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Keys Fine Art Auctioneers Palmers Lane Aylsham East Anglian Sale Norwich NR11 6JA United Kingdom Started 28 Oct 2016 10:30 BST

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Keys Fine Art Auctioneers Palmers Lane Aylsham East Anglian Sale Norwich NR11 6JA United Kingdom Started 28 Oct 2016 10:30 BST Keys Fine Art Auctioneers Palmers Lane Aylsham East Anglian Sale Norwich NR11 6JA United Kingdom Started 28 Oct 2016 10:30 BST Lot Description HENRY NINHAM (1793-1874, BRITISH) Tree study; Fishing Scene (2) and North Denes, Yarmouth group of four black and white 1 etchings assorted sizes, all mounted but unframed (4) MILES EDMUND COTMAN (1810-1858, BRITISH) "At Surlingham" black and white etching published circa 1846 2 x 7 ins, mounted but 2 unframed JOSEPH STANNARD (1797-1830, BRITISH) "Thatched cottage with a gable end" black and white etching published circa 1824 6 x 8 3 ins, mounted but unframed MILES EDMUND COTMAN (1810-1858, BRITISH) "Lane Scene" black and white etching 6 1/4 x 5 1/4 ins, mounted but unframed (A/F) 4 together with two further Norwich School etchings/engravings (3) AFTER J M W TURNER ENGRAVED BY W MILLER "Great Yarmouth, Norfolk" 19 century hand coloured engraving 7 x 9 ins together 5 with six further engravings relating to Great Yarmouth and Gorleston (7) HOLMES CORNELIUS WINTER (1851-1935, BRITISH) Old Street, Great Yarmouth March 1863 coloured etching, signed and inscribed 6 "Copy No 5" in ink to lower margin 12 x 10 ins AFTER POWLES ENGRAVED BY J COOK "A perspective view of Lowestoft from the N E Battery black and white engraving published 7 by J Harris circa 1790 9 1/2 x 20 ins AFTER J STARK ENGRAVED BY J HORSBURGH "St Benedict's Abbey" hand coloured engraving published by Moon 1833 together 8 with eight further hand coloured engravings of Norfolk views assorted sizes (9) JOHN SELL COTMAN (1782-1842, BRITISH) "Thorpe Chapel St Michael's Church in Coslany, Norwich" black and white etching 9 published circa 1816 10 x 16 ins together with a black and white lithograph after J B Ladbroke (2) 10 JOHN CROME (1768-1821, BRITISH) "Front of the New Mills" black and white etching, circa 1834 8 1/2 x 11 1/2 ins JOHN SELL COTMAN (1782-1842, BRITISH) "Part of the Priory at Castle Acre Norfolk 1804" black and white etching published circa 11 1817 7 1/2 x 10 ins THOMAS LOUND (1802-1861, BRITISH) River scene with bridgepencil drawing 6 x 9 ins together with one further pencil sketch by the 12 same artist (2) 13 THOMAS LOUND (1802-1861, BRITISH) "Ely Cathedral" watercolour 12 x 21 ins ATTRIBUTED TO JOHN JOSEPH COTMAN (1814-1878, BRITISH) Norfolk river scenes two watercolours 10 x 17 ins and 12 x 19 ins 14 (2) JOSEPH CHARLES REED (1822-1877, BRITISH) "Cromer from the East Beach" watercolour 12 x 20 1/2 ins Provenance: Cromer 15 Antique Gallery, Church Street Comer 16 ATTRIBUTED TO OBADIAH SHORT (1803-1886, BRITISH) River scene with bridge watercolour 5 x 7 1/2 ins ENGLISH SCHOOL (19TH CENTURY) "Norwich Castle" pen, ink and wash, inscribed "Norwich Castle" and dated 1806 lower left 7 x 11 17 ins Provenance: Abbott & Holder, 30 Museum Street, London JOHN THIRTLE (1777-1839, BRITISH) Figures and boat by a cottage watercolour, signed and inscribed "Norwich 1820" lower left 7 x 9 18 1/2 ins Provenance: Mandell's Gallery, Elm Hill, Norwich 19 THOMAS LOUND (1802-1861, BRITISH) Figure in a rowing boat before a cottage pencil and wash 7 x 9 ins 20 HENRY BRIGHT (1810-1873, BRITISH) Tree study charcoal drawing, signed lower left 8 x 5 1/2 ins 21 HENRY BRIGHT (1810-1873, BRITISH) Waterfall by a building pencil drawing, initialled lower right 7 x 10 ins HENRY BRIGHT (1810-1873, BRITISH) View of boats through an archway coloured chalks, monogrammed lower left 8 x 12 ins 22 Provenance: Mandell's Gallery, Elm Hill, Norwich 23 HENRY BRIGHT (1810-1873, BRITISH) Alpine view coloured chalks 8 x 12 ins Provenance: Mandell's Gallery, Elm Hill, Norwich 24 HENRY BRIGHT (1810-1873, BRITISH) "Caister Castle" coloured chalks 9 x 12 ins HENRY BRIGHT (1810-1873, BRITISH) Gypsy encampment on a coast charcoal drawing, initialled and dated 1832 lower left 8 x 12 1/2 25 ins 26 HENRY BRIGHT (1810-1873, BRITISH) Post Mill pencil drawing, signed lower right 14 1/2 x 16 1/2 ins, unframed 27 ATTRIBUTED TO JOHN SELL COTMAN (1782-1842, BRITISH) Landscape with windmill watercolour 12 x 9 ins, unframed WILLIAM JOY (1803-1867, BRITISH) Busy seascape with fisher folk and Coastal scene with boats and figures pair of water colours 7 x 28 10 ins (2) 29 WILLIAM JOY (1803-1867, BRITISH) Busy shipping scene watercolour, signed and dated 50 lower right 10 1/2 x 15 ins 30 WILLIAM JOY (1803-1867, BRITISH) Seascape pen, ink and watercolour 11 x 16 ins 31 MILES EDMUND COTMAN (1810-1858, BRITISH) "Still Life - a New Year gift to Brother John 1841" watercolour 6 x 10 ins 32 MILES EDMUND COTMAN (1810-1858, BRITISH) Tree study pencil drawing, signed and dated July 1827 lower left 11 x 8 1/2 ins MILES EDMUND COTMAN (1810-1858, BRITISH) "Felbrigg May 29th 1827" pencil drawing, signed and inscribed with title lower left 11 33 1/2 x 8 ins 34 MILES EDMUND COTMAN (1810-1858, BRITISH) Seascape pencil drawing, signed and dated August 1827 lower left 9 x 12 ins FREDERICK GEORGE COTMAN (1850-1920, BRITISH) "From Parlour to Kitchen" watercolour, signed and dated 1900 lower right 13 x 35 8 1/2 ins Provenance: The Royal Institute of Painters in Watercolours - Worcester 1900 Autumn and Oldham 1901 Spring FREDERICK GEORGE COTMAN (1850-1920, BRITISH) River scene with distant windmill watercolour, signed and dated 1889 lower 36 left 10 x 14 1/2 ins FREDERICK GEORGE COTMAN (1850-1920, BRITISH) "Malden, Essex" watercolour, signed and dated 1892 lower right, inscribed 37 with title verso 6 x 10 ins 38 JOHN NINHAM (1754-1817, BRITISH) River landscape with distant church and windmill 7 x 9 1/2 ins 39 MILES EDMUND COTMAN (1810-1858, BRITISH) Ruined abbey monotone watercolour, signed lower left 5 x 7 1/2 ins 40 THOMAS CHURCHYARD (1798-1865, BRITISH) Church and cornfields watercolour 6 1/2 x 9 ins 41 THOMAS CHURCHYARD (1798-1865, BRITISH) "House at Woodbridge, Suffolk" watercolour 7 1/2 x 11 1/2 ins 41A THOMAS CHURCHYARD (1798-1865, BRITISH) Country landscape with wall and gate monotone watercolour 5 x 7 ins ARTHUR JAMES STARK (1831-1902, BRITISH) Mother, child and dog before a cottage watercolour 4 x 6 ins Provenance: Mandell's 42 Gallery, Elm Hill, Norwich ROBERT BURROWS (1810-1883, BRITISH) Figures in horse and cart in country lane oil on canvas, signed and dated 1862 lower right 43 20 x 16 ins 44 ROBERT BURROWS (1810-1883, BRITISH) Moonlit river scene with figures in a boat oil on canvas 9 1/2 x 13 1/2 ins 45 ROBERT BURROWS (1810-1883, BRITISH) Cows grazing in a landscape and Returning Home pair of oils on panel 7 1/2 diameter (2) 46 JOHN MOORE OF IPSWICH (1820-1902, BRITISH) Seascape oil on panel, indistinctly signed lower left 6 x 7 1/2 ins 47 CIRCLE OF JOHN MOORE Herder with cattle in landscape oil on board 19 x 14 ins JOHN MOORE OF IPSWICH (1820-1902, BRITISH) Shipping off a Coast, possibly Felixstowe oil on canvas, signed lower left 23 x 35 48 ins JOHN MOORE OF IPSWICH (1820-1902, BRITISH) "Harwich Jetty" oil on panel, signed lower left 12 x 18 1/2 ins Provenance: 49 Eastbourne Fine Art, 47 South Street, Eastbourne 50 ALBERT CLARK (1821-1909, BRITISH) Horse in landscape oil on canvas, signed lower left 11 x 15 ins CHRISTOPHER MARK MASKELL (1846-1933, BRITISH) Landscape with Cottage and Landscape with Sheep grazing pair of oils on 51 board, signed lower left and right 8 x 11 ins (2) EDWARD ROBERT SMYTHE (1810-1899, BRITISH) Couple with horse and dog by a gate oil on canvas, signed lower right 16 x 22 ins, 52 unframed THOMAS SMYTHE (1825-1907, BRITISH)"Old Angel Inn, St Clement" and "View up Silent Street, Ipswich" pair of oils on canvas, both 53 signed lower left 17 1/2 x 11 1/2 ins (2) EDWARD ROBERT SMYTHE (1810-1899, BRITISH) Fishing boats drawn up on the shingle by Yarmouth Pier coloured chalks, signed 54 lower right 12 x 19 ins Provenance: Le Gryls Family, Reydon Hall, Southwold 55 F E SMYTHE ? (19TH CENTURY, BRITISH) Shipwreck oil on canvas, signed and dated 1878 lower right 7 1/2 x 12 ins 56 EDWARD ROBERT SMYTHE (1810-1899, BRITISH) "At The Forge" oil on canvas, signed lower right 14 x 18 ins ATTRIBUTED TO EDWARD ROBERT SMYTHE (1810-1899, BRITISH) Figures, Horses and Dog by a Country Inn oil on canvas, 57 signed lower right 15 1/2 x 19 1/2 ins 58 THOMAS SMYTHE (1825-1907, BRITISH) Figures and horses at a roadside well oil on canvas 11 1/2 x 15 1/2 ins 59 THOMAS SMYTHE (1825-1907, BRITISH) Figures with horses and timber cart oil on panel 9 x 14 ins 60 EDWARD ROBERT SMYTHE (1810-1899, BRITISH) "The Lock Gate" pencil drawing, signed lower right 10 x 18 ins THOMAS SMYTHE (1825-1907, BRITISH) "Punch and Judy" and "Hurdy Gurdy Man" pair of oils on panels, both signed 13 1/2 ins 61 diameter (2) (please note both panels are bowed) THOMAS SMYTHE (1825-1907, BRITISH) Winter landscape with horse-drawn log cart, figure and dog; Landscape with horses, cart, 62 figures and dog by a stream, windmill to distance pair of oils on panels, both signed 16 ins diameter (2) 63 THOMAS SMYTHE (1825-1907, BRITISH) Gypsy encampment oil on canvas, signed lower left 12 x 14 1/2 ins EDWARD ROBERT SMYTHE (1810-1899, BRITISH) Fisherfolk at Felixstowe oil on canvas 7 1/2 x 11 1/2 ins Provenance: Mandell's 64 Gallery, Elm Hill, Norwich FOLLOWER OF EDWARD ROBERT SMYTHE Boy, horse and dogs resting by a cottage door oil on canvas, bearing signature lower 65 left 10 x 14 ins 66 EDWARD ROBERT SMYTHE (1810-1899, BRITISH) "The Seamstress" pastel 19 x 14 ins 67 EDWARD ROBERT SMYTHE (1810-1899, BRITISH) Travellers resting in a country lane oil on canvas, signed lower left 31 x 41 ins JOHN DUVALL (1816-1892, BRITISH) Herder and dog with flock of sheep in country lane, horse and rider in attendance oil on canvas, 68 signed
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