Letter from Brian J. Winterfeldt to ICANN Community Evaluation Panel
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Alkim Almila Akdag Salah
:: [email protected] :: +90 5326584255 :: SEHIR UNIVERSITY, DRAGOS/ISTANBUL TURKEY ALKIM ALMILA AKDAG SALAH PERSONAL INFORMATION Family name, First name: Alkim Almila, Akdag Salah Researcher unique identifier(s): H-7418-2012 (ResearcherID) Date of birth: 28.08.1975 Email: [email protected] Web: https://www.researchgate.net/profile/Alkim_Akdag_Salah; Nationality: Turkish EDUCATION University of California, Los Angeles, California Ph.D. Art History, September 2008 Thesis: ‘Discontents of Computer Art: A Discourse Analysis on the Intersection of Arts, Sciences and Technology’ Istanbul Technical University, Istanbul, Turkey M.A. Art History, June 2001 Thesis: ‘A Semiotic Evaluation of Flacons’ Istanbul Technical University, Istanbul, Turkey B.A. Industrial Product Design, June 1998 St. Georg Austrian High School, Istanbul, Turkey September 1986 – June 1994. RELATED EXPERIENCE Department of Social Informatics, Nagoya University, Nagoya, Japan Visiting Scholar, 2017-2018. College of Communications, Istanbul Sehir University, Istanbul, Turkey Assoc. Prof, 2016 - today e-Humanities Group, KNAW, Amsterdam, the Netherlands Associate Researcher, 2014 – 2016. Computer Science, Bogazici University, Istanbul, Turkey Adjunct Faculty, 2014 - today New Media Studies, University of Amsterdam, the Netherlands Postdoctoral Researcher and Lecturer, 2011-2014. Visual Communication and Design, Sabanci University, Istanbul, Turkey Visiting Scholar, 2011-2013. Virtual Knowledge Studio, KNAW, Amsterdam, the Netherlands Postdoctoral Researcher for -
Submission 80988
artstall TORONTO Submission 80988 executive summary ArtStall Toronto is a unique creative place-making project that provides durable, accessible standardized public toilets that are also aesthetically pleasing, decorated in collaboration with local artists to enhance the character of Toronto’s streets, while addressing perceived problems with both public art and public toilets. On a recent CBC broadcast, a pundit argued that Toronto needs a “Percent for Public Toilets” program 10% ADMIN more than one collecting a “Percent for Public 80% Art.” He complained that the city is awash with sculpture and suggested that Toronto should instead CAPITAL spend developer’s contributions for streetscape 10% improvements on tackling the city’s glaring lack of MAINTENANCE public toilets. But why can’t we combine the two? Toronto’s Percent for Public Art policy encourages both stand-alone artistic works and the artistic treatment of functional civic infrastructure. PERCENT FOR PUBLIC ART PROGRAM 10% ADMIN 65% MAINTENANCE Enter ArtStall Toronto. This program would use 25% ENDOWMENT percent for public art funds to address Toronto’s CAPITAL ongoing lack of public washroom facilities, improving Subway access to the city for residents and tourists. By Streetcar Route applying locally-designed artistic skins to the exteriors of the “Portland Loo” – a recently developed Intersection Pedestrian Volume (Persons) public toilet winning praise for its indestructibility, 7862-10000 ease of maintenance and low cost – Toronto can take 10000-15000 a step toward creating more inclusive, beautiful and dignified streets. 15000-20000 PERCENT FOR 20000-24677 Both public art and public toilets can be controversial. However, merging the two might actually help to ARTSTALL address concerns with both. -
Patrick Huges Reverspective Room Photo Project Name:______
Patrick Huges Reverspective Room Photo Project Name:______________ Perspective - The art of drawing solid objects on a two-dimensional surface so as to give the right impression of their height, width, depth. 2. A work created in such a way, esp. one appearing to enlarge or extend the actual space, or to give the effect of distance. Reverspective - are painted on a continuous surface that is made up of one or more truncated pyramids that protrude from a flat plane. When viewed from a sufficiently large distance, either monocularly or binocularly, the parts of the painting that actually protrude appear to recede into the background of the scene portrayed. Patrick Hughes is a British artist working in London. He is the creator of Reverspective , Patrick Hughes – an optical illusion on a 3-dimensional surface where the parts of the picture which seem Reverspective farthest away are actually physically the nearest. Creator Patrick Hughes: Vanishing Venice Patrick Hughes: Reverspective Sculpture Picture Reverspective Sculpture Frame Patrick Hughes, Colour Sings, 2007. STEP ONE: RESEARCH Patrick Hughes and his Reverspective Sculptures on the school network: K://Mr. Arnett/AWQ 3M/06 - Patrick Huges Reverspective Room Photo Project/intro.htm and complete the questions on the attached sheet – “Researching Reverspective Sculpture in Art” by choosing one artwork to answer the questions on. STEP TWO: DRAW a series of at least 3 different possible conceptual sketches incorporating reverspective photo as based on Patrick Huges Sticking Out Room. Consider these specific elements and principles: Line, Shape, Space. REMEMBER: Have your sketches approved by the teacher before start creating your reverspective photo project. -
Translating Proper Names: a Functionalist Approach
Translating Proper Names: a Functionalist Approach Anastasia Parianou Ionian University, Greece Proper names create special problems for translators. A typology of proper names is presented and their use in aesthetic-expressive and informative texts is discussed. Some of the major problems faced by translators are considered with examples from English, German, French, and Greek. Some suggestions for translation considering the communicative- functional roles of proper names are given. Introduction Proper names are neglected theoretically and are regarded as a rather heterogeneous group, difficult to handle according to established conventions (Danielsson and Miihlenbock 1998, 266). Similarly, proper names are considered to exist "outside" languages and are thus found in few monolingual dictionaries and in even fewer bilingual ones. Proper names can be regarded as untranslatable objects and to have, as Mill stated, no inherent meaning or connotation (Newmark 1981, 70) until a description referring to the same object is supplied. It is obvious that this is not a practical or helpful standpoint for the translation of proper names (cf. Danielsson and Miihlenbock 1998, 266). The fact that proper names may be different from common nouns should not be an argument against their translatability, which is determined by the communicative-pragmatic function of a text (Glaser 2005, 264). In fact proper names belong to interdisciplinary research that affects disciplines as diverse as anthropology, history, law, linguistics, philosophy, social psychology, -
Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION By Copyright 2016 Janet C. Chen Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Marsha Haufler ________________________________ Amy McNair ________________________________ Sherry Fowler ________________________________ Jungsil Jenny Lee ________________________________ Keith McMahon Date Defended: May 13, 2016 The Dissertation Committee for Janet C. Chen certifies that this is the approved version of the following dissertation: REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION ________________________________ Chairperson Marsha Haufler Date approved: May 13, 2016 ii Abstract As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions of these women in an eighteenth-century handscroll, Thirteen Female Disciples Seeking Instructions at the Lake Pavilion, related paintings, and the accompanying inscriptions. Created when an increasing number of women turned to the scholarly arts, in particular painting and poetry, these paintings documented the more receptive attitude of literati toward talented women and their support in the social and artistic lives of female intellectuals. These pictures show the women cultivating themselves through literati activities and poetic meditation in nature or gardens, common tropes in portraits of male scholars. The predominantly male patrons, painters, and colophon authors all took part in the formation of the women’s public identities as poets and artists; the first two determined the visual representations, and the third, through writings, confirmed and elaborated on the designated identities. -
Quantifying the Development of User-Generated Art During 2001–2010
RESEARCH ARTICLE Quantifying the development of user- generated art during 2001±2010 Mehrdad Yazdani1*, Jay Chow2, Lev Manovich3* 1 California Institute for Telecommunications and Information Technology's Qualcomm Institute, University of California San Diego, San Diego, California, United States of America, 2 Katana, San Diego, California, United States of America, 3 Computer Science, The Graduate Center at the City University of New York, New York, United States of America * [email protected] (MY); [email protected] (LM) a1111111111 a1111111111 a1111111111 a1111111111 Abstract a1111111111 One of the main questions in the humanities is how cultures and artistic expressions change over time. While a number of researchers have used quantitative computational methods to study historical changes in literature, music, and cinema, our paper offers the first quantitative analysis of historical changes in visual art created by users of a social online OPEN ACCESS network. We propose a number of computational methods for the analysis of temporal Citation: Yazdani M, Chow J, Manovich L (2017) development of art images. We then apply these methods to a sample of 270,000 artworks Quantifying the development of user-generated art created between 2001 and 2010 by users of the largest social network for artÐDeviantArt during 2001±2010. PLoS ONE 12(8): e0175350. https://doi.org/10.1371/journal.pone.0175350 (www.deviantart.com). We investigate changes in subjects, techniques, sizes, proportions and also selected visual characteristics of images. Because these artworks are classified by Editor: Kewei Chen, Banner Alzheimer's Institute, UNITED STATES their creators into two general categoriesÐTraditional Art and Digital ArtÐwe are also able to investigate if the use of digital tools has had a significant effect on the content and form of Received: June 1, 2016 artworks. -
Transition in Post-Soviet Art
Transition in Post-Soviet Art: “Collective Actions” Before and After 1989 by Octavian Eșanu Department of Art, Art History & Visual Studies Duke University Date:_______________________ Approved: ___________________________ Kristine Stiles, Supervisor ___________________________ Fredric Jameson ___________________________ Patricia Leighten ___________________________ Pamela Kachurin ___________________________ Valerie Hillings Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art, Art History & Visual Studies in the Graduate School of Duke University 2009 ABSTRACT Transition in Post-Soviet Art: “Collective Actions” Before and After 1989 by Octavian Eșanu Department of Art, Art History & Visual Studies Duke University Date:_______________________ Approved: ___________________________ Kristine Stiles, Supervisor ___________________________ Fredric Jameson ___________________________ Patricia Leighten ___________________________ Pamela Kachurin ___________________________ Valerie Hillings An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Philosophy in the Department of Art, Art History & Visual Studies in the Graduate School of Duke University 2009 Copyright by Octavian Eșanu 2009 ABSTRACT For more than three decades the Moscow-based conceptual artist group “Collective Actions” has been organizing actions. Each action, typically taking place at the outskirts of Moscow, is regarded as a trigger for a series of intellectual -
1 Guidelines for Publication of Articles in the Collection Actual Problems Of
Guidelines for publication of articles in the collection Actual Problems of Theory and History of Art The deadline for submission of articles is 1 February 2019. Late submissions or texts not conforming to these guidelines will not be considered. Please send the article and all relevant materials by email to: [email protected], with the subject line “for publication”. I. Text The article should not exceed 40000 characters including the footnotes, the list of bibliographical references and all other accompanying materials. The recommended extent of the text is about 20000 characters. The articles are accepted in Russian or English. When preparing your article, please follow these technical requirements: One space between initials in personal names, e.g.: J. W. H. Smith, not J.W.H. Smith Use the en dash (–), not hyphen (-), between consecutive numbers, e.g.: pp. 142–144, not pp. 142-144; 449–437 B.C.; 118–137 A.D. But: Ward-Perkins B., Baden-Baden Use the em dash in the text (—) In the text spell out whole numbers one through one hundred, or numbers beginning a sentence. All other numbers (centuries, years, page numbers, percentages, lists of objects, measurements and so on) in the text, footnotes and references should be in Arabic numerals, e.g.: Nine 15th century buildings Number endings should be put in superscript, e.g.: the 20th century; second half of the 1st century B.C., but: the 1930s Put in italics the titles such as that of works of art, literary works etc. Use “ … ” quotation marks or “ …….. ‘…’ ….…” in case of a double quotation II. -
Download the Japan Style Sheet, 3Rd Edition
JAPAN STYLE SHEET JAPAN STYLE SHEET THIRD EDITION The SWET Guide for Writers, Editors, and Translators SOCIETY OF WRITERS, EDITORS, AND TRANSLATORS www.swet.jp Published by Society of Writers, Editors, and Translators 1-1-1-609 Iwado-kita, Komae-shi, Tokyo 201-0004 Japan For correspondence, updates, and further information about this publication, visit www.japanstylesheet.com Cover calligraphy by Linda Thurston, third edition design by Ikeda Satoe Originally published as Japan Style Sheet in Tokyo, Japan, 1983; revised edition published by Stone Bridge Press, Berkeley, CA, 1998 © 1983, 1998, 2018 Society of Writers, Editors, and Translators All rights reserved No part of this book may be reproduced in any form without permission from the publisher Printed in Japan Contents Preface to the Third Edition 9 Getting Oriented 11 Transliterating Japanese 15 Romanization Systems 16 Hepburn System 16 Kunrei System 16 Nippon System 16 Common Variants 17 Long Vowels 18 Macrons: Long Marks 18 Arguments in Favor of Macrons 19 Arguments against Macrons 20 Inputting Macrons in Manuscript Files 20 Other Long-Vowel Markers 22 The Circumflex 22 Doubled Letters 22 Oh, Oh 22 Macron Character Findability in Web Documents 23 N or M: Shinbun or Shimbun? 24 The N School 24 The M School 24 Exceptions 25 Place Names 25 Company Names 25 6 C ONTENTS Apostrophes 26 When to Use the Apostrophe 26 When Not to Use the Apostrophe 27 When There Are Two Adjacent Vowels 27 Hyphens 28 In Common Nouns and Compounds 28 In Personal Names 29 In Place Names 30 Vernacular Style -
Online Portfolio
FRANK HONG 146 FINCH AVE E, TORONTO, ON, CANADA M2N 4R7 [email protected] 1-905-467-7771 Online Portfolio: http://artbyfrankhong.com Skills & Expertise Concept Design, Illustration, Matte-Painting, Set Extension, Character Design, Zbrush modelling. Education Bachelor of Animation Program, Sheridan College, Toronto, Ontario 2011 Employment Illustrator, Defiance(2013 TV). Toronto, ON. CANADA 2013 Art Department. Season 01 and Season 02. Matte-Painter, Rocket Science VFX. Toronto, ON. CANADA 2013 The Mortal Instrument (2013), Copper(TV Series), Hannibal, Hatfield and McCoy Matte-Painter, Pixomondo. Toronto, ON. CANADA 2013 Oblivion (2013). Illustrator, RoboCop. Toronto, ON. CANADA 2012 RoboCop (2013) José Padilha, Art Department. Illustrator, Still Seas. Toronto, ON. CANADA 2011 Pacific Rim (2013) (Guillermo del Toro) Background Artist, Titmouse Inc / Disney. Hollywood, CA. United States 2011 Motorcity(Animated TV Sieres). http://www.titmouse.net/ Concept Artist, Silicon Knights Inc. St.Catherines, ON. 2011 X-Men Destiny, and Unannounced title. Freelance Artist, Radical Publishing. Los Angeles, California, United States 2011 Unannounced Project [email protected] Freelance Artist, Legendary Pictures. Burbank, California, United States 2011 Godzilla (2012) Freelance Artist, BigHugeGames / 38Studios / EA. 2010 KINGDOMS OF AMALUR: RECKONING Freelance Artist, Fantasy Flight Games. MN, United States. 2010 Freelance Artist, Reloaded Studios. Korea. 2010 Matte-painter, Project 2813. Toronto, ON. 2010 Matte-painter, Phantom VFX. London, UK. 2010 Freelance Artist, Volta. Quebec, QC, 2009-2010 Canada Freelance Artist, EDGE OF REALITY Ltd. Austin, TX, 2009-2012 United States Freelance Artist, ArtByFrankHong, 5 years experience, based in Toronto, Canada 2008-2013 2D Animation Instructor, Toronto District School Board, Toronto, Ontario, Canada 2007 Feature & Publication Featured Artist, EXOTIQUE 6. -
Citing Sources in MLA FORMAT (8Th Ed.): a Durham Tech Library Reference Guide
Citing Sources in MLA FORMAT (8th ed.): A Durham Tech Library Reference Guide Updated Fall 2016 by Durham Technical Community College Library Table of Contents Citing Sources ................................................................................................................................................ 1 Quick Citation Tips ........................................................................................................................................ 2 In-Text Citation Tips ...................................................................................................................................... 5 Works by one author ................................................................................................................................ 5 Two or more works by the same author ................................................................................................... 5 A work with two authors .......................................................................................................................... 6 A work with three authors ........................................................................................................................ 6 Sources without page numbers ................................................................................................................ 7 Summaries of the main idea(s) of a work ................................................................................................. 7 Sources without an author....................................................................................................................... -
Markers, Monuments, and Public Art Master Plan And
Markers, Monuments, and Public Art Master Plan and Guidelines For the City of Savannah Adopted by the Mayor and Aldermen of the City of Savannah March 1, 2007, Revised March 2011 Historic Site and Monument Commission March 2011 Produced by: The Chatham County-Savannah Metropolitan Planning Commission MPC Staff Thomas L. Thomson, P.E. AICP, Executive Director HSMC Technical Advisory Committee Members Ellen Harris, LEED A.P., Cultural Resource and Urban Planning Manager, Author Dr. Peggy Blood, Chairwoman, Savannah State University Eileen Baker, Cultural Affairs Richard Bjornseth, Savannah College of Art and Design Historic Site and Monument Commission Members Daniel Carey, Historic Savannah Foundation Stan Deaton, Georgia Historical Society Gordon Smith, Chairman Harry Delorme, Telfair Museum Phillip Williams, Vice-Chairman Ella Howard, Armstrong Atlantic State University Walt Harper, Ex-Officio, Secretary Pete Liakakis, King-Tisdell Cottage Foundation Eli Karatassos Sarah Ward, MPC Adrienn Mendonca David White, Park and Tree Department Mary Soule Created February 2007, Revised March 2011 Mayor and Aldermen Metropolitan Planning Commission Members Otis Johnson, Ph.D., Mayor W. Shedrick Coleman, Chairman Edna B. Jackson, Mayor Pro-Tem, Post 1 At-Large J. Adam Ragsdale, Vice-Chairman Jeff Felser, Alderman, Post 2 At-Large Jonathan Pannell, Secretary Van R. Johnson, II, Alderman District 1 Lacy A. Manigault, Treasurer Mary Osborne, Alderwoman District 2 Russell Abolt Larry Stuber, Alderman District 3 Ellison Cook Mary Ellen Sprague, Alderwoman District 4 Ben Farmer Clifton Jones, Jr., Alderman District 5 Stephen Lufburrow Tony Thomas, Alderman District 6 Timothy S. Mackey Tanya Milton Susan R. Myers Rochelle Small-Toney Jon N. Todd Joseph T.