the Toronto Raptors, launched AP World in memory of his brother, Adrian Potts. Adrian celebrated his brothers’ accomplishments and planned to be sitting alongside DeAndre’ to watch the NBA draft on June 23, 2016. Adrian helped plan the draft party with their mother, Essence. Essence dedicated her life to helping her sons achieve success and was devastated when she received the dreaded phone call no parent ever wants to hear. In the early morning of June 11, 2016 literally days before the much-anticipated draft, Essence received the tragic news from Adrian’s father. Her 20-year-old, ambitious, fun-loving and tenacious son, was shot and killed near the University of North Carolina, Charlotte campus. This tragedy had a shocking and paralyzing effect on the Bembry family. Knowing where to find support and assistance while planning a funeral service, dealing with unimaginable grief and the reality of life without a son, brother and best friend, were overwhelming for Essence and DeAndre’. This family tragedy served as the catalyst for DeAndre’ to develop a support system that could be an anchor and a resource hub for other families who may have to take a similar journey through grief. -
Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67
Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 Marc Howard Medwin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2008 Approved by: David Garcia Allen Anderson Mark Katz Philip Vandermeer Stefan Litwin ©2008 Marc Howard Medwin ALL RIGHTS RESERVED ii ABSTRACT MARC MEDWIN: Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 (Under the direction of David F. Garcia). The music of John Coltrane’s last group—his 1965-67 quintet—has been misrepresented, ignored and reviled by critics, scholars and fans, primarily because it is a music built on a fundamental and very audible disunity that renders a new kind of structural unity. Many of those who study Coltrane’s music have thus far attempted to approach all elements in his last works comparatively, using harmonic and melodic models as is customary regarding more conventional jazz structures. This approach is incomplete and misleading, given the music’s conceptual underpinnings. The present study is meant to provide an analytical model with which listeners and scholars might come to terms with this music’s more radical elements. I use Coltrane’s own observations concerning his final music, Jonathan Kramer’s temporal perception theory, and Evan Parker’s perspectives on atomism and laminarity in mid 1960s British improvised music to analyze and contextualize the symbiotically related temporal disunity and resultant structural unity that typify Coltrane’s 1965-67 works. -
Jazzweek Smooth Album Chart Feb
airplay data JazzWeek Smooth Album Chart Feb. 9, 2009 powered by TW LW 2W Peak Artist Title Label TW LW +/- Weeks Reports Adds 1 1 3 1 Kenny G Rhythm & Romance Starbucks/Concord 297 290 7 55 16 0 2 68 – 2 Boney James Send One Your Love Concord 289 14 275 2 18 0 3 2 1 1 Warren Hill La Dolce Vita Koch 271 283 -12 29 15 0 4 3 2 1 Tim Bowman Tim Bowman Trippin’ ’N’ Rhythm 257 266 -9 16 16 0 5 4 6 4 Michael Lington Heat Nu Groove 240 215 25 21 15 0 6 6 4 1 Paul Hardcastle Hardcastle 5 Trippin ’N’ Rhythm 206 212 -6 65 16 0 7 9 8 7 Seal Soul 143/Warner Bros. 198 166 32 12 15 0 7 8 9 8 Wayne Brady A Long Time Coming Peak 198 188 10 25 17 0 9 12 13 9 Nick Colionne No Limits Koch 159 158 1 30 18 0 10 10 10 6 Jesse Cook Frontiers EMI 154 166 -12 45 16 0 11 13 7 1 Eric Darius Goin’ All Out Blue Note 152 151 1 36 16 0 12 11 12 10 Various Artists Cadillac Records [Original Soundtrack] Columbia 151 158 -7 13 16 0 13 14 14 13 Oli Silk The Limit’s The Sky Trippin’ ’N’ Rhythm 146 141 5 19 16 0 14 5 5 1 Dave Koz Greatest Hits Capitol 145 214 -69 29 15 0 15 17 15 2 Chris Standring Love & Paragraphs Ultimate Vibe 140 120 20 54 16 0 16 16 17 16 Fourplay Energy Heads Up 116 122 -6 21 15 0 17 15 21 15 Kim Waters Let’s Get On It [Single] Shanachie 114 124 -10 16 13 0 18 19 16 12 John Legend Evolver Home School/G.O.O.D./Co- 110 115 -5 22 13 0 lumbia 19 20 18 7 Sergio Mendez Encanto Concord 105 112 -7 29 15 0 19 24 20 1 The Sax Pack The Sax Pack Shanachie 105 94 11 46 15 0 21 18 19 6 Earl Klugh The Spice Of Life Koch 102 116 -14 41 12 0 22 21 22 12 Al Green Lay -
8LJAIJ/1 Victoires Mull Changes 6 New Italian Dance Chart 7 Special: Jazz10 Off the Record26
Goddard Out At Kiss 4 GEMA Fees Up12% 5 8LJAIJ/1 Victoires Mull Changes 6 New Italian Dance Chart 7 Special: Jazz10 Off The Record26 Europe's Music Radio Newsweekly . Volume 8 . Issue 24 . June 15, 1991. 3, US$ 5, ECU 4 New Feature: RESEARCH BIDDING POOL GROWS M&M Debuts Nielsen To Bid For Jazz Page Jazz followers get a double treat Radio Contract this week in M&M, as we high- our media research resources here light the world of jazz music (see by Hugh Fielder page11)andlauncha new and we have also submitted an monthly page covering the jazz US broadcast research firm A. C. application for the JICNAR read- radio and record industries (see Nielsen has thrown its hat into ership contract." Last year the page 10). the ring for the new joint inde- company vied unsuccessfully for Coordinated by M&M chart pendent radio/BBC audience the BARB TV audience survey. reports manager and jazzafi- research contract (RAJAR). Nielsen joins a growing list of cionado Terry Berne, this new Nielsen UK media sales exec- biddersfortheproject. A monthly page will include airplay utive Lisa Rudman confirms, spokesperson for RSGB, which reports from jazz stations/presen- "We shall definitely be in the run- currently holds the JICRAR con - ters, Top 20 album sales,the THE BEST OF FRIENDS - Old friends Cliff Richard and popular ning. We have been building up (continueson page26) Most -PlayedAlbums,reviews, Yugoslav singer Alexander Mezek relax with Phonogram executives after station/presenterprofiles,label performing their single "To A Friend" (Mercury) on Germany's most popu- marketing/promotion activities, lar game show "Wetten Dass". -
Beyond Classical
About the director, dean taba A highly regarded studio and freelance musician, Dean Taba began his musical studies on the piano at the age of 6 and played french horn in the Hawaii Youth Symphony. It was a desire to play in the high school jazz band that introduced him to the bass and improvised music. After extensive studies at the Berklee College of Music in Boston and a refinement of his skills on both the acoustic and electric bass, Dean relocated in 1984 to Los Angeles to HYS JAZZ become one of its most in demand musicians. Also a respected clinician and educator (Los Angeles Beyond Classical Music Academy, Musician’s Institute, Cal-Poly Pomona, Grove School of Music) Dean has recently performed/ recorded with Jeff Lorber, David Benoit, Mark Murphy, Jake Shimabukuo, Andy Summers, Sadao Watanabe, The San Francisco Symphony, Hiroshima, Rick Braun, The American Jazz Institute Orchestra, Dave Koz, Jeff Richman, Pauline Wilson, The Philippine Philharmonic Orchestra, Daniel Ho, Bill Watrous, and many others as well as playing on countless CDs, TV shows, and movie soundtracks. Take your passion and drive for music Learn more about HYS to the next level! HiYouthSymphony.org @HiYouthSymphony Hawaii Youth Symphony Open 1110 University Ave. #200 to all Honolulu, HI 96826-1598 (808) 941-9706 Students ages 14 - 18 (Grades 9 - 12) apply today! who play guitar, bass, While no prior jazz or improvisational experience is necessary, keyboards, piano, drums, admission to The Combo is by audition only. Up to 2 students sax, trumpet, trombone. of each instrument will be selected. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Sammy Figueroa Full
Sammy Figueroa has long been regarded as one of the world’s great musicians. As a much-admired percussionist he provided the rhythmical framework for hundreds of hits and countless recordings. Well-known for his versatility and professionalism, he is equally comfortable in a multitude of styles, from R & B to rock to pop to electronic to bebop to Latin to Brazilian to New Age. But Sammy is much more than a mere accompanist: when Sammy plays percussion he tells a story, taking the listener on a journey, and amazing audiences with both his flamboyant technique and his subtle nuance and phrasing. Sammy Figueroa is now considered to be the most likely candidate to inherit the mantles of Mongo Santamaria and Ray Barretto as one of the world’s great congueros. Sammy Figueroa was born in the Bronx, New York, the son of the well-known romantic singer Charlie Figueroa. His first professional experience came at the age of 18, while attending the University of Puerto Rico, with the band of bassist Bobby Valentin. During this time he co-founded the innovative Brazilian/Latin group Raices, which broke ground for many of today’s fusion bands. Raices was signed to a contract with Atlantic Records and Sammy returned to New York, where he was discovered by the great flautist Herbie Mann. Sammy immediately became one of the music world’s hottest players and within a year he had appeared with John McLaughlin, the Brecker Brothers and many of the world’s most famous pop artists. Since then, in a career spanning over thirty years, Sammy has played with a -
Musikstile Quelle: Alphabetisch Geordnet Von Mukerbude
MusikStile Quelle: www.recordsale.de Alphabetisch geordnet von MukerBude - 2-Step/BritishGarage - AcidHouse - AcidJazz - AcidRock - AcidTechno - Acappella - AcousticBlues - AcousticChicagoBlues - AdultAlternative - AdultAlternativePop/Rock - AdultContemporary -Africa - AfricanJazz - Afro - Afro-Pop -AlbumRock - Alternative - AlternativeCountry - AlternativeDance - AlternativeFolk - AlternativeMetal - AlternativePop/Rock - AlternativeRap - Ambient - AmbientBreakbeat - AmbientDub - AmbientHouse - AmbientPop - AmbientTechno - Americana - AmericanPopularSong - AmericanPunk - AmericanTradRock - AmericanUnderground - AMPop Orchestral - ArenaRock - Argentina - Asia -AussieRock - Australia - Avant -Avant-Garde - Avntg - Ballads - Baroque - BaroquePop - BassMusic - Beach - BeatPoetry - BigBand - BigBeat - BlackGospel - Blaxploitation - Blue-EyedSoul -Blues - Blues-Rock - BluesRevival - Blues - Spain - Boogie Woogie - Bop - Bolero -Boogaloo - BoogieRock - BossaNova - Brazil - BrazilianJazz - BrazilianPop - BrillBuildingPop - Britain - BritishBlues - BritishDanceBands - BritishFolk - BritishFolk Rock - BritishInvasion - BritishMetal - BritishPsychedelia - BritishPunk - BritishRap - BritishTradRock - Britpop - BrokenBeat - Bubblegum - C -86 - Cabaret -Cajun - Calypso - Canada - CanterburyScene - Caribbean - CaribbeanFolk - CastRecordings -CCM -CCM - Celebrity - Celtic - Celtic - CelticFolk - CelticFusion - CelticPop - CelticRock - ChamberJazz - ChamberMusic - ChamberPop - Chile - Choral - ChicagoBlues - ChicagoSoul - Child - Children'sFolk - Christmas -
Brian Simpson Again Tops Album and Singles Charts
JazzWeek with airplay data powered by jazzweek.com • Jan. 23, 2006 Volume 2, Number 9 • $7.95 In This Issue: J@LC, Radio Salute Pittsburgh. 4 Botti In PBS Spring Pledge Special . 5 MakeMusic Offers IAJE Special on SmartMusic . 6 Passings: Bob Weinstock, Phil Elwood . 6 Reviews and Picks . 15 Jazz Radio . 18 Smooth Jazz IAJE 2006 Radio. 25 WRAPUP Radio page 11 Panels. 24, 29 News. 4 Charts: #1 Jazz Album – Houston Person #1 Smooth Album –Brian Simpson #1 Smooth Single – Brian Simpson JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger othing does more to charge my jets than to attend IAJE each MUSIC EDITOR year. While I’m usually exhausted by the end of the conference, Tad Hendrickson Nit’s energizing to catch up with friends and colleagues, to meet CONTRIBUTING EDITORS people face-to-face for the first time, to pick up new ideas, and to be Keith Zimmerman immersed in great music. Getting to spend time at a couple NYC clubs Kent Zimmerman is a big bonus. CONTRIBUTING WRITER/ The most thrilling thing, though, is to see the reactions of young PHOTOGRAPHER Tom Mallison students. The unbridled enthusiasm the young crowd displayed at the PHOTOGRAPHY Stefon Harris and Javon Jackson (with show-stealer Dr. Lonnie Smith) Barry Solof sets was contagious. And it gives me great hope for the vitality and fu- ture health of jazz. Founding Publisher: Tony Gasparre ••• ADVERTISING: Devon Murphy On the subject of young people, I’m watching with great interest the Call (866) 453-6401 ext. 3 or efforts to attract a younger audience at night on WEMU and KUVO. -
Jazzweek with Airplay Data Powered by Jazzweek.Com • November 29, 2010 Volume 7, Number 1 • $7.95
JazzWeek with airplay data powered by jazzweek.com • November 29, 2010 Volume 7, Number 1 • $7.95 Jazz Album No. 1: Kevin Eubanks Zen Food Smooth Album No. 1: Dave Koz Hello (Mack Avenue) Tomorrow (Concord) World Music No. 1: Rafi MalkielWater Smooth Single No. 1: Brian Culbertson (Tzadzik) That’s Life (w/ Earl Klugh) (Verve) Jazz Album Chart . 3 Jazz Add Dates . 7 Smooth Jazz Album Chart . 4 Jazz Radio Currents . 8 Smooth Singles Chart . 5 Jazz Radio Panel . 11 World Music Album Chart . 6 Smooth Jazz Current Tracks . 13 Smooth Jazz Station Panel . 14 Jazz Birthdays November 29 December 6 December 13 Danny Alvin (1902) Dave Brubeck (1920) Sonny Greer (1895) Billy Strayhorn (1915) Jay Leonhart (1940) Ben Tucker (1930) Ed Bickert (1932) Miroslav Vitous (1947) Reggie Johnson Born (1940) Billy Hart (1940) Harvie Swartz (1948) Mark Elf (1949) Chuck Mangione (1940) December 8 December 14 Randy Brecker (1945) Jimmy Smith (1925) Budd Johnson (1910) Adam Nussbaum (1955) Larry Vuckovich (1936) Ted Buckner (1913) November 30 December 9 Clark Terry (1920) Jack Sheldon (1931) Bob Scobey (1916) Cecil Payne (1922) Johnny Dyani (1945) Donald Byrd (1932) Phineas Newborn (1931) December 1 Jimmy Owens (1943) Jerome Cooper (1946) Dan Barrett (1955) Jimmy Lyons (1933) December 10 Jaco Pastorius (1951) Ray Nance (1913) December 15 December 2 Bob Cranshaw (1932) Stan Kenton (1911) Charlie Ventura (1916) Franco Ambrosetti (1941) Billy Butler (1925) Wynton Kelly (1931) Dianne Schuur (1953) Gene Quill (1927) Barry Harris (1929) December 3 Ole Amund Gjersvik (1963)