DOCSLIB.ORG

Ww10online1.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ww10online1.Pdf First Masses of School Year St. Thomas More Newman Center Sunday 10am-11am Austin M. Schafer September 19 [email protected] , Residence Hall 614.291.4674 http://www.buckeyecatholic.com/mass-times Move-In All Over Campus // 8am-3pm The St. Thomas More Newman Center and Catholic Students Association welcomes all [email protected] to attend the First Mass of the School Year. http://housing.osu.edu/ Sat @ 5:30 p.m. Sun. @ 10 a.m., Noon, 6 Behold the legendary move-in process that p.m., 9 p.m. Location: 64 W Lane Ave. OSU families have raved about for years! Prepare to be amazed as our student Ohio Welcome Week State Welcome Leaders (OWLs) help you Photo Op take your luggage, gadgets, and goodies up Ohio Union, 12pm-6pm to your room with lightning speed. Sponsored by the Office of Student Life. Erica Baumker [email protected], 419.270.2123 http://www.ohiostatealumni.org/sac Student-Alumni Council welcomes you to The Ohio State University! Capture your move-in day experience with a commemorative photo outside the Alumni Association Office on the first floor of the Ohio Union. Honors & Scholars Move In Day Open House Kuhn Honors & Scholars House 2pm-4:30pm Vicki Pitstick [email protected], 614.292.1794 Honors & Scholars students and their family members are invited to come by the Kuhn Buckeye Prize Brigade Honors & Scholars House to enjoy some Various Locations // 10am-1pm refreshments, meet other Honors & Scholars students, and mingle with the staff. Sharrell Hassell-Goodman [email protected], 614.247.8609 It’s A Party in the NSA! In what year was the Ohio State University Norton/Scott/Archer Courtyard established? What were our original school 7pm-8pm colors before they were scarlet and gray? What was the score of the Michigan game Tricia Jordan last year? If you can answer questions like [email protected], 614.292.3930 these (and even if you can’t), the Buckeye Are you a resident in Norton, Scott, or Archer Prize Brigade might make your day! Be on House? Then, you’re invited to the Party of the lookout for a group of rowdy Buckeyes the Year! Come meet your staff and fellow bringing fun prizes as you move in. Brought NSA peeps while enjoying some free ice to you by the Ohio Union. cream! 2 Welcome Week 2010 welcomeweek.osu.edu Student Taylor Tower Involvement Fair of Toppings The Oval, 12pm-4pm Taylor Tower 8pm-9:30pm Nikki Jones [email protected] Dan Goudie [email protected], If you ever thought about, considered, or 614.292.7711 NEVER considered getting involved at Ohio http://housing.osu.edu/halls.asp? State then the Student Involvement Fair is section=current&id=26&type=12 an absolute must! There will be more than 600 student organizations, clubs, community Exclusively for Taylor Tower Residents... service agencies, campus offices, and local Taylor Tower Community Council presents and national businesses to show you what Taylor Tower of Toppings! Make your way there is to do at Ohio State when you’re from floor to floor to pick up your favorite ice not in class. The Student Involvement Fair cream and toppings, and meet new friends will feature loads of giveaways, music and along the way! You can also meet your Hall entertainment, and hundreds of displays and Staff and learn about how to get involved in President’s exhibitions as well allowing you the opportunity Taylor Tower Community Council! Event time Convocation to learn more about what Ohio State has to may change! Please look for signs posted St. John Arena, 10:30am-11:30am offer you! This is an event you do not want around Taylor Tower on move-in day for more to miss! details. Julie Schultz [email protected], 614.247.4341 http://www.fye.osu.edu/convocation.html President’s Convocation is Ohio State’s official welcome for new students. On Monday of Welcome Week, some 7,000 freshmen and transfer students gather in historic St. John Monday Arena to begin an incredible college journey. Students hear from top administrators, see September 20 their first college processional, and learn New Graduate School some of the University’s history and traditions, Orientation including the words to “Carmen Ohio,” Ohio University Hall: University State’s alma mater. & Independence Hall, 9:15am-12:30pm Shari Breckenridge/Jennifer Cooper Transfer Student Meet, [email protected], 614.292.6031 Greet, and Eat! http://www.gradsch.ohio-state.edu/Depo/ Orton Hall 110, 12pm-4pm PDF/NewGraduateStudentOrientation.pdf President’s Ambre Jessen Orientation for new graduate students. [email protected], 614.292.3717 Picnic Reception and refreshments outside of http://fye.osu.edu/transfer/treventlist.html The Oval, 12pm-2pm University Hall at 9:15 a.m. Program will begin http://diningservices.osu.edu at 9:45 in 100 Independence Hall. University Are you a transfer or campus change student? resources available from 11:00 a.m. until Then don’t miss your chance to meet other Don’t miss one of the great Welcome 12:30 p.m. transfer or campus change students and get Week traditions! Treat yourself to a free to know members of the Transfer Student lunch by sampling the best that Campus Activities Board. Come grab a free bite to eat, Dining Services has to offer, then walk to make some new friends, meet staff members the Student Involvement Fair right next to from the First Year Experience Office, and get the Picnic on the Oval! answers to any questions you have about Ohio State! OSU Traditions Student Involvement & Service R Y Recreation & Wellness Cultural Diversity Community Connection Social Opportunity Campus Resources Athletics OLO Academics C KE Welcome Week 2010 welcomeweek.osu.edu 3 Paint the Streets Mondays With MUNDO with OUAB Kick Off Meeting Wexner Center for the Arts Plaza, Ohio Union: Multicultural Center 3pm-7pm Meeting Room, 6pm-7pm Shari Lee Julius W. Mayo [email protected], [email protected], 614.247.2527 614.292.3117 http://mundo.org.ohio-state.edu http://ouab.osu.edu All interested OSU students, staff and faculty Acclaimed street painter, Melanie Stimmell, should be sure to stop by and be part of is coming to Ohio State to create a one-of-a- our first meeting of the year. Join us each kind piece just for you! Come watch Melanie week for opportunities for great cross-cultural as she works throughout Welcome Week to dialogue, road trips, study abroad, community complete the newest piece of Ohio State service opportunities, our new multicultural film artwork to be displayed in your Ohio Union. series, TEATRO (our new visual and Brought to you by the Ohio Union Activities Burgers, Brats, & Bocce! performing arts appreciation group), South Oval, 5pm-8pm Board (OUAB). international food nights, and much more! Jack Flynn CFAES Welcome Back [email protected], 614.772.8360 Cookout http://www.hhosu.org Buckeye Kick-Off Norton/Scott/Archer Courtyard, Ohio Stadium, 4pm-6pm 6pm-7pm Welcome to OSU! We’re kicking off the new school year with our 7th annual “Burgers, Brats, Josiah Dhaenens Tricia Jordan [email protected], 419.799.1461 and Bocce!” Join us on the South Oval right after [email protected], 614.292.3930 http://www.blocko.org the Student Involvement Fair for all the fun! Especially for those students living in Norton Block “O” and the Department of Athletics FIJI Cookout House and a part of the CFAES learning would like to invite you to join us as we kick- 94 East 15th, 5pm-8pm community (College of Food, Agricultural, off the 10-11 season. The Block “O” annual and Environmental Sciences), this event will Kick-off meeting is designed to bring incoming Bobby Schade feature a cookout with all the fixin’s, co-sponsored and returning students together to help get [email protected], 440.465.0367 by ag-related fraternities and sororities. them pumped for the upcoming school year Come ready to eat, meet, and mingle! of athletic events. Students have heard in Those interested in meeting new guys or hanging previous years from guest speakers such as out after the Involvement Fair should come enjoy Coach Tressel and Matta, and will have the Running Campus Tour opportunity to hear from other coaches and some food and relax at the Phi Gamma Delta with the OSU Running Club student-athletes. The meeting also provides fraternity house. Ohio Union, 6:30pm-8:30pm excellent information on how to get involved with Block “O” and Ohio State Athletics. The SLIC Welcome Bash! Tim Poorman, [email protected] TBDBITL, the OSU Cheerleaders, and Brutus http://running.org.ohio-state.edu/ Archer Lobby, 5pm-6:30pm will also be in attendance to help teach the Come explore campus with the OSU Running cheers and school songs, and everybody in Tricia Jordan attendance will help out as we perform our [email protected], 614.292.3930 Club! Meet at the Ohio Union West Plaza first card stunt of the season. Put on your ready to run out to West Campus and Fred Scarlet and Gray and join us for a Buckeye If you’re a resident in Archer House looking Beekman Park. filled event. Gates open at 4:00 p.m. with to be a part of the premier sophomore learning FREE food, and chances to win prizes. THIS community on campus, then join us for information Swing Dance Club EVENT IS OPEN TO ALL STUDENTS. on being a part of SLIC (the Sophomore Learing Fall Kick-off and Involvement Community)...and come Pomerene Hall: Room 213, hungry! 7pm-10pm Welcome Back BBQ Robert Kapaku [email protected], 937.768.3548 Hale Black Cultural Center, 5pm-9pm http://osu.swingcolumbus.com Corey D.
Load more

Recommended publications
  • Elements of Argentine Tango a Resource Manual for Dancers
    Elements of Argentine Tango A Resource Manual for Dancers http://abqtango.org 1 History of Argentine Tango by Mike Higgins When talking about the history of the Tango, the reader should consider that although there were many ‘influences’ in the creation and life of the Tango, it is very important not to assume that it was some form of linear development Whilst dances and music from around the world have had some influence, this rather detracts from the people who really created and evolved the Tango into its current form. These are the people of Buenos Aires, who in the bars, cafes and dance halls made the Tango, danced the Tango, lived, loved and occasionally died for the Tango. It is the voice of the streets of Buenos Aires. Any suggestion that they may be dancing some sort of second hand steps or regurgitating music taken from Europe or Africa must be rejected as some what insulting to all the great milongueros who have danced and innovated down though years. It is equally insulting to the great Tango maestros who have drawn on their own life experiences when composing music. Almost certainly, the most important factor in the evolution of the Tango was the influence brought in by the Habanera, created in Havana, Cuba, and also known as the Andalusian Tango. Unfortunately there is now insufficient information to assess exactly how this was originally danced. The Habanera was based on the concept of a ’walk’, the same as the Tango. At some point the Milonga and The Habanera were fused to form the embryonic version of the Tango.
    [Show full text]
  • Policies for Tango Colorado Djs 1. Keep the Dancers Dancing the DJ's Primary Job Is to Keep the Dancers Happy and Dancing, Se
    Policies for Tango Colorado DJs 1. Keep the Dancers Dancing The DJ’s primary job is to keep the dancers happy and dancing, selecting mixes that serve the community’s needs as directed by the Board of Directors. This means knowing the music and understanding the conventions for how to combine music for tandas. The quantity of music you have is secondary to the quality. We appreciate the many of you who continually work hard to improve your music selections. Please make sure that you can maintain flexibility in your tandas based on crowd participation for each tanda. We expect your focus to be on the dancers and though this does not mean you cannot dance on a night you are DJing, we strongly encourage careful attention to the crowd. Teaching lessons or having meetings during a Practica for which you are the DJ is discouraged. The board will continue to monitor DJs and feedback from dancers and reserves the right to schedule DJs accordingly via the DJ coordinator. The expectations for the music at a Practica are not the same as at a Milonga. The main focus should be to enhance retention of both new dancers and more experienced dancers and create and maintain good energy in the room and on the dance floor. 2. Tandas and Cortinas at Practicas DJ’s will play the following tanda structure during the practicas. Tango, Tango, Vals, Tango Tango Milonga. the exception of the first 30 minutes after the class, when only tangos with simple, strong rhythms should be played so that the beginners from the beginner lessons have a chance to practice more effectively.
    [Show full text]
  • The Effects of Argentine Tango on Balance and Quality of Life in Subjects with Traumatic Brain Injury" (2019)
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Graduate School Professional Papers 2019 The ffecE ts of Argentine Tango on Balance and Quality of Life in Subjects With Traumatic Brain Injury Pamela Marie Peterson Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Movement and Mind-Body Therapies Commons Recommended Citation Peterson, Pamela Marie, "The Effects of Argentine Tango on Balance and Quality of Life in Subjects With Traumatic Brain Injury" (2019). Graduate Student Theses, Dissertations, & Professional Papers. 11420. https://scholarworks.umt.edu/etd/11420 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. The Effects of Argentine Tango on Balance and Quality of Life in Subjects With Traumatic Brain Injury By PAMELA MARIE PETERSON Bachelors of Science Degree, University of Montana, Missoula, Montana, 2014 Associate of Science, Solano Community College, Fairfield, California, 2011 Thesis presented in partial fulfillment of the requirements for the degree of Master of Science In Health and Human Performance The University of Montana Missoula, MT Official Graduation Date May 2019 Approved by: Scott Whittenburg, Dean of The Graduate School Graduate School Dr. Charles Dumke, Chair Health and Human Performance Dr. Matthew Bundle Health and Human Performance Ann Stevenson, LCPC Peterson 2019 ABSTRACT This study investigated the effect of a six-week tango-based intervention on the balance and quality of life on subjects with traumatic brain injury (TBI).
    [Show full text]
  • December 2019 Sunday Monday Tuesday Wed
    December 2019 Sunday Monday Tuesday Wed. Thursday Friday Saturday 1 TANGO 2 3 4 5 TANGO 6 TANGO 7 TANGO Studio for Rent Studio for Rent Studio for Rent Mimosas and Movement Studio for Rent 11:00-12:00 Tango 102 Week 5 8 am – 6 pm 8 am – 6:30 pm 6:30-7:30 ROLLOUT Volcadas/Colgadas 1-4 pm 8:00 am – 7:00 pm 12:00-1:00 Beginning Tango 2pm–6 pm, 8-10pm Paradise Practica 1:00-2:00 Interm/Adv Tango Blues Dancing Dance & Debauchery: 7:00-10:00 pm Class/Milonga at Hustle & West Coast 7:30-8:00 Intro Class Leading for Followers 2:00-3:00 Stretch & Balance 6:30-9:30 pm The 818 Project (not a Paradise Tango Medici’s 8:00-9:00 pm Practica 7:00-8:00 pm PRIVATE LESSONS event)) 6:30-10:30 pm (not a Paradise Tango Nuevo, Alternative, Zouk (not at Paradise Tango) event) Paradise Milonga 3:00 – 7:00 pm WCS and Hustle: 7-10 pm 8:00-11:00 8 TANGO 9 Studio for Rent 10 11 12 TANGO 13 TANGO 14 8 am – 7 pm Studio for Rent Private Event 1:00-2:00pm Studio for Rent 11:00-12:00 Tango 102 Week 6 Studio for Rent Women’s Technique with 8 am – 6:30 pm 6:30-7:30 ROLLOUT 8:00 am – 5:30 Private Event 3:00-4:00pm 12:00-1:00 Beginning Tango 2pm–6 pm, 8-10pm Olesya (not PT) Paradise Practica Studio for Rent 1:00-2:00 Interm/Adv Tango 6:00 -7:00 pm Class/Milonga at Hustle & West Coast 7:30-8:00 Intro Class WINE & TANGO Available 8-1:00 pm or 2:00-3:00 Stretch & Balance 6:30-9:30 pm Hustle & West Coast Medici’s 8:00-9:00 pm Practica 2:00-3:00 pm or 4-10 pm PRIVATE LESSONS 7:00-9:00 pm 6:30-10:30 pm (not a Paradise Tango Paradise Milonga (not at Paradise Tango) event) NO PRIVATE
    [Show full text]
  • Redalyc.El Giro Patrimonial Del Tango: Políticas Oficiales, Turismo Y
    Cuadernos de Antropología Social ISSN: 0327-3776 [email protected] Universidad de Buenos Aires Argentina Morel, Hernán El giro patrimonial del tango: políticas oficiales, turismo y campeonatos de baile en la ciudad de Buenos Aires Cuadernos de Antropología Social, núm. 30, 2009, pp. 155-172 Universidad de Buenos Aires Buenos Aires, Argentina Disponible en: http://www.redalyc.org/articulo.oa?id=180913916009 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Cuadernos de Antropología Social Nº 30, pp. 155–172, 2009 © FFyL – UBA – ISSN: 0327-3776 El giro patrimonial del tango: políticas oficiales, turismo y campeonatos de baile en la ciudad de Buenos Aires Hernán Morel* RESUMEN En este artículo nos proponemos analizar algunos aspectos del proceso de activación patri- monial del tango en base a la intervención del Estado local a fi nes de los años ’90. Luego de analizar ciertos aspectos que caracterizan y rigen los procesos de patrimonialización contem- poráneos, relevamos las principales normativas y actividades culturales instituidas en torno al tango. Posteriormente, nos concentramos en el desarrollo de una sucesión de políticas públicas y actividades vinculadas a festivales y campeonatos de baile en la ciudad de Buenos Aires. Asimismo, exploramos las construcciones y los sentidos de “autenticidad” en distintas dimensiones culturales. Por un lado, nos enfocamos en el “turismo cultural” vinculado al tango en la ciudad, mientras que, por otro lado, analizamos los sentidos otorgados a las performances de tango-danza de salón en el contexto de los campeonatos ofi ciales.
    [Show full text]
  • Tla* T+[,Y+ Tango T+Nrrnal
    Tla*T+[,y+ Tango t+nrrnal S+laIssn *, Novtrnbtr,Zee6 Our fust threeissues featuted interviews with CatlosRivatola (Issue 1), Eduardo Arquimbau & Loredana de Brasil (Issue2), Jorge Torres (Issue3) Did you missthese issues? If so, visit: /wwurmonglan.com/tokyo-tango-joutnal.htm ln +lalslsslrtc lnf*rvi*rvs wifla]tran Gtriela(E**o H+rr] Htrg+Par*t (P*r+ Ta*g+) Plai++graplasE Drawiigs by M+ng-Lan W*6si+t: rpyr,y.rnnnglan.elrrn/+cf,yo_+angojnurnal"latrn Two Interviews by Mong-Lan This issueofthe TbkyoTango Journal focuseson those Argentines who have moved to Tokyo and who through their love oftango, their talent as dancers, and their acumenas organizershave established successfulmilongas in Tokyo. Thus, Juan Guida of Zero Hour and Hugo Paez ofPuro Tango are interviewed and featured. My initial plan had been to interview and feature as well Jose & Laura of Luna de Tango,but becauseofa combinationof a bit oftardiness on both our parts, as well as the needto Drawings by Mong-Lan go to presswith this fourth issueof the TolqtoTango Journal, my intewiew with Jose & Laura will Sansotta.They were beginning insteadappear in the next issue. to teach classesand I went to their practicasand their classes.I saw them Interview with Juan Guida dancing on the streetspromoting their classesand that was it. It was for me. In this way, I began. Earlier the organizerof the first regular Argentinemilonga in Tokyo at Arts City, and now ML: Before coming to Japan, what had been your the impresarioand senior dancer/teacher ofthe well- experiences with tango? In Argentina, did you teach? you knownZero Hour just downthe road from Were in shows? Or, did you simply dance for the RoppongiCrossing, Juan Guida hasdevoted love oftango? himself professionallyand personally-to the developmentofthe Argentinetango in Japan.Ably JG: I dancedin La Viruta; I beganto give classesin assistedin all waysby his wife, Kayoko,herselfalso La Mruta and taught there for two years.
    [Show full text]
  • The Queer Tango Book –
    1 Colophon and Copyright Statement Selection and editorial matter © 2015 Birthe Havmoeller, Ray Batchelor and Olaya Aramo Written materials © 2015 the individual authors All images and artworks © 2015 the individual artists and photographers. This publication is protected by copyright. Apart from any fair dealing for the purpose of private research, criticism or reviews, no part of this text may be reproduced, decompiled, stored in or introduced into any website, or online information storage, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without written permission by the publisher. This publication is Free and Non Commercial. When you download this e-book, you have been granted the non-exclusive right to access and read the book using any kind of e-book reader software and hardware or via personal text-to-speech computer systems. You may also share/distribute it for free as long as you give appropriate credit to the editors and do not modify the book. You may not use the materials of this book for commercial purposes. If you remix, transform, or build upon the materials you may NOT distribute the modified material without permission by the individual copyright holders. ISBN 978-87-998024-0-1 (HTML) ISBN 978-87-998024-1-8 (PDF) Published: 2015 by Birthe Havmoeller / Queertangobook.org E-book and cover design © Birthe Havmoeller Text on the cover is designed with 'MISO', a free font made by Mårten Nettelbladt. 2 The Queer Tango Book Ideas, Images and Inspiration in the 21st Century Edited by Birthe Havmoeller, Ray Batchelor and Olaya Aramo In the memory of Ekaterina 'Kot' Khomenko We dedicate this work to the dancers who came before us and to those who will come after.
    [Show full text]
  • If You Love Me Still, Will You Love Me Moving?
    IF YOU LOVE ME STILL, WILL YOU LOVE ME MOVING? Tales from the Century Ballroom Illustrations by Willow Bader IF YOU LOVE ME STILL, WILL YOU LOVE ME MOVING? * Tales from the Century Ballroom Fiction by Robert Fulghum Art by Willow Bader Copyright © Robert L. Fulghum, 2013 Illustrations © Willow Bader, 2013 IF YOU LOVE ME STILL, WILL YOU LOVE ME MOVING? © Robert Fulghum 2013 2 A page from the diary of Marisol Machado: “There was a door in the room of Aristos’ life he had never opened. He knew it was there. But he assumed it was locked. He had never even tried the handle. But the door was not locked - only closed. One day he realized he was endlessly arranging and re-arranging the furniture and contents inside the room of his life. This could go on forever. If nothing changed, the words on his gravestone someday would say: Here Lies Aristos Joyce. Died of Boredom, Monotony, and Loneliness. That same day he thought he heard sounds on the other side of the door. A woman’s voice? And music playing for dancing? He thought he heard a knock on the door. He tried the handle. The door swung open. And there I was - Marisol Machado - in the Century Ballroom. Waiting to dance. He was afraid to walk through the door, and afraid not to. But he did. Aristos never went back through that door again. And forever after, he looked at doors differently. He tried the handle of any closed door he came to. As for me? I am also an opener of doors .
    [Show full text]
  • Tango Colorado POLICIES for TEACHERS and Djs Updated July 26, 2018
    Tango Colorado POLICIES for TEACHERS and DJs Updated July 26, 2018 Table of Contents I. Policies for Tango Colorado Teachers and DJs ............................................................. 2 A. Policies for Tango Colorado Teachers ....................................................................................................... 2 B. Policies for Tango Colorado DJs ................................................................................................................ 5 II. Professionalism ................................................................................................................ 7 III. IRS Requirements – Teachers, DJs, Performers, Contract Labor ................................. 8 IV. Tango Colorado Teacher & DJ Website Photos .............................................................. 9 V. Signature Form ................................................................................................................ 10 Appendix A – Teacher Application ....................................................................................... 11 Appendix B – W9 Form .......................................................................................................... 13 Page 1 of 14 I. Policies for Tango Colorado Teachers and DJs A. Policies for Tango Colorado Teachers Purpose: It is Tango Colorado’s intent to improve and maintain the floor craft, navigation and dance technique of Argentine Tango within the community by providing a strong, consistent, easily duplicated learning foundation necessary
    [Show full text]
  • ETD Template
    DISCOURSES OF AUTHENTICITY IN THE ARGENTINE TANGO COMMUNITY OF PITTSBURGH by Dorcinda Celiena Knauth BA, Lebanon Valley College, 2002 Submitted to the Graduate Faculty of University of Pittsburgh in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Dorcinda Celiena Knauth It was defended on April 12, 2005 and approved by Deane L. Root, Ph.D., Department of Music Akin Euba, Ph.D., Department of Music Andrew N. Weintraub, Ph.D., Department of Music Thesis Advisor ii Copyright by Dorcinda Celiena Knauth 2005 iii DISCOURSES OF AUTHENTICITY IN THE ARGENTINE TANGO COMMUNITY OF PITTSBURGH Dorcinda Celiena Knauth, M.A University of Pittsburgh, 2005 This thesis contributes to the body of scholarly literature concerning the globalization of tango, specifically its resurgence in the late twentieth century, by providing a case study of a tango community in the United States. In Pittsburgh, Pennsylvania, dancers of Argentine social tango seek to understand the “essence” of tango, through literature, performance, and communication with other dancers. These efforts reveal much about themselves and the role that tango plays in their lives. This thesis examines the competing discourses of authenticity in Pittsburgh concerning the Argentine tango with regards to a divide in the tango community in 2002. Through ethnographic research, this thesis explores how dancers conceive of authenticity in their actions, according to venue, style, music and gender. Often, these perceptions are associated with Argentina as dancers imagine it, either in the past or in the present.
    [Show full text]
  • Trouble with Tango: Conversations Across Boundaries Argentine Tango and Contact Improvision
    University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2016 Trouble with Tango: conversations across boundaries Argentine Tango and contact improvision Eleanor Brickhill University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Brickhill, Eleanor, Trouble with Tango: conversations across boundaries Argentine Tango and contact improvision, Master of Arts - Research thesis, School of Arts, English and Media, University of Wollongong, 2016.
    [Show full text]
  • March 2020 Sunday Monday Tuesday Wed
    March 2020 Sunday Monday Tuesday Wed. Thursday Friday Saturday 1 TANGO 2 3 4 5 TANGO 6 TANGO 7 TANGO Belly Dance 9:30-11:30 am 11:00-12:00 Tango 101 Week 7 Studio for Rent Studio for Rent Studio for Rent 6:30-7:30 ROLLOUT 12:00-1:00 Beginning Tango Studio for Rent HipHop/African 2:00-3:00 pm 8 am – 7 pm 2pm–6 pm, 8-10pm 8 am – 6:30 pm 1:00-2:00 Interm/Adv Tango 8:00 am – 8:00 pm HipHop/African 3:10-4:00 pm 6:30-7:30 Tango 201 Week 7 Class/Milonga at Hustle & West Coast Blues Dancing Medici’s Paradise Milonga 6:30-9:30 pm Paradise Practica PRIVATE LESSONS 7:00-10:00 pm 6:30-10:30 pm Dance & Debauchery (not a Paradise Tango (not a Paradise Tango event) 7:30-8:00 Intro Class w/ DJ Stewart 3:00 – 7:00 pm (not at Paradise Tango) The 818 Project 7-10 pm event) 8:00-9:00 pm Practica 8:00-11:00 $10, Tango, Zouk, WCS 8 TANGO 9 10 11 12 TANGO 13 TANGO 14 TANGO 11:00-12:00 Tango 101 Week 8 6:30-7:30 ROLLOUT Belly Dance 9:30-11:30 am Studio for Rent: Studio for Rent 12:00-1:00 Beginning Tango Studio for Rent Studio for Rent HipHop/African 2:00-3:00 pm 8 am -7 pm 2pm–6 pm, 8-10pm 8 am – 6:30 pm 1:00-2:00 Interm/Adv Tango 6:30-7:30 Tango 201 Week 8 8:00 am – 8:00 pm HipHop/African 3:10-4:00 pm 2:00-3:00 Stretch & Balance Hustle & West Coast Class/Milonga at Hustle & West Coast Paradise Practica Leading for Followers PRIVATE LESSONS 7:00-10:00 pm Medici’s 6:30-9:30 pm 7:30-8:00 Intro Class 7:00-8:00 pm Call for Rental Availability 6:30-10:30 pm 3:00 – 7:00 pm (not a Paradise Tango (not a Paradise Tango event) 8:00-9:00 pm Practica event) (not at Paradise
    [Show full text]