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PLAY SHEPHERDS’ SECOND THE 1032 TC Interest of Records Caedmon Other Karloff as the King of Britain, Cymbeline. Glaire Bloom as Imogen, Pamela Brown as the Queen and Boris SRS (SRS-M) 236 3-12" $17.85 Cymbeline as Thersites and Max Adrian as Pandarus. SRS (SRS-M) 234 3-12" $17.85 Macbeth, and Stanley Holloway as the Porter. SRS (SRS-M) 231 2-12" $11.90 Anthony Quayle as Macbeth, Gwen Ffrangcon Davies as Lady Jeremy Brett as Troylus, Diane Cilento as Gressida, Gyril Gusack SRS (SRS-M) 228 3-12" $17.85 Troylus and Cressida SRS (SRS-M) 226 3-12" $17.85 Glaire Bloom as Juliet, as Romeo and Dame Edith Macbeth Richard Burton as Goriolanus, Jessica Tandy as Volumnia, Ken¬ Evans as the Nurse. Frank Silvera as Othello, Gyril Gusack as lago, Anna Massey as neth Haigh as Aufidius and as Menenius. Desdemona and Gelia Johnson as Emilia. Coridlanus and Leo McKern as John of Gaunt. SRS (SRS-M) 225 3-12" $17.85 as Bolingbroke Sir as King Richard, Keith Michell Vanessa Redgrave as Neville as Sir Andrew Aguecheek and Tragedies Othello $17.85 SRS (SRS-M) 216 3-12" Ashcroft as Paulina. Sir John Gielgud as Leontes and Dame Peggy $17.85 SRS (SRS-M) 210 3-12" as Malvolio, John Siobhan McKenna as Viola, Richard the Second $11.90 SRS (SRS-M) 211 2-12" $17.85 SRS (SRS-M) 213 3-12" $17.85 SRS (SRS-M) 214 3-12" Histories Olivia. The Winter s Tale Angelo, Sir Ralph Richardson as the Duke Sir John Gielgud as as Kate. as Petruchio, Margaret Leighton as Isabella. and Margaret Leighton 3-12" $17.85 SRS (SRS-M) 204 Rosalind, Keith Michell as Orlando, Stanley Vanessa Redgrave as is designated by the symbol —M after the same price. Monaural as Jaques. Holloway as Touchstone and Max Adrian boxed, albums are handsomely Peter Wood. The Sackler and background in book form and text of the play with the complete in either stereo or monaural recordings at Each play is available SRS. Comedies by Howard for these recordings directed specifically chosen and the distinguished Shakespearean scholar. notes by G. B. Harrison, Society Productions Measure for Measure Recording Caedmon/Shakespeare casts productions, with superb below are complete The plays MON cycle (the It is part of the Towneley or Wakefield comedy, This was the setting for the first English eral minor scenes have been omitted. Text included. drama, and all but rivahng Shakespeare in its tragic grandeur. In this performance, only the irrelevant comic interludes and sev¬ TC 1033 1-12" $5.95 Modern audiences never fail to respond to the austere dramatic Volume 4: Marlowe’s Doctor Faustus TC 1031 1-12" $5.95 starring Frank Silver a power of Everyman. It is the greatest of the morality plays, and Volume 2: Everyman, starring Burgess Meredith Text included. one of the most important accomplishments of English drama. A play combining the finest elements of medieval and Renaissance it from the first try. The author, a writer of crafts¬ didactic plays, a group probably based on an identifiable playwright, if only by the title "‘the Wakefield master.” herds’ ) is therefore a means merely of idenjtifying manship, wit and human insight, is our earliest earlier version of the York plays, and a group of five plays by a single writer, two of them shepherds’ drama¬ drama at all as a model, its only progenitors plays. The title Secunda Pastorum (Second Shep¬ or indeed of any out benefit of classical theorems the second first named for the site of preservation, tized religious stories. for the presenting crafts), a collation of religious- where the the far side was the stable in Bethlehem, created with¬ a masterpiece of primitive literature, final scene takes place. one corner stood observer, was thirty feet long: in the fields, and at Mak’s house, in the center were THE CAST 461 Eighth Avenue, New York 1, New York • Made in U.S.A. Performance and reproduction rights information available from Caedmon Records, SACKLER Directed by HOWARD

Drama This record is Volume 3 in the series Monuments of Early English Patricia Somerset Virgin Mary. Rohert Stephens W” Mak . Owen Wynne Angel . cA ! / Peter Bayliss ! *V Second Shepherd.. j Diarmid Cammell/

page the printed for dimension a third CAED] Play Second Shepherds’ ffhe Cd op O O

The pageant on which the Second Shepherds' two hun¬ By 1400—the year of Chaucer s death,

• ROBIN HOOD. Text included.

TC 1030 1-12" $5.95 Volume 1: The Wellsprings of Drama QUEM QUAERITIS • BANNS • THE DELUGE • ABRAHAM AND ISAAC ‘‘mighty line” of Marlovs^e. the stirring drama and farce of medieval playwrights, and the The other records are: chronological order, from its beginnings in church ritual through A presentation of unsurpassed pre-Shakespearean drama, in Play was performed, we are told by a contemporary the crowds gathered to watch. geant stopped at important street comers, where ductions, known as pageants, were mounted on moving from stand to stand. The more opulent pro¬ ^ LU wagons drawn by apprentices or horses; the pa¬ put on at street corners or in the town square. The tied to the holi¬ ship of plays. They continued to be scenes were mounted on stands, with the crowd their production days of Christmas and Easter; but dred years before —the plays were being was undertaken by the entire community. over the sponsor¬ the larger towns, thereupon took guilds, sometimes purpose of the miracle plays. The which controlled with the aid of the corporations '■v*J CQ

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TC 1032 THE SECOND SHEPHERDS’ PLAY ©1962, CAEDMON RECORDS THE Directed by Howard Sadder TC-1032-A Side 1 / Monuments of Early English Drama \ SECOND SHEPHERDS’ PLAY / Volume 2 '

• Wdy fee • . 33i RPM . ^ Volume! / MonumentsofEarlyEnglishDrama\ SECOND SHEPHERDS’PLAY TC-1032-B Side2 Directed byHowardSackler THE*^