DOCSLIB.ORG

December 2019 Sunday Monday Tuesday Wed

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
December 2019 Sunday Monday Tuesday Wed December 2019 Sunday Monday Tuesday Wed. Thursday Friday Saturday 1 TANGO 2 3 4 5 TANGO 6 TANGO 7 TANGO Studio for Rent Studio for Rent Studio for Rent Mimosas and Movement Studio for Rent 11:00-12:00 Tango 102 Week 5 8 am – 6 pm 8 am – 6:30 pm 6:30-7:30 ROLLOUT Volcadas/Colgadas 1-4 pm 8:00 am – 7:00 pm 12:00-1:00 Beginning Tango 2pm–6 pm, 8-10pm Paradise Practica 1:00-2:00 Interm/Adv Tango Blues Dancing Dance & Debauchery: 7:00-10:00 pm Class/Milonga at Hustle & West Coast 7:30-8:00 Intro Class Leading for Followers 2:00-3:00 Stretch & Balance 6:30-9:30 pm The 818 Project (not a Paradise Tango Medici’s 8:00-9:00 pm Practica 7:00-8:00 pm PRIVATE LESSONS event)) 6:30-10:30 pm (not a Paradise Tango Nuevo, Alternative, Zouk (not at Paradise Tango) event) Paradise Milonga 3:00 – 7:00 pm WCS and Hustle: 7-10 pm 8:00-11:00 8 TANGO 9 Studio for Rent 10 11 12 TANGO 13 TANGO 14 8 am – 7 pm Studio for Rent Private Event 1:00-2:00pm Studio for Rent 11:00-12:00 Tango 102 Week 6 Studio for Rent Women’s Technique with 8 am – 6:30 pm 6:30-7:30 ROLLOUT 8:00 am – 5:30 Private Event 3:00-4:00pm 12:00-1:00 Beginning Tango 2pm–6 pm, 8-10pm Olesya (not PT) Paradise Practica Studio for Rent 1:00-2:00 Interm/Adv Tango 6:00 -7:00 pm Class/Milonga at Hustle & West Coast 7:30-8:00 Intro Class WINE & TANGO Available 8-1:00 pm or 2:00-3:00 Stretch & Balance 6:30-9:30 pm Hustle & West Coast Medici’s 8:00-9:00 pm Practica 2:00-3:00 pm or 4-10 pm PRIVATE LESSONS 7:00-9:00 pm 6:30-10:30 pm (not a Paradise Tango Paradise Milonga (not at Paradise Tango) event) NO PRIVATE TANGO LESSONS 3:00 – 7:00 pm (not a Paradise Tango event) 7:00-11:00 15 TANGO 16 17 18 19 TANGO 20 TANGO 21 11:00-12:00 Tango 102 Week 7 Studio for Rent Studio for Rent Studio for Rent Studio for Rent 2pm–6 pm, 8-10pm Available 8:00am - 3:00pm or 12:00-1:00 Beginning Tango 8 am – 6 pm 6:30-7:30 ROLLOUT Studio for Rent 8 am – 6:30 pm 1:00-2:00 Interm/Adv Tango Paradise Practica 8:00 am – 8:00 pm 4:00-10:00 pm Blues Dancing Class/Milonga at 2:00-3:00 Stretch & Balance 7:00-10:00 pm Hustle & West Coast 7:30-8:00 Intro Class Medici’s Paradise Milonga Private Event 3:00-4:00pm PRIVATE LESSONS (not a Paradise Tango event) 6:30-10:30 pm 6:30-9:30 pm 8:00-9:00 pm Practica (not at Paradise Tango) (not a Paradise Tango 8:00-11:00 NO PRIVATE TANGO LESSONS 3:00 – 7:00 pm event) 22 TANGO 23 24 25 26 TANGO 27 TANGO 28 Studio for Rent 11:00-12:00 Tango 102 Week 8 Studio for Rent Studio for Rent Available 8:00am - 3:00pm or 12:00-1:00 Beginning Tango Studio for Rent 6:30-7:30 ROLLOUT 2pm–6 pm, 8-10pm 8:00 am – 8:00 pm 4:00-10:00 pm 1:00-2:00 Interm/Adv Tango 8 am – 7 pm Paradise Practica Class/Milonga at 2:00-3:00 Stretch & Balance Hustle & West Coast 7:30-8:00 Intro Class Medici’s Private Event 3:00-4:00pm 7:00-9:00 pm 8:00-9:00 pm Practica Paradise Milonga PRIVATE LESSONS 6:30-10:30 pm (not a Paradise Tango event) 8:00-11:00 NO PRIVATE TANGO LESSONS 3:00 – 7:00 pm (not at Paradise Tango) CHRISTMAS December Special Classes & Events 29 TANGO 30 December Specials Lessons Special: Christmas Special Private Leading for Followers: - First Friday from 7-8 pm before the milonga! 12:00-1:00 Beginning Tango 1:00-2:00 Interm/Adv Tango Lesson Packet! 3 private lessons with Jenny th Studio for Rent Mimosas and Movement – Saturday December 7 from 1-4 pm! This 2:00-3:00 Stretch & Balance for only $195 (single) or $225 (couple)! M&M theme is Volcadas and Colgadas. Get strong and be elegant! 8 am – 10 pm PRIVATE LESSONS 818 Project – 1st Saturday December 7th from 7-10 pm! NEW Social Boutique Special: Anything with Green or 3:00 – 7:00 pm dance night that mixes Nuevo and Alternative Tango with Zouk, West Red (shoes or clothes) is 25% off! No limit. Coast Swing and Hustle! $10 includes mini lessons in each danceI Brett & Jenny Griswold Paradise Tango Argentino www.paradisetango.com [email protected] 831-239-6529 December 2019 Thursday 6:30 pm - 7:30 Rollout for Dancers. We all get knots and tire our muscles working hard on our tango. Time to heal our bodies! $15 per class, $12 student! Taught by Brett! Check schedule for cancelations. 7:30 pm - 9:00 pm Paradise Practica. Come to practice your Tango with a great group of fun and laid back 818 Sheridan Street #206, Honolulu, HI 96814 * (831) 239-6529 dancers. Bring your own iPod to share some of our favorite music. Only $5! Check schedule for cancelations. On-Going Paradise Tango Classes by Day Sunday Friday 11:00-12:00 Tango 102 with Jenny – 8-week series class on Tango Social Foundation movements! Must register for full series, no drop-in, no refunds if classes missed. $40 for the full series. Sign up 8:00-11:00 pm Paradise Milonga: Every Friday. Only $10 (Except during Special Milongas $15). Traditional at first day of class. November 3rd to December 22nd. Tango Music. No Partner Necessary. BYOB and BYOS. See Note for Special Milonga below. 7:00-8:00 pm Leading for Followers: First Friday! Bring your low shoes and be ready to lead! $15. SPECIAL for Sunday Paradise Tango Drop-In Classes only: One class for $15, Two classes for 7:00 pm – 11:00 pm Wine & Tango: Special Date 2nd Friday Dec 13th! Last Wine & Tango Event Ever with $20, Three for $25! (Students special is 1 class for $12, 2 classes for $15, and 3 for $20!) all you can drink wine and pupus (enough for dinner), before a 30 min long Tango lesson with 3 hours of 12:00 pm - 1:00 pm Drop-in Beginning Tango with Brett and Jenny. This class taught by Brett social dancing afterwards to Nuevo and Alternative Tango Music.! Must be 21 yrs or older or accompanied by and Jenny is designed to give the brand new dancer with zero experience a solid background. In this an adult. NEW SIMPLIFIED PRICING. Choose: $20 for full event (lesson, party, wine/food, and 3 hours of class we focus on the basic and most fundamental movements of tango, elegant walking, the lead dancing from 7-11pm) or $15 for wine/food and 3 hours of social dancing from 8-11 pm. Purchase tickets in and follow, how to travel around the dance floor, and how to navigate around other couples. This advance online on Eventbrite. Google “Eventbrite Wine and Tango” and the date to find our event. class is a great foundation for all Tango dancers. No experience or partner necessary. Class is $15 Saturdays (No Paradise Tango Private Lessons) regular, $12 students with I.D. 7:00-10:00 pm Dance & Debauchery: The 818 Project: Every First Saturday. Only $10. Nuevo/Alternative 1:00 pm - 2:00 pm Drop-in Intermediate/Advanced with Brett and Jenny. This is an intermediate Tango, Brazilian Zouk and West Coast Swing dance party. No Partner Necessary. Drinks and Snacks level class. Student should have a basic understanding of the movements covered in the Beginning provided, but BYOB and BYOS welcome. class. This class combines basic movements into beginning and intermediate figures and combinations. Students also learn advanced movements that require off axis body positions. Class is Privates Events. Call for Rental Availability $15 regular, $12 students with I.D. MONTHLY MEMBERSHIP 2:00-3:00 Stretching and Balance for Dancers with Jenny – Stretch your body and improve your balance with a combination of yoga, ballet, pilates, and fitness exercises. Designed to help dancers Monthly (30-day) Membership - $95 – Valid for 30 days from purchase. Includes All Tango Classes*, improve flexibility and balance for partner dances (check for cancellations). Rollout, Stretching & Balance, Practica, Tango 101, Leading for Followers, 818 Project, Paradise Milongas, AND Wine & Tango (good for only 1 Wine & Tango per 30 day period). Includes 50% discount on special follower’s workshops with Jenny (e.g. Mimosas & Movement). *NOTE: Intermediate/Advanced Tango is Monday (No Paradise Tango Classes or Private Lessons) No Privates or Classes – Special events and other classes at the studio. Oleysa’s Follower’s by instructor permission ONLY, regardless of monthly membership status for your safety and technique class on 2nd Monday, 6-7 pm. (Blues Dance every 1st and 3rd Monday evenings from 7- enjoyment. Does NOT INCLUDE full value of SPECIAL MILONGAS’s associated with visiting 10pm, Hustle/West Coast 2nd and 4th Monday’s 7-9 pm). instructors (Members get a $10 discount) MONTHLY SPECIALS Tuesday (No Paradise Tango Classes or Private Lessons) No Privates or Tango Classes – Open so Brett and Jenny can Social Dance with the community at the Milonga at Medici’s hosted by Oahu Tango (their class 6:30-8:00, Milonga 8:00-10:30 pm).
Load more

Recommended publications
  • Ww10online1.Pdf
    First Masses of School Year St. Thomas More Newman Center Sunday 10am-11am Austin M. Schafer September 19 [email protected] , Residence Hall 614.291.4674 http://www.buckeyecatholic.com/mass-times Move-In All Over Campus // 8am-3pm The St. Thomas More Newman Center and Catholic Students Association welcomes all [email protected] to attend the First Mass of the School Year. http://housing.osu.edu/ Sat @ 5:30 p.m. Sun. @ 10 a.m., Noon, 6 Behold the legendary move-in process that p.m., 9 p.m. Location: 64 W Lane Ave. OSU families have raved about for years! Prepare to be amazed as our student Ohio Welcome Week State Welcome Leaders (OWLs) help you Photo Op take your luggage, gadgets, and goodies up Ohio Union, 12pm-6pm to your room with lightning speed. Sponsored by the Office of Student Life. Erica Baumker [email protected], 419.270.2123 http://www.ohiostatealumni.org/sac Student-Alumni Council welcomes you to The Ohio State University! Capture your move-in day experience with a commemorative photo outside the Alumni Association Office on the first floor of the Ohio Union. Honors & Scholars Move In Day Open House Kuhn Honors & Scholars House 2pm-4:30pm Vicki Pitstick [email protected], 614.292.1794 Honors & Scholars students and their family members are invited to come by the Kuhn Buckeye Prize Brigade Honors & Scholars House to enjoy some Various Locations // 10am-1pm refreshments, meet other Honors & Scholars students, and mingle with the staff. Sharrell Hassell-Goodman [email protected], 614.247.8609 It’s
    [Show full text]
  • Elements of Argentine Tango a Resource Manual for Dancers
    Elements of Argentine Tango A Resource Manual for Dancers http://abqtango.org 1 History of Argentine Tango by Mike Higgins When talking about the history of the Tango, the reader should consider that although there were many ‘influences’ in the creation and life of the Tango, it is very important not to assume that it was some form of linear development Whilst dances and music from around the world have had some influence, this rather detracts from the people who really created and evolved the Tango into its current form. These are the people of Buenos Aires, who in the bars, cafes and dance halls made the Tango, danced the Tango, lived, loved and occasionally died for the Tango. It is the voice of the streets of Buenos Aires. Any suggestion that they may be dancing some sort of second hand steps or regurgitating music taken from Europe or Africa must be rejected as some what insulting to all the great milongueros who have danced and innovated down though years. It is equally insulting to the great Tango maestros who have drawn on their own life experiences when composing music. Almost certainly, the most important factor in the evolution of the Tango was the influence brought in by the Habanera, created in Havana, Cuba, and also known as the Andalusian Tango. Unfortunately there is now insufficient information to assess exactly how this was originally danced. The Habanera was based on the concept of a ’walk’, the same as the Tango. At some point the Milonga and The Habanera were fused to form the embryonic version of the Tango.
    [Show full text]
  • Policies for Tango Colorado Djs 1. Keep the Dancers Dancing the DJ's Primary Job Is to Keep the Dancers Happy and Dancing, Se
    Policies for Tango Colorado DJs 1. Keep the Dancers Dancing The DJ’s primary job is to keep the dancers happy and dancing, selecting mixes that serve the community’s needs as directed by the Board of Directors. This means knowing the music and understanding the conventions for how to combine music for tandas. The quantity of music you have is secondary to the quality. We appreciate the many of you who continually work hard to improve your music selections. Please make sure that you can maintain flexibility in your tandas based on crowd participation for each tanda. We expect your focus to be on the dancers and though this does not mean you cannot dance on a night you are DJing, we strongly encourage careful attention to the crowd. Teaching lessons or having meetings during a Practica for which you are the DJ is discouraged. The board will continue to monitor DJs and feedback from dancers and reserves the right to schedule DJs accordingly via the DJ coordinator. The expectations for the music at a Practica are not the same as at a Milonga. The main focus should be to enhance retention of both new dancers and more experienced dancers and create and maintain good energy in the room and on the dance floor. 2. Tandas and Cortinas at Practicas DJ’s will play the following tanda structure during the practicas. Tango, Tango, Vals, Tango Tango Milonga. the exception of the first 30 minutes after the class, when only tangos with simple, strong rhythms should be played so that the beginners from the beginner lessons have a chance to practice more effectively.
    [Show full text]
  • Tango Levels: the 22 Techniques of Tango
    Tango Levels: The 22 Techniques of Tango A proposed framework to support growth and learning by Mitra Martin "Chaos can't sustain itself. It's too easy, and it's too unsatisfying." ­ Jon Stewart 1. Introduction 2. Tango’s Techniques 3. How Is My Technique? 4. How to Improve: Technique and Movement 5. Tango Process 6. A Note to Teachers 7. Next Steps 8. Assessment Tool 1. Introduction This text exists to provide help to dancers who want to know what they need to do in order to improve their skills in Tango, and teachers who want ideas on how to help their students. In the process of endeavoring to establish a Tango school we have noticed many students of Tango being confused about what to focus on, and as a result losing motivation. In the absence of clear, objective, trustworthy frameworks for growth provided by experienced dancers, learners will often invent their own, which can be misleading or incoherent, and lead to wasted energy. When we (somewhat hesitantly) instituted our first objective test of skills, the “200 level exam,” it was interesting to notice how productive, engaged, and curious learners became in the process of preparing for the exam. They would attend classes and take lessons more often, ask more thoughtful questions, ask people to practice with them, engage more deeply with teacher’s feedback. Defining, maintaining and defending class levels has been a conundrum for teachers. Most students are not able to accurately self­assess, so they go to the wrong classes. Classes cannot be taught at an “Advanced” level if they are filled up with dancers who are beginners.
    [Show full text]
  • The Effects of Argentine Tango on Balance and Quality of Life in Subjects with Traumatic Brain Injury" (2019)
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Graduate School Professional Papers 2019 The ffecE ts of Argentine Tango on Balance and Quality of Life in Subjects With Traumatic Brain Injury Pamela Marie Peterson Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Movement and Mind-Body Therapies Commons Recommended Citation Peterson, Pamela Marie, "The Effects of Argentine Tango on Balance and Quality of Life in Subjects With Traumatic Brain Injury" (2019). Graduate Student Theses, Dissertations, & Professional Papers. 11420. https://scholarworks.umt.edu/etd/11420 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. The Effects of Argentine Tango on Balance and Quality of Life in Subjects With Traumatic Brain Injury By PAMELA MARIE PETERSON Bachelors of Science Degree, University of Montana, Missoula, Montana, 2014 Associate of Science, Solano Community College, Fairfield, California, 2011 Thesis presented in partial fulfillment of the requirements for the degree of Master of Science In Health and Human Performance The University of Montana Missoula, MT Official Graduation Date May 2019 Approved by: Scott Whittenburg, Dean of The Graduate School Graduate School Dr. Charles Dumke, Chair Health and Human Performance Dr. Matthew Bundle Health and Human Performance Ann Stevenson, LCPC Peterson 2019 ABSTRACT This study investigated the effect of a six-week tango-based intervention on the balance and quality of life on subjects with traumatic brain injury (TBI).
    [Show full text]
  • The Jewish Influence on Tango”
    Claremont Colleges Scholarship @ Claremont 2014 Claremont Colleges Library Undergraduate Claremont Colleges Library Undergraduate Research Award Research Award 5-8-2014 The ewJ ish Influence on Tango Olivia Jane Zalesin Pomona College Recommended Citation Zalesin, Olivia Jane, "The eJ wish Influence on Tango" (2014). 2014 Claremont Colleges Library Undergraduate Research Award. http://scholarship.claremont.edu/cclura_2014/2 This First-Year Award Winner is brought to you for free and open access by the Claremont Colleges Library Undergraduate Research Award at Scholarship @ Claremont. It has been accepted for inclusion in 2014 Claremont Colleges Library Undergraduate Research Award by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. 2014 Claremont Colleges Library Undergraduate Research Award First-Year Award Winner Olivia Zalesin Pomona College Reflective Essay Undergraduate Research Award Reflective Essay “Jewish Tango.” Seems like an odd yet intriguing combination of words--does it not? That’s what I thought back in September as I sat in my dorm room brainstorming potential paper topics for my ID1 Seminar, “Tripping the Light Fantastic: A History of Social and Ballroom Dance.” Tango was an obvious choice to respond to a prompt, which read, “Write about any dance form you find interesting.” I’d been fascinated with the tango ever since I’d learned about the dance’s history in a high-school seminar on Modern Latin America and subsequently tried the dance myself in one of Buenos Aires’ famous dance halls. The Jewish element was, however, my attempt to add some personal element and to answer my own curiosity about a question that had been nagging at me ever since I heard my first tango music.
    [Show full text]
  • Tango DJ 101 Presentation
    Tango DJ 101 "A Long Dark Night in Dabney Hall" guided by Homer G Ladas Through a reality based situation we will explore the good, better, not so good, and worst ways to tango DJ. Let Us Begin: ------------------------------ You are the guest DJ tonight at Dabney Hall! The milonga is about to start (class is ending) and you just arrived... As a 'mental DJ exercise' before set-up: While the teachers are wrapping up, you hear from a trusted source that they played only late 50's Carlos Di Sarli instrumentals for the entire class. What music do you start the evening with? A. Juan D'Arienzo early Instr &/or w/ Echague B. Carlos Di Sarli - instrumentals C. Tango Fusion - alternative set D. a Milonga or Vals tanda E. Edgardo Donato (mixed 30's & 40's) w/ lyrics F. Juan D'Arienzo with Maure You have about 3 minutes to decide... Time Out: Let's Briefly Talk DJ Equipment 1. Laptop(s), iPhone, etc, vs. CD's - What equipment to use? 2. Sound Cards & Cleaning Software - Do they make a difference? 3. Headphones (& thus previewing) - Does this help your DJing or not? 4. Any other questions? Tango DJ 101: Tandas What is a Tanda? Why do we use Tandas? (Listen to Examples) How Many Songs (2, 3, 4)? A-List vs B-List Songs? Power Songs - The What, Why, and When! & Jinx Songs... Exercise: Let's build two tanda's together... A. Traditional B. Alternative Back to Reality: The Initial Set-Up Some Questions to Ask Yourself include... 1. - Do you know your sound-system & environment? (amp quality, room/speaker layout & height rule, etc) 2.
    [Show full text]
  • TCA's Media Library
    TCA’s Media Library DVDs and books can be checked out for 2 WEEKS AT A TIME. MAXIMUM OF 2 ITEMS (DVDs or books) checked out per member at any time. You MUST VERIFY your TCA membership before checking out any DVD or book. Contact a BOARD MEMBER to check out DVDs or books: Iolene Brown Patti Brown Everett Farr Bert Ibarra Linda Smith Sue Thorson Jin Wu Vivien Young When returning DVDs or books, have a board member sign off on the date you returned the items you borrowed. Thanks. Tango Club of Albuquerque Video Rentals – Complete List V1 - El Tango Argentino - Vol 1 Eduardo and Gloria A famous dancing and teaching couple have developed a series of tapes designed to take a dancer from neophyte to accomplished intermediate in salon-style Tango. (This is not the club-style Tango Eduardo sometimes teaches in workshops.) The first tape covers the basics including the proper embrace and elementary steps. The video quality is high and so is the instruction. The voice over is a bit dramatic and sometimes slightly out of synch with the steps. The tapes are a somewhat expensive for the amount of material covered, but this is a good series for anyone just starting in Tango. V2 - El Tango Argentino - Vol 2 Eduardo and Gloria A famous dancing and teaching couple have developed a series of tapes designed to take a dancer from neophyte to accomplished intermediate in salon-style Tango. (This is not the club-style Tango Eduardo sometimes teaches in workshops.) The second and third videos cover additional steps including complex figures and embellishments.
    [Show full text]
  • UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title Social Tango Dancing in the Age of Neoliberal Competition Permalink https://escholarship.org/uc/item/6fc7h18z Author Shafie, Radman Publication Date 2019 License CC BY 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Social Tango Dancing in the Age of Neoliberal Competition A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Radman Shafie June 2019 Dissertation Committee: Dr. Anthea Kraut, Chairperson Dr. Marta Savigliano Dr. Jose Reynoso i Copyright by Radman Shafie 2019 ii The Dissertation of Radman Shafie is approved: Committee Chairperson University of California, Riverside iii Acknowledgments I have deep gratitude for all the people who made this research possible. I would like to first thank Dr. Anthea Kraut, whose tireless and endless support carried me through the ups and downs of this journey. I am indebted to all the social tango dancers who inspired me, particularly in Buenos Aires, and to those who generously gave me their time and attention. I am grateful for my kind mother, Oranous, who always had my back. And lastly, but far from least, I thank my wife Oldřiška, who whenever I am stuck, magically has a solution. iv To all beings who strive to connect on multiple levels, and find words insufficient to express themselves. v ABSTRACT OF THE DISSERTATION Social Tango Dancing in the Age of Neoliberal Competition by Radman Shafie Doctor of Philosophy, Graduate Program in Critical Dance Studies University of California, Riverside, June 2019 Dr.
    [Show full text]
  • Redalyc.El Giro Patrimonial Del Tango: Políticas Oficiales, Turismo Y
    Cuadernos de Antropología Social ISSN: 0327-3776 [email protected] Universidad de Buenos Aires Argentina Morel, Hernán El giro patrimonial del tango: políticas oficiales, turismo y campeonatos de baile en la ciudad de Buenos Aires Cuadernos de Antropología Social, núm. 30, 2009, pp. 155-172 Universidad de Buenos Aires Buenos Aires, Argentina Disponible en: http://www.redalyc.org/articulo.oa?id=180913916009 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Cuadernos de Antropología Social Nº 30, pp. 155–172, 2009 © FFyL – UBA – ISSN: 0327-3776 El giro patrimonial del tango: políticas oficiales, turismo y campeonatos de baile en la ciudad de Buenos Aires Hernán Morel* RESUMEN En este artículo nos proponemos analizar algunos aspectos del proceso de activación patri- monial del tango en base a la intervención del Estado local a fi nes de los años ’90. Luego de analizar ciertos aspectos que caracterizan y rigen los procesos de patrimonialización contem- poráneos, relevamos las principales normativas y actividades culturales instituidas en torno al tango. Posteriormente, nos concentramos en el desarrollo de una sucesión de políticas públicas y actividades vinculadas a festivales y campeonatos de baile en la ciudad de Buenos Aires. Asimismo, exploramos las construcciones y los sentidos de “autenticidad” en distintas dimensiones culturales. Por un lado, nos enfocamos en el “turismo cultural” vinculado al tango en la ciudad, mientras que, por otro lado, analizamos los sentidos otorgados a las performances de tango-danza de salón en el contexto de los campeonatos ofi ciales.
    [Show full text]
  • Tla* T+[,Y+ Tango T+Nrrnal
    Tla*T+[,y+ Tango t+nrrnal S+laIssn *, Novtrnbtr,Zee6 Our fust threeissues featuted interviews with CatlosRivatola (Issue 1), Eduardo Arquimbau & Loredana de Brasil (Issue2), Jorge Torres (Issue3) Did you missthese issues? If so, visit: /wwurmonglan.com/tokyo-tango-joutnal.htm ln +lalslsslrtc lnf*rvi*rvs wifla]tran Gtriela(E**o H+rr] Htrg+Par*t (P*r+ Ta*g+) Plai++graplasE Drawiigs by M+ng-Lan W*6si+t: rpyr,y.rnnnglan.elrrn/+cf,yo_+angojnurnal"latrn Two Interviews by Mong-Lan This issueofthe TbkyoTango Journal focuseson those Argentines who have moved to Tokyo and who through their love oftango, their talent as dancers, and their acumenas organizershave established successfulmilongas in Tokyo. Thus, Juan Guida of Zero Hour and Hugo Paez ofPuro Tango are interviewed and featured. My initial plan had been to interview and feature as well Jose & Laura of Luna de Tango,but becauseofa combinationof a bit oftardiness on both our parts, as well as the needto Drawings by Mong-Lan go to presswith this fourth issueof the TolqtoTango Journal, my intewiew with Jose & Laura will Sansotta.They were beginning insteadappear in the next issue. to teach classesand I went to their practicasand their classes.I saw them Interview with Juan Guida dancing on the streetspromoting their classesand that was it. It was for me. In this way, I began. Earlier the organizerof the first regular Argentinemilonga in Tokyo at Arts City, and now ML: Before coming to Japan, what had been your the impresarioand senior dancer/teacher ofthe well- experiences with tango? In Argentina, did you teach? you knownZero Hour just downthe road from Were in shows? Or, did you simply dance for the RoppongiCrossing, Juan Guida hasdevoted love oftango? himself professionallyand personally-to the developmentofthe Argentinetango in Japan.Ably JG: I dancedin La Viruta; I beganto give classesin assistedin all waysby his wife, Kayoko,herselfalso La Mruta and taught there for two years.
    [Show full text]
  • MEET the INSTRUCTORS Alicia and Eduardo the Dancers Alicia And
    MEET THE INSTRUCTORS Alicia and Eduardo The dancers Alicia and Eduardo Lazarowski grew up in Buenos Aires and moved to North Carolina in 1986 to pursue their careers in health sciences. Eduardo, a biochemist, is an associate professor at UNC Chapel Hill. Alicia is global marketing manager at a medical diagnostics company in Durham. And they love and dance tango, the music of their hometown. Alicia and Eduardo became members of the Raleigh- Durham-Chapel Hill (The Triangle) tango community since 2002 and both have served as President of Triangle Tango between 2008-2013. The Lazarowskis travel regularly to Buenos Aires and through the U.S. to train with world-renowned dancers and instructors, including Alicia Pons, Lorena Ermocida, Fernanda Japas & Alberto Sendra, Facundo Posadas, Oscar Casas, Marcela Duran, Luis Rojas, and Tomas Howlin. Alicia and Eduardo have been regular Argentine tango performers at the NC International Festival (Raleigh NC) since 2007, and have also performed at Duke University and NC Central University (Durham NC), Craven Community College (New Bern NC), and the Spoleto Tango Festival (Charleston SC). They have danced with Maestro bandoneonist Julian Hasse at Music at the Porch (UNC Chapel Hill) and the Diamante Latino festival (Raleigh) and with singer Lorena Guillan at the Triad Stage Theater in Greensboro (NC). Milonga organizers Alicia and Eduardo organized the Milonga del Ocho at Metro 8 (2010-2012) and Pichuqueando at Piazza Italia (2012-2013) in Durham. They currently organize Milonga La Durhamite in Triangle Dance Studio every 4th Friday of the month. DJs Alicia and Eduardo have been mentored and inspired in the art of musicalizing by Osvaldo Natucci (international DJ and lecturer), Lorena Bouzas (DJ at Club Gricel, Buenos Aires), and Carlos Rey (DJ at El Beso, Buenos Aires).
    [Show full text]