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Robert Walser, Paul Scheerbart, and Joseph Roth Vi
Telling Technology Contesting Narratives of Progress in Modernist Literature: Robert Walser, Paul Scheerbart, and Joseph Roth Vincent Hessling Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Vincent Hessling All rights reserved ABSTRACT Telling Technology Contesting Narratives of Progress in Modernist Literature: Robert Walser, Paul Scheerbart, and Joseph Roth Vincent Hessling Telling technology explores how modernist literature makes sense of technological change by means of narration. The dissertation consists of three case studies focusing on narrative texts by Robert Walser, Paul Scheerbart, and Joseph Roth. These authors write at a time when a crisis of ‘progress,’ understood as a basic concept of history, coincides with a crisis of narra- tion in the form of anthropocentric, action-based storytelling. Through close readings of their technographic writing, the case studies investigate how the three authors develop alter- native forms of narration so as to tackle the questions posed by the sweeping technological change in their day. Along with a deeper understanding of the individual literary texts, the dissertation establishes a theoretical framework to discuss questions of modern technology and agency through the lens of narrative theory. Table of Contents ABBREVIATIONS ii ACKNOWLEDGEMENTS iii INTRODUCTION: Toward a Narratology of Technological Change 1 CHAPTER I: Robert Walser’s Der Gehülfe: A Zero-Grade Narrative of Progress 26 1. The Employee as a Modern Topos 26 2. The Master and the Servant: A Farce on Progress 41 3. Irony of ‘Kaleidoscopic Focalization’ 50 4. The Inventions and their Distribution 55 5. -
Conrad Von Hötzendorf and the “Smoking Gun”: a Biographical Examination of Responsibility and Traditions of Violence Against Civilians in the Habsburg Army 55
1914: Austria-Hungary, the Origins, and the First Year of World War I Günter Bischof, Ferdinand Karlhofer (Eds.) Samuel R. Williamson, Jr. (Guest Editor) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 23 uno press innsbruck university press Copyright © 2014 by University of New Orleans Press, New Orleans, Louisiana, USA All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, LA 138, 2000 Lakeshore Drive. New Orleans, LA, 70119, USA. www.unopress.org. Printed in the United States of America Design by Allison Reu Cover photo: “In enemy position on the Piave levy” (Italy), June 18, 1918 WK1/ALB079/23142, Photo Kriegsvermessung 5, K.u.k. Kriegspressequartier, Lichtbildstelle Vienna Cover photo used with permission from the Austrian National Library – Picture Archives and Graphics Department, Vienna Published in the United States by Published and distributed in Europe University of New Orleans Press by Innsbruck University Press ISBN: 9781608010264 ISBN: 9783902936356 uno press Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Ferdinand Karlhofer, Universität Innsbruck Assistant Editor Markus Habermann -
Directories Lists Necrology
DIRECTORIES LISTS NECROLOGY • I 1 I I I I I I I I I i! i i i i z I I 'X I I £ BBSSSSWjWffiWyff List of Abbreviations acid. academy gen general act. active Ger. German ADL Anti-Defamation League gov governor, governing admin administrative, administration govt. government adv advisory affll affiliated Heb Hebrew agr agriculture HIAS Hebrew Sheltering and agric. agriculturist, agricultural Immigrant Aid Society Am America, American hist historical, history amb ambassador hon honorary apptd .appointed hosp hospital assoc associate, association HUC Hebrew Union College asst assistant Hung Hungarian atty attorney au author lncl including b .born ind independent bd board lnst. institute Bib Bible lnstn institution bibllog- bibliography, bibliographer instr Instructor Bklyn Brooklyn internal.. International Bur Bureau Ital Italian Can. Canada JDA Joint Defense Appeal CCAR Central Conference of JDC American Jewish Joint American Rabbis Distribution Committee chtnn. .chairman JNF Jewish National Fund CJFWF. Council of Jewish Federations JTS Jewish Theological Seminary and "Welfare Funds of America coll collector, collective, college Jurisp jurisprudence Colo Colorado JWB National Jewish Welfare com committee Board cotnm..... commission J W V Jewish War Veterans of commr commissioner America comp composer lang language cond. conductor leg legal, legislation conf conference cong. congress, congregation lit literature, literary constr.... construction, constructed contrlb.... contributor mag magazine corr. correspondent med medical mem member d. died metrop.. metropolitan dem. democrat mfr manufacture, manufacturer dept department mng managing dlr. director mngr manager dlst. district ms manuscript div division nat national econ. economic, economist NCCJ National Conference of ed. editor Christians and Jews edit. edited NCRAC. National Community Relations edltl editorial educ education Advisory Council educL educational NRA National Recovery Eng English, England Admin lstration estab establish N.T.C New York City exec executive off office, officer fd. -
Accident: the Death of General Sikorski
David Irving The Death of General Sikorski [Publisher’s note: This is the original 1967 text. In about 1990 a revised edition was prepared but never published. We shall post that soon. Many official files on the crash have since been opened.] Sikorski’s crashed Liberator Never before published, this photograph taken on the morning after the crash from a low-flying aircraft shows the main wingspan and its four engines lying intact on the seabed in thirty feet of water, with the tail assembly broken off and to its right. The landing wheels are not fully retracted and large patches of petrol are floating away on the sea’s surface. This PDF version: © Focal Point Publications 2000 Report errors First published in 1967 by William Kimber and Co. Limited 6 Queen Anne’s Gate, London, S.W.1 © William Kimber and Co. Ltd. 1967 Standard Book Number 7183 0420 9 BY THE SAME AUTHOR: The Destruction of Dresden The Mare’s Nest The Virus House This PDF version: © Focal Point Publications 2000 Report errors Contents Acknowledgements 5 List of Persons 6 part one 1: “Soldiers Must Die” 9 2: Six weeks too Soon 39 part two: 49 THE DISASTER 49 3: Farce and Tragedy 51 4: Search and Inquire 69 5: Mr Churchill Kneels in Prayer 101 6: Mailbags and Manifests 105 part three 127 THE UNANSWERED QUESTIONS 127 7: The Unmentioned Issue 129 8: Post Mortem 153 9: Open Verdict 153 Notes and Sources 163 1: “Soldiers Must Die” 163 2: Six Weeks too Soon 170 3: Farce and Tragedy 172 4: Search and Inquire 176 5: Mr Churchill Kneels in Prayer 187 6: Mailbags and Manifests 188 7: The Unmentioned Issue 194 8: Postmortem 200 9: Open Verdict 203 This PDF version: © Focal Point Publications 2000 Report errors This PDF version: © Focal Point Publications 2000 Report errors Acknowledgements The author wishes to thank the many people who, with memo- ries or information concerning the tragic event at Gibraltar on July 4, 1943, have generously made available to him both their time and their records; their names will be found in the notes at the end of this book. -
Table of Contents
Contents Acknowledgments xiii User’s Guide xv Introduction 1 SECTION ONE. TRANSFORMATIONS OF EXPERIENCE 1. A New Sensorium 1. Hanns Heinz Ewers, The Kientopp (1907) 13 2. Max Brod, Cinematographic Theater (1909) 15 3. Gustav Melcher, On Living Photography and the Film Drama (1909) 17 4. Kurt Weisse, A New Task for the Cinema (1909) 20 5. Anon., New Terrain for Cinematographic Theaters (1910) 22 6. Anon., The Career of the Cinematograph (1910) 22 7. Karl Hans Strobl, The Cinematograph (1911) 25 8. Ph. Sommer, On the Psychology of the Cinematograph (1911) 28 9. Hermann Kienzl, Theater and Cinematograph (1911) 30 10. Adolf Sellmann, The Secret of the Cinema (1912) 31 11. Arno Arndt, Sports on Film (1912) 33 12. Carl Forch, Thrills in Film Drama and Elsewhere (1912–13) 35 13. Lou Andreas-Salomé, Cinema (1912–13) 38 14. Walter Hasenclever, The Kintopp as Educator: An Apology (1913) 39 15. Walter Serner, Cinema and Visual Pleasure (1913) 41 16. Albert Hellwig, Illusions and Hallucinations during Cinematographic Projections (1914) 45 2. The World in Motion 17. H. Ste., The Cinematograph in the Service of Ethnology (1907) 48 18. O. Th. Stein, The Cinematograph as Modern Newspaper (1913–14) 49 19. Hermann Häfker, Cinema and Geography: Introduction (1914) 51 20. Yvan Goll, The Cinedram (1920) 52 21. Hans Schomburgk, Africa and Film (1922) 55 22. Franc Cornel, The Value of the Adventure Film (1923) 56 23. Béla Balázs, Reel Consciousness (1925) 58 24. Colin Ross, Exotic Journeys with a Camera (1928) 60 25. Anon., Lunar Flight in Film (1929) 62 26. -
HERMANN STRUCK the Art of Etching 1876-1944
HERMANN STRUCK The Art of Etching 1876-1944 April 11 – July 31, 2016 Opening reception: Monday, April 11th, 6-8pm Image: Hermann Struck, Self Portrait, 1928, Etcing 7.5 x 9.7 cm Some years ago, I was fortunate to inherit a part of the estate of Hermann Struck, who was my great uncle. Growing up in my parent’s home I was surrounded by his work, which played a large and formative role in my interest in art and aesthetics. It is with great pleasure that I organized this exhibition of works from my personal collection. Struck’s art manifested itself in an unusual world with a duality between two cultures: German and Israeli/Palestinian. In the course of his artistic career, Struck became involved with the activities of the Zionist movement in Europe in the early 20th century and became one of it’s most active and strongest supporters. In 1903, he took his first trip to Palestine, where he drew and painted the landscape and its people. He continued his artistic activities with great success in Berlin, where he wrote the important and ultimate book “Die Kunst des Radierens” on the art of the etching in 1908. He worked with and formed close friendships with many important artists of his time including: Max Liebermann, Lovis Corinth, Lesser Ury, Edward Munch, Marc Chagall, Jacob Steinhardt, Joseph Budko, and Josef Israels. He also corresponded with and drew portraits of the senior Jewish intelligentsia of his time including: Albert Einstein, Sigmund Freud, Martin Buber, Hermann Hesse, Theodor Herzl, and Arnold Zweig. -
1914 the Avant-Gardes at War 8 November 2013 – 23 February 2014
1914 The Avant-Gardes at War 8 November 2013 – 23 February 2014 Media Conference: 7 November 2013, 11 a.m. Content 1. Exhibition Dates Page 2 2. Information on the Exhibition Page 4 3. Wall Quotations Page 6 4. List of Artists Page 11 5. Catalogue Page 13 6. Current and Upcoming Exhibitions Page 14 Head of Corporate Communications/Press Officer Sven Bergmann T +49 228 9171–204 F +49 228 9171–211 [email protected] Exhibition Dates Duration 8 November 2013 – 23 February 2013 Director Rein Wolfs Managing Director Dr. Bernhard Spies Curator Prof. Dr. Uwe M. Schneede Exhibition Manager Dr. Angelica C. Francke Dr. Wolfger Stumpfe Head of Corporate Communications/ Sven Bergmann Press Officer Catalogue / Press Copy € 39 / € 20 Opening Hours Tuesday and Wednesday: 10 a.m. to 9 p.m. Thursday to Sunday: 10 a.m. to 7 p.m. Public Holidays: 10 a.m. to 7 p.m. Closed on Mondays Admission 1914 and Missing Sons standard / reduced / family ticket € 10 / € 6.50 / € 16 Happy Hour-Ticket € 6 Tuesday and Wednesday: 7 to 9 p.m. Thursday to Sunday: 5 to 7 p.m. (for individuals only) Advance Ticket Sales standard / reduced / family ticket € 11.90 / € 7.90 / € 19.90 inclusive public transport ticket (VRS) on www.bonnticket.de ticket hotline: T +49 228 502010 Admission for all exhibitions standard / reduced / family ticket € 16/ € 11 / € 26.50 Audio Guide for adults € 4 / reduced € 3 in German language only Guided Tours in different languages English, Dutch, French and other languages on request Guided Group Tours information T +49 228 9171–243 and registration F +49 228 9171–244 [email protected] (ever both exhibitions: 1914 and Missing Sons) Public Transport Underground lines 16, 63, 66 and bus lines 610, 611 and 630 to Heussallee / Museumsmeile. -
In the Simplistic and Sometimes Pernicious Categorisations Which Have So Often Been Applied to the Political Personalities of Th
a LIberaL witHout a Home The Later Career oF Leslie Hore-belisHa In the simplistic and sometimes pernicious categorisations which have so often been applied to the political personalities of the 1930s – appeasers and anti-appeasers, a majority of dupes and a minority of the far-sighted, the decade’s Guilty Men and its isolated voices in the wilderness – Leslie Hore-Belisha has strong claims to be listed among the virtuous. David Dutton tells the story of Hore-Belisha – a Liberal without a home. 22 Journal of Liberal History 65 Winter 2009–10 a LIberaL witHout a Home The Later Career oF Leslie Hore-belisHa rue, he was a member Belisha ticked most of the right his name. Promoted to be Secre- of the National Gov- boxes. tary of State for War when Nev- ernment for most of its The events of January 1940 ille Chamberlain became Prime existence and a Cabinet represented the abrupt termina- Minister in May 1937, Belisha set minister from Octo- tion of an apparently inexora- about reforming the entrenched Tber 1936 until January 1940. But ble political ascent. Isaac Leslie upper echelons of the army and he was also a vigorous Minister Hore-Belisha was born in 1893, He was also War Office. During nearly three of War, who implemented a suc- the son of Jacob Isaac Belisha, a a vigorous years in this key post, he enhanced cession of much-needed reforms; businessman of Sephardic Jew- his standing with the public but he became disillusioned before ish origins. His father died when minister inevitably trod on many signifi- most of his colleagues with what Leslie was only nine months old cant and sensitive toes. -
Trinity Square Gardens
The Kent Compendium of Historic Parks and Gardens for Tunbridge Wells Borough Oak Hill Manor, Cranbrook June 2009 Oak Hill Manor Cranbrook, Kent INTRODUCTION SITE DESCRIPTION LIST OF FIGURES FIGURE 1: Boundary map. FIGURE 2: Key views map FIGURE 3: Aerial photograph. FIGURES ONLY ON CD FIGURE 4: J. Andrews, A. Dury and W. Herbert, A Topographical Map of the County of Kent …. 2” to 1mile 1769. FIGURE 5: Edward Hasted, Hundreds of Cranbroke, Barkley and Rolvenden (1779). FIGURE 6: William Mudge, A New and Accurate Survey of Kent 1801. FIGURE 7: Swifts Place Estate map 1810. CKS ref U78 P31. FIGURE 8: Charles Greenwood, Map of the County of Kent 1821. FIGURE 9: Tithe map 1839. FIGURE 10: Ordnance Survey 1st edn 25” map (1869). Sheet 70/4. FIGURE 11: Ordnance Survey 2nd edn 25” map (1896). Sheet 70/4. FIGURE 12: Ordnance Survey 3rd edn 25” map (1908). Sheet 70/4. FIGURE 13: Ordnance Survey Revd edn 25” map (1938). Sheet 70/4. FIGURE 14: Extract from Sales Particulars for ‘The Freehold Estate of the Late Robert Tooth Esq’ 20 July 1871. Cranbrook Museum. FIGURE 15: Entrance front 1939. FIGURE 16: Photographs from 2008 sales particulars. FIGURE 17: Photographs of Oak Hill Manor February 2009. INTRODUCTION This site dossier and description has been prepared as part of the Review of The Kent Compendium of Historic Parks and Gardens for Tunbridge Wells Borough 2009, and should be read in conjunction with the full project report which can be found at http://www2.tunbridgewells.gov.uk/. This site is one of many sites that have been researched, visited and written about across the Borough and as a consequence has been included in the revised list of Historic Parks and Gardens covered by the Borough Councils Planning Policies. -
Archetype and Adaptation: Passover Haggadot from the Stephen P
Archetype and Adaptation: Passover Haggadot from the Stephen P. Durchslag Collection The week-long, springtime Jewish holiday of Pesach, or Passover, is beloved for its symbolic meaning and joyous customs. Passover marks the freeing of the Israelites from slavery in Egypt, a narrative with universal appeal as a paradigm for collective and, according to some traditions, personal liberation. The Haggadah (plural: Haggadot), or “telling,” is the collection of prayers, legends, and stories recited on the eve of Passover. The basic text derives from the biblical instruction to retell the story of the Exodus each year during Passover in conjunction with a ritual meal called the Seder, or “order” (Exodus 13:8). Over the centuries songs and illustrations have been added to engage children, to whom the story was to be told, and some passages are given added prominence when they resonate with contemporary concerns. Illustrations in medieval manuscripts depict scenes from Exodus, the life of Moses, and Jewish Patriarchs. Many of these scenes continue to appear in early printed Haggadot, but the emphasis shifts to passages drawn directly from the text. The Haggadah has shown remarkable stability and flexibility: thousands of editions in all languages testify to its central role in Jewish life and its ability to incorporate new themes and respond to changing conditions. This exhibition is drawn entirely from the private collection of Stephen P. Durchslag, the largest known collection of Haggadot in private hands. “Archetype and Adaptation” explores the enduring influence of early printed Haggadot as well as the ability of modern versions to reflect political and social developments such as the Holocaust, Zionism, gay rights, and feminism. -
Spring 2015 Foreign Rights
HANSER LITERATURVERLAGE HANSER • HANSER BERLIN • HANSER KINDERBUCH • ZSOLNAY/DEUTICKE • NAGEL & KIMCHE FOREIGN RIGHTS SPRING 2015 REPRESENTATIVES China (mainland) Hercules Business & Culture GmbH, Niederdorfelden phone: +49-6101-407921, fax: +49-6101-407922 e-mail: [email protected] Hungary Balla-Sztojkov Literary Agency, Budapest phone: +36-1-456 03 11, fax: +36-1-215 44 20 e-mail: [email protected] Israel The Deborah Harris Agency, Jerusalem phone: +972-2-5633237, fax: +972-2-5618711 e-mail: [email protected] Italy Marco Vigevani, Agenzia Letteraria, Milano phone: +39-02-86 99 65 53, fax: +39-02-86 98 23 09 e-mail: [email protected] Italy: Children’s Books Anna Becchi, Genova phone: +39-010-2512186 e-mail: [email protected] Japan Meike Marx Literary Agency, Hokkaido phone: +81-164-25 1466, fax: +81-164-26 38 44 e-mail: [email protected] Korea MOMO Agency, Seoul Dietmar Katz phone: +82-2-337-8606, fax: +82-2-337-8702 / e-mail: [email protected] Netherlands LiTrans, Tino Köhler, Amsterdam phone: +31-20- 685 53 80, fax: +31-20- 685 53 80 e-mail: [email protected] Poland Graal Literary Agency, Warszawa phone: +48-22-895 2000, fax: +48-22-895 2001 e-mail: [email protected] Romania Simona Kessler, International Copyright Ageny, Ltd., Bucharest phone: +402-2-231 81 50, fax: +402-2-231 45 22 e-mail: [email protected] Scandinavia Leonhardt & Høier Literary Agency aps, Kopenhagen phone: +45-33 13 25 23, fax: +45-33 13 49 92 e-mail: [email protected] Spain, Portugal A.C.E.R., Agencia -
Anja Salomonowitz Blockbuster, Boulevardisierung Und Beschneidung HIMMER, BUCHHEIM & PARTNER
Michael Fleischhacker porträtiert Martin Engelberg U Interview: Die Frauenbewegung in Israel UÊ Neue Serie: Schach als traditioneller jüdischer Sport UÊ Was sich ändert, wenn Israels Armee Ultraorthodoxe aufnimmt U Ausgabe Nr. 49 (3/2012) Elul 5772/Tischri 5773 € 3,– www.nunu.at Die preisgekrönte Regisseurin über Anja Salomonowitz Blockbuster, Boulevardisierung und Beschneidung HIMMER, BUCHHEIM & PARTNER Unbeugsamkeit. Oder mit anderen Worten: Schön, dass DER STANDARD eine Tageszeitung ist, die in ihrer Haltung stets aufrecht bleibt. 3 Wochen gratis lesen: derStandard.at/Abo oder 0810/20 30 40 Die Zeitung für Leserinnen LEITARTIKEL Solidarität ist unteilbar FOTO ©: RIGAUD VON PETER MENASSE Von Zeit zu Zeit sollten wir uns daran erinnern: Ende Mai 2010, Aber so heil ist die Welt bekanntlich nicht. Während in bereits wenige Stunden nach Aufbringen der sogenannten Österreich Juden sich für muslimische Kernfragen einsetzen Gaza-Hilfsflotte fasste der Wiener Gemeinderat einen bis auf und in Diskussionen um Minarette oder Kopftücher solidarisch eine Ausnahme einstimmigen Beschluss zur „Verurteilung des argumentieren, werden sie von den Führern der muslimischen brutalen Vorgehens“ der israelischen Marine. Die Initiative Welt angegriffen und mit dem Tod bedroht, ohne dass sich ging von der SPÖ aus, alle Parteien stimmten zu. Niemand in Österreich dazu Widerstand von den Glaubensbrüdern wusste zu diesem Zeitpunkt noch, was genau geschehen war, rührt. Wo ist der Protest aus Österreich, wenn Irans Präsident aber das in der Sache völlig unzuständige Regionalparlament Ahmadinedschad seine Zuhörer auffordert, von Herzen „Tod erhob sich zu einer selbst zugeschriebenen weltpolitischen Israel“ auszurufen? Wichtigkeit. In den Jahren davor und auch seitdem hat dieses Auf der einen Seite also Friede, Freude, Eierkuchen, auf der Gremium nie wieder Beschlüsse zu außenpolitischen Themen anderen Seite die Drohung, die Juden zu vernichten.