DOCSLIB.ORG

March 2019 Sunday Monday Tuesday Wed

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
March 2019 Sunday Monday Tuesday Wed March 2019 Sunday Monday Tuesday Wed. Thursday Friday Saturday March Madness Specials Special Practica on 3/14 – PIE DAY 1 TANGO 2 TANGO Lessons Package: Military March! Active duty military get 50% off all Celebrate PIE DAY at Paradise Tango for a Studio for Rent drop-in classes (e.g. Practica is $2.50, Beginning Tango is $7.50). Can’t Special Pie Day Practica Potluck!!! Studio for Rent Available 8 -9:30 am or be combined with Monthly Memberships, Sunday Special, Class Cards or Bring a pie (sweet or savory) to share! 8 am – 8 pm 12:30 am – 10 pm. other promotions or special workshops. Bellydance 9:30-11:30 Thursday 3/14/201 9 from 7:30-9:30 pm Paradise Milonga Boutique Deal: Get 50% ANY thing GREEN or GOLD in the Tango Women’s Technique with Olesya (staying later than usual to party!) 8:00-11:00 11:30 am-12:30 pm Boutique (ALL shoes and clothes). NO PRIVATE TANGO LESSONS 3 TANGO 4 5 6 Studio for Rent 7 TANGO 8 TANGO 9 Studio for Rent 8 am – 6 pm Studio for Rent 11:00-12:00 Stretch & Balance Studio for Rent Studio for Rent 12:00-1:00 Beginning Tango 8 am – 7 pm 6:30-7:30 ROLLOUT Available 8 -9:30 am or 2 pm – 10 pm Hustle & West Coast 8 am – 6:30 pm 1:00-2:00 Interm/Adv Tango Paradise Practica 11:30 am – 10 pm. Class/Milonga at 6:00-9:00 pm Blues Dancing 7:30-8:00 Intro Class Drunkin Drillz 6:30-8pm PRIVATE LESSONS (not a Paradise Tango event) 7:00-10:00 pm Medici’s 8:00-9:00 pm Practica Bellydance 9:30-11:30 AVAILABLE (not a Paradise Tango event) 6:30-10:30 pm Paradise Milonga (not at Paradise Tango) NO PRIVATE TANGO LESSONS 2:30 – 7:00 pm 8:00-11:00 10 TANGO 11 Studio for Rent 12 13 14 TANGO 15 TANGO 16 TANGO 8 am – 6 pm Studio for Rent Studio for Rent Studio for Rent 11:00-12:00 Stretch & Balance Studio for Rent Women’s Technique with 6:30-7:30 ROLLOUT 2 pm – 10 pm 8 am – 6:30 Available 8 am – 10 pm 12:00-1:00 Beginning Tango 8 am – 6 pm Olesya 1:00-2:00 Interm/Adv Tango Special Paradise Practica Mimosas & Movement with Jenny 6:00 -7:00 pm Class/Milonga at 7:30-8:00 Intro Class St. Patrick’s Themed Special 3-hr Followers Workshop PRIVATE LESSONS Medici’s Hustle & West Coast 6:00-9:00 pm 8:00-9:30 pm Practica WINE & TANGO 1 pm-4 pm ($40) AVAILABLE Hustle & West Coast 6:30-10:30 pm and Pie Day Potluck!! (not at Paradise Tango) (not a Paradise Tango event) 7:00-10:00 pm 6:30-11:00 NO PRIVATE TANGO LESSONS 2:30 – 7:00 pm (not a Paradise Tango event) 17 TANGO 18 19 20 21 TANGO 22 TANGO 23 11:00-12:00 Stretch & Balance Studio for Rent Studio for Rent Studio for Rent Studio for Rent Studio for Rent 12:00-1:00 Beginning Tango 8 am – 7 pm 8 am – 10 pm 6:30-7:30 ROLLOUT Available 8 am – Noon or 1:00-2:00 Interm/Adv Tango 2 pm – 10 pm 8 am – 6:30 pm 3 pm – 10 pm Blues Dancing Paradise Practica Class/Milonga at Hustle & West Coast Drunkin Drillz 6:30-8pm St. Patrick’s Day! 7:00-10:00 pm 7:30-8:00 Intro Class Medici’s NO PRIVATE TANGO LESSONS NO PRIVATE LESSONS (not a Paradise Tango event) 6:00-9:00 pm 8:00-9:00 pm Practica 6:30-10:30 pm (not a Paradise Tango event) Paradise Milonga AVAILABLE (not at Paradise Tango) 8:00-11:00 24 TANGO 25 26 27 28 TANGO 29 TANGO 30 Studio for Rent Studio for Rent 11:00-12:00 Stretch & Balance Studio for Rent Studio for Rent 6:30-7:30 ROLLOUT 12:00-1:00 Beginning Tango 8 am – 10 pm Studio for Rent Available 8 -9:30 am or 8 am – 7 pm 2 pm – 10 pm 1:00-2:00 Interm/Adv Tango Paradise Practica 8 am – 8 pm 3 pm – 10 pm. Hustle & West Coast Class/Milonga at Hustle & West Coast 7:30-8:00 Intro Class Bellydance 9:30-11:30 6:00-9:00 pm PRIVATE LESSONS 7:00-10:00 pm Medici’s 8:00-9:00 pm Practica Paradise Milonga (not a Paradise Tango event) AVAILABLE (not a Paradise Tango event) 6:30-10:30 pm 8:00-11:00 NO PRIVATE TANGO LESSONS (not at Paradise Tango) 2:30 – 7:00 pm Brett & Jenny Griswold Paradise Tango Argentino www.paradisetango.com [email protected] 831-239-6529 March 2019 Thursday 6:30 pm - 7:30 Rollout for Dancers. We all get knots and tire our muscles working hard on our tango. Time to heal our bodies! $15 per class, $12 student! Taught by Brett! Check schedule for cancelations. 818 Sheridan Street #206, Honolulu, HI 96814 * (831) 239-6529 7:30 pm - 9:00 pm Paradise Practica. Come to practice your Tango with a great group of fun and laid back dancers. Bring your own iPod to share some of our favorite music. Only $5! Check schedule for cancelations. On-Going Paradise Tango Classes by Day Friday Sunday Boozy Bellydance with Kalae (Confirm price with instructor) NOTE: Not all weeks in this month may have classes. Always confirm with instructor ahead of time. For more information, ongoing schedule, or class 11:00-12:00 Stretching and Balance for Dancers with Jenny – Stretch your body and improve pricing contact instructor [email protected] your balance with a combination of yoga, ballet, pilates, and fitness exercises. Designed to help dancers improve flexibility and balance for partner dances. 8:00-11:00 pm Paradise Milonga: Every Friday (Except during Special Milongas). Only $10. Traditional Tango Music. No Partner Necessary. BYOB and BYOS. See Note for Special Milonga below. 12:00 pm - 1:00 pm Drop-in Beginning Tango with Brett and Jenny. This class taught by Brett 6:30 pm – 11:00 pm Wine & Tango: Every 3rd Friday. Wine & Tango Event with all you can drink wine and and Jenny is designed to give the brand new dancer with zero experience a solid background. In this pupus (enough for dinner), before a 45 min long Tango lesson with 3 hours of social dancing afterwards to class we focus on the basic and most fundamental movements of tango, elegant walking, the lead Nuevo and Alternative Tango Music.! Must be 21 yrs or older or accompanied by an adult. Full Event is $20 and follow, how to travel around the dance floor, and how to navigate around other couples. This in advance, $25 online through Eventbrite and $30 at the door if space remains after pre-sale. Purchase class is a great foundation for all Tango dancers. No experience or partner necessary. Class is $15 tickets in advance online on Eventbrite. Google “Eventbrite Wine and Tango” and the date to find our event. regular, $12 students with I.D. Come for just Paradise Milonga after 8:00 pm tickets at the door for $10. 1:00 pm - 2:00 pm Drop-in Intermediate/Advanced with Brett and Jenny. This is an intermediate level class. Student should have a basic understanding of the movements covered in the Beginning Saturdays (No Paradise Tango Private Lessons) class. This class combines basic movements into beginning and intermediate figures and No Tango Privates or Classes – Special events and other classes at the studio. combinations. Students also learn advanced movements that require off axis body positions. Class is 9:30 am – 11:30 am Bellydance Group Class with Kalae. $15 regular, $12 students with I.D. MONTHLY MEMBERSHIP SPECIAL for Sunday Paradise Tango Classes only: One class for $15, Two classes for $20, Monthly (30-day) Membership - $95 – Valid for 30 days from purchase. Includes All Tango Classes*, Three for $25! (For Students the special is one class for $12, 2 classes for $15, and 3 for $20!) Rollout, Stretching & Balance, Practica, Paradise Milongas, AND Wine & Tango (good for only 1 Wine & Tango per 30 day period). Includes 50% discount on special followers workshops with Jenny (e.g. Mimosas Monday (No Paradise Tango Classes or Private Lessons) & Movement). *NOTE: Intermediate/Advanced Tango is by instructor permission ONLY, regardless No Privates or Classes – Special events and other classes at the studio. (Blues Dance every 1st of monthly membership status for your safety and enjoyment. Does NOT INCLUDE full value of and 3rd Monday evenings from 7-10pm, Hustle/West Coast 2nd and 4th Monday’s 7-10 pm) SPECIAL MILONGAS’s associated with visiting instructors (Members get a $10 discount) th Tuesday (No Paradise Tango Classes or Private Lessons) SPECIAL FOLLOWERS WORKSHOP – March 16 1-4 pm No Privates or Tango Classes – Open so Brett and Jenny can Social Dance with the community at Mimosas and Movement with Jenny – Special 3-hour Follower’s Workshop that will cover foot the Milonga at Medici’s hosted by Oahu Tango (their class 6:30-7:30, Milonga 7:30-10:30pm). Check strengthening, rotational (back and hip) flexibility, embellishments (speed and accuracy), posture and grace, with Oahu Tango for cancellations. Special events and other classes at the studio. balance and of course Mimosas! Workshops is $40 for non-members and $20 for members.
Load more

Recommended publications
  • Ww10online1.Pdf
    First Masses of School Year St. Thomas More Newman Center Sunday 10am-11am Austin M. Schafer September 19 [email protected] , Residence Hall 614.291.4674 http://www.buckeyecatholic.com/mass-times Move-In All Over Campus // 8am-3pm The St. Thomas More Newman Center and Catholic Students Association welcomes all [email protected] to attend the First Mass of the School Year. http://housing.osu.edu/ Sat @ 5:30 p.m. Sun. @ 10 a.m., Noon, 6 Behold the legendary move-in process that p.m., 9 p.m. Location: 64 W Lane Ave. OSU families have raved about for years! Prepare to be amazed as our student Ohio Welcome Week State Welcome Leaders (OWLs) help you Photo Op take your luggage, gadgets, and goodies up Ohio Union, 12pm-6pm to your room with lightning speed. Sponsored by the Office of Student Life. Erica Baumker [email protected], 419.270.2123 http://www.ohiostatealumni.org/sac Student-Alumni Council welcomes you to The Ohio State University! Capture your move-in day experience with a commemorative photo outside the Alumni Association Office on the first floor of the Ohio Union. Honors & Scholars Move In Day Open House Kuhn Honors & Scholars House 2pm-4:30pm Vicki Pitstick [email protected], 614.292.1794 Honors & Scholars students and their family members are invited to come by the Kuhn Buckeye Prize Brigade Honors & Scholars House to enjoy some Various Locations // 10am-1pm refreshments, meet other Honors & Scholars students, and mingle with the staff. Sharrell Hassell-Goodman [email protected], 614.247.8609 It’s
    [Show full text]
  • Elements of Argentine Tango a Resource Manual for Dancers
    Elements of Argentine Tango A Resource Manual for Dancers http://abqtango.org 1 History of Argentine Tango by Mike Higgins When talking about the history of the Tango, the reader should consider that although there were many ‘influences’ in the creation and life of the Tango, it is very important not to assume that it was some form of linear development Whilst dances and music from around the world have had some influence, this rather detracts from the people who really created and evolved the Tango into its current form. These are the people of Buenos Aires, who in the bars, cafes and dance halls made the Tango, danced the Tango, lived, loved and occasionally died for the Tango. It is the voice of the streets of Buenos Aires. Any suggestion that they may be dancing some sort of second hand steps or regurgitating music taken from Europe or Africa must be rejected as some what insulting to all the great milongueros who have danced and innovated down though years. It is equally insulting to the great Tango maestros who have drawn on their own life experiences when composing music. Almost certainly, the most important factor in the evolution of the Tango was the influence brought in by the Habanera, created in Havana, Cuba, and also known as the Andalusian Tango. Unfortunately there is now insufficient information to assess exactly how this was originally danced. The Habanera was based on the concept of a ’walk’, the same as the Tango. At some point the Milonga and The Habanera were fused to form the embryonic version of the Tango.
    [Show full text]
  • Policies for Tango Colorado Djs 1. Keep the Dancers Dancing the DJ's Primary Job Is to Keep the Dancers Happy and Dancing, Se
    Policies for Tango Colorado DJs 1. Keep the Dancers Dancing The DJ’s primary job is to keep the dancers happy and dancing, selecting mixes that serve the community’s needs as directed by the Board of Directors. This means knowing the music and understanding the conventions for how to combine music for tandas. The quantity of music you have is secondary to the quality. We appreciate the many of you who continually work hard to improve your music selections. Please make sure that you can maintain flexibility in your tandas based on crowd participation for each tanda. We expect your focus to be on the dancers and though this does not mean you cannot dance on a night you are DJing, we strongly encourage careful attention to the crowd. Teaching lessons or having meetings during a Practica for which you are the DJ is discouraged. The board will continue to monitor DJs and feedback from dancers and reserves the right to schedule DJs accordingly via the DJ coordinator. The expectations for the music at a Practica are not the same as at a Milonga. The main focus should be to enhance retention of both new dancers and more experienced dancers and create and maintain good energy in the room and on the dance floor. 2. Tandas and Cortinas at Practicas DJ’s will play the following tanda structure during the practicas. Tango, Tango, Vals, Tango Tango Milonga. the exception of the first 30 minutes after the class, when only tangos with simple, strong rhythms should be played so that the beginners from the beginner lessons have a chance to practice more effectively.
    [Show full text]
  • The Effects of Argentine Tango on Balance and Quality of Life in Subjects with Traumatic Brain Injury" (2019)
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Graduate School Professional Papers 2019 The ffecE ts of Argentine Tango on Balance and Quality of Life in Subjects With Traumatic Brain Injury Pamela Marie Peterson Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Movement and Mind-Body Therapies Commons Recommended Citation Peterson, Pamela Marie, "The Effects of Argentine Tango on Balance and Quality of Life in Subjects With Traumatic Brain Injury" (2019). Graduate Student Theses, Dissertations, & Professional Papers. 11420. https://scholarworks.umt.edu/etd/11420 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. The Effects of Argentine Tango on Balance and Quality of Life in Subjects With Traumatic Brain Injury By PAMELA MARIE PETERSON Bachelors of Science Degree, University of Montana, Missoula, Montana, 2014 Associate of Science, Solano Community College, Fairfield, California, 2011 Thesis presented in partial fulfillment of the requirements for the degree of Master of Science In Health and Human Performance The University of Montana Missoula, MT Official Graduation Date May 2019 Approved by: Scott Whittenburg, Dean of The Graduate School Graduate School Dr. Charles Dumke, Chair Health and Human Performance Dr. Matthew Bundle Health and Human Performance Ann Stevenson, LCPC Peterson 2019 ABSTRACT This study investigated the effect of a six-week tango-based intervention on the balance and quality of life on subjects with traumatic brain injury (TBI).
    [Show full text]
  • December 2019 Sunday Monday Tuesday Wed
    December 2019 Sunday Monday Tuesday Wed. Thursday Friday Saturday 1 TANGO 2 3 4 5 TANGO 6 TANGO 7 TANGO Studio for Rent Studio for Rent Studio for Rent Mimosas and Movement Studio for Rent 11:00-12:00 Tango 102 Week 5 8 am – 6 pm 8 am – 6:30 pm 6:30-7:30 ROLLOUT Volcadas/Colgadas 1-4 pm 8:00 am – 7:00 pm 12:00-1:00 Beginning Tango 2pm–6 pm, 8-10pm Paradise Practica 1:00-2:00 Interm/Adv Tango Blues Dancing Dance & Debauchery: 7:00-10:00 pm Class/Milonga at Hustle & West Coast 7:30-8:00 Intro Class Leading for Followers 2:00-3:00 Stretch & Balance 6:30-9:30 pm The 818 Project (not a Paradise Tango Medici’s 8:00-9:00 pm Practica 7:00-8:00 pm PRIVATE LESSONS event)) 6:30-10:30 pm (not a Paradise Tango Nuevo, Alternative, Zouk (not at Paradise Tango) event) Paradise Milonga 3:00 – 7:00 pm WCS and Hustle: 7-10 pm 8:00-11:00 8 TANGO 9 Studio for Rent 10 11 12 TANGO 13 TANGO 14 8 am – 7 pm Studio for Rent Private Event 1:00-2:00pm Studio for Rent 11:00-12:00 Tango 102 Week 6 Studio for Rent Women’s Technique with 8 am – 6:30 pm 6:30-7:30 ROLLOUT 8:00 am – 5:30 Private Event 3:00-4:00pm 12:00-1:00 Beginning Tango 2pm–6 pm, 8-10pm Olesya (not PT) Paradise Practica Studio for Rent 1:00-2:00 Interm/Adv Tango 6:00 -7:00 pm Class/Milonga at Hustle & West Coast 7:30-8:00 Intro Class WINE & TANGO Available 8-1:00 pm or 2:00-3:00 Stretch & Balance 6:30-9:30 pm Hustle & West Coast Medici’s 8:00-9:00 pm Practica 2:00-3:00 pm or 4-10 pm PRIVATE LESSONS 7:00-9:00 pm 6:30-10:30 pm (not a Paradise Tango Paradise Milonga (not at Paradise Tango) event) NO PRIVATE
    [Show full text]
  • Redalyc.El Giro Patrimonial Del Tango: Políticas Oficiales, Turismo Y
    Cuadernos de Antropología Social ISSN: 0327-3776 [email protected] Universidad de Buenos Aires Argentina Morel, Hernán El giro patrimonial del tango: políticas oficiales, turismo y campeonatos de baile en la ciudad de Buenos Aires Cuadernos de Antropología Social, núm. 30, 2009, pp. 155-172 Universidad de Buenos Aires Buenos Aires, Argentina Disponible en: http://www.redalyc.org/articulo.oa?id=180913916009 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Cuadernos de Antropología Social Nº 30, pp. 155–172, 2009 © FFyL – UBA – ISSN: 0327-3776 El giro patrimonial del tango: políticas oficiales, turismo y campeonatos de baile en la ciudad de Buenos Aires Hernán Morel* RESUMEN En este artículo nos proponemos analizar algunos aspectos del proceso de activación patri- monial del tango en base a la intervención del Estado local a fi nes de los años ’90. Luego de analizar ciertos aspectos que caracterizan y rigen los procesos de patrimonialización contem- poráneos, relevamos las principales normativas y actividades culturales instituidas en torno al tango. Posteriormente, nos concentramos en el desarrollo de una sucesión de políticas públicas y actividades vinculadas a festivales y campeonatos de baile en la ciudad de Buenos Aires. Asimismo, exploramos las construcciones y los sentidos de “autenticidad” en distintas dimensiones culturales. Por un lado, nos enfocamos en el “turismo cultural” vinculado al tango en la ciudad, mientras que, por otro lado, analizamos los sentidos otorgados a las performances de tango-danza de salón en el contexto de los campeonatos ofi ciales.
    [Show full text]
  • Tla* T+[,Y+ Tango T+Nrrnal
    Tla*T+[,y+ Tango t+nrrnal S+laIssn *, Novtrnbtr,Zee6 Our fust threeissues featuted interviews with CatlosRivatola (Issue 1), Eduardo Arquimbau & Loredana de Brasil (Issue2), Jorge Torres (Issue3) Did you missthese issues? If so, visit: /wwurmonglan.com/tokyo-tango-joutnal.htm ln +lalslsslrtc lnf*rvi*rvs wifla]tran Gtriela(E**o H+rr] Htrg+Par*t (P*r+ Ta*g+) Plai++graplasE Drawiigs by M+ng-Lan W*6si+t: rpyr,y.rnnnglan.elrrn/+cf,yo_+angojnurnal"latrn Two Interviews by Mong-Lan This issueofthe TbkyoTango Journal focuseson those Argentines who have moved to Tokyo and who through their love oftango, their talent as dancers, and their acumenas organizershave established successfulmilongas in Tokyo. Thus, Juan Guida of Zero Hour and Hugo Paez ofPuro Tango are interviewed and featured. My initial plan had been to interview and feature as well Jose & Laura of Luna de Tango,but becauseofa combinationof a bit oftardiness on both our parts, as well as the needto Drawings by Mong-Lan go to presswith this fourth issueof the TolqtoTango Journal, my intewiew with Jose & Laura will Sansotta.They were beginning insteadappear in the next issue. to teach classesand I went to their practicasand their classes.I saw them Interview with Juan Guida dancing on the streetspromoting their classesand that was it. It was for me. In this way, I began. Earlier the organizerof the first regular Argentinemilonga in Tokyo at Arts City, and now ML: Before coming to Japan, what had been your the impresarioand senior dancer/teacher ofthe well- experiences with tango? In Argentina, did you teach? you knownZero Hour just downthe road from Were in shows? Or, did you simply dance for the RoppongiCrossing, Juan Guida hasdevoted love oftango? himself professionallyand personally-to the developmentofthe Argentinetango in Japan.Ably JG: I dancedin La Viruta; I beganto give classesin assistedin all waysby his wife, Kayoko,herselfalso La Mruta and taught there for two years.
    [Show full text]
  • The Queer Tango Book –
    1 Colophon and Copyright Statement Selection and editorial matter © 2015 Birthe Havmoeller, Ray Batchelor and Olaya Aramo Written materials © 2015 the individual authors All images and artworks © 2015 the individual artists and photographers. This publication is protected by copyright. Apart from any fair dealing for the purpose of private research, criticism or reviews, no part of this text may be reproduced, decompiled, stored in or introduced into any website, or online information storage, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without written permission by the publisher. This publication is Free and Non Commercial. When you download this e-book, you have been granted the non-exclusive right to access and read the book using any kind of e-book reader software and hardware or via personal text-to-speech computer systems. You may also share/distribute it for free as long as you give appropriate credit to the editors and do not modify the book. You may not use the materials of this book for commercial purposes. If you remix, transform, or build upon the materials you may NOT distribute the modified material without permission by the individual copyright holders. ISBN 978-87-998024-0-1 (HTML) ISBN 978-87-998024-1-8 (PDF) Published: 2015 by Birthe Havmoeller / Queertangobook.org E-book and cover design © Birthe Havmoeller Text on the cover is designed with 'MISO', a free font made by Mårten Nettelbladt. 2 The Queer Tango Book Ideas, Images and Inspiration in the 21st Century Edited by Birthe Havmoeller, Ray Batchelor and Olaya Aramo In the memory of Ekaterina 'Kot' Khomenko We dedicate this work to the dancers who came before us and to those who will come after.
    [Show full text]
  • If You Love Me Still, Will You Love Me Moving?
    IF YOU LOVE ME STILL, WILL YOU LOVE ME MOVING? Tales from the Century Ballroom Illustrations by Willow Bader IF YOU LOVE ME STILL, WILL YOU LOVE ME MOVING? * Tales from the Century Ballroom Fiction by Robert Fulghum Art by Willow Bader Copyright © Robert L. Fulghum, 2013 Illustrations © Willow Bader, 2013 IF YOU LOVE ME STILL, WILL YOU LOVE ME MOVING? © Robert Fulghum 2013 2 A page from the diary of Marisol Machado: “There was a door in the room of Aristos’ life he had never opened. He knew it was there. But he assumed it was locked. He had never even tried the handle. But the door was not locked - only closed. One day he realized he was endlessly arranging and re-arranging the furniture and contents inside the room of his life. This could go on forever. If nothing changed, the words on his gravestone someday would say: Here Lies Aristos Joyce. Died of Boredom, Monotony, and Loneliness. That same day he thought he heard sounds on the other side of the door. A woman’s voice? And music playing for dancing? He thought he heard a knock on the door. He tried the handle. The door swung open. And there I was - Marisol Machado - in the Century Ballroom. Waiting to dance. He was afraid to walk through the door, and afraid not to. But he did. Aristos never went back through that door again. And forever after, he looked at doors differently. He tried the handle of any closed door he came to. As for me? I am also an opener of doors .
    [Show full text]
  • Tango Colorado POLICIES for TEACHERS and Djs Updated July 26, 2018
    Tango Colorado POLICIES for TEACHERS and DJs Updated July 26, 2018 Table of Contents I. Policies for Tango Colorado Teachers and DJs ............................................................. 2 A. Policies for Tango Colorado Teachers ....................................................................................................... 2 B. Policies for Tango Colorado DJs ................................................................................................................ 5 II. Professionalism ................................................................................................................ 7 III. IRS Requirements – Teachers, DJs, Performers, Contract Labor ................................. 8 IV. Tango Colorado Teacher & DJ Website Photos .............................................................. 9 V. Signature Form ................................................................................................................ 10 Appendix A – Teacher Application ....................................................................................... 11 Appendix B – W9 Form .......................................................................................................... 13 Page 1 of 14 I. Policies for Tango Colorado Teachers and DJs A. Policies for Tango Colorado Teachers Purpose: It is Tango Colorado’s intent to improve and maintain the floor craft, navigation and dance technique of Argentine Tango within the community by providing a strong, consistent, easily duplicated learning foundation necessary
    [Show full text]
  • ETD Template
    DISCOURSES OF AUTHENTICITY IN THE ARGENTINE TANGO COMMUNITY OF PITTSBURGH by Dorcinda Celiena Knauth BA, Lebanon Valley College, 2002 Submitted to the Graduate Faculty of University of Pittsburgh in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Dorcinda Celiena Knauth It was defended on April 12, 2005 and approved by Deane L. Root, Ph.D., Department of Music Akin Euba, Ph.D., Department of Music Andrew N. Weintraub, Ph.D., Department of Music Thesis Advisor ii Copyright by Dorcinda Celiena Knauth 2005 iii DISCOURSES OF AUTHENTICITY IN THE ARGENTINE TANGO COMMUNITY OF PITTSBURGH Dorcinda Celiena Knauth, M.A University of Pittsburgh, 2005 This thesis contributes to the body of scholarly literature concerning the globalization of tango, specifically its resurgence in the late twentieth century, by providing a case study of a tango community in the United States. In Pittsburgh, Pennsylvania, dancers of Argentine social tango seek to understand the “essence” of tango, through literature, performance, and communication with other dancers. These efforts reveal much about themselves and the role that tango plays in their lives. This thesis examines the competing discourses of authenticity in Pittsburgh concerning the Argentine tango with regards to a divide in the tango community in 2002. Through ethnographic research, this thesis explores how dancers conceive of authenticity in their actions, according to venue, style, music and gender. Often, these perceptions are associated with Argentina as dancers imagine it, either in the past or in the present.
    [Show full text]
  • Trouble with Tango: Conversations Across Boundaries Argentine Tango and Contact Improvision
    University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2016 Trouble with Tango: conversations across boundaries Argentine Tango and contact improvision Eleanor Brickhill University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Brickhill, Eleanor, Trouble with Tango: conversations across boundaries Argentine Tango and contact improvision, Master of Arts - Research thesis, School of Arts, English and Media, University of Wollongong, 2016.
    [Show full text]