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Download Booklet CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. Also available… BRUCKNER SYMPHONY NO.9 LIVE AT THE SALZBURG FESTIVAL CHRISTOPH VON DOHNÁNYI 5 6 5 5 2 2 D D C C G G I I S S Brahms: The Four Symphonies Bruckner: Symphony No.4 Philharmonia Orchestra Philharmonia Orchestra Christoph von Dohnányi Christoph von Dohnányi ““Throughout the set the Philharmonia plays excellently – the This is a powerful live account of Bruckner’s Fourth … von rapport with the conductor is evident … these Dohnányi Dohnányi studiously avoids that sense of periodic hiatus readings are consistent and very rewarding.” less attentive interpreters can often convey … The finale Musicweb International becomes a vast, thrilling drama of tension and relaxation, and triumph.” The Times Engineer - Gernot Hoffmann, ORF Salzburg Cover Image – iStock Design – Darren Rumney P2015 Philharmonia Orchestra C2015 Signum Records 12 1 291.0mm x 169.5mm CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. Vimeo channels featuring hundreds of award- Both installations were at the heart of a major ACHNRTIOSTNO PBHR VUOCNK DNOEHRN Á1N8Y2I4 – 1896 ASsa lwzbausr gh iFse csutisvtaolm, aThryé âptrraec tdicees, CBhraumckpnse rE blyesgéaens winnBing RdocUumeCntaKry NfilmEs, wRhich have been two-year audience development and education Symphony No. 9 in D minor wino rPka orins haisn dN iTnetaht Sroy mapllhao Sncy aallam ions tM imilamne. dIina ttehley watched by millions of people worldwide. An initiative, iOrchestra (iOrchestra.co.uk), in NBorwn iankto ead faitmioilny o(f1 m9u5s1ic)ians and scientists in aUfntietre d hSatvaitnegs tchoemy phlaevte dp ehrfiosr mEeigd httohg eitnh ert hine app,S TYhe MOrPcheHstrOa Nfor YiP aNd, Ore.le9ased in South-West England during 2014 and 2015. Berlin in 1929, Christoph von Dohnányi studied Csuamrnmegeire oHf a1l8l 8in7 . 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Adagio: Langsam, feierlich 25.42 In May 2010 the Orchestra’s digital ‘virtual which uses the latest technologies to create a cthuelm Oinrcahtieosnt roaf’s h iPsr ilnifcei’ps awl oGrku e–s tt hCe ofnindaulc ptoarr, t hine aL̈ulmbeocskt caantads tcronpthiincu bedlo win t oK haisss ehla, rdw-hwiocnh swelafs- PhilhTaortmaol ntiam iOnrgchse: stra’ project, RE-RITE, won series of hands-on mu6s1ic.2a6l games and ase rtvrielodg ays oPfr imncoinpuaml Ceonntadlu cstyomr pfohro tneines y etahrast fhroamd cfoolnlofiwdeedn ceb yw hthene tphoes ctosn douf cCtohri eHfe rCmoanndnu cLteovri , tino both the Royal Philharmonic Society (RPS) interactions that are designed to put the visitor s1o9m97e,w habte forbee labteedinlyg caaptpaopiunltteedd Hhoimno ratroy wCohloomgn eh,e Gheande rsaelmntu stihked irreekcteonrt lya ncdo mpOlpeteerda Audience Development and Creative in the shoes of a composer, performer pCroonmdiuncetnocr ef oirn L iVfeie innn 2a0 0a8t .the end of the 19th mDiarencutsocr raiptt Foraf nhkifsu rEt iOghptehra S, yamndp hIonntey,n dinafnotr maned CommPHunIiLcHatAioRnM AOwNarIdAs ,O aRndC HafEteSrT aRpApearances and producer. century. That the symphony was to be his most hCihmie tfh Cato nhdeu wcatosr uanta bthlee t oH caommbpurregh eSntda tteh eO spceorrae. in LConHdRonIS TaOndP HL eVicOeNst eDr,O HtoNurÁeNd YtIo Lisbon, pTheris osnpael caiartl isatritci stteics traemlaetniotn issh icpo nhfairsm pedro dbuy cietds aLantde rw ohuel dw naost Cbeh iepfr epCaorneddu ctoto rp rogf rathmem eN DitR. Dortmund, Tianjin (China), Izmir (Turkey) and in Recording and broadcasting both continue to dlaenddicmaatirokn etov e‘ndtesm, lsiuebcehn aGso tto’p (edreaa-rin G-coodn).c eArst BSirnufcoknnieeorr chtoeoskte r.this rejection by a highly 2013 to Hamburg and the Salzburg Festival. 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