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Cane River, Louisiana
''ewe 'Know <Who <We !A.re'' An Ethnographic Ove1'View of the Creole Traditions & Community of Isle Brevelle & Cane River, Louisiana H.F. Gregory, Ph.D. Joseph Moran, M.A. I /'I "1\ 1'We Know Who We Are": I An Ethnographic Overview of the Creole Community and Traditions of I Isle Breve lie and Cane River, Louisiana I I I' I I 'I By H.F. Gregory, Ph.D. I Joseph Moran, M.A. I I I Respectfully Submitted to: Jean Lafitte National Historic Park and Preserve U.S. Department of the Interior I In partial fulfillment of Subagreement #001 to Cooperative Agreement #7029~4-0013 I I December, 1 996 '·1 I I I I I I I I I I I I I I I I I I I I I I Errata Page i - I "Jean Lafitte National Historic Park and Preserve" should read, "Jean Lafitte National I Historical Park and Preserve ...." Please define "emic" as the point of view from the culture as opposed to the I anthropological, descriptive view of the culture - the outsider's point ofview(etic). I Page vi- "Dr. Allison Pena" should read, "Ms. Allison Pena. ." I Page 13 - I "The first was literary-folkloristic which resulted in local color novels and romantic history - all but 'outside' authors and artists ... "should read, "The first was literary-folkloristic which I resulted in local color and romantic history - all by 'outside' authors and artists ...." I Page 14 - "Whenever Creoles tried to explain who they were, who they felt they were, it ultimately was, and is, interpreted as an attempt to passer pour blanc" should read, "Whenever Creoles tried I to explain who they were, who they felt they were, it ultimately was, and is, interpreted as an I attempt to passer pour blanc, or to pass for white... -
An Analysis of Feminine Agency Among Southern Elite Women of the Antebellum Period (1815-1860)
University of San Diego Digital USD Theses Theses and Dissertations Summer 8-31-2016 The "Rib" of the South? An Analysis of Feminine Agency Among Southern Elite Women of the Antebellum Period (1815-1860) Louann Marie Sabatini Follow this and additional works at: https://digital.sandiego.edu/theses Part of the History of Gender Commons, United States History Commons, and the Women's History Commons Digital USD Citation Sabatini, Louann Marie, "The "Rib" of the South? An Analysis of Feminine Agency Among Southern Elite Women of the Antebellum Period (1815-1860)" (2016). Theses. 11. https://digital.sandiego.edu/theses/11 This Thesis: Open Access is brought to you for free and open access by the Theses and Dissertations at Digital USD. It has been accepted for inclusion in Theses by an authorized administrator of Digital USD. For more information, please contact [email protected]. University of San Diego The “Rib” of the South? An Analysis of Feminine Agency Among Southern Elite Women of the Antebellum Period (1815-1860) A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in History by Louann Marie Sabatini Thesis Committee Michael J. Gonzalez Ph.D., Chair David Miller, Ph.D. 2016 The Thesis of Louann Marie Sabatini is Approved by: Thesis Committee Chair Thesis Committee Member University of San Diego San Diego 2016 ii Copyright 2016 Louann Marie Sabatini Limitations: No part of this document may be reproduced in any form without the author’s prior written consent for a period of three years after the date of submittal. -
The Perpetuation of Historical Myths in New Orleans Tourism
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-31-2021 Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism Madeleine R. Roach University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Oral History Commons, Public History Commons, Social History Commons, and the United States History Commons Recommended Citation Roach, Madeleine R., "Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism" (2021). University of New Orleans Theses and Dissertations. 2902. https://scholarworks.uno.edu/td/2902 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the in the requirements for the degree of Master of Arts in History Public History By Madeleine Roach B.A. -
Louisiana French Creole Poet, Essayist, and Composer Donna M
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Leona Queyrouze (1861-1938): Louisiana French Creole poet, essayist, and composer Donna M. Meletio Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Meletio, Donna M., "Leona Queyrouze (1861-1938): Louisiana French Creole poet, essayist, and composer" (2005). LSU Doctoral Dissertations. 2146. https://digitalcommons.lsu.edu/gradschool_dissertations/2146 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. LEONA QUEYROUZE (1861-1938) LOUISIANA FRENCH CREOLE POET, ESSAYIST, AND COMPOSER A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English by Donna M. Meletio B.A., University of Texas San Antonio, 1990 M.A., University of Texas San Antonio, 1994 August, 2005 ©Copyright 2005 Donna M. Meletio All rights reserved ii ACKNOWLEDGEMENTS For their support throughout this project and for their patience and love, I would like to thank my daughters, Sarah, Maegan, and Kate, who are the breath and heart of my life. I would also like to thank the strong and beautiful women and men who have walked through this life journey with me: my life-long friend Dr. -
The Mythology of Marie Laveau in and out of the Archive (2019) Directed by Dr
CARTER, MORGAN E., M.A. Looking For Laveau: The Mythology of Marie Laveau In and Out of the Archive (2019) Directed by Dr. Tara T. Green. 97 pp. The purpose of this work is to engage with the proliferation of the myth of Marie Laveau, the nineteenth-century Voodoo figure of New Orleans, Louisiana and its multiple potentialities as both a tool of investment in whiteness as a form of intellectual property as well as a subject for myth as uplift, refusal, and resistance in terms of southern black womanhood and the critically imaginary. In this work, I create a trajectory of work that has endeavored to “recover” Laveau within institutionalized forms of knowing, specifically taking to task projects of recovery that attempt to present Laveau as a figure of strong leadership for women through institutionalized spaces and forms of knowledge, such as the archive while simultaneously dismissing other, “nonacademic” proliferations of the Laveau myth. This thesis serves to decenter the research, reading, and writing of the Laveau mythology as within the academy, which ostensibly serves white and normative generated and centered ways of knowing, identifying, and articulating, in favor of a methodology that accounts for cultural forms of mythologies that center memory, lineage, and communal identification. Through this critical work, I hope to supply a critical imaginary of what a Creole/Cajun southern feminism would look like, and how it is deeply intertwined with gendered and racialized nuances that are specific to region and community. LOOKING FOR LAVEAU: THE MYTHOLOGY OF MARIE LAVEAU IN AND OUT OF THE ARCHIVE by Morgan E. -
Life of the Abbe Adrien Roqu'ette
LIFE O F T HE ' ABB E ADRIEN ROQUETTE " " CHA HT A -IMA Compil ed and E dited by R . E LD E R M S S B . from material furnished fri ds by en . Published under auspice s of B env e A ssemb Kn hts of Co umbus i ill ly , ig l , on the cente ar of his th n y bir . W O R E A N E L N S , 1 9 1 3 3 J J n ’ T h e L . Go éh m o a omm n S . I A C t , N 0 j i. A; o r h t 1 9 1 3 C p y ig , B Y M B E L D E R U S A N . R . S . S A l l r h t s r v e d ig s r e e . T I N T R O D U C I O N . Probably one of the most striking and picturesque figures in the later history of the lower Mississippi Val f ley i s that of the Abbe Rouquette , who lived his li e in ! and about N ew Orleans . Students of American His of L a tory are well aware Salle, Bienville , Audubon and of the many others wh o have had a part in our early al Louisiana development . The Abbe Rouquette seems most to have been the last of that long series of pioneers who instinctively and progressively worked from within h i s for the betterment and welfare of people . -
A Critical Analysis of American Horror Story: Coven
Volume 5 ׀ Render: The Carleton Graduate Journal of Art and Culture Witches, Bitches, and White Feminism: A Critical Analysis of American Horror Story: Coven By Meg Lonergan, PhD Student, Law and Legal Studies, Carleton University American Horror Story: Coven (2013) is the third season an attempt to tell a better story—one that pushes us to imag- analysis thus varies from standard content analysis as it allows of the popular horror anthology on FX1. Set in post-Hurricane ine a better future. for a deeper engagement and understanding of the text, the Katrina New Orleans, Louisiana, the plot centers on Miss Ro- symbols and meaning within the text, and theoretical relation- This paper combines ethnographic content analysis bichaux’s Academy and its new class of female students— ships with other texts and socio-political realities. This method and intersectional feminist analysis to engage with the televi- witches descended from the survivors of the witch trials in Sa- is particularly useful for allowing the researcher deep involve- sion show American Horror Story: Coven (2013) to conduct a lem, Massachusetts in 16922. The all-girls school is supposed ment with the text to develop a descriptive account of the com- close textual reading of the show and unpack how the repre- to be a haven for witches to learn about their heritage and plexities of the narrative (Ferrell et al. 2008, 189). In closely sentations of a diversity of witches can be read and under- powers while fostering a community which protects them from examining the text (Coven) to explore the themes and relation- stood as representing a diversity of types of feminism. -
Adrien-Emmanuel Rouquette
ABBÉ ADRIEN-EMMANUEL ROUQUETTE ADRIEN ROUQUETTE Tribute to Orestes A. Brownson. Oui, je comprends, Brownson, ta haute intelligence Répandant sur nous tous sa feconde efflugence, Je comprends ta Revue, immense mine d’or Riche Californie, indegène tresor, Arsenal litteraire, ou nous trouvons des armes Pour vancre et terrasser l-erreur pleine d’alarmes. To Father Hecker. Je te comprends, Hecker, avec tes compagnons De la cause Eternelle eloquents champions, Apotres du Pays, héroíques Paulistes, De notre Republique ardents Evangelistes, Vous que le ciel destine a porter de grande coups, Je vous aime et salue, et je suis avec vous. “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project Adrien Rouquette HDT WHAT? INDEX ADRIEN ROUQUETTE REVEREND ADRIEN ROUQUETTE 1813 February 26, Friday: Adrien-Emmanuel Rouquette was born in New Orleans, Louisiana (his father, from Bordeaux, had recently married a young Creole woman and established himself as a local wine merchant). The family would include four other children, two of whom would later become well-known Louisiana poets (for instance, Francois-Dominique Rouquette). NOBODY COULD GUESS WHAT WOULD HAPPEN NEXT Adrien Rouquette “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX REVEREND ADRIEN ROUQUETTE ADRIEN ROUQUETTE 1814 Shortly after the birth of Adrien-Emmanuel Rouquette in 1813, perhaps in this year, the Rouquette family moved to Bayou Saint John on the outskirts of New Orleans, near settlements of Choctaw tribespeople. DO I HAVE YOUR ATTENTION? GOOD. Adrien Rouquette “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX ADRIEN ROUQUETTE REVEREND ADRIEN ROUQUETTE 1823 In Louisiana, Adrien-Emmanuel Rouquette was a student at the Collège d’Orléans when his parents sent him north in an attempt to divert his mind from the local Choctaw — a low native people in regard to whom the interest of a white child was inappropriate. -
Sexual Violence in the Slaveholding Regimes of Louisiana and Texas: Patterns of Abuse in Black Testimony
Sexual Violence in the Slaveholding Regimes of Louisiana and Texas: Patterns of Abuse in Black Testimony Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Andrea Helen Livesey June 2015 UAbstract This study is concerned with the sexual abuse of enslaved women and girls by white men in the antebellum South. Interviews conducted by the Federal Writers’ Project in the 1930s are studied alongside nineteenth-century narratives of the formerly enslaved in order to make calculations of the scale of abuse in the South, but also to discover which conditions, social spaces and situations were, and possibly still are, most conducive to the sexual abuse of women and girls. This thesis is separated into two parts. Part One establishes a methodology for working with testimony of the formerly enslaved and determines the scale of sexual abuse using all available 1930s interviews with people who had lived in Louisiana and Texas under slavery. This systematic quantitative analysis is a key foundation from which to interpret the testimony of abuse that is explored according to different forms of sexual violence in Part Two. It is argued that abuse was endemic in the South, and occurred on a scale that was much higher than has been argued in previous studies. Enslaved people could experience a range of white male sexually abusive behaviours: rape, sexual slavery and forced breeding receive particular attention in this study due to the frequency with which they were mentioned by the formerly enslaved. These abuses are conceptualised as existing on a continuum of sexual violence that, alongside other less frequently mentioned practices, pervaded the lives of all enslaved people. -
RG 68 Master Calendar
RG 68 MASTER CALENDAR Louisiana State Museum Historical Center Archives May 2012 Date Description 1387, 1517, 1525 Legal document in French, Xerox copy (1966.011.1-.3) 1584, October 20 Letter, from Henry IV, King of France, to Francois de Roaldes (07454) 1640, August 12 1682 copy of a 1640 Marriage contract between Louis Le Brect and Antoinette Lefebre (2010.019.00001.1-.2) 1648, January 23 Act of sale between Mayre Grignonneau Piqueret and Charles le Boeteux (2010.019.00002.1-.2) 1680, February 21 Photostat, Baptismal certificate of Jean Baptoste, son of Charles le Moyne and marriage contract of Charles le Moyne and Catherine Primot (2010.019.00003 a-b) 1694 Reprint (engraving), frontspiece, an Almanack by John Tulley (2010.019.00004) c. 1700-1705 Diary of Louisiana in French (2010.019.00005 a-b) c. 1700 Letter in French from Philadelphia, bad condition (2010.019.00006) 1711, October 18 Document, Spanish, bound, typescript, hand-illustrated manuscript of the bestowing of a title of nobility by Charles II of Spain, motto on Coat of Arms of King of Spain, Philippe V, Corella (09390.1) 1711, October 18 Typescript copy of royal ordinance, bestows the title of Marquis deVillaherman deAlfrado on Dr. Don Geronina deSoria Velazquez, his heirs and successors as decreed by King Phillip 5th, Spain (19390.2) 1714, January 15 English translation of a letter written at Pensacola by M. Le Maitre, a missionary in the country (2010.019.00007.1-.29) 1714 Document, translated into Spanish from French, regarding the genealogy of the John Douglas de Schott family (2010.019.00008 a-b) 1719, December 29 Document, handwritten copy, Concession of St. -
Historic Architecture in the French Quarter of New Orleans
From The Cabildo to the Creole Cottage Historic Architecture in the French Quarter of New Orleans Justin C. Oakley Dr. Perky Beisel Lafitte's Blacksmith Shop. This structure is an excellent example of the Creole Cottage style of building that took root in New Orleans after a wave of immigrants from Saint Domingue (present day Haiti) arrived in the city during the late eighteenth century. Lafitte's Blacksmith Shop was Photo by Justin Oakley constructed in 1795, and as its name suggests, claims at least A view of the lower Pontalba building in a mythical connection to the famous pirate. The symmetrical design of the structure and its surrounding doors which open Jackson Square. The upper and lower the interior to the exterior, are very much influenced by the Pontalba buildings which flank either sort of structures that were found on Saint Domingue and side of Jackson Square, were built by other Caribbean islands, the idea being to maximize the amount of exposure to breeze and to minimize the sweltering Micaela Almonester, the Baroness de heat of the climate. Pontalba. The Baroness inherited much Photograph by Teemu008 on Flickr. of the property from her father Andres Almonester y Roxas, the wealthy http://www.kunstkopie.nl/a/legrand-de-saint-aubin-am/portrait-of-baroness-pont.html Spaniard whose money financed the St. Micaela Louis Cathedral, and made it her priority Almonester, to beautify the area. Baroness de Pontalba (1795- 1874) The Baroness is greatly responsible for the way that Jackson Square appears today. Benjamin Henry Latrobe by Filippo Costaggini.jpg Benjamin Henry Latrobe (1764- 1820) Latrobe as a renowned British- born architect whose most notable works include the United States Plan, sections, and elevation of the church to be built at New Orleans. -
American Folklore Society the Continuity and Creativity of Culture
American Folklore Society Keeping Folklorists Connected The Continuity and Creativity of Culture 2012 Annual Meeting Program and Abstracts Hotel Monteleone New Orleans, Louisiana October 24-27, 2012 Copyright © 2012 The American Folklore Society All rights reserved. No part of this publication may be reprinted in any form or by any means without prior permission from the publisher. Published by the American Folklore Society The Ohio State University Mershon Center 1501 Neil Ave. Columbus, OH 43201-2602 USA TABLE of CONTENTS Acknowledgements ............................................................................................................................................................... iv General Information .............................................................................................................................................................. xv Program Summary .............................................................................................................................................................xviii Program Schedule ..................................................................................................................................................................1 Wednesday ................................................................................... 1 Thursday ....................................................................................... 3 Friday .......................................................................................... 17 Saturday.....................................................................................