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An Analysis of Feminine Agency Among Southern Elite Women of the Antebellum Period (1815-1860)
University of San Diego Digital USD Theses Theses and Dissertations Summer 8-31-2016 The "Rib" of the South? An Analysis of Feminine Agency Among Southern Elite Women of the Antebellum Period (1815-1860) Louann Marie Sabatini Follow this and additional works at: https://digital.sandiego.edu/theses Part of the History of Gender Commons, United States History Commons, and the Women's History Commons Digital USD Citation Sabatini, Louann Marie, "The "Rib" of the South? An Analysis of Feminine Agency Among Southern Elite Women of the Antebellum Period (1815-1860)" (2016). Theses. 11. https://digital.sandiego.edu/theses/11 This Thesis: Open Access is brought to you for free and open access by the Theses and Dissertations at Digital USD. It has been accepted for inclusion in Theses by an authorized administrator of Digital USD. For more information, please contact [email protected]. University of San Diego The “Rib” of the South? An Analysis of Feminine Agency Among Southern Elite Women of the Antebellum Period (1815-1860) A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in History by Louann Marie Sabatini Thesis Committee Michael J. Gonzalez Ph.D., Chair David Miller, Ph.D. 2016 The Thesis of Louann Marie Sabatini is Approved by: Thesis Committee Chair Thesis Committee Member University of San Diego San Diego 2016 ii Copyright 2016 Louann Marie Sabatini Limitations: No part of this document may be reproduced in any form without the author’s prior written consent for a period of three years after the date of submittal. -
The Perpetuation of Historical Myths in New Orleans Tourism
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-31-2021 Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism Madeleine R. Roach University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Oral History Commons, Public History Commons, Social History Commons, and the United States History Commons Recommended Citation Roach, Madeleine R., "Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism" (2021). University of New Orleans Theses and Dissertations. 2902. https://scholarworks.uno.edu/td/2902 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the in the requirements for the degree of Master of Arts in History Public History By Madeleine Roach B.A. -
The Mythology of Marie Laveau in and out of the Archive (2019) Directed by Dr
CARTER, MORGAN E., M.A. Looking For Laveau: The Mythology of Marie Laveau In and Out of the Archive (2019) Directed by Dr. Tara T. Green. 97 pp. The purpose of this work is to engage with the proliferation of the myth of Marie Laveau, the nineteenth-century Voodoo figure of New Orleans, Louisiana and its multiple potentialities as both a tool of investment in whiteness as a form of intellectual property as well as a subject for myth as uplift, refusal, and resistance in terms of southern black womanhood and the critically imaginary. In this work, I create a trajectory of work that has endeavored to “recover” Laveau within institutionalized forms of knowing, specifically taking to task projects of recovery that attempt to present Laveau as a figure of strong leadership for women through institutionalized spaces and forms of knowledge, such as the archive while simultaneously dismissing other, “nonacademic” proliferations of the Laveau myth. This thesis serves to decenter the research, reading, and writing of the Laveau mythology as within the academy, which ostensibly serves white and normative generated and centered ways of knowing, identifying, and articulating, in favor of a methodology that accounts for cultural forms of mythologies that center memory, lineage, and communal identification. Through this critical work, I hope to supply a critical imaginary of what a Creole/Cajun southern feminism would look like, and how it is deeply intertwined with gendered and racialized nuances that are specific to region and community. LOOKING FOR LAVEAU: THE MYTHOLOGY OF MARIE LAVEAU IN AND OUT OF THE ARCHIVE by Morgan E. -
A Critical Analysis of American Horror Story: Coven
Volume 5 ׀ Render: The Carleton Graduate Journal of Art and Culture Witches, Bitches, and White Feminism: A Critical Analysis of American Horror Story: Coven By Meg Lonergan, PhD Student, Law and Legal Studies, Carleton University American Horror Story: Coven (2013) is the third season an attempt to tell a better story—one that pushes us to imag- analysis thus varies from standard content analysis as it allows of the popular horror anthology on FX1. Set in post-Hurricane ine a better future. for a deeper engagement and understanding of the text, the Katrina New Orleans, Louisiana, the plot centers on Miss Ro- symbols and meaning within the text, and theoretical relation- This paper combines ethnographic content analysis bichaux’s Academy and its new class of female students— ships with other texts and socio-political realities. This method and intersectional feminist analysis to engage with the televi- witches descended from the survivors of the witch trials in Sa- is particularly useful for allowing the researcher deep involve- sion show American Horror Story: Coven (2013) to conduct a lem, Massachusetts in 16922. The all-girls school is supposed ment with the text to develop a descriptive account of the com- close textual reading of the show and unpack how the repre- to be a haven for witches to learn about their heritage and plexities of the narrative (Ferrell et al. 2008, 189). In closely sentations of a diversity of witches can be read and under- powers while fostering a community which protects them from examining the text (Coven) to explore the themes and relation- stood as representing a diversity of types of feminism. -
Sexual Violence in the Slaveholding Regimes of Louisiana and Texas: Patterns of Abuse in Black Testimony
Sexual Violence in the Slaveholding Regimes of Louisiana and Texas: Patterns of Abuse in Black Testimony Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Andrea Helen Livesey June 2015 UAbstract This study is concerned with the sexual abuse of enslaved women and girls by white men in the antebellum South. Interviews conducted by the Federal Writers’ Project in the 1930s are studied alongside nineteenth-century narratives of the formerly enslaved in order to make calculations of the scale of abuse in the South, but also to discover which conditions, social spaces and situations were, and possibly still are, most conducive to the sexual abuse of women and girls. This thesis is separated into two parts. Part One establishes a methodology for working with testimony of the formerly enslaved and determines the scale of sexual abuse using all available 1930s interviews with people who had lived in Louisiana and Texas under slavery. This systematic quantitative analysis is a key foundation from which to interpret the testimony of abuse that is explored according to different forms of sexual violence in Part Two. It is argued that abuse was endemic in the South, and occurred on a scale that was much higher than has been argued in previous studies. Enslaved people could experience a range of white male sexually abusive behaviours: rape, sexual slavery and forced breeding receive particular attention in this study due to the frequency with which they were mentioned by the formerly enslaved. These abuses are conceptualised as existing on a continuum of sexual violence that, alongside other less frequently mentioned practices, pervaded the lives of all enslaved people. -
Historic Architecture in the French Quarter of New Orleans
From The Cabildo to the Creole Cottage Historic Architecture in the French Quarter of New Orleans Justin C. Oakley Dr. Perky Beisel Lafitte's Blacksmith Shop. This structure is an excellent example of the Creole Cottage style of building that took root in New Orleans after a wave of immigrants from Saint Domingue (present day Haiti) arrived in the city during the late eighteenth century. Lafitte's Blacksmith Shop was Photo by Justin Oakley constructed in 1795, and as its name suggests, claims at least A view of the lower Pontalba building in a mythical connection to the famous pirate. The symmetrical design of the structure and its surrounding doors which open Jackson Square. The upper and lower the interior to the exterior, are very much influenced by the Pontalba buildings which flank either sort of structures that were found on Saint Domingue and side of Jackson Square, were built by other Caribbean islands, the idea being to maximize the amount of exposure to breeze and to minimize the sweltering Micaela Almonester, the Baroness de heat of the climate. Pontalba. The Baroness inherited much Photograph by Teemu008 on Flickr. of the property from her father Andres Almonester y Roxas, the wealthy http://www.kunstkopie.nl/a/legrand-de-saint-aubin-am/portrait-of-baroness-pont.html Spaniard whose money financed the St. Micaela Louis Cathedral, and made it her priority Almonester, to beautify the area. Baroness de Pontalba (1795- 1874) The Baroness is greatly responsible for the way that Jackson Square appears today. Benjamin Henry Latrobe by Filippo Costaggini.jpg Benjamin Henry Latrobe (1764- 1820) Latrobe as a renowned British- born architect whose most notable works include the United States Plan, sections, and elevation of the church to be built at New Orleans. -
American Folklore Society the Continuity and Creativity of Culture
American Folklore Society Keeping Folklorists Connected The Continuity and Creativity of Culture 2012 Annual Meeting Program and Abstracts Hotel Monteleone New Orleans, Louisiana October 24-27, 2012 Copyright © 2012 The American Folklore Society All rights reserved. No part of this publication may be reprinted in any form or by any means without prior permission from the publisher. Published by the American Folklore Society The Ohio State University Mershon Center 1501 Neil Ave. Columbus, OH 43201-2602 USA TABLE of CONTENTS Acknowledgements ............................................................................................................................................................... iv General Information .............................................................................................................................................................. xv Program Summary .............................................................................................................................................................xviii Program Schedule ..................................................................................................................................................................1 Wednesday ................................................................................... 1 Thursday ....................................................................................... 3 Friday .......................................................................................... 17 Saturday..................................................................................... -
New Orleans, Louisiana
NEW ORLEANS, LOUISIANA December 25, Sunday, 1853: When I go to Boston, I go naturally straight through the city down to the end of Long Wharf and look off … Boston, New York, Philadelphia, Charleston, New Orleans, and many others are the names of wharves projecting into the sea. BOSTON NEW-YORK CHARLESTON NEW ORLEANS HDT WHAT? INDEX NEW ORLEANS LOUISIANA 1680 July: The war party of the Issati Sioux with its 3 white captives Père Louis Hennepin, Antoine Augelle, and Michel Accault went down the St. Francis River and camped awhile. Hennepin and Augelle were then permitted to travel down the Mississippi River, under guard of course, to fetch supplies which René-Robert Cavelier, Sieur de La Salle had promised to send and deposit at the mouth of the Wisconsin River. After a journey of about 160 miles downriver, however, a large band of Issati overtook them and carried them back to the great camp at Mille Lacs. This was the end of Hennepin’s exploration down the Mississippi. He definitely did not go to the river’s mouth (as he would in a later timeframe publish). Along the way Hennepin and his guards met the famous French explorer Daniel Graysolon Du Lhut, who had been roaming the region to the west and southwest of Lake Superior. HDT WHAT? INDEX NEW ORLEANS LOUISIANA 1681 Fall: Père Louis Hennepin sailed for Europe, where for a year or more he would be secluded in a monastery of his order at St-Germain-en-Laye, writing away at first book, DESCRIPTION DE LA LOUISIANA, NOUVELLEMENT DÉCOUVERTE AU SUD-OEST DE LA NOUVELLE FRANCE, PA R ORDRE DU ROY. -
Prototipos Brujescos Televisivos Como Posibles Continuadores De Estereotipos Femeninos Tradicionales. El Caso De American Horror
MONOGRÁFICO Investigaciones Feministas ISSNe: 2171-6080 https://dx.doi.org/10.5209/infe.66496 Prototipos brujescos televisivos como posibles continuadores de estereotipos femeninos tradicionales. El caso de American Horror Story: Coven (2013) y Apocalypse (2018) Rebeca López-Villar1 Recibido: Diciembre 2018 / Revisado: Junio 2019 / Aceptado: Julio 2019 Resumen. Con este texto se realizará un estudio sobre las ficciones televisivasAmerican Horror Story: Coven (2013) y Apocalypse (2018) con el fin de comprobar si los personajes brujescos presentes en ellas perpetúan determinados estereotipos femeninos tradicionales. A través del análisis del modo en que son construidas las protagonistas de la serie y de sus diálogos, se determinará la continuidad de clichés como el de la mujer fatal o el de la figura femenina maternal y familiar. Además, se tratará de identificar posibles rasgos feministas en las brujas concebidas por Ryan Murphy y Brad Falchuk, así como establecer analogías entre estos y la apropiación de atributos brujescos por parte de ciertos grupos activistas –W.I.T.C.H.–. Paralelamente, se apuntarán otras cuestiones que en esta producción se vinculan con la bruja, como la aparición de personajes históricos reales o la problemática racial. Se descubrirá, finalmente, que el término bruja no se encuentra unido a una sola significación. Hablar de brujas supone hacerlo sobre algo más que el estereotipado y conocido personaje de ficción e identificar a la bruja, en femenino, con la curandera o con la partera, con la mujer socialmente calificada de fea y malvada, con la femme fatale, con la rebelde e independiente... Palabras clave: Bruja, Feminismo, Televisión, Femme fatale, Estereotipo [en] Witch prototypes in television as possible continuators of traditional feminine stereotypes. -
Lincoln and New Orleans, 1831-1865
Lincoln and New Orleans, 1831–1865 ~ The Lalaurie incident ~ William de Fleurville ~ The John Shelby inci- dent ~ Presidency and war ~ Fall of New Orleans ~ Emancipation ~ A spy in New Orleans ~ The Louisiana experiment ~ Roudanez and Bertonneau ~ A dark and indefinite shore ~ Orleans Lincoln’s direct interaction with New Orleans ceased in June 1831 and would not resume until his presidency commenced in March 1861. On a few occasions during those three intervening decades, however, the city factored into Lincoln’s life. This was typical: New Orleans’ vast com- mercial hinterland, nourished by a relentless flow of waterborne traffic, made the metropolis relevant to most inhabitants of the riverine West, evenNew if they Campanellanever set foot in the amazon.comcity. Many items in Lincoln’s New Sa- lem store, for example, transshipped at New Orleans. AnyOrleans time Lincoln and his neighbors drank coffee, sweetened with sugar, enjoyed tropical infruit, or partook of numerous other imports, they became consumers in the greater New Orleans economic system. News, too, diffused upriver from the Crescent City (a nicknameon coined in a popular 1835 publication, which subsequently spread nationwide1), and, given the city’s reputation for the lascivious, the shocking, and the wicked, certain stories traveled as fast as the swiftest steamboat. New Campanellaamazon.com One such news item may have brought New Orleans’ sordid charac- ter—and its brand of human enslavement—directly into the Lincoln par- Richardlor. One evening in April 1834, a blaze damagedin a French Quarter man- sion, revealing thatorder owner Madame Delphine Lalaurie had been torturingon her live-in slaves in the attic. -
Creole Women in Louisiana, 1718-1865 Katy Frances Morlas Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2005 La madame et la mademoiselle: Creole women in Louisiana, 1718-1865 Katy Frances Morlas Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the History Commons Recommended Citation Morlas, Katy Frances, "La madame et la mademoiselle: Creole women in Louisiana, 1718-1865" (2005). LSU Master's Theses. 908. https://digitalcommons.lsu.edu/gradschool_theses/908 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. LA MADAME ET LA MADEMOISELLE: CREOLE WOMEN IN LOUISIANA, 1718-1865 A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of History by Katy Frances Morlas B.A., Louisiana State University, 2003 May 2005 Acknowledgments My advisor, Tiwanna Simpson, and my committee members, Katherine Benton-Cohen and John Rodrigue, provided a cogent critique of my work that was much-appreciated. My fellow graduate students in the History Department provided sustenance during times of great stress and were always ready to celebrate in times of ease. They include Josh Lubin and Lori Pastor, who entered the program with me and with whom I shared a week of defense, as well as Kim Reynolds and Maria Kohls, who were there to witness the aftermath. -
Local Color Louisiana and the Limits of Literary Interpretation, 1865-1914
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2017 Translating Chopin's Parrot: Local Color Louisiana and the Limits of Literary Interpretation, 1865-1914 Matthew Paul Smith University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, North America Commons, and the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Smith, Matthew Paul, "Translating Chopin's Parrot: Local Color Louisiana and the Limits of Literary Interpretation, 1865-1914. " PhD diss., University of Tennessee, 2017. https://trace.tennessee.edu/utk_graddiss/4425 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Matthew Paul Smith entitled "Translating Chopin's Parrot: Local Color Louisiana and the Limits of Literary Interpretation, 1865-1914." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Bill Hardwig, Major Professor