8LJAIJ/1 Victoires Mull Changes 6 New Italian Dance Chart 7 Special: Jazz10 Off the Record26

Total Page:16

File Type:pdf, Size:1020Kb

8LJAIJ/1 Victoires Mull Changes 6 New Italian Dance Chart 7 Special: Jazz10 Off the Record26 Goddard Out At Kiss 4 GEMA Fees Up12% 5 8LJAIJ/1 Victoires Mull Changes 6 New Italian Dance Chart 7 Special: Jazz10 Off The Record26 Europe's Music Radio Newsweekly . Volume 8 . Issue 24 . June 15, 1991. 3, US$ 5, ECU 4 New Feature: RESEARCH BIDDING POOL GROWS M&M Debuts Nielsen To Bid For Jazz Page Jazz followers get a double treat Radio Contract this week in M&M, as we high- our media research resources here light the world of jazz music (see by Hugh Fielder page11)andlauncha new and we have also submitted an monthly page covering the jazz US broadcast research firm A. C. application for the JICNAR read- radio and record industries (see Nielsen has thrown its hat into ership contract." Last year the page 10). the ring for the new joint inde- company vied unsuccessfully for Coordinated by M&M chart pendent radio/BBC audience the BARB TV audience survey. reports manager and jazzafi- research contract (RAJAR). Nielsen joins a growing list of cionado Terry Berne, this new Nielsen UK media sales exec- biddersfortheproject. A monthly page will include airplay utive Lisa Rudman confirms, spokesperson for RSGB, which reports from jazz stations/presen- "We shall definitely be in the run- currently holds the JICRAR con - ters, Top 20 album sales,the THE BEST OF FRIENDS - Old friends Cliff Richard and popular ning. We have been building up (continueson page26) Most -PlayedAlbums,reviews, Yugoslav singer Alexander Mezek relax with Phonogram executives after station/presenterprofiles,label performing their single "To A Friend" (Mercury) on Germany's most popu- marketing/promotion activities, lar game show "Wetten Dass". Pictured standing (I -r): Richard's manager First Quarter Music Sales: and much more. Bill Latham; Phonogram head Louis Spillmann; head of radio lnka Esser; M&M publisher Leon ten Richard; Mezek; international exploitation manager Astrid Selley; and Germany Up, France Down Hengel comments, "The support Kneeling are promotion coordinator from radio, Cliff Roles and TV department head Peter Angemeer. Cassette shipments also con- we've received by E. Legrand & R. Lyng (continues on page 26) tributed significantly to the first It'sataleof twocountries. quarter's positive results. While Spurred partly by a vibrant econ- increasing only 3.4% in the clas- Jazz Labels Strengthen Presence omy and the knock -on effect of sical sector, pop cassette deliver- unification, Germany soundcarri- ies rose by 35.4%. er shipments increased 19.4% to The downward trend in vinyl Windham Hill Sets NewVeraBra Creates New 52.8 million units during the first hascontinuedatthealmost quarterof1991.Meanwhile, alarmingrateof17.4%.As Distribution Network Corporate Structure France music shipments dipped (continues on page26) 6.8% to 29.3 million units during the same period. No. 1 in EUROPE by Jeff Green by Machgiel Bakker According to IFPI/Germany. Windham Hill Productions has completed agree- Cologne, Germany -based VeraBra Records and its it looks as if the country's labels European Hit Radio ments with several companies throughout Europe, affiliated labels, following a corporate restructuring, are heading for yet another record MICHAEL BOLTON establishing a new distribution network. Here's thewill now be called VeraBra Music Group (VMG). year. Love Is A Wonderful Thing new layout: The company roster includes VeraBra Records, Go CD tradedeliveries-which (Columbia) Italy and Spain are distributed by BMG Ariola Jazz, Intuition, American Clave and 101 South comprised some 39% (20.7 mil- and PolyGram,respectively.Benelux'sImport Records. Founder Vera Brandes and Michael lion units) of total shipments to Eurochart Hot 100 Singles Music Service and Germany's International Music Jacoby retain their positions as president and MD, retailers-once again led the way, SCORPIONS Service, both PolyGram subsidiaries, represent a con- respectively. increasing by 42.5%. IFPI statis- Wind Of Change tinuation and expansion of previous arrangements. Explains Jacoby,"Our new sloganis'The tics also indicate that the trend (Mercury) Meanwhile, New Note Distribution takes over for achievement of musical excellence.' We are branch- towards classical music is holding the UK and Ireland, while Media 7 distributes in ing into new genres, and felt there was a need for a a steady course, especially on European Top 100 Albums France. Other new partners are the newly formed much stronger corporate identity as part of the pan- CDs. Increasing by 36.5%, classi- ROXE-ITE CNR Records in Sweden and Norway, Danish European development that's underway. Our aim is cal CD tradedeliverieswere Joyride Music Imports, and COD Records in Switzerland. to open offices in Paris, London and other cities, enough to compensate for a 29% (EMI) (continues on page 26) (continues on page 26) loss in the vinyl LP sector. THE ACHIEVEMENT OF MUSICAL EXCELLENCE The New Voice In Jazz The Brandnew Solo -Album MANFRED,MANN'S VINCE JONES PLAIN MUSIC Trustworthy Little Sweethearts PLAINS MUSIC INT 3062 2L')INT3062 4 INT 3046 1 INT 3046 2 H INT 3046 4 INT 3062 1 All products of the veroBto music group ore distributed by Germany: East -/West TIS, Austria: EMP, Switzerland: Phonag, BeNeLux: Duero, Denmark: DMI, France: Melodie, Greece: OM/Lyro, Italy: IRD, Norway/Sweden/Finland/Iceland: Amigo, Spain: GASA/Sany Musk, United Kingdom:New Note. INTUITION RECORDS "a division of veraBra music RECORDS AmericanRadioHistory.Com FROM BAKU, AZERBAIJAN "AZIZA MUSTAFA ZADEH'S MUSIC IS THE NATURAL, EASY FUSION OF TWO FUNDAMENTAL ELEMENTS: JAZZ, THE MODERN SOUND OF FREEDOM, AND MOGAM, TH ANCIENT MUSIC OF WISDOM." AmericanRadioHistory.Com MUSIC & MEDIA CONTENTS PO Box 9027, 1006 AA Amsterdam Mars Rocks Steady In RiMsburgstraat 11, 1059 AT Amsterdam 4 Tel: 31-20-6691961 -Telex 12938 UK Fax: 31-20-6691941 G/A/S/SCANDINAVIA 5 E-mail: DGSI 113 Soviet TV Sponsorship Publisher: Leon ten Hengel FRANCE/BENELUX 6 7 EDITORIAL three weeks by European media from Soviet TV in recent years. ITALY/SPAIN Editor -In -Chief: Jeff Green by Hugh Fielder Senior Editor: Machgiel Bakker sponsorship agency Invizible "The range of styles that it co- NEW RELEASES 8 Managing Editor: Steve Wonsiewicz Mars International is sponsoring Arts. Says MD Tim Smith, "Mars vers, from soul to hard rock and Features Editor: Robin Pascoe indie music, is important to us be- JAll PAGE 10 UK Editor: Hugh Fielder the first UK rock TV series to be [candy bars] have been available in Associate Editor: Debra Johnson screenedintheUSSR.The Soviet Unionforthelast10 cause the only Western music being SPECIAL: JAll 11 Music Editor: Robbert Tilli Russian Television And Radio months. There have been problems screened in the Soviet Union at the Chart Editor: Mork Sperwer STATION OPERATIONS 16 Chart Reports Manager' Terry Berne Company (RTRC) has acquired 10 in distribution but these have been moment is chart hits and videos. I Editorial Assistants: Paul Wightman, shows produced by Rock Steady overcome and the company is now believe this show could becomea STATION REPORTS 17 Claire Heffernan, Raul Cairo Ventures, specially edited from the in a position to market the product cultural sensation. There isn't any- Correspondents Emmanuel Legrand STATION REPORTS 16 (France); Jacqueline Eacott (France); current "Rock At The Dome" pro- across the USSR. "Rock Steady" thing else apart from MTV." David Stansfield (Italy); Robert Lyng, Troitsky is looking for sponsor- 21 Mal Sondock (Germany); Anna Marie gramme running on Channel 4 and provides a suitably dynamic vehi- HOT 100 SINGLES de la Fuente (Spain); Paul Easton cleforaworld -leadingbrand shipforanother UK -produced its predecessor "Rock Steady". TOP 10 SALES 22 (UK); Kari Helopaltio (Finland); Marc The series will run fortnightly whilst providing strong qualitative show, "Snub TV", and he has also Maes (Belgium); David Rowley of (Scandinavia); Ken Stewart (Ireland), over five months and feature live association for the client." been talking with the producers USA 23 Tom Kay (USA). Andy Hudson, director of Rock theFrench programme, "Mega - performances from Sting, Alexan- EURO, NATIONAL AIRPLAY 24 mix".He says he's disappointed PRODUCTION der O'Neil, Mark Knopfler and Steady Ventures, adds, "Everyone Production Manager: Rim Ederveen the Notting Hillbillies, The wins a balloon with this deal. We withthestandardof US rock TOP 100 ALBUMS 25 DTP: Pauline Witsenburg, shows, adding that the only one that Neville Brothers, David Byrne, have a programme we went to sell OFF THE RECORD 26 Will van Litsenburg the Automation Manager. John Langridge Richard Thompson and Julian worldwide, the Russians want the interests himatpresentis Printer: Den Haag Offset Cope, as well as film features. show but they don't have the cur- "LonesomePine"newcountry EHR 27 Design: Peter van Seuren RTRC head of music program- rency to buy it. Mars provides the show. ADVERTISING ming Art Troitsky estimates the backing and gets the marketing ex- Sales Director: Ron Betist audience could be anywhere from posure it is looking for. It's a per- Advertising Executives:Irit Harpaz, NEWSMAKERS Erika Price, Salvatore di Muccio, 30-45million,withapotential fect example of how sponsorship Kirk Bloomgarden, Lidia Bonguardo, can work for us all." Carin Thorn reach of 100 million. Sales Co-Ordinator: Inez Landwier Mars has not revealed the cost of The RTRC was set up last year the sponsorship deal but it covers in the Russian Republic and started Radio Viscount Peter Glenapp has MARKETING been appointed chairman of the the expenses of reformatting and broadcastingonMay 12on Marketing Manager: Annette Knijnenberg advisory company Marketing Assistant: Kitty van der Meij distributing the show for Soviet Gostelradio's Soviet Channel Cornelia Panneck is the newinternational Subscriptions: Lex Sternfeld broadcast. The company's logo is Two. Troistky, a leading rock critic head of marketing at Star*Satfor the media and entertainment industriesatMontreux Com- ADMINISTRATION displayed in the title sequence and and writer in the USSR, says he Radio, based in Munich, Financial Controller: Edwin Loupias a commercial will run before, du- picked "Rock Steady" because of Germany.
Recommended publications
  • Curbing Media, Crippling Debate Soft Censorship in Bulgaria
    Curbing Media, Crippling Debate Soft Censorship in Bulgaria www.wan-ifra.org Curbing Media, Crippling Debate Soft Censorship in Bulgaria PUBLISHER: SEEMO EDITOR: WAN-IFRA Oliver Vujovic World Association of Newspapers and News Publishers OTHER RESEARCH PARTNERS: 96 bis, Rue Beaubourg International Press Institute (IPI), Vienna 75003 Paris, France International Academy - International Media www.wan-ifra.org Center (IA-IMC), Vienna International Academy (IA), Belgrade WAN-IFRA CEO: Vincent Peyrègne PROJECT PARTNERS: Center for International Media Assistance PROJECT MANAGER: National Endowment for Democracy Mariona Sanz Cortell 1025 F Street, N.W., 8th Floor Washington, DC 20004, USA EDITOR: www.cima.ned.org Thomas R. Lansner Open Society Justice Initiative PRINCIPAL RESEARCHER: 224 West 57th Street South East Europe Media Organisation New York, New York 10019, USA (SEEMO), Vienna www.opensocietyfoundations.org www.seemo.org SUPPORTED BY: SEEMO RESEARCHERS: Open Society Foundations Siobhan Hagan Sladjana Matejevic DESIGN AND PREPRESS: Orlin Spassov Snezana Vukmirovic, Ivan Cosic, Plain&Hill Serbia Kristina Stevancevic © 2016 WAN-IFRA 2 Note on RepoRT ReseaRch and Methodology This report on the existence and extent of soft censorship in Bulgaria is part of the Soft Censorship Global Review, produced by the World Association of Newspapers and News Publishers (WAN-IFRA) in cooperation with the Center for International Media Assistance (CIMA), with the support from the Open Society Foundations. It was prepared by the South East Europe Media Organisation, based on the methodology developed by WAN-IFRA. 3 Curbing Media, Crippling Debate Table of Contents Executive Summary ...................................................................... 5 Key Findings ................................................................................. 7 Key Recommendations ................................................................. 8 Media, Business, and Power in Bulgaria .......................................
    [Show full text]
  • SPECIAL REPORT an Analysis of the June 1-15, 2008 the Fortnightly from Afaqs! Mobile Marketing Business in India 16
    Rs 40 THE SPECIAL REPORT An analysis of the June 1-15, 2008 The fortnightly from afaqs! mobile marketing business in India 16 PROFILE Mohit Anand Making the transition from software to Channel [V]. 22 SPRITE Being Upfront How a consistent message worked like magic. 24 DEFINING MOMENTS Gullu Sen Anything can change your life, feels this adman. TV SHOWS The Power of Stars 12 WEBSITES Are details really everything? A report At Home 14 on whether execution in Indian PARLE MONACO advertising matches the idea. The Lighter Side 38 28 STAR COMIC BOOKS Animated in Print 38 The fortnightly from agencyfaqs! This fortnight... Volume III, Issue 21 he subject of this issue’s cover story has been provoked by the impending Cannes festival EDITOR T– but is not really about it. In the course of covering international awards, we have found Sreekant Khandekar that the quality of execution in Indian advertising keeps cropping up. The issue generally gets sidelined because the natural focus is the idea behind a campaign. PUBLISHER Prasanna Singh Craft and execution are not a pre-requisite for awards alone. It is the stuff of everyday advertising life, the very thing that can enhance the impact of an idea dramatically – EXECUTIVE EDITOR or wreck it, quite as easily. Happydent, Fevicol and Nike are three examples of the M Venkatesh delightful consequence when great idea meets great execution. CREATIVE CONSULTANTS We talk to creative directors, film makers and to clients to find out what the prob- PealiDezine lem is when it comes to execution. Is it about time? Money? Or simply about an LAYOUT Indian way of doing things? You may not like all that you read but it will make you Vinay Dominic look at an old issue afresh.
    [Show full text]
  • ORDER FORM STOMP OFF RECORDS P.O. Box 342 York, PA
    Updated 1/31/20 ORDER FORM STOMP OFF RECORDS stompoffrecords.com P.O. Box 342 stompoff.dickbaker.org York, PA 17405 OO indicates out of print or not available in that format (if a recording is not listed, it is no longer available in any format). Please indicate quantity on ____. Quantity Quantity No. Description LP Cass. CD No. Description LP Cass. CD 1014 Limehouse Jazzband ____ OO OO 1146 Andy Stein & Friends OO ____ OO 1027 South Frisco Jazz Band, Vol. 1 OO ____ OO 1147 Black Eagle Jazz Band, Vol. 6 OO ____ OO 1035 South Frisco Jazz Band, Vol. 2 OO ____ ____ 1148 Jim Cullum Jazz Band ____ ____ ____ 1038 Scaniazz, Vol. 2 ____ OO OO 1150 Keith Nichols Dreamland Syncopators ____ OO OO 1046 Jazz O’Maniacs, Vol. 1 ____ OO OO 1153 Red Roseland Cornpickers, Vol. 4 ____ OO OO 1048 Black Eagle Jazz Band, Vol. 1 ____ OO OO 1155 Murphy, Cullum & Hot Antic Jazz Band ____ OO OO 1049 Ian Whitcomb & Dick Zimmerman, Vol. 2 ____ OO OO 1158 Marty Grosz /Keepers of the Flame ____ OO OO 1052 Neville Dickie, Vol. 1 ____ OO OO 1159 Keith Nichols ____ OO OO 1054 Black Eagle Jazz Band, Vol. 2 ____ OO OO 1160 Humphrey Lyttelton & His Band ____ OO OO 1055 Louisiana Repertory Jazz Ensemble, Vol. 2 ____ ____ ____ 1162 Ray Smith, Vol. 2 ____ OO OO 1057 Wally Rose ____ OO OO 1163 Fried Potatoes ____ OO OO 1061 Jazz Classics OO OO ____ 1165 Watergate Seven Plus One ____ OO OO 1072 David Thomas Roberts, Vol.
    [Show full text]
  • Jazz and Radio in the United States: Mediation, Genre, and Patronage
    Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition.
    [Show full text]
  • Sunday Morning Grid 6/24/18 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 6/24/18 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program PGA Tour Special (N) PGA Golf 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) NBC4 News Paid Program House House 1st Look Extra Å 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News News News Paid Eye on L.A. Paid 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX FIFA World Cup Today 2018 FIFA World Cup Japan vs Senegal. (N) FIFA World Cup Today 2018 FIFA World Cup Poland vs Colombia. (N) 13 MyNet Paid Matter Fred Jordan Paid Program 18 KSCI Paid Program Buddhism Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Oil Painting Kitchen Mexican Martha Belton Real Food Food 50 28 KCET Zula Patrol Zula Patrol Mixed Nutz Edisons Kid Stew Biz Kid$ KCET Special Å KCET Special Å KCET Special Å 30 ION Jeremiah Youseff In Touch Paid NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 34 KMEX Conexión Paid Program Como Dice el Dicho La casa de mi padre (2008, Drama) Nosotr. Al Punto (N) 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Jeffress K.
    [Show full text]
  • 334 XIII. Revivals and Recreations; The
    XIII. Revivals and Recreations; The Sociology of Jazz By the early 1970s, as we have seen, jazz was in a state of stylistic chaos. This was one reason why the first glimmers of “smooth jazz” came about as both an antidote to fusion and an answer to “outside jazz.” But classical music was also in a state of chaos. The majority of listen- ers had become sick of listening to the modern music that had come to dominate the field since the end of World War II and had only become more abrasive and less communicative to a lay audience. In addition, the influx of young television executives in that period had not only led to the cancellation of many well-loved programs who they felt only appealed to an older audience demographic, but also the chopping out of virtually all arts programming. Such long-running programs as The Voice of Firestone and The Bell Telephone Hour were already gone by then. Leonard Bernstein had been replaced at the New York Philharmonic by Michael Tilson Thomas, an excellent conductor but not a popular communicator, and thus CBS’s “Young People’s Con- certs” no longer had the same appeal. In addition, both forms of music, classical and jazz, were the victims of an oil shortage that grossly affected American pressings of vinyl LPs. What had once been a high quality market was now riddled with defective copies of discs which had blis- ters in the vinyl, scratchy-sounding surfaces and wore out quickly. Record buyers who were turned off by this switched to cassette tapes or, in some cases, the new eight-track tape format.
    [Show full text]
  • The Jazz Rag
    THE JAZZ RAG ISSUE 140 SPRING 2016 EARL HINES UK £3.25 CONTENTS EARL HINES A HIGHLY IMPRESSIVE NEW COLLECTION OF THE MUSIC OF THE GREAT JAZZ PIANIST - 7 CDS AND A DVD - ON STORYVILLE RECORDS IS REVIEWED ON PAGE 30. 4 NEWS 7 UPCOMING EVENTS 8 JAZZ RAG CHARTS NEW! CDS AND BOOKS SALES CHARTS 10 BIRMINGHAM-SOLIHULL JAZZ FESTIVALS LINK UP 11 BRINGING JAZZ TO THE MILLIONS JAZZ PHOTOGRAPHS AT BIRMINGHAM'S SUPER-STATION 12 26 AND COUNTING SUBSCRIBE TO THE JAZZ RAG A NEW RECORDING OF AN ESTABLISHED SHOW THE NEXT SIX EDITIONS MAILED 14 NEW BRANCH OF THE JAZZ ARCHIVE DIRECT TO YOUR DOOR FOR ONLY NJA SOUTHEND OPENS £17.50* 16 THE 50 TOP JAZZ SINGERS? Simply send us your name. address and postcode along with your payment and we’ll commence the service from the next issue. SCOTT YANOW COURTS CONTROVERSY OTHER SUBSCRIPTION RATES: EU £20.50 USA, CANADA, AUSTRALIA £24.50 18 JAZZ FESTIVALS Cheques / Postal orders payable to BIG BEAR MUSIC 21 REVIEW SECTION Please send to: LIVE AT SOUTHPORT, CDS AND FILM JAZZ RAG SUBSCRIPTIONS PO BOX 944 | Birmingham | England 32 BEGINNING TO CD LIGHT * to any UK address THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 FESTIVALS IN PERIL Fax: 0121 454 9996 Email: [email protected] In his latest Newsletter Chris Hodgkins, former head of Jazz Services, heads one item, ‘Ealing Jazz Festival under Threat’. He explains that the festival previously ran for eight Web: www.jazzrag.com days with 34 main stage concerts, then goes on: ‘Since outsourcing the management of the festival to a private contractor the Publisher / editor: Jim Simpson sponsorships have ended, admission charges have been introduced and now it is News / features: Ron Simpson proposed to cut the Festival to just two days.
    [Show full text]
  • Musikstile Quelle: Alphabetisch Geordnet Von Mukerbude
    MusikStile Quelle: www.recordsale.de Alphabetisch geordnet von MukerBude - 2-Step/BritishGarage - AcidHouse - AcidJazz - AcidRock - AcidTechno - Acappella - AcousticBlues - AcousticChicagoBlues - AdultAlternative - AdultAlternativePop/Rock - AdultContemporary -Africa - AfricanJazz - Afro - Afro-Pop -AlbumRock - Alternative - AlternativeCountry - AlternativeDance - AlternativeFolk - AlternativeMetal - AlternativePop/Rock - AlternativeRap - Ambient - AmbientBreakbeat - AmbientDub - AmbientHouse - AmbientPop - AmbientTechno - Americana - AmericanPopularSong - AmericanPunk - AmericanTradRock - AmericanUnderground - AMPop Orchestral - ArenaRock - Argentina - Asia -AussieRock - Australia - Avant -Avant-Garde - Avntg - Ballads - Baroque - BaroquePop - BassMusic - Beach - BeatPoetry - BigBand - BigBeat - BlackGospel - Blaxploitation - Blue-EyedSoul -Blues - Blues-Rock - BluesRevival - Blues - Spain - Boogie Woogie - Bop - Bolero -Boogaloo - BoogieRock - BossaNova - Brazil - BrazilianJazz - BrazilianPop - BrillBuildingPop - Britain - BritishBlues - BritishDanceBands - BritishFolk - BritishFolk Rock - BritishInvasion - BritishMetal - BritishPsychedelia - BritishPunk - BritishRap - BritishTradRock - Britpop - BrokenBeat - Bubblegum - C -86 - Cabaret -Cajun - Calypso - Canada - CanterburyScene - Caribbean - CaribbeanFolk - CastRecordings -CCM -CCM - Celebrity - Celtic - Celtic - CelticFolk - CelticFusion - CelticPop - CelticRock - ChamberJazz - ChamberMusic - ChamberPop - Chile - Choral - ChicagoBlues - ChicagoSoul - Child - Children'sFolk - Christmas
    [Show full text]
  • BRIDGE BARRIER MISSING Cops Explain How 4 Teens Drove Into River
    LE 0? iManrfeatrr Krrali W Saturday, Nov. 19, 1988 Manchester, Conn. — A City of Village Charm 30 Cents j e r s / l ap- i 5 BRIDGE BARRIER MISSING Cops explain how 4 teens drove into river ... story on page 2 ijiS a tg a ers, }nd, tiO M l ■ r-‘ it* J*" J..- ■ i'- vw- * Pitrick Flynn/ManohMtsr Harald Pallbearers leave St. Brigid Church in West Hartford Friday after the funeral Solemn procession for Manchester resident Diane Vincent, who was strangled Tuesday in Hartford. More than 150 friends, co-workers and family members attended ^or^murder victim the funeral. Vincent, a security guard, was working at One Commercial Plaza when she was killed. Police have no leads or suspects in the casie. Story on page 2. t : Connecticiit Weather ‘ Bridge biamcade m REGIONAL WEATHER Aocu-Weather* forecast for Saturday in fatal crash of 4 teens bill signed Daytime Conditions artd High Temperatures By Larry Rosenthal starting today, were planned for officials said they were not sure The Associated Press Laura Lagrotteria, Jill Sawyer how big a gap existed at that time. IcLfcoularl and Miss Christy Stevens, all 19, The accident was the third at the by Reagan NEW HAVEN — Four young and Michael Gallo, 20. barriers since the bridge was people who died when their car Sawyer attended the Univer­ ciosed in August 1987. plunged into a river had driven sity of Rhode Island^ Gallo was a City officials said they are WASHINGTON (A P ) — Declaring the nation one through a gap left when concrete student at Southern Connecticut investigating why public works step closer to being drug-free.
    [Show full text]
  • Sooloos Collections: Advanced Guide
    Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus ..............................................................................................................................................................
    [Show full text]
  • All Audio Songs by Artist
    ALL AUDIO SONGS BY ARTIST ARTIST TRACK NAME 1814 INSOMNIA 1814 MORNING STAR 1814 MY DEAR FRIEND 1814 LET JAH FIRE BURN 1814 4 UNUNINI 1814 JAH RYDEM 1814 GET UP 1814 LET MY PEOPLE GO 1814 JAH RASTAFARI 1814 WHAKAHONOHONO 1814 SHACKLED 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT SHORT MAN 28 DAYS RIP IT UP 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN HERE WITHOUT YOU 3 JAYS IN MY EYES 3 JAYS FEELING IT TOO 3 THE HARDWAY ITS ON 360 FT GOSSLING BOYS LIKE YOU 360 FT JOSH PYKE THROW IT AWAY 3OH!3 STARSTRUKK ALBUM VERSION 3OH!3 DOUBLE VISION 3OH!3 DONT TRUST ME 3OH!3 AND KESHA MY FIRST KISS 4 NON BLONDES OLD MR HEFFER 4 NON BLONDES TRAIN 4 NON BLONDES PLEASANTLY BLUE 4 NON BLONDES NO PLACE LIKE HOME 4 NON BLONDES DRIFTING 4 NON BLONDES CALLING ALL THE PEOPLE 4 NON BLONDES WHATS UP 4 NON BLONDES SUPERFLY 4 NON BLONDES SPACEMAN 4 NON BLONDES MORPHINE AND CHOCOLATE 4 NON BLONDES DEAR MR PRESIDENT 48 MAY NERVOUS WRECK 48 MAY LEATHER AND TATTOOS 48 MAY INTO THE SUN 48 MAY BIGSHOCK 48 MAY HOME BY 2 5 SECONDS OF SUMMER GOOD GIRLS 5 SECONDS OF SUMMER EVERYTHING I DIDNT SAY 5 SECONDS OF SUMMER DONT STOP 5 SECONDS OF SUMMER AMNESIA 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER KISS ME KISS ME 50 CENT CANDY SHOP 50 CENT WINDOW SHOPPER 50 CENT IN DA CLUB 50 CENT JUST A LIL BIT 50 CENT 21 QUESTIONS 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 6400 CREW HUSTLERS REVENGE 98 DEGREES GIVE ME JUST ONE NIGHT A GREAT BIG WORLD FT CHRISTINA AGUILERA SAY SOMETHING A HA THE ALWAYS SHINES ON TV A HA THE LIVING DAYLIGHTS A LIGHTER SHADE OF BROWN ON A SUNDAY AFTERNOON
    [Show full text]
  • Emotions, Situations and Music
    Durham E-Theses A Framework of Distinct Musical Chills: Theoretical, Causal, and Conceptual Evidence BANNISTER, SCOTT,CRAIG How to cite: BANNISTER, SCOTT,CRAIG (2020) A Framework of Distinct Musical Chills: Theoretical, Causal, and Conceptual Evidence, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13582/ Use policy This work is licensed under a Creative Commons Attribution Non-commercial 3.0 (CC BY-NC) Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk A Framework of Distinct Musical Chills: Theoretical, Causal, and Conceptual Evidence Scott Bannister Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of Music Durham University, September 2019 ABSTRACT The phenomenon of musical chills has attracted extensive attention in previous music and emotion research, correlating the experience with musical structure, psychoacoustics parameters, individual differences in listeners, and the listening situation. However, there are three crucial limitations in the literature: 1) The emotional characteristics of musical chills have not been explored, and are poorly understood; 2) musical chills have never been causally manipulated, and no theories have been tested; and 3) it is unclear whether chills are a unified psychological construct, or a set of distinct experiences, distinguished at the levels of subjective feeling, psychophysiological
    [Show full text]