Sacred Music Volume 104 Number 1
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Lotus Infuses Downtown Bloomington with Global
FOR MORE INFORMATION: [email protected] || 812-336-6599 || lotusfest.org FOR IMMEDIATE RELEASE: 8/26/2016 LOTUS INFUSES DOWNTOWN BLOOMINGTON WITH GLOBAL MUSIC Over 30 international artists come together in Bloomington, Indiana, for the 23rd annual Lotus World Music & Arts Festival. – COMPLETE EVENT DETAILS – Bloomington, Indiana: The Lotus World Music & Arts Festival returns to Bloomington, Indiana, September 15-18. Over 30 international artists from six continents and 20 countries take the stage in eight downtown venues including boisterous, pavement-quaking, outdoor dance tents, contemplative church venues, and historic theaters. Representing countries from A (Argentina) to Z (Zimbabwe), when Lotus performers come together for the four-day festival, Bloomington’s streets fill with palpable energy and an eclectic blend of global sound and spectacle. Through music, dance, art, and food, Lotus embraces and celebrates cultural diversity. The 2016 Lotus World Music & Arts Festival lineup includes artists from as far away as Finland, Sudan, Ghana, Lithuania, Mongolia, Ireland, Columbia, Sweden, India, and Israel….to as nearby as Virginia, Vermont, and Indiana. Music genres vary from traditional and folk, to electronic dance music, hip- hop-inflected swing, reggae, tamburitza, African retro-pop, and several uniquely branded fusions. Though US music fans may not yet recognize many names from the Lotus lineup, Lotus is known for helping to debut world artists into the US scene. Many 2016 Lotus artists have recently been recognized in both -
The Generations Tunebook Was Born of Necessity During the Course of an Educational Initiative Called, ‘The Generations Project’
South Riding Folk Arts Network The Generations Tune Book Dance music from three centuries arranged for mixed ensembles compiled and designed by Paul Davenport The Generations Tune Book The Generations Tune Book Dance music from three centuries arranged for mixed ensembles compiled and designed by Paul Davenport South Riding Folk Arts Network © 2005 The Generations Tune Book Introduction The Generations Tunebook was born of necessity during the course of an educational initiative called, ‘The Generations Project’. The project itself was initially, a simple exercise in Citizenship in a large South Yorkshire comprehensive school. The motivation behind this was to place teenagers at the heart of their community. The results of this venture had repercussions which are still being felt in the small mining town of Maltby which lies in the borough of Rotherham, not far from Sheffield. In 2002, the music department at Maltby Comprehensive School in partnership with the South Riding Folk Arts Network set about the task of teaching a group of 13 and 14 years old students the longsword dance. In this undertaking much support and encouragement was given by the national folk organisation, the English Folk Dance & Song Society. A group of students learned the dance whilst others learned to play the tunes to accompany the performance. Financial support from the school’s PTA allowed Head of Art, Liz Davenport, to create the striking costumes worn by the dancers. More support appeared in the form of folk arts development agency Folk South West who generously discounted their ‘College Hornpipe’ tunebook for the project. Players of orchestral instruments suddenly found themselves being extended by the apparently ‘simple’ melodies arranged by Paul Burgess. -
SOMERSET FOLK All Who Roam, Both Young and Old, DECEMBER TOP SONGS CLASSICAL Come Listen to My Story Bold
Folk Singing Broadsht.2 5/4/09 8:47 am Page 1 SOMERSET FOLK All who roam, both young and old, DECEMBER TOP SONGS CLASSICAL Come listen to my story bold. 400 OF ENGLISH COLLECTED BY For miles around, from far and near, YEARS FOLK MUSIC TEN FOLK They come to see the rigs o’ the fair, 11 Wassailing SOMERSET CECIL SHARP 1557 Stationers’ Company begins to keep register of ballads O Master John, do you beware! Christmastime, Drayton printed in London. The Seeds of Love Folk music has inspired many composers, and And don’t go kissing the girls at Bridgwater Fair Mar y Tudor queen. Loss of English colony at Calais The Outlandish Knight in England tunes from Somerset singers feature The lads and lasses they come through Tradtional wassailing 1624 ‘John Barleycorn’ first registered. John Barleycorn in the following compositions, evoking the very From Stowey, Stogursey and Cannington too. essence of England’s rural landscape: can also be a Civil Wars 1642-1650, Execution of Charles I Barbara Allen SONG COLLECTED BY CECIL SHARP FROM visiting 1660s-70s Samuel Pepys makes a private ballad collection. Percy Grainger’s passacaglia Green Bushes WILLIAM BAILEY OF CANNINGTON AUGUST 8TH 1906 Lord Randal custom, Restoration places Charles II on throne was composed in 1905-6 but not performed similar to carol The Wraggle Taggle Gypsies 1765 Reliques of Ancient English Poetry published by FOLK 5 until years later. It takes its themes from the 4 singing, with a Thomas Percy. First printed ballad collection. Dabbling in the Dew ‘Green Bushes’ tune collected from Louie bowl filled with Customs, traditions & glorious folk song Mozart in London As I walked Through the Meadows Hooper of Hambridge, plus a version of ‘The cider or ale. -
Southwark-Life-Summer-2019.Pdf
Southwark LifeSummer 2019 An inspiration Celebrating Southwark’s rising stars Borough of opportunity How to follow your dreams New homes, schools and salons Transforming our borough for everyone PLUS Events and fun in the sun this summer Your magazine from Southwark Council Summer 2019 Contents welcome... 4 Need to know – News from the council and across the borough Southwark is a great place to be young: to find your feet, 7 Sumner Road – We visit the discover your passion, and gain the skills you need for a happy brand new council homes on and rewarding life. This summer edition of Southwark Life is Sumner Road dedicated to inspiration and opportunity. We tell the stories 8 Our inspirational young of some of our incredible young people who have worked people – Our bumper feature hard to overcome barriers and excel in their chosen field, on inspiring young people from and also hear from some inspirational adults with sound around the borough advice on how to get on in life. I hope young people will 17 Blast from the past – We find plenty here to spark their curiosity, and give them chat to a resident who spotted confidence to chase their dreams. herself in a historic photo display As the long summer holidays approach, there’s no reason 18 Inspiring adults – Meet three local people why any child or young person should find themselves at a loose who have messages for our end in Southwark. From free entry to world class galleries and younger generation events, to award-winning parks, free swim and gym sessions at all 24 Southwark Presents – our leisure centres, and fun things happening at all our libraries, Music, plays and exhibitions there is something exciting happening on our doorstep every day. -
The Dual Language of Geometry in Gothic Architecture: the Symbolic Message of Euclidian Geometry Versus the Visual Dialogue of Fractal Geometry
Peregrinations: Journal of Medieval Art and Architecture Volume 5 Issue 2 135-172 2015 The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry Nelly Shafik Ramzy Sinai University Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Ramzy, Nelly Shafik. "The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry." Peregrinations: Journal of Medieval Art and Architecture 5, 2 (2015): 135-172. https://digital.kenyon.edu/perejournal/vol5/iss2/7 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Ramzy The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry By Nelly Shafik Ramzy, Department of Architectural Engineering, Faculty of Engineering Sciences, Sinai University, El Masaeed, El Arish City, Egypt 1. Introduction When performing geometrical analysis of historical buildings, it is important to keep in mind what were the intentions -
Pentagons in Medieval Architecture
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of the Academy's Library Építés – Építészettudomány 46 (3–4) 291–318 DOI: 10.1556/096.2018.008 PENTAGONS IN MEDIEVAL ARCHITECTURE KRISZTINA FEHÉR* – BALÁZS HALMOS** – BRIGITTA SZILÁGYI*** *PhD student. Department of History of Architecture and Monument Preservation, BUTE K II. 82, Műegyetem rkp. 3, H-1111 Budapest, Hungary. E-mail: [email protected] **PhD, assistant professor. Department of History of Architecture and Monument Preservation, BUTE K II. 82, Műegyetem rkp. 3, H-1111 Budapest, Hungary. E-mail: [email protected] ***PhD, associate professor. Department of Geometry, BUTE H. II. 22, Egry József u. 1, H-1111 Budapest, Hungary. E-mail: [email protected] Among regular polygons, the pentagon is considered to be barely used in medieval architectural compositions, due to its odd spatial appearance and difficult method of construction. The pentagon, representing the number five has a rich semantic role in Christian symbolism. Even though the proper way of construction was already invented in the Antiquity, there is no evidence of medieval architects having been aware of this knowledge. Contemporary sources only show approximative construction methods. In the Middle Ages the form has been used in architectural elements such as window traceries, towers and apses. As opposed to the general opinion supposing that this polygon has rarely been used, numerous examples bear record that its application can be considered as rather common. Our paper at- tempts to give an overview of the different methods architects could have used for regular pentagon construction during the Middle Ages, and the ways of applying the form. -
Contemporary Folk Dance Fusion Using Folk Dance in Secondary Schools
Unlocking hidden treasures of England’s cultural heritage Explore | Discover | Take Part Contemporary Folk Dance Fusion Using folk dance in secondary schools By Kerry Fletcher, Katie Howson and Paul Scourfield Unlocking hidden treasures of England’s cultural heritage Explore | Discover | Take Part The Full English The Full English was a unique nationwide project unlocking hidden treasures of England’s cultural heritage by making over 58,000 original source documents from 12 major folk collectors available to the world via a ground-breaking nationwide digital archive and learning project. The project was led by the English Folk Dance and Song Society (EFDSS), funded by the Heritage Lottery Fund and in partnership with other cultural partners across England. The Full English digital archive (www.vwml.org) continues to provide access to thousands of records detailing traditional folk songs, music, dances, customs and traditions that were collected from across the country. Some of these are known widely, others have lain dormant in notebooks and files within archives for decades. The Full English learning programme worked across the country in 19 different schools including primary, secondary and special educational needs settings. It also worked with a range of cultural partners across England, organising community, family and adult learning events. Supported by the National Lottery through the Heritage Lottery Fund, the National Folk Music Fund and The Folklore Society. Produced by the English Folk Dance and Song Society (EFDSS), June 2014 Written by: Kerry Fletcher, Katie Howson and Paul Schofield Edited by: Frances Watt Copyright © English Folk Dance and Song Society, Kerry Fletcher, Katie Howson and Paul Schofield, 2014 Permission is granted to make copies of this material for non-commercial educational purposes. -
Geometric Proportioning Strategies in Gothic Architectural Design Robert Bork*
$UFKLWHFWXUDO Bork, R 2014 Dynamic Unfolding and the Conventions of Procedure: Geometric +LVWRULHV Proportioning Strategies in Gothic Architectural Design. Architectural Histories, 2(1): 14, pp. 1-20, DOI: http://dx.doi.org/10.5334/ah.bq RESEARCH ARTICLE Dynamic Unfolding and the Conventions of Procedure: Geometric Proportioning Strategies in Gothic Architectural Design Robert Bork* This essay explores the proportioning strategies used by Gothic architects. It argues that Gothic design practice involved conventions of procedure, governing the dynamic unfolding of successive geometrical steps. Because this procedure proves difficult to capture in words, and because it produces forms with a qualitatively different kind of architectural order than the more familiar conventions of classical design, which govern the proportions of the final building rather than the logic of the steps used in creating it, Gothic design practice has been widely misunderstood since the Renaissance. Although some authors in the nineteenth and twentieth centuries attempted to sympathetically explain Gothic geometry, much of this work has been dismissed as unreliable, especially in the influential work of Konrad Hecht. This essay seeks to put the study of Gothic proportion onto a new and firmer foundation, by using computer-aided design software to analyze the geometry of carefully measured buildings and original design drawings. Examples under consideration include the parish church towers of Ulm and Freiburg, and the cross sections of the cathedrals of Reims, Prague, and Clermont-Ferrand, and of the Cistercian church at Altenberg. Introduction of historic monuments to be studied with new rigor. It is Discussion of proportion has a curiously vexed status in finally becoming possible, therefore, to speak with reason- the literature on Gothic architecture. -
Sussex Carol on Christmas Night All Christians Sing Brass Quintet and Organ Sheet Music
Sussex Carol On Christmas Night All Christians Sing Brass Quintet And Organ Sheet Music Download sussex carol on christmas night all christians sing brass quintet and organ sheet music pdf now available in our library. We give you 6 pages partial preview of sussex carol on christmas night all christians sing brass quintet and organ sheet music that you can try for free. This music notes has been read 4401 times and last read at 2021-09-24 06:37:41. In order to continue read the entire sheet music of sussex carol on christmas night all christians sing brass quintet and organ you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Organ Ensemble: Mixed Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music The Sussex Carol On Christmas Night All Christians Sing Two Trumpets And Organ The Sussex Carol On Christmas Night All Christians Sing Two Trumpets And Organ sheet music has been read 3598 times. The sussex carol on christmas night all christians sing two trumpets and organ arrangement is for Advanced level. The music notes has 3 preview and last read at 2021-09-23 11:18:49. [ Read More ] Sussex Carol On Christmas Night All Christians Sing Sussex Carol On Christmas Night All Christians Sing sheet music has been read 3741 times. Sussex carol on christmas night all christians sing arrangement is for Beginning level. The music notes has 4 preview and last read at 2021-09-22 22:14:32. [ Read More ] Variations On The Sussex Carol On Christmas Night All Christians Sing For Cello Duo Variations On The Sussex Carol On Christmas Night All Christians Sing For Cello Duo sheet music has been read 2839 times. -
Via Sapientiae Bibliography
DePaul University Via Sapientiae Vincentian Studies Institute Monographs & Frontier Missionary: Felix DeAndreis, C.M. Publications 2005 Bibliography Follow this and additional works at: https://via.library.depaul.edu/frontier_missionary Recommended Citation Bibliography. https://via.library.depaul.edu/frontier_missionary/11 This Article is brought to you for free and open access by the Vincentian Studies Institute Monographs & Publications at Via Sapientiae. It has been accepted for inclusion in Frontier Missionary: Felix DeAndreis, C.M. by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. 19 BIBLIOGRAPHY BIOGRAPHIES OF FELIX DE ANDREIS A'Becket, John J. "Andreis, Felix De." In Catholic Encyclopedia, VoL I, edited by Charles Herbermann, 470. New York: Robert Appleton Co., 1907; and Supplement I IVai. XVII), 1922. Bozuffi, Alceste. II Servo di Dio Felice de Andreis, Prete della Missione. Piacenza: Collegio Alberoni, 1929. Bugnini, Annibale. "DeAndreis, Felice," Enciclopedia Cattolica, IV, cols. 1252-53. Casoni, Carlo. "Cenni biographici sui sacer. Felice De Andreis della Miss." Undated manuscript, 38 pp., includes copies of six letters and obituary notices. VolumeIIof DeAndreismaterials: original in archives of the Postulator General of the Congregation of the Mission, Rome, Italy. "Cause of beatification of the servant of God, Felix de Andreis, of the Congregation of the Mission." (Reprints an article, "A Saint Louis Saint. Notice on Very Reverend Felix deAndreis," Saint Louis Globe Democrat, 14 July 1901. Annals ofthe Congregation of the Mission 9:4 [1902]: 502-09; reprinted in Annales de la Congregation de la Mission 67 [1902]: 55-57; and the Spanish edition,l1 [1903]: 136-42.) Cenni Storici su la Congregazione della Missione in Italia 11642-1925). -
1 Traditional Song Forum Meeting, 12 Apr 2014 Held at Central Library, Plymouth the Meeting Was Held at the Central Library
Traditional Song Forum Meeting, 12 Apr 2014 Held at Central Library, Plymouth The meeting was held at The Central Library, Plymouth and was chaired by Paul Wilson. The meeting was arranged jointly with the Music Section of the Devonshire Association and with Plymouth City Library. Seven TSF members attended the morning session. The number swelled to twenty-six as a number of local guests joined us for the afternoon talks. The low numbers were due, in part, to the difficulties arising from the storm damage to the rail network in the Southwest. Following a welcome from the Plymouth Library team, and an outline of arrangements for the day by Alan Rosevear, the session was opened by Paul Wilson. Given the relatively small numbers of people present it was agreed that the opportunity would be taken for Martin Graebe to give those attending a guided tour of the Baring-Gould manuscripts and other items that the Library had put on display, as well as their permanent collection of his published books. Networking Session Gwilym Davies gave an update on the Gloucester Traditions project that he had talked about at the December meeting. The aim is to get as many of the songs that have been collected in Gloucestershire onto their website and then to use the material in a series of outreach projects. They are working in partnership with Gloucestershire Archives and Gloucestershire Music makers (The county music provider). Their bid to the National Lottery has now been submitted. They will be using the ABC format for digitising the tunes. An important part of the work – and a technical term new to most of those present – was ‘de-duping’. -
Archbishop John J. Williams
Record Group I.06.01 John Joseph Williams Papers, 1852-1907 Introduction & Index Archives, Archdiocese of Boston Introduction Biographical Sketch Scope and Content Content List (A-Z) Subject Index Introduction The John Joseph Williams papers held by the Archives of the Archdiocese of Boston span the years 1852-1907. The collection consists of original letters and documents from the year that Williams was assigned to what was to become St. Joseph’s parish in the West End of Boston until his death 55 years later. The papers number approximately 815 items and are contained in 282 folders arranged alphabetically by correspondent in five manuscript boxes. It is probable that the Williams papers were first put into some kind of order in the Archives in the 1930s when Fathers Robert h. Lord, John E. Sexton, and Edward T. Harrington were researching and writing their History of the Archdiocese of Boston, 1604-1943. At this time the original manuscripts held by the Archdiocese were placed individually in folders and arranged chronologically in file cabinets. One cabinet contained original material and another held typescripts, photostats, and other copies of documents held by other Archives that were gathered as part of the research effort. The outside of each folder noted the author and the recipient of the letter. In addition, several letters were sound in another section of the Archives. It is apparent that these letters were placed in the Archives after Lord, Sexton, and Harrington had completed their initial arrangement of manuscripts relating to the history of the Archdiocese of Boston. In preparing this collection of the original Williams material, a calendar was produced.