Keys Fine Art Auctioneers Palmers Lane Aylsham East Anglian Sale NR11 6JA United Kingdom Started 28 Oct 2016 10:30 BST

Lot Description

HENRY NINHAM (1793-1874, BRITISH) Tree study; Fishing Scene (2) and North Denes, Yarmouth group of four black and white 1 etchings assorted sizes, all mounted but unframed (4)

MILES EDMUND COTMAN (1810-1858, BRITISH) "At Surlingham" black and white etching published circa 1846 2 x 7 ins, mounted but 2 unframed

JOSEPH STANNARD (1797-1830, BRITISH) "Thatched cottage with a gable end" black and white etching published circa 1824 6 x 8 3 ins, mounted but unframed

MILES EDMUND COTMAN (1810-1858, BRITISH) "Lane Scene" black and white etching 6 1/4 x 5 1/4 ins, mounted but unframed (A/F) 4 together with two further etchings/engravings (3)

AFTER J M W TURNER ENGRAVED BY W MILLER ", " 19 century hand coloured engraving 7 x 9 ins together 5 with six further engravings relating to Great Yarmouth and Gorleston (7)

HOLMES CORNELIUS WINTER (1851-1935, BRITISH) Old Street, Great Yarmouth March 1863 coloured etching, signed and inscribed 6 "Copy No 5" in ink to lower margin 12 x 10 ins

AFTER POWLES ENGRAVED BY J COOK "A perspective view of Lowestoft from the N E Battery black and white engraving published 7 by J Harris circa 1790 9 1/2 x 20 ins

AFTER J STARK ENGRAVED BY J HORSBURGH "St Benedict's Abbey" hand coloured engraving published by Moon 1833 together 8 with eight further hand coloured engravings of Norfolk views assorted sizes (9)

JOHN SELL COTMAN (1782-1842, BRITISH) "Thorpe Chapel St Michael's Church in Coslany, Norwich" black and white etching 9 published circa 1816 10 x 16 ins together with a black and white lithograph after J B Ladbroke (2)

10 (1768-1821, BRITISH) "Front of the New Mills" black and white etching, circa 1834 8 1/2 x 11 1/2 ins

JOHN SELL COTMAN (1782-1842, BRITISH) "Part of the Priory at Castle Acre Norfolk 1804" black and white etching published circa 11 1817 7 1/2 x 10 ins

THOMAS LOUND (1802-1861, BRITISH) River scene with bridgepencil drawing 6 x 9 ins together with one further pencil sketch by the 12 same artist (2)

13 THOMAS LOUND (1802-1861, BRITISH) "Ely Cathedral" watercolour 12 x 21 ins

ATTRIBUTED TO JOHN JOSEPH COTMAN (1814-1878, BRITISH) Norfolk river scenes two watercolours 10 x 17 ins and 12 x 19 ins 14 (2) JOSEPH CHARLES REED (1822-1877, BRITISH) "Cromer from the East Beach" watercolour 12 x 20 1/2 ins Provenance: Cromer 15 Antique Gallery, Church Street Comer

16 ATTRIBUTED TO OBADIAH SHORT (1803-1886, BRITISH) River scene with bridge watercolour 5 x 7 1/2 ins

ENGLISH SCHOOL (19TH CENTURY) "" pen, ink and wash, inscribed "Norwich Castle" and dated 1806 lower left 7 x 11 17 ins Provenance: Abbott & Holder, 30 Museum Street, London

JOHN THIRTLE (1777-1839, BRITISH) Figures and boat by a cottage watercolour, signed and inscribed "Norwich 1820" lower left 7 x 9 18 1/2 ins Provenance: Mandell's Gallery, Elm Hill, Norwich

19 THOMAS LOUND (1802-1861, BRITISH) Figure in a rowing boat before a cottage pencil and wash 7 x 9 ins

20 (1810-1873, BRITISH) Tree study charcoal drawing, signed lower left 8 x 5 1/2 ins

21 HENRY BRIGHT (1810-1873, BRITISH) Waterfall by a building pencil drawing, initialled lower right 7 x 10 ins

HENRY BRIGHT (1810-1873, BRITISH) View of boats through an archway coloured chalks, monogrammed lower left 8 x 12 ins 22 Provenance: Mandell's Gallery, Elm Hill, Norwich

23 HENRY BRIGHT (1810-1873, BRITISH) Alpine view coloured chalks 8 x 12 ins Provenance: Mandell's Gallery, Elm Hill, Norwich

24 HENRY BRIGHT (1810-1873, BRITISH) "Caister Castle" coloured chalks 9 x 12 ins

HENRY BRIGHT (1810-1873, BRITISH) Gypsy encampment on a coast charcoal drawing, initialled and dated 1832 lower left 8 x 12 1/2 25 ins

26 HENRY BRIGHT (1810-1873, BRITISH) Post Mill pencil drawing, signed lower right 14 1/2 x 16 1/2 ins, unframed

27 ATTRIBUTED TO JOHN SELL COTMAN (1782-1842, BRITISH) Landscape with windmill watercolour 12 x 9 ins, unframed

WILLIAM JOY (1803-1867, BRITISH) Busy seascape with fisher folk and Coastal scene with boats and figures pair of water colours 7 x 28 10 ins (2)

29 WILLIAM JOY (1803-1867, BRITISH) Busy shipping scene watercolour, signed and dated 50 lower right 10 1/2 x 15 ins

30 WILLIAM JOY (1803-1867, BRITISH) Seascape pen, ink and watercolour 11 x 16 ins

31 MILES EDMUND COTMAN (1810-1858, BRITISH) " - a New Year gift to Brother John 1841" watercolour 6 x 10 ins

32 MILES EDMUND COTMAN (1810-1858, BRITISH) Tree study pencil drawing, signed and dated July 1827 lower left 11 x 8 1/2 ins

MILES EDMUND COTMAN (1810-1858, BRITISH) "Felbrigg May 29th 1827" pencil drawing, signed and inscribed with title lower left 11 33 1/2 x 8 ins

34 MILES EDMUND COTMAN (1810-1858, BRITISH) Seascape pencil drawing, signed and dated August 1827 lower left 9 x 12 ins FREDERICK GEORGE COTMAN (1850-1920, BRITISH) "From Parlour to Kitchen" watercolour, signed and dated 1900 lower right 13 x 35 8 1/2 ins Provenance: The Royal Institute of Painters in Watercolours - Worcester 1900 Autumn and Oldham 1901 Spring

FREDERICK GEORGE COTMAN (1850-1920, BRITISH) River scene with distant windmill watercolour, signed and dated 1889 lower 36 left 10 x 14 1/2 ins

FREDERICK GEORGE COTMAN (1850-1920, BRITISH) "Malden, Essex" watercolour, signed and dated 1892 lower right, inscribed 37 with title verso 6 x 10 ins

38 JOHN NINHAM (1754-1817, BRITISH) River landscape with distant church and windmill 7 x 9 1/2 ins

39 MILES EDMUND COTMAN (1810-1858, BRITISH) Ruined abbey monotone watercolour, signed lower left 5 x 7 1/2 ins

40 THOMAS CHURCHYARD (1798-1865, BRITISH) Church and cornfields watercolour 6 1/2 x 9 ins

41 THOMAS CHURCHYARD (1798-1865, BRITISH) "House at Woodbridge, Suffolk" watercolour 7 1/2 x 11 1/2 ins

41A THOMAS CHURCHYARD (1798-1865, BRITISH) Country landscape with wall and gate monotone watercolour 5 x 7 ins

ARTHUR (1831-1902, BRITISH) Mother, child and dog before a cottage watercolour 4 x 6 ins Provenance: Mandell's 42 Gallery, Elm Hill, Norwich

ROBERT BURROWS (1810-1883, BRITISH) Figures in horse and cart in country lane oil on canvas, signed and dated 1862 lower right 43 20 x 16 ins

44 ROBERT BURROWS (1810-1883, BRITISH) Moonlit river scene with figures in a boat oil on canvas 9 1/2 x 13 1/2 ins

45 ROBERT BURROWS (1810-1883, BRITISH) Cows grazing in a landscape and Returning Home pair of oils on panel 7 1/2 diameter (2)

46 JOHN MOORE OF (1820-1902, BRITISH) Seascape oil on panel, indistinctly signed lower left 6 x 7 1/2 ins

47 CIRCLE OF JOHN MOORE Herder with cattle in landscape oil on board 19 x 14 ins

JOHN MOORE OF IPSWICH (1820-1902, BRITISH) Shipping off a Coast, possibly Felixstowe oil on canvas, signed lower left 23 x 35 48 ins

JOHN MOORE OF IPSWICH (1820-1902, BRITISH) "Harwich Jetty" oil on panel, signed lower left 12 x 18 1/2 ins Provenance: 49 Eastbourne Fine Art, 47 South Street, Eastbourne

50 ALBERT CLARK (1821-1909, BRITISH) Horse in landscape oil on canvas, signed lower left 11 x 15 ins

CHRISTOPHER MARK MASKELL (1846-1933, BRITISH) Landscape with Cottage and Landscape with Sheep grazing pair of oils on 51 board, signed lower left and right 8 x 11 ins (2)

EDWARD ROBERT SMYTHE (1810-1899, BRITISH) Couple with horse and dog by a gate oil on canvas, signed lower right 16 x 22 ins, 52 unframed THOMAS SMYTHE (1825-1907, BRITISH)"Old Angel Inn, St Clement" and "View up Silent Street, Ipswich" pair of oils on canvas, both 53 signed lower left 17 1/2 x 11 1/2 ins (2)

EDWARD ROBERT SMYTHE (1810-1899, BRITISH) Fishing boats drawn up on the shingle by Yarmouth Pier coloured chalks, signed 54 lower right 12 x 19 ins Provenance: Le Gryls Family, Reydon Hall, Southwold

55 F E SMYTHE ? (19TH CENTURY, BRITISH) Shipwreck oil on canvas, signed and dated 1878 lower right 7 1/2 x 12 ins

56 EDWARD ROBERT SMYTHE (1810-1899, BRITISH) "At The Forge" oil on canvas, signed lower right 14 x 18 ins

ATTRIBUTED TO EDWARD ROBERT SMYTHE (1810-1899, BRITISH) Figures, Horses and Dog by a Country Inn oil on canvas, 57 signed lower right 15 1/2 x 19 1/2 ins

58 THOMAS SMYTHE (1825-1907, BRITISH) Figures and horses at a roadside well oil on canvas 11 1/2 x 15 1/2 ins

59 THOMAS SMYTHE (1825-1907, BRITISH) Figures with horses and timber cart oil on panel 9 x 14 ins

60 EDWARD ROBERT SMYTHE (1810-1899, BRITISH) "The Lock Gate" pencil drawing, signed lower right 10 x 18 ins

THOMAS SMYTHE (1825-1907, BRITISH) "Punch and Judy" and "Hurdy Gurdy Man" pair of oils on panels, both signed 13 1/2 ins 61 diameter (2) (please note both panels are bowed)

THOMAS SMYTHE (1825-1907, BRITISH) Winter landscape with horse-drawn log cart, figure and dog; Landscape with horses, cart, 62 figures and dog by a stream, windmill to distance pair of oils on panels, both signed 16 ins diameter (2)

63 THOMAS SMYTHE (1825-1907, BRITISH) Gypsy encampment oil on canvas, signed lower left 12 x 14 1/2 ins

EDWARD ROBERT SMYTHE (1810-1899, BRITISH) Fisherfolk at Felixstowe oil on canvas 7 1/2 x 11 1/2 ins Provenance: Mandell's 64 Gallery, Elm Hill, Norwich

FOLLOWER OF EDWARD ROBERT SMYTHE Boy, horse and dogs resting by a cottage door oil on canvas, bearing signature lower 65 left 10 x 14 ins

66 EDWARD ROBERT SMYTHE (1810-1899, BRITISH) "The Seamstress" pastel 19 x 14 ins

67 EDWARD ROBERT SMYTHE (1810-1899, BRITISH) Travellers resting in a country lane oil on canvas, signed lower left 31 x 41 ins

JOHN DUVALL (1816-1892, BRITISH) Herder and dog with flock of sheep in country lane, horse and rider in attendance oil on canvas, 68 signed lower right 15 x 20 ins

69 JOHN DUVALL (1816-1892, BRITISH) Horse in a stable oil on canvas, signed lower right 15 x 20 ins

JOHN BERNEY CROME (1794-1842, BRITISH) "St Martin's Gate, Norwich" oil on canvas laid to panel 19 1/2 x 14 1/2 ins illustrated on 70 page 36, The Norwich School of Painters by Harold Day

ARTHUR JAMES STARK (1831-1902, BRITISH) River landscape with herder, sheep and cattle at ferry crossing oil on canvas 23 x 35 71 ins 72 WILLIAM HENRY CROME (1806-1873, BRITISH) "Woodland near Woodbridge" oil on panel, signed lower right 23 x 29 ins

JAMES STARK (1794-1859, BRITISH) Old Mill on The Lee oil on canvas 17 x 23 ins Provenance: Henry Wallis Sale, Glasgow 1853, 73 Lot 37; Sotheby's 22nd March 2000, Lot 20

74 OBADIAH SHORT (1803-1886, BRITISH) Cattle in wooded landscape oil on panel 8 1/2 x 12 ins

OBADIAH SHORT (1803-1886, BRITISH) Wooded landscape and river oil on canvas 8 x 11 1/2 ins Provenance: Mandell's Gallery, Elm 75 Hill, Norwich

76 NORWICH SCHOOL (19TH CENTURY) Fisherfolk oil on panel 10 x 8 ins

ATTRIBUTED TO SAMUEL DAVID COLKETT (1800-1863, BRITISH) Figure and Dog in country Lane by a Cottage oil on canvas 14 x 77 18 ins

78 CIRCLE OF (19TH CENTURY, BRITISH) River scene oil on canvas 10 x 16 ins

SAMUEL DAVID COLKETT (1800-1863, BRITISH) Landscape with herder and cattle oil on panel 21 x 29 ins Provenance: Mandells 79 Gallery, Elm Hill, Norwich

SAMUEL DAVID COLKETT (1800-1863, BRITISH) Group of children playing with toy boat before a cottage, herder, dog and sheep in 80 country path oil on panel c1856 14 x 19 ins Provenance: L R Nightingale, Paston House, Elm Hill, Norwich

81 SAMUEL DAVID COLKETT (1800-1863, BRITISH) "Thorpe" oil on board, inscribed with title verso 7 1/2 x 9 1/2 ins

SAMUEL DAVID COLKETT (1800-1863, BRITISH) "On the River Tudd" oil on panel 7 x 10 ins Provenance: Mandells Gallery, Elm Hill, 82 Norwich

83 SAMUEL DAVID COLKETT (1800-1863, BRITISH) Herder, dog and cattle resting by a mill oil on canvas 11 x 16 ins

SAMUEL DAVID COLKETT (1800-1863, BRITISH) Herder, dog and cattle by a mill oil on canvas, signed lower left 14 x 17 ins 84 Provenance: Weston Gallery, Weston Longville, Norwich

SAMUEL DAVID COLKETT (1800-1863, BRITISH) River scene with figure in a boat to foreground, cattle resting and distant windmill oil 85 on canvas, signed and dated 1857 to lower centre 16" diameter

SAMUEL DAVID COLKETT (1800-1863, BRITISH) Figures in a country lane with church beyond oil on panel, signed and dated 1860 86 lower right 8 ins diameter Provenance: Mandells Gallery, Elm Hill, Norwich

SAMUEL DAVID COLKETT (1800-1863, BRITISH) Coastal scenes pair of oils on canvas, both signed and dated 1852 to lower centre 9 87 ins diameter (2)

SAMUEL DAVID COLKETT (1800-1863, BRITISH) Figures and sheep in country landscape oil on panel 10 x 14 ins Provenance: 88 Mandells Gallery, Elm Hill, Norwich

89 SAMUEL DAVID COLKETT (1800-1863, BRITISH) Cattle in river landscape with distant boats oil on panel 12 x 17 ins ATTRIBUTED TO SAMUEL DAVID COLKETT (1800-1863, BRITISH) Figures in a river landscape with distant windmill oil on canvas 17 90 x 23 ins

91 SUFFOLK SCHOOL (19TH/20TH CENTURY) "Lowestoft Lighthouse" oil on canvas 13 x 19 ins

ALFRED GEORGE STANNARD (1828-1885, BRITISH) Herder with sheep by cottage and stream oil on panel 8 x 11 ins Provenance: 92 Mandells Gallery, Elm Hill, Norwich

93 (1806-1889, BRITISH) A ruined tower oil on panel, signed and dated 1872 lower right 6 x 8 ins

94 CIRCLE OF ALFRED STANNARD (1806-1889, BRITISH) "Off Yarmouth" oil on panel 8 x 9 1/2 ins oval

95 CIRCLE OF ALFRED STANNARD (1806-1889, BRITISH) Figures in a rowing boat before a mill oil on board 9 x 10 ins

96 ALFRED STANNARD (1806-1889, BRITISH) Gorleston Harbour oil on board 9 x 11 ins oval

ALFRED STANNARD (1806-1889, BRITISH) Selling fish on Pakefield Beach, Suffolk oil on canvas, signed and dated 1869 lower right 97 18 x 22 ins

98 DAVID HODGSON (1798-1864, BRITISH) The Flower Market, Norwich oil on canvas 19 x 25 ins

DAVID HODGSON (1798-1864, BRITISH) "Whitefriars Bridge, Norwich" oil on panel 12 x 11 ins Exhibited: Boswell Centenary 99 Exhibition, St Ethelbert's House, Tombland, Norwich June 1939, catalogue No 17loaned by W Boswell & Son

100 HENRY BRIGHT (1810-1873, BRITISH) "Feeding time" oil on canvas, signed and dated 1858 lower right 35 x 47 ins

101 HENRY BRIGHT (1810-1873, BRITISH) Horses on a marsh oil on canvas 8 x 16 ins Provenance: Mandells Gallery, Elm Hill, Norwich

GEORGE VEMPLEY BURWOOD (1845-1917, BRITISH) The Lowestoft Lifeboat leaving the Beach together with two salvage boats oil 102 on canvas 15 1/2 x 20 1/2 ins

JOHN BERNEY LADBROOKE (1803-1879, BRITISH) Wooded Landscape with figure by a cottage oil on canvas 15 1/2 x 23 1/2 ins 103 Provenance: Mandell's Gallery, Elm Hill, Norwich

105 NORWICH SCHOOL (19TH CENTURY) Lady on a bridge oil on canvas 12 x 16 ins

106 THOMAS LOUND (1802-1861, BRITISH) Sunset coastal scene oil on panel 5 x 7 ins

ANTHONY SANDYS (1806-1883, BRITISH) Wherry by a mill oil on board, indistinctly monogrammed lower left 5 x 8 1/4 ins 107 Provenance: Mandells Gallery, Elm Hill, Norwich

108 ANTHONY SANDYS (1806-1883, BRITISH) Moonlit river landscape oil on panel 6 1/2 x 8 1/2 ins

109 ANTHONY SANDYS (1806-1883, BRITISH) Landscape with Horses and Cows oil on board, initialled lower right 4 1/2 x 8 ins

110 NORWICH SCHOOL (19TH CENTURY) "Bishops Bridge, Norwich circa 1840" 3 x 3 1/2 ins ATTRIBUTED TO ALFRED STANNARD (1806-1889, BRITISH) Norfolk river landscape with wherry, cattle and herder oil on panel 4 1/2 111 x 6 1/2 ins Provenance: Mandells Gallery, Elm Hill, Norwich

JOHN BERNEY CROME (1794-1842, BRITISH) Moonlit seascape oil on panel 3 x 4 ins Provenance: Mandells Gallery, Elm Hill, 112 Norwich

ATTRIBUTED TO JOHN BERNEY CROME (1794-1842, BRITISH) "Yarmouth Jetty, Moonlight" oil on board, inscribed with title verso 5 113 x 7 1/2 ins, unframed

114 EDWARD FRY (19TH CENTURY, BRITISH) Norfolk views including Blakeney artist's sketchbook of pencil drawings

WILLIAM LESLIE RACKHAM (1867-1939, BRITISH) "On the Bure, near Stracey Arms" and "Drainage Mill, Ludham" pair of oils on 115 board, both signed 8 x 10 ins, unframed (2)

WILLIAM LESLIE RACKHAM (1867-1939, BRITISH) "Autumn, Postwick" and "Trowse Hythe" pair of oils on board, both signed 7 1/2 x 116 11 ins, unframed (2)

JOSEPH PAUL (1804-1887, BRITISH) "The Peat Diggers"oil on canvas 49 x 39 ins Provenance: Eastbourne Fine Art, 47 South Street, 117 Eastbourne

118 ATTRIBUTED TO HENRY BRIGHT (1810-1873, BRITISH) Figures by a watermill oil on panel 14 ins diameter

JAMES BLAZEBY (19TH CENTURY, BRITISH) Primitive cow in a farmyard oil on canvas, signed and dated 1876 lower left 18 x 23 1/2 118A ins Note: Blazeby was listed as working in Norwich between 1852 and 1880

EDITH ELLENBOROUGH CORBET (c1850-1920, BRITISH) Primitive cows in a landscape with distant house oil on canvas, signed and 118B dated 1869 lower left 18 x 24 1/2 ins, unframed

ELOISE HARRIET STANNARD (1828-1915, BRITISH) Still Life Study of Mixed Fruit on a Marble Ledge with landscape background oil 119 on canvas, signed and dated 1858 lower right 20 x 24ins (original W Boswell & Son Frame)

ELOISE HARRIET STANNARD (1828-1915, BRITISH) Still Life Study of apples and grapes on a silver plate oil on canvas, signed and 120 dated 1907 lower left 9 x 12 ins

ELOISE HARRIET STANNARD (1828-1915, BRITISH) Still Life Study of a fallen and white vase and roses oil on canvas, signed 121 and dated 1913 lower right 7 x 12 ins

ELOISE HARRIET STANNARD (1828-1915, BRITISH) Still Life Study of yellow roses, scissors, ladybirds and a basket oil on canvas, 122 signed and dated 1901 lower left 10 1/2 x 13 1/2 ins Provenance: Mandells Gallery, Elm Hill, Norwich

ELOISE HARRIET STANNARD (1828-1915, BRITISH) "The Four Seasons" set of four oils on canvas, all signed and dated 1866 11 1/2 123 ins diameter (4)

124 JAMES LAWSON STEWART (1829-1911, BRITISH) A Manor House watercolour, signed lower left 19 x 29 ins

THOMAS WAKEMAN (1812-1878, AMERICAN) Southgate and Northgate, Great Yarmouth pair of watercolours, both signed 21 x 15 125 1/2 ins (2) WILLIAM FREDERICK AUSTIN (1833-1899, BRITISH) Rear garden of a Country House pen, ink and watercolour, signed and dated 126 1880 lower right 10 1/2 x 17 ins

WILLIAM FREDERICK AUSTIN (1833-1899, BRITISH) Pull's Ferry, Cow Tower, Black Tower, Devil's Tower, Norwich set of four pen, 127 ink and watercolours, three signed lower right all approx 10 x 17ins (4)

ROSALIE TALLACK (NORFOLK & NORWICH ART CIRCLE, 1887-1909, BRITISH) Norwich and Norfolk views group of six 128 watercolours in four frames, all signed assorted sizes (4)

129 ENGLISH SCHOOL (19TH CENTURY) A View of Cromer oil on canvas 19 x 29ins

MILLER SMITH, RBA (1854-1937, BRITISH) "The End of the Cotswolds" and "Morning Light, Norfolk" pair of watercolours, both signed 130 9 x 13 ins (2)

131 PERCY LIONEL (19TH/20TH CENTURY, BRITISH) Sailing boat on oil on board, signed and dated '83 lower left 11 x 19 ins

132 STANLEY BARWELL (EXH 1903 - 1911, BRITISH) Coastal scene with figures oil on canvas, signed lower right 10 x 19 ins

133 GEORGE STANFIELD WALTERS (1838-1924, BRITISH) "Off Yarmouth" watercolour, signed and dated 1898 lower left 6 1/4 x 9 1/4 ins

134 GERTRUDE HOWES (19TH/20TH CENTURY, BRITISH) Cromer watercolour 5 1/2 x 8 1/2 ins

135 HENRY BAINES (1823-1894, BRITISH) "The West Lynn Ferry at Kings Lynn" pencil drawing, inscribed with title verso 8 x 13 ins

FRANK HENRY PARTRIDGE (1846-1929, BRITISH) "Scolt Head, Brancaster" watercolour, signed and dated 1919 lower left and 136 inscribed with title lower right 5 x 14 ins

138 *BERNARD CECIL GOTCH (1876-1963, BRITISH) "Ely from the river" watercolour, signed lower right 9 x 13 1/2 ins

*RUSSELL SIDNEY REEVE (1895-1970, BRITISH) "Heybridge Basin, Essex" pen, ink and watercolour, signed and dated '32 lower 139 right, further inscribed with title lower left 10 x 14 ins

140 *MARTIN HARDIE (1875-1952, BRITISH) A ruined Abbey watercolour, signed lower left 10 x 15 ins

GEORGE VEMPLEY BURWOOD (1845-1917, BRITISH) River landscapes pair of watercolours, both signed and dated 1907 lower left 5 141 x 8 ins (2)

STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) "Wherries by Horning Swan" watercolour, signed lower left 13 x 23 ins 142 Provenance: Mandells Gallery, Elm Hill, Norwich

143 STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) "Horning Ferry" watercolour, monogrammed to left hand side 6 x 4 ins oval

144 STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) "Broads View at sunset" watercolour, signed lower left 6 1/2 x 9 1/2 ins

145 STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) "Oby Mill near Acle" watercolour, signed lower left 7 x 10 ins STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) Broadland views pair of watercolours, both monogrammed 6 x 4 1/2 ins, oval 145A (2)

STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) "Oulton Broad" watercolour, signed and dated 1923 lower left 7 x 11 ins 146 Provenance: Mandells Gallery, Elm Hill, Norwich

STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) White hulled yacht on the Broads watercolour, signed lower centre 11 x 8 ins 147 oval

148 STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) Wherry on the Broads watercolour, signed left hand centre 11 x 8 ins

STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) "Horning Ferry" and "Buckenham Ferry" pair of watercolours, both signed 13 149 1/2 x 9 ins, oval (2) Provenance: Mandells Gallery, Elm Hill, Norwich

150 STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) "Approach to Hickling Broad" watercolour, signed lower left 5 x 10 ins

151 STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) "Breydon Water" watercolour, signed lower left 5 x 10 ins

STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) "Buckenham Ferry" watercolour, signed, dated 1893 and inscribed with title 152 lower left 11 x 23 ins

153 STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) Broads view with hay barge watercolour, signed lower left 12 x 24 ins

STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) "Belaugh" watercolour, signed lower left 13 x 22 ins Provenance: Mandells 154 Gallery, Elm Hill, Norwich

155 STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) Wherry on the Broads watercolour, signed lower left 4 x 6 ins

STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) "Belaugh" and "Near Upton" pair of watercolour, both monogrammed lower 156 centre 6 x 4 ins, oval (2)

157 STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) "St Benets" watercolour, monogrammed lower centre 6 x 4 ins

158 STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) Broads view watercolour, monogrammed lower right 4 x 6 ins

STEPHEN JOHN BATCHELDER (1849-1932, BRITISH) "Berney Arms on the Yare Aug 31/15" watercolour, signed and inscribed lower 159 left 13 x 20 ins

161 *WILLIAM EDWARD MAYES (1861-1952, BRITISH) Broads view watercolour, signed lower right 11 x 17 ins

162 *WILLIAM EDWARD MAYES (1861-1952, BRITISH) Broads views pair of watercolours, signed lower left 10 x 17 1/2 ins (2)

*WILLIAM EDWARD MAYES (1861-1952, BRITISH) "On the Thurne to Potter Heigham with top of helter-skelter house visible" 163 watercolour, signed and dated 1921 lower left 10 1/2 x 16 ins Provenance: Mandells Gallery, Elm Hill, Norwich

*WILLIAM EDWARD MAYES (1861-1952, BRITISH) Sailing boats on the Broads watercolour, signed and dated 1942 lower right 10 1/2 164 x 17 1/2 ins *CHARLES MAYES WIGG (1889-1969, BRITISH) "Belaugh Church" watercolour, signed lower left 15 x 20 ins Provenance: Mandells 165 Gallery, Elm Hill, Norwich

166 *CHARLES MAYES WIGG (1889-1969, BRITISH) Horning Ferry watercolour, signed lower left 10 x 14 1/2 ins

167 CHARLES HARMONY HARRISON (1842-1902, BRITISH) "Wroxham Broad" watercolour, signed lower right 12 1/2 x 17 1/2 ins

CHARLES HARMONY HARRISON (1842-1902, BRITISH) Distant view of Yarmouth watercolour, signed and dated June 21st 1882 168 lower left 13 x 20 ins

CHARLES HARMONY HARRISON (1842-1902, BRITISH) Norfolk river landscape watercolour, signed and dated 1893 lower left 5 x 11 169 ins

170 CHARLES HARMONY HARRISON (1842-1902, BRITISH) River landscape watercolour, signed and dated 1883 lower right 5 x 11 ins

171 ATTRIBUTED TO CHARLES HARMONY HARRISON (1842-1902, BRITISH) Yarmouth Towers pair of watercolours 8 x 6 1/2 ins (2)

*ARTHUR GERALD ACKERMANN, RI (1876-1960, BRITISH) "Ely Cathedral" watercolour, signed lower left 9 1/2 x 14 ins Provenance: 172 The Little Gallery, 38 Elm Hill, Norwich

*ARTHUR GERALD ACKERMANN, RI (1876-1960, BRITISH) "Cley Mill" watercolour, signed lower left 9 1/2 x 14 ins Exhibited: Royal 173 Institute of Painters in watercolours

*MAJOR-GENERAL JOHN CHRISTOPHER TEMPLE-WILLIS, RI, RSMA (1900-1969, BRITISH) North Norfolk estuary watercolour, 174 signed lower right 13 x 19 ins

175 *GEOFFREY BIRKBECK (1875-1954, BRITISH) A Chateau watercolour, signed lower right 20 x 14 ins

*FRANK WILLIAM BALDWIN, SMA (1899-1962, BRITISH) "A Barn doorway, Suffolk" pen, ink and watercolour, signed and dated 1960 176 lower left 7 1/2 x 15 ins

* ARTHUR EDWARD DAVIES, RBA, RCA (1893-1988, BRITISH) "Sailing at Blakeney" watercolour, signed lower right and inscribed 177 with title verso 11 x 15 ins

* ARTHUR EDWARD DAVIES, RBA, RCA (1893-1988, BRITISH) "Hastings" watercolour, signed lower right and inscribed with title 178 verso 11 x 15 ins

* ARTHUR EDWARD DAVIES, RBA, RCA (1893-1988, BRITISH) Broads scene with windmill watercolour, signed lower right 11 x 8 ins, 179 oval

* ARTHUR EDWARD DAVIES, RBA, RCA (1893-1988, BRITISH) "Sea Palling Beach" watercolour, signed lower left 11 x 15 ins 180 Provenance: The Little Gallery, 38 Elm Hill, Norwich

* ARTHUR EDWARD DAVIES, RBA, RCA (1893-1988, BRITISH) "Quayside, Great Yarmouth" watercolour, signed lower left 12 x 16 ins 181 Provenance: Mandells Gallery, Elm Hill, Norwich

* ARTHUR EDWARD DAVIES, RBA, RCA (1893-1988, BRITISH) "Cromer" watercolour, signed lower left and inscribed with title verso 182 11 x 15 ins Provenance: The Little Gallery, 38 Elm Hill, Norwich * ARTHUR EDWARD DAVIES, RBA, RCA (1893-1988, BRITISH) Shotesham Common, Norfolk oil on board, signed lower right 9 x 11 182A 1/2 ins

* ARTHUR EDWARD DAVIES, RBA, RCA (1893-1988, BRITISH) "Old Mill, Blakeney, Norfolk" pen, ink and watercolour, signed lower 183 right 11 x 15 ins Provenance: L R Nightingale, Paston House, Elm Hill, Norwich

* ARTHUR EDWARD DAVIES, RBA, RCA (1893-1988, BRITISH) "St Benet's Abbey, Norfolk" pencil and watercolour, signed lower right 184 12 x 17 ins, mounted but unframed

* ARTHUR EDWARD DAVIES, RBA, RCA (1893-1988, BRITISH) "Westwick Arch" pencil and watercolour, signed lower right 11 x 15 184A ins

*LESLIE L HARDY-MOORE, RI (1907-1997, BRITISH) "Thornham, North Norfolk coast" watercolour, signed lower left 14 x 21 ins 185 Provenance: Federation of British Artists Gallery - Landscape of painters in watercolour tour

186 *LESLIE L HARDY-MOORE, RI (1907-1997, BRITISH) "Morston Creek" watercolour, signed lower left 10 1/2 x 14 1/2 ins

*LESLIE L HARDY-MOORE, RI (1907-1997, BRITISH) Norfolk river scene with windmillpen, ink and watercolour, signed lower right 10 x 187 16 ins

HARRY W POTTER (20TH CENTURY, BRITISH) "Cutting oats" and "Through the wheat fields" pair of pen, ink and wash drawings, 188 both signed and dated 1921 lower right and further inscribed with titles 5 x 7 ins (2)

189 A STORIE (19TH CENTURY, BRITISH) watercolour, signed lower right 18 x 12 ins

*HENRY JAMES STARLING, ARE (1895-1996, BRITISH) "Marlingford Mill, Norfolk" black and white etching, signed, numbered 51/75 190 and inscribed with title in pencil to lower margin 9 x 11 ins

*HENRY JAMES STARLING, ARE (1895-1996, BRITISH) "Abbey Reach, Norfolk" black and white etching, signed, numbered 22/100 191 and inscribed with title in pencil to lower margin 8 1/2 x 6 1/2 ins

*HENRY JAMES STARLING, ARE (1895-1996, BRITISH) "Potter Heigham Bridge, Norfolk" black and white etching, signed, numbered 192 21/100 and inscribed with title in pencil to lower margin 7 x 9 ins

*HENRY JAMES STARLING, ARE (1895-1996, BRITISH) "Pull's Ferry, Norwich" watercolour, signed and inscribed with title lower left 9 193 1/2 x 13 ins

*HENRY JAMES STARLING, ARE (1895-1996, BRITISH) "Norwich market" black and white etching, signed and inscribed "etched 194 1949" in pencil to lower margin 10 x 8 ins

*IAN PIPER (CONTEMPORARY, BRITISH) Harbour town oil on panel, signed lower left 7 1/2 x 9 1/2 ins Provenance: Mandells Gallery, 195 Elm Hill, Norwich

196 CIRCLE OF WALTER DEXTER (1876-1958, BRITISH) View of Kings Lynn oil on board 8 x 10 ins

*HENRY G CURL (1910-1989, BRITISH) "St Benedicts, Norwich 1946" and "Forest clearing 1966" two watercolours, both signed and 197 respectively dated 11 1/2 x 11 1/2 ins and 15 x 22 ins together with three further works (5) *CHARLES ARTHUR HANNAFORD, RBA (1887-1972, BRITISH) Norwich street scenes two watercolours, both signed 12 x 8 1/2 ins 198 and 13 1/2 x 10 ins (2)

199 William Robert Weyer, (19th/20th Century, British)Westlegate and Elm Hill, Norwichpair of watercolours, both monogrammed9 x 5ins (2)

200 *HARRY BECKER (1865-1928, BRITISH) Horse and Tumbril black and white lithograph 8 x 9 1/4 ins

201 *HARRY BECKER (1865-1928, BRITISH) Workers scything black and white lithograph 14 x 21 ins

202 *HARRY BECKER (1865-1928, BRITISH) Sheep in a field black and white etching 6 1/2 x 10 ins

203 *HARRY BECKER (1865-1928, BRITISH) Landscape black and white etching 5 x 9 ins

204 *ROLAND GREEN (1890-1972, BRITISH) Pheasant by farmland gate watercolour, signed lower right 11 1/2 x 16 ins

205 CIRCLE OF SIR JOHN ALFRED ARNESBY- (19TH CENTURY) Figure and horse in river landscape oil on canvas 16 x 12 ins

206 *CHARLES E HANNAFORD (1863-1955, BRITISH) Wherry and figures by a bridge watercolour, signed lower left 9 1/2 x 13 ins

*CHARLES ARTHUR HANNAFORD, RBA (1887-1972, BRITISH) Norfolk views group of six watercolours, some signed assorted sizes, 207 all mounted but unframed (6)

*CHARLES ARTHUR HANNAFORD, RBA (1887-1972, BRITISH) Landscapes including Bamborough, Bosham and others packet of 19 208 watercolours, some signed assorted sizes, some mounted but mostly unframed (19)

*CHARLES ARTHUR HANNAFORD, RBA (1887-1972, BRITISH) Harbour scenes etc including Gorleston packet of 11 watercolours, 209 some signed assorted sizes, mostly mounted but unframed (11)

*CHARLES ARTHUR HANNAFORD, RBA (1887-1972, BRITISH) Norfolk landscapes etc packet of 8 watercolours, some signed 210 assorted sizes, all mounted but unframed (8)

*CHARLES ARTHUR HANNAFORD, RBA (1887-1972, BRITISH) Norfolk views packet of 6 watercolours, some signed assorted sizes, 211 all mounted but unframed (6)

211A *CHARLES ARTHUR HANNAFORD, RBA (1887-1972, BRITISH) "Horstead Mill" watercolour, signed lower left 11 x 15 ins

212 *CHARLES ARTHUR HANNAFORD, RBA (1887-1972, BRITISH) Windmill at sunset watercolour, signed lower left 13 x 21 ins

*CHARLES ARTHUR HANNAFORD, RBA (1887-1972, BRITISH) Harbour scene with fishing boats watercolour, signed lower left 17 x 213 12 ins

214 *CHARLES ARTHUR HANNAFORD, RBA (1887-1972, BRITISH) Broads view at sunset watercolour, signed lower left 11 x 16 ins

*CHARLES ARTHUR HANNAFORD, RBA (1887-1972, BRITISH) Anglers in rowing boats pair of watercolours, one signed lower left 5 x 215 5 1/2 ins (2)

216 *CHARLES ARTHUR HANNAFORD, RBA (1887-1972, BRITISH) Broads views group of 3 watercolours, all signed assorted sizes (3) *CHARLES ARTHUR HANNAFORD, RBA (1887-1972, BRITISH) Jetty scene with fisher folk and boats watercolour, signed lower right 217 10 1/2 x 14 1/2 ins

*CHARLES ARTHUR HANNAFORD, RBA (1887-1972, BRITISH) Broadland views packet of 5 watercolours, all signed assorted sizes, 218 all mounted but unframed (5)

*CHARLES ARTHUR HANNAFORD, RBA (1887-1972, BRITISH) Norfolk river scene with windmill watercolour, signed lower left 10 x 219 14 1/2 ins

*CHARLES MAYES WIGG (1889-1969, BRITISH) Wherry on the Broads oil on canvas, indistinctly signed lower left and further 220 inscribed verso 12 x 16 ins, unframed

AFTER SIR ALFRED J MUNNINGS "Their Majesties returning from Ascot" coloured print, published by Frost & Reed 1935 14 1/2 x 26 221 ins

AFTER SIR ALFRED J MUNNINGS "Their Majesties returning from Ascot" coloured print, published by Frost & Reed 1935 (no margins 222 visible)14 1/2 x 26 ins

223 NORFOLK SCHOOL (EARLY 20TH CENTURY) Broadland views seven oils on one frame overall size 18 x 27 ins

*HUGH BRANDON COX, FZS (1917-2003, BRITISH) "Winter afternoon" watercolour and gouache, signed top right and inscribed with 224 title to mount lower left 13 1/2 x 17 ins

*HUGH BRANDON COX, FZS (1917-2003, BRITISH) "Heron morning" watercolour and gouache, signed lower left and further inscribed 225 to mount with title lower left 16 x 20 ins

225A *HUGH BRANDON COX, FZS (1917-2003, BRITISH) Autographed letter

*HUGH BRANDON COX, FZS (1917-2003, BRITISH) "Solitude - Shelduck near Brancaster" watercolour, signed top right and inscribed 226 with title to mount lower left 14 x 18 ins

227 MILLER SMITH, RBA (1854-1937, BRITISH) Broadland view watercolour, signed lower left 5 x 7 ins

228 *CAMPBELL ARCHIBALD MELLON, ROI, RBA (1878-1955, BRITISH) Broadland view with distant windmills oil on panel 9 x 11 1/2 ins

*CAMPBELL ARCHIBALD MELLON, ROI, RBA (1878-1955, BRITISH) "Weston on Trent - June morning" oil on canvas, signed lower 230 left and inscribed with title verso 11 1/2 x 15 1/2 ins

232 ROBIN C HARRISON (20TH CENTURY, BRITISH) Botanical and floral studies group of 6 watercolours, all signed assorted sizes (6)

*STUART SOMERVILLE (1908-1983, BRITISH) Still Life study of mixed flowers in a vase on a table ledge oil on canvas, signed lower 233 left 16 x 12 ins

*GEOFFREY MORTIMER (1895-1986, BRITISH) Half-length portrait of a young girl wearing turquoise dress oil on canvas laid to board 234 21 x 17 ins, unframed Provenance: from the artist's studio

*GEOFFREY MORTIMER (1895-1986, BRITISH) Figurative and other studies group of 8 oil sketches on board assorted sizes, all 235 unframed (8) Provenance: from the artist's studio *GEOFFREY MORTIMER (1895-1986, BRITISH) Cows in a country lane oil on canvas laid to panel 11 1/2 x 15 1/2 ins Provenance: 236 from the artist's studio

*GEOFFREY MORTIMER (1895-1986, BRITISH) Three-quarter length portrait of a seated lady oil on canvas laid to board 24 x 18 ins, 237 unframed Provenance: from the artist's studio

*GEOFFREY MORTIMER (1895-1986, BRITISH) Portrait studies group of 6 oils on canvas laid to board assorted sizes, all unframed (6) 238 Provenance: from the artist's studio

239 *GEOFFREY MORTIMER (1895-1986, BRITISH) Romany caravan and figures oil on panel 11 1/2 x 7 ins, unframed

*GEOFFREY MORTIMER (1895-1986, BRITISH) Landscapes group of four oils on board assorted sizes, all unframed (4) Provenance: 240 from the artist's studio

*GEOFFREY MORTIMER (1895-1986, BRITISH) Lady with collie dog oil on board 10 x 7 ins, unframed Provenance: from the artist's 241 studio

GEOFFREY MORTIMER (1895-1986, BRITISH) Norfolk landscapes two oils on board 8 x 12 ins and 12 x 12 ins, both unframed (2) 242 Provenance: from the artist's studio

*GEOFFREY MORTIMER (1895-1986, BRITISH) Farmworker with cart, pony and dog oil on canvas laid to board 12 x 12 ins, unframed 243 Provenance: from the artist's studio

244 *GEOFFREY MORTIMER (1895-1986, BRITISH) Dancers oil on board 12 1/2 x 7 1/2 ins, unframed Provenance: from the artist's studio

*GEOFFREY MORTIMER (1895-1986, BRITISH) Cows grazing in river landscape oil on canvas laid to board, signed lower left 9 x 11 245 1/2 ins, unframed Provenance: from the artist's studio

*GEOFFREY MORTIMER (1895-1986, BRITISH) Figurative studies four oils on board assorted sizes, all unframed (4) Provenance: 246 from the artist's studio

*GEOFFREY MORTIMER (1895-1986, BRITISH) Landscapes three oils on canvas laid to board assorted sizes, all unframed (3) 247 Provenance: from the artist's studio

*GEOFFREY MORTIMER (1895-1986, BRITISH) Coastal scene with figure and dog oil on panel, signed lower left 9 x 15 ins, unframed 248 Provenance: from the artist's studio

*GEOFFREY MORTIMER (1895-1986, BRITISH) Horses watering in a landscape oil on canvas laid to board 11 x 11 ins Provenance: 249 from the artist's studio

*GEOFFREY MORTIMER (1895-1986, BRITISH) Figurative studies group of 3 oils on board assorted sizes, all unframed (3) 250 Provenance: from the artist's studio

*GEOFFREY MORTIMER (1895-1986, BRITISH) Middle Eastern scenes with camels pair of oils on board 12 x 20 ins, both unframed 251 (2) Provenance: from the artist's studio

*GEOFFREY MORTIMER (1895-1986, BRITISH) Wherry passing a mill oil on board 18 x 24 ins, unframed Provenance: from the artist's 252 studio *STANLEY ORCHART (1920-2005, BRITISH) "Burford High Street" watercolour, signed and dated '76 lower left, inscribed with title 253 lower right 14 x 18 ins

*STANLEY ORCHART (1920-2005, BRITISH)'Bishop's Bridge, Norwich'pen, ink and wash drawing, signed lower right and inscribed 253A with title lower left9 x 12ins

*STANLEY ORCHART (1920-2005, BRITISH) "Bala Lake, Wales" watercolour, signed and dated '77 and inscribed "Bala" lower right 11 254 x 19 ins Provenance: Buxton Mill Galleries, Buxton-Lamas, Norwich

*STANLEY ORCHART (1920-2005, BRITISH) "Tal-y-Llyn (North Wales)" watercolour, signed and dated '75 lower right, inscribed with 255 title lower left 14 x 18ins

*STANLEY ORCHART (1920-2005, BRITISH) "Swineshead, Beds" watercolour, signed lower right and inscribed with title verso 14 x 18 256 ins

*STANLEY ORCHART (1920-2005, BRITISH) "The Life Guards, London" watercolour, signed and dated '75 lower right, inscribed with 257 title lower left 14 x 18 ins

*STANLEY ORCHART (1920-2005, BRITISH) "Mawddach Estuary, near Dolgellau, Wales" watercolour, signed lower left 14 x 19 ins 258 Provenance: Buxton Mill Galleries, Buxton-Lamas, Norwich

*STANLEY ORCHART (1920-2005, BRITISH) "A bend in the Bure" oil on canvas, signed lower right 20 x 30 ins Provenance: Buxton 259 Mill Galleries, Buxton-Lamas, Norwich

*STANLEY ORCHART (1920-2005, BRITISH) "Harris Glen 1971" oil on canvas, signed lower left 20 x 24 ins Provenance: Buxton Mill 260 Galleries, Buxton-Lamas, Norwich

261 *STANLEY ORCHART (1920-2005, BRITISH) "Lymington" oil on board, signed lower left 19 x 29 ins (in Edward Seago frame)

*STANLEY ORCHART (1920-2005, BRITISH) Winter landscape oil on board, signed and dated '75 lower right 15 1/2 x 19 1/2 ins (in 262 Edward Seago frame)

*STANLEY ORCHART (1920-2005, BRITISH) "Norfolk barn 1975" oil on board, signed lower right 15 1/2 x 19 1/2 ins (in Edward Seago 263 frame) Provenance: Buxton Mill Galleries, Buxton-Lamas, Norwich

*STANLEY ORCHART (1920-2005, BRITISH) "Titchmarsh, Northants" oil on board, signed lower right and inscribed with title verso 10 x 264 14 ins

*ALEXANDER CHARLES WINTER (1887-1969, BRITISH) Norfolk estuary with boats at sunset oil on canvas, signed lower right 15 1/2 265 x 19 1/2 ins

266 *ROY HODDS (1933-1987, BRITISH) Fishing boat and fisher folk in harbour oil on board, signed lower left 17 x 23 1/2 ins

*ROY HODDS (1933-1987, BRITISH) Figures in an estuary oil on board, signed lower left 17 1/2 x 23 1/2 ins (in Edward Seago picture 267 frame)

*MARCUS HOLLEY FORD (1914-1989, BRITISH) "Winter, near Thorpeness" oil on canvas, signed lower left and inscribed with title 268 verso 15 x 23 ins 269 *MARCUS HOLLEY FORD (1914-1989, BRITISH) East Anglian landscape oil on board, signed lower left 9 1/2 x 13 ins

270 *WILLIAM HENRY FORD (20TH CENTURY, BRITISH) Figures by a mill oil on board, signed to frame verso 24 x 26 ins

271 *TOM W ARMES (1894-1963, BRITISH) "Feeding Time" oil on board, signed lower right 10 x 14 1/2 ins

272 *TOM W ARMES (1894-1963, BRITISH) "The Fairground" oil on canvas, signed lower left 19 x 23 ins

*TOM W ARMES (1894-1963, BRITISH) "Rabbits 1933" unfinished watercolour and pencil drawing 21 x 29 ins Provenance: Thomas W 273 Armes Exhibition 1990 at The Westcliffe Gallery, 2-8 Augusta Street, Sheringham and letter of authenticity from the artist's wife

274 *FRANK FORWARD (1901-1974, BRITISH) Walberswick oil on board, signed lower right 17 1/2 x 23 1/2 ins

JAMES J ALLEN (CONTEMPORARY, BRITISH) "East coast fisher folk" oil on board, signed lower left and inscribed with title verso 15 x 275 19 ins

JAMES J ALLEN (CONTEMPORARY, BRITISH) "Moonlight near Oby, Norfolk" oil on board, signed lower left and inscribed with title 276 verso 5 x 6 1/2 ins

JAMES J ALLEN (CONTEMPORARY, BRITISH) "See how they run" oil on board, signed lower right and inscribed with title verso 6 x 8 277 ins

JAMES J ALLEN (CONTEMPORARY, BRITISH) "End of the day Halvergate Marsh, Norfolk" oil on board, signed lower right and 278 inscribed with title verso 5 x 6 1/2 ins

JAMES J ALLEN (CONTEMPORARY, BRITISH) "The North Easterly" oil on board, signed lower left and inscribed with title verso 8 x 9 279 1/2 ins

JAMES J ALLEN (CONTEMPORARY, BRITISH) "After the rain - River Thurne" oil on board, signed lower left and inscribed with title 280 verso 13 x 18 ins

281 *RAYMOND LEECH (BORN 1949, BRITISH) Beach scene with family group oil on board, signed lower left 11 1/2 x 15 1/2 ins

*RAYMOND LEECH, RSMA (BORN 1949, BRITISH) "Tonight I'm Yours" oil on panel, signed top right 8 x 9 1/2 ins Provenance: 282 Westcliffe Gallery, 2-8 Augusta Street, Sheringham

*GEOFFREY WILSON (1920-2010, BRITISH) "Silver Morning, Gorleston" oil on panel, signed lower left and inscribed with title verso 10 283 x 12 ins

*GEOFFREY WILSON (1920-2010, BRITISH) "October Shoreline" oil on canvas, signed lower left and inscribed with title verso 13 1/2 x 284 17 1/2 ins

285 *EDWARD WESSON (1910-1983, BRITISH) Landscape watercolour, signed lower right 12 x 19 ins

286 *FRANK WILDING (20TH CENTURY, BRITISH) "Norfolk Coast" watercolour, signed lower right 10 x 14 ins

*OWEN WATERS (1916-2004, BRITISH) "Acle Marshes - Autumn 1974" oil on board, signed lower right and inscribed with title verso 287 11 1/2 x 15 1/2 ins *OWEN WATERS (1916-2004, BRITISH) "West Somerton, Norfolk" oil on board, signed lower right and inscribed with title verso 14 1/2 288 x 19 ins

*OWEN WATERS (1916-2004, BRITISH) "Wash Day, Norfolk" oil on board, signed lower right and inscribed with title verso 12 x 15 1/2 289 ins

290 *OWEN WATERS (1916-2004, BRITISH) "Norfolk Fields" oil on board, signed lower right and inscribed with title verso 12 x 15 1/2 ins

*IAN ARMOUR-CHELU (1928-2000, BRITISH) "Blythburgh Church Suffolk in evening light" watercolour, signed and dated 1998 lower 291 right and inscribed with title to mount lower left 7 x 10 ins

292 *GEORGE SEAR (20TH CENTURY, BRITISH) Burnham Overy Staithe watercolour, signed lower left 13 x 19 ins

293 *HUGH BOYCOTT BROWN, RSMA (1909-1990, BRITISH) Moored boat at harbour oil on canvas, signed lower left

294 *DEREK INWOOD (1925-2012, BRITISH) "Wyndham Street, Sheringham" oil pastel, signed lower right 9 x 14 ins

*DEREK INWOOD (1925-2012, BRITISH) "Figures on the beach" oil pastel and acrylic, signed lower right 11 x 16 ins together with 295 three further works by the same artist (4)

296 *DEREK INWOOD (1925-2012, BRITISH) "Wells Harbour" oil on board, signed lower right 17 x 25 ins

297 *PHILIP GARDINER (1922-1986, BRITISH) Fishing boats in an estuary watercolour, signed lower right 7 x 10 ins

298 *PHILIP GARDINER (1922-1986, BRITISH) "Blakeney Evening" watercolour, signed lower right 6 x 7 1/2 ins

299 *STEPHEN WALKER (1927-2004, BRITISH) Horse's head oil on canvas, signed lower centre 11 x 13 ins

* JOHN SUTTON (BORN 1935, BRITISH) "17C Sea Action" watercolour, signed lower right and inscribed with title lower left 13 1/2 x 19 300 ins Provenance: Weston Gallery, Weston Longueville, Norfolk

* JOHN SUTTON (BORN 1935, BRITISH) "Autumn afternoon on the Stour" (Essex) oil on canvas, signed lower right and inscribed with 301 title verso 15 x 23 ins

302 *JACK PULFER (20TH CENTURY, BRITISH) Estuary with windmill oil on board, signed lower left 5 x 7 ins

303 IAN HOUSTON (BORN 1934, BRITISH) "Sundown on Cromer Beach" oil on board, signed lower left 20 x 30 ins

*IAN HOUSTON (BORN 1934, BRITISH) "Winter sunlight - North Walsham 1973" oil on board, signed lower right 20 x 30 ins 304 Provenance: Mandell's Gallery, Elm Hill, Norwich

IAN HOUSTON (BORN 1934, BRITISH) "Flood Tide/Maldon oil on board, signed lower right 14 x 20 ins Provenance: Mandell's Gallery, 305 Elm Hill, Norwich

*IAN HOUSTON (BORN 1934, BRITISH) "Flooded Marshland - January" oil on board, signed lower right 10 x 15 ins (in Edward Seago 306 picture frame) 307 IAN HOUSTON (BORN 1934, BRITISH) "Dramatic Sky - Iona" mixed media, signed lower left 16 x 24 ins

308 *IAN HOUSTON (BORN 1934, BRITISH) Norfolk Landscapes pair of oils on board, both signed 8 x 10 ins (2)

IAN HOUSTON (BORN 1934, BRITISH) "Winter Fuel (Barns Near North Walsham)" oil on board, signed lower left and inscribed with 309 title verso 8 x 12 ins

310 *MICHAEL J SANDERS (CONTEMPORARY, BRITISH) "Across the marsh" oil on canvas, signed lower right 30 x 40 ins

311 ALAN MOORE (20TH CENTURY, BRITISH) Cley Mill oil on board, signed and dated 83 lower right 19 x 23 ins

*WILLIAM DAVIES (1928-2011, BRITISH) "Low tide, Maldon" oil on canvas, signed lower left and inscribed with title verso 13 1/2 x 19 312 1/2 ins

313 *MICHAEL CHITTOCK (20TH CENTURY, BRITISH) "Low tide at Wells, Norfolk" watercolour, signed lower right 13 x 20 ins

314 *MICHAEL CHITTOCK (20TH CENTURY, BRITISH) "Evening at Westminster" watercolour, signed lower left 18 x 28 ins

*MICHAEL CHITTOCK (20TH CENTURY, BRITISH) "Bawburgh Mill" watercolour, signed lower right 11 1/2 x 15 1/2 ins together with 315 three further watercolours by the same artist (4)

*MICHAEL CHITTOCK (20TH CENTURY, BRITISH) Holt watercolour, signed lower left 11 1/2 x 15 ins together with three further 316 watercolours by the same artist (4)

MICHAEL MORLEY (CONTEMPORARY, BRITISH) "The Challenge" acrylic on board, monogrammed and dated 14 lower left 13 x 17 317 ins together with a print of the painting (2)

318 MICHAEL MORLEY (CONTEMPORARY, BRITISH) Fishermen acrylic on board, monogrammed and dated 16 lower left 13 x 17 ins

319 *ROY PERRY, RI (1935-1993, BRITISH) "Low tide, North Norfolk" oil on board, signed lower left 10 x 15 ins

DESMOND COSSEY (CONTEMPORARY BRITISH) "St Margaret's Church, Cley and Village looking from Wiveton" oil on board, signed 320 lower left 16 x 23 ins

DESMOND COSSEY (CONTEMPORARY BRITISH) "Looking towards Blakeney from Morston Footpath" oil on board, signed lower left 321 16 x 23 ins

LAURIE CORTON (20TH CENTURY, BRITISH) Happisburgh Lighthouse and North Norfolk Coast pair of watercolours, both signed 13 x 322 17 ins

KEN TIDD (20TH CENTURY, BRITISH) "Mud Creek Brancaster Staithe"; "Quiet Waters Brancaster Staithe" and "Barn Owl - Holkham" 323 group of three watercolours, all signed assorted sizes (3)

*ROY PETLEY (BORN 1951, BRITISH) Three-Quarter-Length Nude with Hand on Hip conte drawing, signed lower left together with two 324 further conte drawings by the same artist (3) 15 x 8ins Provenance: David Messum, The Studio, Lord's Wood, Marlow, Bucks - Spring 1994, *ROY PETLEY (BORN 1951, BRITISH) Three-Quarter-Length Nude 18 x 9 ins together with two further conte drawings by the same 325 artist (3)

MARY ROBERTSON (20TH CENTURY, BRITISH) Sailing boats oil on canvas, signed lower right 12 x 16 ins Provenance: Salthouse 326 Gallery, see attached flyer

327 *GEOFFREY CHATTEN (BORN 1938, BRITISH) "Caister Beach, Yarmouth" oil on panel, signed lower left 5 1/2 x 8 ins

328 *GEOFFREY CHATTEN (BORN 1938, BRITISH) Great Yarmouth Harbour oil on panel, signed lower right 13 x 20 ins

*GEOFFREY CHATTEN (BORN 1938, BRITISH) "Dunwich Beach" oil on panel, signed lower right and inscribed with title verso 17 x 23 329 ins

*GEOFFREY CHATTEN (BORN 1938, BRITISH) "Mack's Cottage" oil on board, signed lower right and inscribed with title verso 19 1/2 x 330 23 1/2 ins

331 *GEOFFREY CHATTEN (BORN 1938, BRITISH) Great Yarmouth Lifeboat oil on board, signed lower right 29 x 41 ins

*GEOFFREY CHATTEN (BORN 1938, BRITISH) Darby's Hard Gorleston oil on board, signed lower right and inscribed with title verso 332 23 x 47 ins

*GEOFFREY CHATTEN (BORN 1938, BRITISH) "Evening Marsh near Yarmouth" oil on board, signed lower right and inscribed with 333 title verso 19 1/2 x 23 1/2 ins

*GEOFFREY CHATTEN (BORN 1938, BRITISH) ", Gorleston" oil on board, signed lower right and inscribed with title verso 334 19 1/2 x 23 1/2 ins

*GEOFFREY CHATTEN (BORN 1938, BRITISH) "Haddiscoe Marshland" oil on board, signed lower right and inscribed with title verso 335 19 1/2 x 23 1/2 ins

336 *GEOFFREY CHATTEN (BORN 1938, BRITISH) Cattle in landscapes pair of oils on panel, both signed 8 x 10 ins, unframed (2)

337 *GEOFFREY CHATTEN (BORN 1938, BRITISH) Beach Scene and Seascape pair of oils on panel, both signed 8 x 10 ins (2)

338 *GEOFFREY CHATTEN (BORN 1938, BRITISH) "Winterton Dunes" oil on panel, signed lower right 11 1/2 x 15 1/2 ins

339 *JAMES WRIGHT (BORN 1935, BRITISH) "Spring landscape" oil on board, signed lower right and inscribed with title verso 5 x 3 1/'2 ins

340 *JAMES WRIGHT (BORN 1935, BRITISH) "Ready for work" oil on canvas, signed lower right 15 1/2 x 23 1/2 ins

341 *JAMES WRIGHT (BORN 1935, BRITISH) "River Bure and cattle" oil on canvas, signed lower right 11 1/2 x 19 1/2 ins

*JAMES WRIGHT (BORN 1935, BRITISH) "The path to Salhouse Broad" oil on board, signed lower right and inscribed with title verso 7 342 1/2 x 9 1/2 ins

344 *GRAHAM HOWLETT (20TH CENTURY, BRITISH) Norfolk landscape watercolour, signed lower left 8 x 13 ins *ANDREW DIBBEN (CONTEMPORARY, BRITISH) "Firebreak path in the snow, Kelling Heath" watercolour, signed lower left 7 1/2 x 10 345 1/2 ins

J T WHITAKER (20TH CENTURY, BRITISH) Estuary scene with distant town and windmill watercolour, signed lower right 9 1/2 x 11 1/2 346 ins

347 CARL DONNER (CONTEMPORARY, BRITISH) "Hare Portrait" watercolour, signed lower right 12 x 8ins

*MARGARET GLASS, PS (BORN 1950, BRITISH) "The Lookout, Morston" pastel, initialled dated '95 and inscribed with title verso 9 x 349 12ins

MARK CHESTER (CONTEMPORARY, BRITISH) "Autumn Charm - Goldfinches" acrylic on board, signed lower right and inscribed with 350 title verso 14 x 10 1/2 ins

351 *JOHN SCORROR O'CONNOR (1913-2004, BRITISH) "Sisters" oil on canvas, signed lower left 24 x 29 ins

*KATARZYNA COLEMAN (CONTEMPORARY, BRITISH) "Night Velvet, Lorbour" mixed media etching, signed, dated 2006, numbered 352 1/1 and inscribed with title in pencil to lower margin 14 x 18ins together with 5 similar (6)

353 *JOHN JOWITT (1904-1996, BRITISH) "Trafalgar Times" (Nelson and Hardy) oil on board, signed and dated 1947 lower left 21 x 25 ins

354 ENGLISH SCHOOL (19TH/20TH CENTURY) Head and shoulders portrait of Nelson oil on canvas 13 x 11 ins

355 ALAN J CANHAM (20TH CENTURY, BRITISH) Wherry on the Broads oil on canvas, signed lower left 24 x 36 ins

356 ALAN J CANHAM (20TH CENTURY, BRITISH) Cley Mill oil on canvas, signed lower left 24 x 40 ins (A/F)

* PETER METCALF (1944-2004, BRITISH) Broads Scene with Horses at Sunset oil on canvas, signed and dated 87 lower right 22 x 357 34ins

*COLIN SELF (BORN 1941, BRITISH) Set of 39 etchings, all signed "The Odyssey/Iliad Suite" - "Death Plaque", "C130 Gunship", 358 "Rolling Stones Sticky Fingers", "Madonna", "240 pennies", "Nuclear Bomber 1", "Trial Proof 1 of Mickey Mouse", "The Roots of Language (blue)", "A Journey to my Childhood", "Sm ...[more]

359 *TESSA NEWCOMB (BORN 1955, BRITISH) Chickens in a Farmyardpainted stool, initialled and dated 92

*BENNETT OATES (1928-2009, BRITISH) "Michaelmas Daisies amongst other flowers in a glass vase" oil on panel, signed and dated 360 78 lower right 20 x 24 ins Provenance: E Stacy-Marks, Eastbourne

361 *ADRIAN TAUNTON (20TH CENTURY, BRITISH) "Sea Fever" watercolour, signed and dated 98 lower left 12 1/2 x 17 1/2 ins

362 ARTHUR A PANK (20TH CENTURY, BRITISH) "Inshore fishing boats on a Suffolk beach" oil on board, signed lower right 12 x 18 ins

*CHRISTINE SLADE (BORN 1943, BRITISH) "Ironsides" pastel, signed lower right 14 x 17 1/2 ins Provenance: The Westcliffe Gallery, 363 2-8 Augusta Street, Sheringham

364 *ANDREW KING, ROI (CONTEMPORARY, BRITISH) "Anglers last light, Overstrand" watercolour, signed lower left 11 x 20 ins 365 JOHN TOOKEY, PS, IEA (BORN 1947, BRITISH) "Wells Quay" watercolour, signed lower left and inscribed with title verso 9 x 13ins

*STUART SOMERVILLE (1908-1983, BRITISH) View in Switzerland of a lake with Matterhorn beyond oil on canvas, signed lower right 366 29 x 39 ins Note: Somerville was best known for his still life paintings of flowers and East Anglian landscapes, this is a very unusual view on the Continent that the artist ...[more]

*GRAHAM HOWLETT (20TH CENTURY, BRITISH) "Black Shore from Walberswick, early evening" watercolour, signed lower right 13 x 367 21 ins

368 *GRAHAM HOWLETT (20TH CENTURY, BRITISH) Wherry passing a windmill watercolour, signed lower left 14 1/2 x 20 ins

369 *GRAHAM HOWLETT (20TH CENTURY, BRITISH) Norfolk landscape with windmill watercolour, signed lower left 12 x 19 ins

370 *LANCE BEEKE (BORN 1939, BRITISH) View through a doorway with chair oil on board, initialled lower right 13 x 9 ins

FANNY JANE BAYFIELD (FL 1872-1896, BRITISH) "Chrysanthemums" watercolour, monogrammed and dated 1896 lower left 14 1/2 x 371 11 1/2 ins Provenance: The Little Gallery, 38 Elm Hill, Norwich

* JOHN SUTTON (BORN 1935, BRITISH) "The Maid's Head Hotel, Wensum Street circa 1895" watercolour, signed lower right 13 x 20 372 ins

*ALFRED COHEN (1920-2001, BRITISH) "Crown Imperial" coloured artist's proof etching, signed, inscribed with title and further 373 inscribed "AP IX" in pencil to lower margin 15 x 13 ins

374 *DAVID SMITH (1920-1999, BRITISH) "Hartland Point" watercolour, inscribed with title verso 14 x 21 ins

375 *DAVID SMITH (1920-1999, BRITISH) "View from Blakeney Church looking East" watercolour, inscribed with title verso 18 x 21 1/2 ins

376 HORACE W TUCK (19TH/20TH CENTURY, BRITISH) Nun by an archway watercolour, signed lower left 14 x 9 ins

HORACE W TUCK (19TH/20TH CENTURY, BRITISH) Landscapes group of three watercolours, all signed together with a lino cut by 377 the same artist assorted sizes, all mounted but unframed (4)

378 JOHN G MACE (CONTEMPORARY, BRITISH) "Winter Pals" oil on board, signed and dated 89 lower right 23 1/2 x 17 ins

379 TOM SWAN (19TH/20TH CENTURY, BRITISH) WY764 at sea gouache, signed and dated 1895 lower right 21 x 29 ins

TOM SWAN (19TH/20TH CENTURY, BRITISH) YH382 at Sea watercolour and gouache, signed and dated 1895 lower right 21 x 29 ins 380 (A/F)

* LEONARD RUSSELL SQUIRRELL, RWS, RE (1893-1979, BRITISH) Landscape black and white aquatint, signed in pencil to lower 381 right margin 4 1/2 x 6 ins

* LEONARD RUSSELL SQUIRRELL, RWS, RE (1893-1979, BRITISH) "West Walton" black and white print, signed and inscribed with 382 title in pencil to margin 9 x 11 ins

*COLIN W BURNS (BORN 1944, BRITISH) "Summer on the Ant, Norfolk" watercolour, signed lower right 9 x 12 ins Provenance: 383 Mandell's Gallery, Elm Hill, Norwich 384 COLIN W BURNS (BORN 1944, BRITISH) "Winterton Beach" oil on canvas, signed lower left and inscribed with title verso 17 x 24 ins

385 *JACK COX (1914-2007, BRITISH) Woodcock in winter landscape oil on board, signed lower left 15 1/2 x 19 1/2 ins

385A *JACK COX (1914-2007, BRITISH) North Norfolk estuary with fishing boats watercolour and gouache, signed lower right 16 x 23 ins

386 *JACK COX (1914-2007, BRITISH) Mallard in flight over winter landscape oil on board, signed lower left 15 1/2 x 19 1/2 ins

387 *JACK COX (1914-2007, BRITISH) Wells Broad Acre Creak oil on board, signed lower right 15 1/2 x 19 1/2 ins

388 *JACK COX (1914-2007, BRITISH) "Near Wells" oil on board, signed lower left 11 1/2 x 13 1/2 ins

388A *JACK COX (1914-2007, BRITISH) Fishing boats in an estuary watercolour, signed lower right 13 x 17 ins, mounted but unframed

389 *JACK COX (1914-2007, BRITISH) Fishing boats in a North Norfolk estuary oil on board, signed lower right 9 1/2 x 11 ins

390 *JACK COX (1914-2007, BRITISH) Fishing boats in a North Norfolk estuary oil on board, signed lower right 15 1/2 x 19 1/2 ins

391 *JACK COX (1914-2007, BRITISH) Morston and Blakeney oil on paper, signed lower left 7 x 9 ins

*JACK COX (1914-2007, BRITISH) View of Wells oil on board, signed lower right 17 x 27 ins Provenance: Mandell's Gallery, Elm Hill, 392 Norwich

393 *JACK COX (1914-2007, BRITISH) Fisherfolk in an estuary at dawn oil on board, signed lower left 20 x 24 ins

394 *JACK COX (1914-2007, BRITISH) Coastal scene with seagull oil on board, signed lower left 17 x 27 ins

395 *JACK COX (1914-2007, BRITISH) North Norfolk estuary in sunset oil on board, signed lower right 19 x 29 ins

*CAVENDISH MORTON, RI, ROI (BORN 1911, BRITISH) "Windswept wheat near Eye, Suffolk" gouache, signed lower left 14 x 21 ins 396 Provenance: The Radlett Gallery, Watling Street, Radlett, Herts

397 *CAVENDISH MORTON, RI, ROI (BORN 1911, BRITISH) "Lavenham" oil on board, signed and dated 73 lower right 12 x 14 ins

*WILFRED STANLEY PETTITT (1904-1978, BRITISH) "Near Caister St Edmunds"; "Marlingford and Barford" and "Farm Workers in a 398 Field" group of three oils on board, all signed 9 x 11 ins (3)

*WILFRED STANLEY PETTITT (1904-1978, BRITISH) Cornfield near Norwich; Norfolk Road pair of oils on board, both signed lower 399 right 10 x 12 ins (2)

400 *WILFRED STANLEY PETTITT (1904-1978, BRITISH) Norfolk landscape oil on canvas, signed and dated 30 lower left 15 x 18 ins

401 *ROWLAND FISHER, ROI, RSMA (1885-1969, BRITISH) Street scene with lighthouse oil on board, signed lower centre 12 x 15 ins

402 *ROWLAND FISHER, ROI, RSMA (1885-1969, BRITISH) Moored barges oil on board, signed lower left 13 1/2 x 17 1/2 ins *H JOHN JACKSON (BORN 1938, BRITISH) "Darby's Hard" lino cut, signed, dated '68, numbered 7/25 and inscribed with title in pencil 403 to lower margin 15 x 21 ins

CHARLES JOHN WATSON, RE (1846-1927, BRITISH) Street Scene with Figures oil on canvas, signed and dated 1881 lower centre 16 404 1/2 x 6 ins, unframed

CHARLES JOHN WATSON, RE (1846-1927, BRITISH) "Returning from Market" oil on board, signed, dated 1872 lower left and 405 inscribed with title verso 9 x 14 ins, unframed

CHARLES JOHN WATSON, RE (1846-1927, BRITISH) "Great Yarmouth Sept 1876" oil on board, signed and inscribed with title lower 406 left 9 x 13 ins, unframed

EDWARD POCOCKE (1843-1901, BRITISH) Studies of Stranger's Hall four pen, ink and watercolours, all signed 9 1/2 x 6 1/2 ins, all 407 mounted but unframed (4)

EDWARD POCOCKE (1843-1901, BRITISH) "Pheasant Cock Yard, Oak Street", "Cross Keys Yard", "Raynes Yard" and "Barrack Yard" 408 four pen, ink and watercolours, all initialled 5 1/2 x 4 ins, all mounted but unframed (4)

EDWARD POCOCKE (1843-1901, BRITISH) "The Blue Bell", "New Star", "Gibraltar" and "The Anchor" group of four pen, ink and 409 watercolours, all initialled 5 1/2 x 4 ins, all mounted but unframed (4)

EDWARD POCOCKE (1843-1901, BRITISH) "Norwich Gates" group of 13 pen, ink and watercolours, all signed 7 1/2 x 6 ins, all 410 mounted but unframed (13)

EDWARD POCOCKE (1843-1901, BRITISH) "Charing Cross" group of 6 pen, ink and watercolours, all initialled 5 1/2 x 4 ins, all 411 mounted but unframed (6)

THOMAS GARDNER: A PLAN EXHIBITING THE REMAINS OF THE ANTIENT CITY OF DUNWICH, AD1587, ALSO ITS RIVER, 412 PART WHEREOF IS SOUTHWOLD HAVEN, WITH PLACES OF NOTE BORDERING THEREON, engraved folding plan published by Thos Gardner, 5th Feb 1753 , approx size 510 x 690mm, framed and glazed, whole approx 820 ...[more]

WILLIAM RASTRICK: ICHNOGRAPHIA BURGI PERANTIQUI LENNAE REGIS IN AGRO NORFOLCIENSI ACCURATE DELINEATA, 413 engraved plan of Kings Lynn 1725, approx size 450 x 720mm, framed and glazed, the whole approx size 820 x 990mm

AFTER JOHN BUTCHER, ENGRAVED BY R POLLARD & J WELLS: A SOUTH EAST VIEW OF THE MARKET PLACE OF GREAT 414 YARMOUTH, A NORTH WEST VIEW OF THE JETTY AT YARMOUTH, pair of antique hand coloured engraved aquatints, each approx size 410 x 660mm, each framed and glazed, matching frames, each approx size 600 x 84 ...[more]

AFTER SAMUEL AND NATHANIEL BUCK: THE SOUTH-EAST PROSPECT OF THE CITY OF NORWICH: THE NORTH-EAST 415 PROSPECT OF THE CITY OF NORWICH, pair of black and white engravings published January 7th 1741, each approx size 310 x 800mm, each framed and glazed matching frames, each whole approx size 400 x 900mm, So ...[more]

JOHN THOMPSON: PLAN OF THE CITY OF NORWICH, hand coloured engraved plan 1779, approx 440 x 350mm, framed and 416 glazed, the whole approx 620 x 470mm

JOAN BLAEU: NORTFOLCIA NORFOLKE, engraved hand coloured map circa 1642, approx 380 x 490mm, framed and glazed, the 417 whole approx size 560 x 680mm EMANUEL BOWEN: AN ACCURATE MAP OF THE COUNTY OF NORFOLK DIVIDED INTO HUNDREDS ..., engraved hand coloured 418 map, 1749, approx 525 x 710mm, framed and glazed, the whole approx 580 x 770mm

ROBERT MORDEN: NORFOLK, engraved hand coloured map, 1695, approx 370 x 580mm, framed and glazed, the whole approx 500 419 x710mm

JOAN BLAEU: NORTFOLCIA NORFOLKE, engraved hand coloured map circa 1648, approx 380 x 490mm, framed and glazed, the 420 whole approx size 550 x 640mm

421 SAXTON/KIP: NORFOLCIAE COMITATUS, engraved map circa 1607, good impression, approx 270 x 380mm

ROBERT MORDEN: NORFOLK, engraved hand coloured map, 1695, approx 580 x 370mm, some repairs to closed tears, modern 422 frame (A/F), the whole approx 500 x 720mm

J & C WALKER/R CREIGHTON: NORFOLK, engraved hand coloured map circa 1850, approx 240 x 320mm, framed and glazed, the 423 whole approx 370 x 460mm

GREENVILLE COLLINS: YARMOUTH AND THE SANDS ABOUT IT, engraved hand coloured sea chart circa 1693, approx 455 x 424 570mm, framed and glaze, the whole approx 640 x 740mm

PIETER VAN DEN KEERE: NORFOLCKE, engraved hand coloured map circa 1620, approx 90 x 125mm, framed and glazed, the 425 whole approx 220 x 260mm

PIETER VAN DEN KEERE: SUFFOLCK, engraved hand coloured map circa 1627, approx 85 x 120mm, framed and glazed, the whole 426 approx 200 x 240mm

JOHN SPEED: SUFFOLKE DESCRIBED AND DIVIDED INTO HUNDREDS, THE SITUATION OF A FAYRE TOWNE OF IPSWICH 427 SHEWED ..., engraved map, circa 17th century, late impression, approx 380 x 515mm, framed and glazed, the whole approx 470 x 590mm

MAP OF AN ESTATE DEVISED BY THE WILL OF W M HOWE WINDHAM ESQ DECEASED SITUATE IN THE PARISHES OF ALBY, ALDBURGH, AYLMERTON, AYLSHAM, BACONSTHORPE, BANNINGHAM ... BEESTON-REGIS, BESSINGHAM, BLICKLING, 428 BODHAM ... CROMER, ERPINGHAM , RUNTON, SHERINGHAM, SUSTEAD, THURGARTON, THWAITE AND TUTTINGTON IN TH ...[more]

THOMAS KITCHIN: A NEW MAP OF NORFOLK DRAWN FROM THE BEST AUTHORITIES, engraved hand coloured map circa 1764, 429 approx 180 x 240mm, together with six other circa 1808-1868, engraved hand coloured maps and plans of Norfolk and Norwich (7)

T T ARCHER: SUFFOLK, engraved hand coloured map circa 1848, approx 165 x 220mm, together with JAMES S VERTUE: SUFFOLK, 430 engraved hand coloured map circa 1868, approx 185 x 240mm plus P MARTIN: CAMBRIDGESHIRE, small folding engraved hand coloured map circa 1820, approx 110 x 85mm plus one other (4)

PACKET: five 19th century engravings of Norfolk including F CAREY: THE CATHEDRAL OR CLUNIAC PRIORY WITH THE FREE 431 SCHOOL AT THETFORD, hand coloured engraving circa 1800, approx 140 x 200mm plus J SANDS/W H BARTLET: THE QUAY, YARMOUTH, hand coloured engraving circa 1880, approx 120 x 175mm plus three ...[more]

PACKET: approx 25 engravings etc circa 1790 to circa early-mid 20th century, mainly depicting Norwich Cathedral, Castle etc including 432 ALEX HOGG: VIEW OF NORWICH CASTLE, hand coloured engraving circa 1790, approx 130 x 220mm etc, plus 7 items in lot, hand coloured engraved fashion plates and ornithol ...[more] EDWARD ROBERT SMYTH: ONE DAY FROM THE DIARY OF A STAG, published London, Ackermann & Co circa 1846, 5 etched 433 plates from the work plus charcoal and watercolour attributed to the same artist (6)

Printed and Manuscript document dated 1782, relating to a James Donnis, Worstead Weaver and him being made a free man, signed 434 William Dewing with worn wax seal, framed and glazed

Norwich 1886 Election Poster Squib , titled A crust is better that no bread the last resource , pub Barnes & Co Norwich, 540 x 385mm, 435 framed and glazed

ARTHUR HENRY PATTERSON, autograph note, signed, with original pen and ink manuscript sketch depicting a duck with its head 436 stuck in a trap ...from A H Patterson 6.30 Wednesday night... I got in the eel trap but I can t get out , addressed verso to Mr Sharman? Coronation Road; a black and white prin ...[more]

Four extracts from THE BOOK OF THE OPEN AIR, 1907, by Arthur Henry Patterson, comprising AUGUST IN A BREYDON PUNT, 437 BIRD WATCHING IN A BREYDON PUNT, AN OCTOBER EAST COAST RAMBLE, IN EAST NORFOLK BIRD HAUNTS, 5 mounted coloured plates (of which two by Frank Southgate), composite volume with two origin ...[more]

ARTHUR HENRY PATTERSON (1857-1935), scrap album with 100+ pages of tipped in original pen and ink sketches, autographed 438 letters signed, autographed postcards signed and other correspondence + small quantity associated ephemera, news cuttings and photographs, all c1887-1933, in total approx 94 tipped ...[more]

ARTHUR HENRY PATTERSON: 2 titles: CATALOGUE OF THE BIRDS OF GREAT YARMOUTH GIVING A FEW DESCRIPTIVE 439 NOTES, AND DATES WHEN MOST OF THE RARER SPECIES WERE OBTAINED, The Great Yarmouth Printing Co Ltd, 1901, reprinted from The Zoologist for private circulation , 12 illustrations as called for, author ...[more]

ARTHUR HENRY PATTERSON: CATALOGUE OF THE BIRDS OF GREAT YARMOUTH GIVING A FEW DESCRIPTIVE NOTES, 440 AND DATES WHEN MOST OF THE RARER SPECIES WERE OBTAINED, The Great Yarmouth Printing Co Ltd, 1901, reprinted from The Zoologist for private circulation , signed and inscribed with A Patterson s complime ...[more]

ARTHUR HENRY PATTERSON: CATALOGUE OF THE BIRDS OF GREAT YARMOUTH GIVING A FEW DESCRIPTIVE NOTES, 441 AND DATES WHEN MOST OF THE RARER SPECIES WERE OBTAINED... The Great Yarmouth Printing Co Ltd, 1901, reprinted from The Zoologist for private circulation , Arthur Henry Patterson book plate to front past ...[more]

W L DISTANT (edited): THE ZOOLOGIST, A MONTHLY JOURNAL OF NATURAL HISTORY 4TH SERIES VOL XIII, London, 1909, 442 containing ARTHUR HENRY PATTERSON: ROUGH NOTES ON THE FISH AND FISHERIES OF EAST SUFFOLK, No 820 October 1909, black and white plate from photograph of a brill, pp362-462, rebound half cl ...[more]

ARTHUR HENRY PATTERSON: ROUGH NOTES ON THE FISH AND FISHERIES OF EAST SUFFOLK, Great Yarmouth, John 443 Buckle, 1910, reprinted from The Zoologist for private circulation , signed and inscribed with A Patterson, the author s compliments Feb 1 1910 , limited edition (111) numbered, original roan backed ...[more]

ARTHUR HENRY PATTERSON: FISH HOOK AND FLOAT, SALT WATER FISHING AND FRESH WATER ANGLING ROUND ABOUT 444 YARMOUTH, A BOOK FOR THE VISITOR ANGLER, Great Yarmouth, Stuart C Blake 1891 1st edition, 62pp + [4] pp adverts at end, contemporary cloth backed marbled paper wraps, original printed pictorial top ...[more]

ARTHUR HENRY PATTERSON: ROUGH NOTES ON THE FISH AND FISHERIES OF EAST SUFFOLK, Great Yarmouth, John 445 Buckle, 1910, reprinted from The Zoologist for private circulation , author s book plate to front paste down, original roan backed printed boards

WILD NATURE AND COUNTRY LIFE, London, Hodder & Stoughton [1907], article by Arthur Henry Patterson: AN OCTOBER EAST 446 COAST RAMBLE, 4 mounted coloured plates as called for, old stitched wraps worn, manuscript ball point title to top wrap ARTHUR HENRY PATTERSON: SEA-SIDE SCRIBBLINGS FOR VISITORS; OR HOW TO MAKE THE MOST OF A HOLIDAY JAUNT, 447 London, Jarrold & Sons [1887] 1st edition, 139pp + [5] pp adverts at end, original pictorial paper covered card wraps, some small part losses/chips to backstrip

[ARTHUR HENRY PATTERSON] A BROADLAND NATURALIST : BROADLAND SCRIBBLINGS; A LEISURE-HOUR BOOK FOR THE 448 HOLIDAYS, Norwich, P Soman & Son and London, 1892, 1st edition, 8 plates as called for, original pictorial wraps rebacked/reinforced with cloth (worn)

ARTHUR HENRY PATTERSON: NOTES ON PET MONKEYS AND HOW TO MANAGE THEM, London, L Upcott Gill [1891], 112pp + 449 quantity adverts at end dated 11/91, original pictorial cloth silvered

[ARTHUR HENRY PATTERSON] A BROADLAND NATURALIST : BROADLAND SCRIBBLINGS; A LEISURE-HOUR BOOK FOR THE 450 HOLIDAYS, Norwich, P Soman & Son and London, 1892, 1st edition, 8 plates as called for, rebound (not recent) cloth backed card wraps, inner joints reinforced, smaller format approx height 15.5cm x a ...[more]

ARTHUR HENRY PATTERSON: WILD LIFE ON A NORFOLK ESTUARY, London, 1907 1st edition, 40 illustrations as called for, signed 451 and inscribed with small original pen and ink sketch of a fish next to inscription with kindest regards, from the author Arthur H Patterson Dec 1907 to half title, lacks front f ...[more]

ARTHUR HENRY PATTERSON: NATURE IN EASTERN NORFOLK, London, 1905, 1st edition, 12 plates + map as called for, signed 452 and inscribed presentation copy Hubert Palmer Esq with the author s kind regards A H Patterson Nov 30 1905 with original small pen and ink sketch of bird to front free end paper + fu ...[more]

ARTHUR HENRY PATTERSON: IN NORFOLK BIRD HAUNTS IN AD1755, Holt, Rounce & Wortley 1930 1st edition, signed and 453 inscribed with A H Patterson s compliments with original pen and ink sketch beneath of Broadland bird to front free end paper, Sylas Neville book plate to front paste down, original cloth

ARTHUR HENRY PATTERSON: THE CRUISE OF THE WALRUS ON THE BROADS, A BROADLAND VOYAGE IN A NORTH SEA 454 KETCH-BOAT, London, Jarrolds [1923], 1st edition, signed and inscribed with original pen and ink sketch of a Broadland bird wading from the author A H Patterson (John Knowlittle)... , 15 illustration ...[more]

ARTHUR HENRY PATTERSON, 5 titles: THROUGH BROADLAND IN A BREYDON PUNT, 1920, 2nd edition, signed and inscribed 455 From the author John Knowlittle to front free end paper, 3 full page plates plus 6 black and white illustrations as called for, original printed boards rebacked, inner joints split; NOTES ...[more]

ARTHUR HENRY PATTERSON, 9 titles: WILD-FOWLERS AND POACHERS FIFTY YEARS ON THE EAST COAST, London, Methuen 456 & Co 1929, 1st edition, signed and inscribed To Frank Spencer Esq Yacht Morning Calm with A H Patterson, John Knowlittle s compliments May 1929 to half title, 8 black and white plates from ...[more]

ARTHUR HENRY PATTERSON, 2 titles: MAN AND NATURE ON TIDAL WATERS, London, Methuen & Co 1909, 1st edition, frontis 457 plus 3 full page plates plus black and white illustrations in text as called for, author s bookplate to front free end paper, original cloth gilt; MAN AND NATURE ON THE BROADS, London, T ...[more]

ARTHUR HENRY PATTERSON (JOHN KNOWLITTLE): THROUGH BROADLAND IN A BREYDON PUNT, Norwich [1920] 1st edition, 458 signed John Knowlittle to dedication page, 3 full page plates plus 6 black and white illustrations as called for, original cloth gilt; THROUGH BROADLAND BY SAIL AND MOTOR, London, Blakes Ltd ...[more]

[WILLIAM WATERS SPELMAN] LUBERTA : A LIST OF THE FISHES OF THE GREAT YARMOUTH DISTRICT, WITH NOTES ON 459 EACH SPECIES, Lowestoft, J Rochford O Driscoll 1892, 1st edition, some later manuscript notes in pencil to title page stating Arthur Henry Patterson as the original author of the book and having so ...[more] JOHN IVES: REMARKS UPON THE GARIANONUM OF THE ROMANS: THE SITE AND REMAINS FIXED AND DESCRIBED, 460 Yarmouth and London, for Messrs G & J Robinson, 1803, 2nd edition, engraved portrait frontispiece plus 6 engraved plates (of which 5 folding) as called for, contemporary paper covered boards worn

A SOUTH TOWN RESIDENT : YARMOUTH SANDS, A DESCRIPTIVE AND TRAGIC POEM; THE BANKS OF THE YARE, AND 461 OTHER SUBJECTS IN VERSE, Yarmouth, printed and published for the author by B Gooch & Son 1852, 1st edition, 80, (2) pp, duo decimo, original blind stamped red cloth gilt plus REVEREND HENRY MACKENZIE: T ...[more]

COVER TITLE, VIEWS OF YARMOUTH, London, Rock & Co circa 1861, 12 leaves of engraved views of Yarmouth as called for, oblong 462 original blind stamped cloth gilt, together with 3 circa mid to late 19th century mounted albumen photographs depicting Norwich Castle with cattle market in foreground, Norwich ...[more]

THOMAS NASH: NASHES LENTEN STUFFE, CONTAINING THE DESCRIPTION AND FIRST PROCREATION OF THE TOWNE OF 463 GREAT YARMOUTH IN NORFFOLKE, WITH A NEW PLAY NEVER PLAYED BEFORE, OF THE PRAISE OF THE RED HERRING ..., London for N L & CB, 1599, 1st edition, title page, pp1/2, 7/8 supplied in facsimile (possibly e ...[more]

REV FRANCIS BLOMEFIELD AND CHARLES PARKIN: AN ESSAY TOWARDS A TOPOGRAPHICAL HISTORY OF THE COUNTY OF NORFOLK CONTAINING A DESCRIPTION OF THE TOWNS, VILLAGES, AND HAMLETS WITH FOUNDATIONS OF 464 MONASTERIES, CHURCHES, CHAPELS, CHANTRIES, AND OTHER RELIGIOUS BUILDINGS ..., London, W Bulmer for William Mil ...[more]

REV FRANCIS BLOMEFIELD AND CHARLES PARKIN: AN ESSAY TOWARDS A TOPOGRAPHICAL HISTORY OF THE COUNTY 465 OF NORFOLK ... Fersfield, Norwich and Kings Lynn, 1739-1775, 1st edition, 5 volumes, 2 engraved maps/plans plus 31 engraved plates plus 7 folding pedigrees (lacks Blomefield pedigree, subscribers list, ...[more]

MONTAGUE RHODES JAMES: A DESCRIPTIVE CATALOGUE OF THE MANUSCRIPTS IN THE LIBRARY OF PEMBROKE 466 COLLEGE, CAMBRIDGE ... WITH A HAND LIST OF THE PRINTED BOOKS TO THE YEAR 1500 BY ELLIS H MINNS, Cambridge, The University Press 1905, 1st edition, Ellis H Minns autograph letter signed on two Wordsworth Grov ...[more]

THE GREAT YARMOUTH PORT AND HAVEN ACT, 1866, Parliamentary Act printed London, Eyre & Spottiswoode, 1880 For the 467 conversancy and improvement of the port and haven of Great Yarmouth ... for the levying and extinguishing of tolls and duties ... [23d July 1866] , pp3470-3526, brown paper wraps, later ...[more]

KELLY S DIRECTORY OF NORFOLK 1937, folding coloured map, original cloth gilt soiled plus KELLY S DIRECTORY OF THE CITY 468 OF NORWICH 1950, original cloth, inner joints split (2)

KELLY’S DIRECTORY OF NORFOLK AND SUFFOLK 1933, 1 folding coloured map (of 2, lacks map of Norfolk), original cloth worn, an 468A Ordnance Survey folding engraved sectional map on linen depicting Norwich, The Norfolk Broads and East Coast of Norfolk and North Suffolk, circa 1882, sheet no 67 (Yarmouth) ap ...[more]

469 KELLY S DIRECTORY OF NORFOLK, 1892, folding map, original cloth gilt very worn and soiled

470 KELLY S DIRECTORY OF NORFOLK, 1896, folding map (with closed tear), original cloth gilt very worn and soiled

KELLY S DIRECTORY OF NORFOLK, 1896, lacks folding map, original cloth gilt, ex-Bryan Hall, Banningham Rectory, with his 471 bookplate

472 KELLY S DIRECTORY OF NORFOLK 1904, folding coloured map, original cloth gilt worn and soiled KELLY S DIRECTORY OF CAMBRIDGESHIRE NORFOLK AND SUFFOLK 1916, 2 folding coloured maps, lacks title page, map of 473 Cambridge, pp97/98 very worn with losses, original cloth gilt very worn and soiled (A/F), plus KELLY S DIRECTORY OF THE CITY OF NORWICH, 1937, 1964-65, 1967, 1971-72, original cloth very w ...[more]

WILLIAM WHITE: HISTORY GAZETTEER AND DIRECTORY OF SUFFOLK, AND THE TOWNS NEAR ITS BORDERS ..., 1970 474 facsimile reprint of 1844 1st edition, original cloth, dust wrapper (laminated to boards)

KELLY S DIRECTORY OF NORFOLK 1933, lacks folding map, original cloth gilt, plus KELLY S DIRECTORY OF NORFOLK 1937, 475 folding map loose with large closed tear, original cloth gilt, inner joints weak (2)

476 KELLY S DIRECTORY OF NORFOLK AND SUFFOLK 1937, 2 folding maps as called for, original cloth gilt worn

KELLY S DIRECTORY OF CAMBRIDGESHIRE, NORFOLK AND SUFFOLK, 1900, 3 folding coloured maps as called for, (Norfolk map 477 with large closed tear), original cloth gilt very worn and soiled, inner joints split plus WILLIAM WHITE: HISTORY, GAZETTEER AND DIRECTORY OF NORFOLK, AND THE CITY AND COUNTY OF THE CI ...[more]

J G HARROD AND CO: POSTAL AND COMMERCIAL DIRECTORY OF NORFOLK AND NORWICH, INCLUDING LOWESTOFT, IN 478 THE COUNTY OF SUFFOLK ..., London and Norwich 1868, 2nd edition, rebound cloth gilt new end papers plus WILLIAM WHITE: HISTORY GAZETTEER AND DIRECTORY OF NORFOLK, AND THE CITY AND COUNTY OF THE CITY OF ...[more]

KELLY S DIRECTORY OF THE COUNTIES OF NORFOLK AND SUFFOLK 1937, 2 folding coloured maps, original cloth gilt, original 479 cardboard box packaging direct from publisher (worn), printed paper label and postage stamps to lid

480 KELLY S DIRECTORY OF NORFOLK 1908, folding coloured map, original cloth gilt very worn and soiled

WILLIAM WHITE: HISTORY, GAZETTEER AND DIRECTORY OF NORFOLK, AND THE CITY AND COUNTY OF THE CITY OF 481 NORWICH ..., 1969 reprint of 1845 1st edition, original cloth gilt plus TOWN AND COUNTY DIRECTORIES LIMITED (PUBLISHED): NORFOLK AND SUFFOLK TRADES DIRECTORY INCLUDING NORWICH AND IPSWICH 1933-34, ori ...[more]

KELLY S DIRECTORY OF THE COUNTIES OF CAMBRIDGE, NORFOLK, SUFFOLK AND ESSEX 1929, 2 (of 4) folding maps 482 (Cambridge and Suffolk present, Norfolk and Essex lacking), original cloth rebacked, original backstrip retained

KELLY S DIRECTORY OF THE COUNTIES OF CAMBRIDGE, NORFOLK AND SUFFOLK 1916, 3 folding coloured maps as called for, 483 original cloth gilt worn

NICHOLAS EVERITT: BRITISH SECRET SERVICE DURING THE GREAT WAR, London, Hutchinson [1920] 2nd edition, rebound half 484 calf gilt

NICHOLAS EVERITT, 2 TITLES: TOLD AT TWILIGHT, illustrated Alfred Munnings, London 1904, 1st edition, signed and inscribed To 485 Guy Bowles from the author in memory of many happy days gone by Nicholas Everitt Xmas 1904 , original pictorial cloth; BROADLAND SPORT, London 1902, 1st edition, illustrati ...[more]

NICHOLAS EVERITT: BROADLAND SPORTS, London, R A Everett & Co 1902, limited edition de-luxe (100) signed and numbered, 486 photogravure frontis plus 10 photogravure plates as called for, demi quarto, original half vellum gilt, top edge gilt, slip case (worn)

GEORGE CHRISTOPHER DAVIES: THE SWAN AND HER CREW, OR THE ADVENTURES OF THREE YOUNG NATURALISTS AND 487 SPORTSMEN ON THE BROADS AND RIVERS OF NORFOLK, London, Frederick Warne & Co, circa 1888, 5th edition, frontis plus illustrations as called for, 6pp publishers adverts at end, original pictorial cloth g ...[more] GEORGE CHRISTOPHER DAVIES, 4 TITLES: HANDBOOK TO THE RIVERS AND BROADS OF NORFOLK AND SUFFOLK, London, 488 Jarrold & Sons [1882], 1st edition, folding map in rear pocket as called for, original printed boards, lacks backstrip, rebacked with tape; MOUNTAIN, MEADOW & MERE A SERIES OF OUTDOOR SKETCHES OF S ...[more]

GEORGE CHRISTOPHER DAVIES, 2 TITLES: NORFOLK BROADS AND RIVERS OR THE WATER-WAYS, LAGOONS AND 489 DECOYS OF EAST ANGLIA, 1883 1st edition, frontis plus 11 plates as called for, rebound (not recent) half calf worn, crudely rebacked cloth spine, lacks publishers ads at end; HANDBOOK TO THE RIVERS AND BROA ...[more]

ERNEST R SUFFLING : THE LAND OF THE BROADS A PRACTICAL GUIDE FOR YACHTSMEN, ANGLERS, TOURISTS AND 490 OTHER PLEASURE-SEEKERS ON THE BROADS AND RIVERS OF NORFOLK AND SUFFOLK, London, L Upcott Gill [1885], 1st edition, folding map, original pictorial card wraps, some restoration, rebacked with tape; THE I ...[more]

GEORGE CHRISTOPHER DAVIES: THE HANDBOOK TO THE RIVERS AND BROADS OF NORFOLK AND SUFFOLK, [1883], 3rd 491 edition, lacks map in pocket at end, original cloth gilt plus CHARLES REYNOLDS & CO (PUBLISHED): THE ALBUM OF LOWESTOFT VIEWS, 21 illustrations on 12 concertina leaves as called for, original cloth b ...[more]

P V DALEY: BROADLAND, THE RIVERS AND BROADS OF NORFOLK AND SUFFOLK, Norwich, Jarrold & Sons, 1935 1st edition, 492 cover title The Broadland Guide , original wraps together with NORFOLK BROADS HOLIDAYS AFLOAT 1938, Blakes Ltd, 1938, catalogue illustrated throughout, oblong, original pictorial wraps reb ...[more]

CHARLES GOODEY: THE BROWN BOATS A STORY OF THE BROADS ONE DESIGNS, A FLEET OF RACING YACHTS UNIQUE 493 IN GREAT BRITAIN IF NOT THE WORLD, Soman Wherry Press for the author 1972, 1st edition, signed and inscribed, original cloth, dust wrapper plus C A HANNAFORD: THE CHARM OF THE NORFOLK BROADS, Wroxham ...[more]

BLUE PETER : A WEEK IN A WHERRY ON THE NORFOLK BROADS, illustrated by The Purser [Nelson Burtsall], London and New 494 York [1890], 1st edition, 12 plates as called for, 14pp publishers adverts at end, original cloth gilt

SIR HENRY RIDER HAGGARD: THE POOR AND THE LAND BEING A REPORT ON THE SALVATION ARMY COLONIES IN THE 495 UNITED STATES AND AT HADLEIGH, ENGLAND WITH SCHEME OF NATIONAL LAND SETTLEMENT, London, Longmans, Green & Co 1905, 1st edition, 12 black and white illustrations from photographs and 6 full page plates ...[more]

WALTER RYE: 2 titles: A MONTH ON THE NORFOLK BROADS ON BOARD THE WHERRY, ZOE AND ITS TENDER, THE TUB 496 LOTUS , illustrated Wilfrid Ball, London, Norwich, Yarmouth and Ipswich [1887] 1st edition, four folding maps as called for, publishers adverts at front and rear, original pictorial boards worn, T ...[more]

JOSEPH WHITAKER: BRITISH DUCK DECOYS OF TO-DAY, 1918, London, The Burlington Publishing Co Ltd 1918 1st edition, 497 relevant extracts and material tipped in throughout together with manuscript lease of Tunstall duckcoy between a Robert Lemming of Norwich and a John Jellet of Hemsby? , folding manusc ...[more]

EDWARD EMPSON MIDDLETON: THE CRUISE OF THE KATE, A NARRATIVE OF A VERY MERRY WHERRY EXPEDITION 498 THROUGH THE RIVERS AND BROADS OF NORFOLK AND SUFFOLK, Stamford, Jenkinson & Son 1886, full page black and white map 137pp, original cloth backed printed boards

GEORGE CHRISTOPHER DAVIES: 3 titles: HANDBOOK TO THE RIVERS AND BROADS OF NORFOLK AND SUFFOLK, London 499 and Norwich, Jarrold & Sons, [1891], 18th edition revised and enlarged, lacks folding map in rear pocket, original pictorial cloth gilt worn, HANDBOOK TO THE RIVERS AND BROADS OF NORFOLK AND SUFFOLK ...[more]

ERNEST R SUFFLING: 2 titles: HISTORY AND LEGENDS OF THE BROAD DISTRICT; WITH A GLANCE AT ITS FOLKLORE, 500 GHOSTS, CHURCHES, ETC, [1891], plates and illustrations as called for, 7pp adverts at end, small quantity leaves loose, original pictorial cloth gilt, THE LAND OF THE BROADS..., London 1887, 1st il ...[more] WALTER RYE: 2 titles: THE HICKLING BROAD CASE MICKLETHWAITE v VINCENT, THE JUDGEMENT OF THE COURT OF 501 APPEAL CONSIDERED, Norwich, Agas H Goose 1893, 39pp, original stitched printed wraps, some relevant news cuttings tipped in at front and rear, + THE RIGHTS OF FISHING, SHOOTING, AND SAILING ON THE NO ...[more]

CHARLES EDWARD BRENNAN: JOURNAL OF A SHORT CRUISE ON THE RIVERS AND BROADS OF NORFOLK AND SUFFOLK, 502 Bungay, Richard Clay & Sons for private circulation 1889, 64pp, original cloth gilt

HARRY BRITTAIN: 2 titles: NOTES ON THE BROADS AND RIVERS OF NORFOLK AND SUFFOLK, Norwich, Lowestoft and London 503 [1887] 1st edition, folding maps and plates as called for, adverts at end dated May 1887, original pictorial wraps worn, backstrip with part losses, FOURTEEN DAYS AFLOAT: A CRUISE ON THE BR ...[more]

ARTHUR HENRY PATTERSON: A NORFOLK NATURALIST, OBSERVATIONS ON BIRDS, MAMMALS AND FISHES, 1930 1st 504 edition, frontis + 35 illustrations as called for, original cloth gilt + E L TURNER: BROADLAND BIRDS, London, Country Life 1924 1st edition, original two-tone cloth gilt worn (2)

WILLIAM A DUTT: 4 titles: BY SEA MARGE, MARSH AND MERE, London and Lowestoft [1898] 1st edition, original printed wraps, 505 HIGHWAYS, BYWAYS, AND WATERWAYS OF EAST ANGLIA, A COLLECTION OF PROSE PASTORALS, Lowestoft and London, 1899 1st edition, frontispiece as called for, original printed wraps, spine ...[more]

WILLIAM HEWITT: AN ESSAY ON THE ENCROACHMENTS OF THE GERMAN OCEAN ALONG THE NORFOLK COAST, WITH A 506 DESIGN TO ARREST ITS FURTHER DEPREDATIONS; DEDICATED TO THE RT HON THE LORDS COMMISSIONERS OF THE ADMIRALTY, Norwich, Matchett, Stevenson for the author 1844 1st edition, 2 engraved litho plates as call ...[more]

LILIAS RIDER-HAGGARD (edited): 2 titles: I WALKED BY NIGHT, BEING THE LIFE AND HISTORY OF THE KING OF THE 507 NORFOLK POACHERS, illustrated Edward Seago, 1935 1st edition, coloured frontis + 12 black and white plates, original cloth, slightly soiled, THE RABBIT SKIN CAP, A TALE OF A NORFOLK COUNTRYMAN S ...[more]

GEORGE CHRISTOPHER DAVIES: ANGLING IDYLLS, London, Chapman & Hall 1876 1st edition, inscribed by the author Mrs Cooper 508 with the author s love to half title, original blind stamped cloth gilt

C A CAMPLING: THE LOG OF THE STRANGER , A CRUISE ON THE BROADS OF NORFOLK, Beccles 1871 1st edition, 58pp, 509 original cloth gilt

C A CAMPLING: THE LOG OF THE STRANGER , A CRUISE ON THE BROADS OF NORFOLK, Beccles 1871 1st edition, 58pp, 510 original cloth gilt

ERNEST TUNBRIDGE: HIGH JINKS: A YARN OF THE NORFOLK BROADS, Great Yarmouth, East Norfolk Printing Co, c1891 1st 511 edition, original printed card wraps, tape repairs, reinforcement to spine

J F MOSTYN CLARKE: THREE WEEKS IN NORFOLK, BEING A PORTION OF THE ROVER S LOG , London 1887 1st edition, 9 full 512 page black and white plates as called for, original blind stamped cloth gilt

J F MOSTYN CLARKE: THREE WEEKS IN NORFOLK, BEING A PORTION OF THE ROVER S LOG , London 1887 1st edition, 9 full 513 page black and white plates as called for, original printed wraps, backstrip chipped

[CHARLES COLEMAN LAING] : A WEEK ON THE BURE, ANT AND THURNE, 1895 privately printed , limited edition (this copy 514 numbered 36, unknown limitation), 4 plates plus map, 58pp + epilogue, original cloth gilt

HENRY RODOLPH DE SALIS: NORFOLK WATERWAYS, A GUIDE TO THE NAVIGABLE WATERWAYS OF THE NORFOLK BROAD 515 DISTRICT, COMPILED AFTER A PERSONAL SURVEY OF THE WHOLE, London, Jarrold & Sons, 1900 1st edition, original printed boards rebacked + ANON: THE BROADS AND RIVERS OF NORFOLK WITH CHART AND MAP SHOWING T ...[more] EDWARD EMPSON MIDDLETON: THE CRUISE OF THE KATE, A NARRATIVE OF A VERY MERRY WHERRY EXPEDITION 516 THROUGH THE RIVERS AND BROADS OF NORFOLK AND SUFFOLK, Stamford, Jenkinson & Son 1886, manuscript list on fly-leaf of members of the crew with their pseudonyms, some other pencil annotations at front and re ...[more]

JAMES STARK & J W ROBBERDS: SCENERY OF THE RIVERS OF NORFOLK, COMPRISING THE YARE, THE WAVENEY, AND 517 THE BURE, Norwich, John Stacy & London, Moon, Boys et al, 1834 subscribers copy added vignette engraved title + 24 engraved plates + 11 engraved vignettes as called for, all mounted India paper proo ...[more]

PETER HENRY EMERSON: ON ENGLISH LAGOONS BEING AN ACCOUNT OF THE VOYAGE OF TWO AMATEUR WHERRYMEN 518 ON THE NORFOLK AND SUFFOLK RIVERS AND BROADS, London, David Nutt, 1893, limited edition (100) numbered (this copy numbered 15 and indistinctly signed alongside the number D Nutt (the publisher?), furthe ...[more]

PETER HENRY EMERSON: ON ENGLISH LAGOONS BEING AN ACCOUNT OF THE VOYAGE OF TWO AMATEUR WHERRYMEN 519 ON THE NORFOLK AND SUFFOLK RIVERS AND BROADS, London, David Nutt, 1893, 1st edition, 18 black and white illustrations from photographs as called for, 2pp adverts at end, original pictorial cloth gilt

PETER HENRY EMERSON: 4 titles: PICTURES OF EAST ANGLIAN LIFE..., London, Sampson Low, Marston et al, 1888, inscribed slip 520 Mrs Teck with the author s best wishes, March 1888 pasted to preface, 150pp letterpress (lacks photogravures), folio, original printed wraps, chipped at edges, rebacked paper s ...[more]

G COLMAN GREEN: THE NORFOLK WHERRY, ITS CONSTRUCTION, EVOLUTION AND HISTORY..., Wymondham, Geo R Reeve 521 1953 1st edition, signed and inscribed To G C Chambers Esq, 74 Magdalen Rd, Norwich, from G Colman Green, 1/6/1960... , extra illustrated with assorted press cuttings, postcards, photographs etc t ...[more]

ERNEST R SUFFLING: HISTORY AND LEGENDS OF THE BROAD DISTRICT; WITH A GLANCE AT ITS FOLKLORE, GHOSTS, 522 CHURCHES ETC, London, Jarrold & Sons [1891] 1st edition, 7pp adverts at end + HARRY BRITTAIN: RAMBLES IN EAST ANGLIA OR HOLIDAY EXCURSIONS AMONG THE RIVERS AND BROADS, London, Jarrold & Sons 1897 3rd ...[more]

FRITZ ZORN: BUNCE, THE BOBBY AND THE BROADS, A HOLIDAY YARN, London, Jarrold & Sons 1900 2nd edition, original 523 pictorial cloth, spine browned + JOHN BICKERDYKE: THE BEST CRUISE ON THE BROADS WITH USEFUL HINTS ON HIRING, PROVISIONING AND MANNING THE YACHT..., London, [1895] 1st edition, 8 plates as c ...[more]

WALTER E LEDGER: THE BLUE BIRD AMONG THE NORFOLK REEDS, WITH SOME REFLECTIONS ON THE WATER, London, 524 1911, private edition, limited (50) numbered, inscribed presentation copy Ralph Shaw with the kind regards of his friend the author, Christmas 1911 , original card wraps, Royal Cruising Club blind ...[more]

E & S LONDON (published): THE ART ALBUM OF THE BROADS AND RIVERS OF NORFOLK AND SUFFOLK, [1897], view album 525 containing 16 leaves of black and white plates from photographs, oblong original blind stamped cloth gilt + G F BRADBY: BROADLAND AND OTHER POEMS, London, Elkin Matthews 1904 1st edition, orig ...[more]

ERNEST R SUFFLING: 3 titles: THE LAND OF THE BROADS..., London, L Upcott Gill 1887 1st illustrated edition [2nd edition], folding 526 map, 44pp adverts at end, original pictorial cloth gilt, AFLOAT IN A GIPSY VAN OR ADVENTURES IN THE NORTH SEA, London, Jarrold & Sons, 1905, 1st edition, 5pp adverts at e ...[more]

FIVE JARROLDS HOLIDAY SERIES AND OTHER BROADLAND GUIDEBOOKS including GEORGE CHRISTOPHER DAVIES: 527 JARROLDS ILLUSTRATED GUIDE TO THE RIVERS AND BROADS OF NORFOLK AND SUFFOLK, [ND], 44th edition revised and enlarged, original pictorial card wraps crudely rebacked War Price 9d net sticker to top wr ...[more]

GREAT EASTERN RAILWAY (published): HOLIDAY NOTES IN EAST ANGLIA BEING A SELECTION OF ARTICLES WHICH HAVE 528 APPEARED IN THE PUBLIC PRESS ON THE HOLIDAY RESORTS IN NORFOLK, SUFFOLK AND ESSEX, 1887 2nd edition, 15 plates as called for, original printed wraps, backstrip worn reinforced with tape + HENRY M ...[more] JOHN HENRY GURNEY JNR: THE GANNET, A BIRD WITH A HISTORY, London, Witherby & Co 1913, 1st edition, author s copy with 529 his book plate to front free end paper and half title, two autographed letters signed to Arthur Henry Patterson tipped in to front paste down and verso front free end paper, 50 plate ...[more]

HERBERT D GELDART (1831-1902): A LIST OF NORFOLK PLANTS, [manuscript title], approx 420 manuscript leaves of entries + a 530 few pressed flowers Geldart was a founder member of The Norfolk & Norwich Naturalists Society, later manuscript pen and ink biography of Geldart tipped in at front, old half cal ...[more]

WALTER RYE: THE MONUMENTAL INSCRIPTIONS IN THE HUNDRED OF HAPPING OF HOLT OF TUNSTEAD, IN THE COUNTY 531 OF NORFOLK, Norwich, Agas H Goose & Co, 1886, 1885, 1981, 3 volumes bound in one, 114, 160, 190pp + [2]pp advert at end, rebound (not recent) half morocco gilt, top edge gilt

ANNA MARIA WILHELMINA STIRLING: COKE OF NORFOLK AND HIS FRIENDS, THE LIFE OF THOMAS WILLIAM COKE, 1ST 532 EARL OF LEICESTER OF HOLKHAM..., London and New York 1908 1st edition, 2 volumes, rebound (not recent), three-quarter brown morocco gilt by Brentanos, top edges gilt (2)

JOHN DAWSON (edited): THE STRANGERS GUIDE TO HOLKHAM..., Burnham, J Dawson, 1817, 1st edition, engraved frontis, (small 533 blue stain), contemporary half calf

LEONARD P THOMPSON: NORWICH INNS, [1947], 1st edition, original boards, dust-wrapper + FRED ROE: ESSEX SURVIVALS 534 WITH SPECIAL ATTENTION TO ESSEX SMUGGLERS, 1929 1st edition, original cloth gilt, dust-wrapper (2)

HOLIDAY NOTES IN EAST ANGLIA ... ON THE HOLIDAY RESORTS IN NORFOLK, SUFFOLK, AND ESSEX, Great Eastern Railway 535 1886, 105pp plus timetable at end dated 1886, original printed wraps worn plus MATHENA BLOMEFIELD: THE BULLEYMUNG PIT THE STORY OF A NORFOLK FARMER S CHILD, 1946, 1st edition, original cloth ...[more]

EDWARD WEDLAKE BRAYLEY: VIEWS IN SUFFOLK, NORFOLK, AND NORTHAMPTONSHIRE; ILLUSTRATIVE OF THE WORKS 536 OF ROBERT BLOOMFIELD..., London, Vernor, Hood & Sharpe et al, April 1806, engraved port-frontis + 14 engraved plates as called for, 55pp, contemporary cloth backed boards worn

MARK KNIGHTS: THE ILLUSTRATED GUIDE TO CROMER AND NEIGHBOURHOOD: INCLUDING RUNTON, SHERINGHAM, 537 OVERSTRAND, SIDESTRAND, MUNDESLEY, NORTHREPPS..., London and Norwich, circa 1900, new edition, 31st thousand, 18 plates plus folding map as called for, 114pp plus 10pp adverts at end, original printed wrap ...[more]

JOURNAL OF JAMES HALE, LATE SERGEANT IN THE 9TH REGIMENT OF FOOT, Cirencester and London, Philip Watkins & 538 Longman & Co 1826, 131pp, contemporary autographed letter signed C Bathurst tipped in at front, contemporary half calf gilt worn

NATHANIEL KENT: GENERAL VIEW OF THE AGRICULTURE OF THE COUNTY OF NORFOLK; WITH OBSERVATIONS FOR THE 539 MEANS OF ITS IMPROVEMENT..., London, George Nicol 1796, engraved folding map frontis + 3 engraved plates (of which one folding) as called for, rebound half calf gilt, marbled boards, new end papers

ROYAL AGRICULTURAL SOCIETY OF ENGLAND (published): REGULATIONS FOR THE EXHIBITION AND TRIAL OF 540 AGRICULTURAL IMPLEMENTS, MACHINERY & C, AT THE SOCIETY S SEVENTY-SECOND ANNUAL EXHIBITION TO BE HELD AT NORWICH FROM MONDAY, JUNE 26TH TO FRIDAY, JUNE 30TH, 1911, 1911, viii, 230, ix-lxxiii, original cloth ...[more]

[THOMAS KITSON CROMWELL]: EXCURSIONS IN THE COUNTY OF NORFOLK..., London, 1818-1819, 1st edition, 2 volumes, 2 541 engraved folding maps, 2 added engraved titles + 94 (of 96) engraved plates, contemporary boards worn, printed paper labels to spines (2)

WILLIAM AND MAGGIE VAUGHAN-LEWIS: SEE YOU IN COURT THE POTTS FAMILY OF MANNINGTON, NORFOLK 1584-1737, 542 Itteringham History, 2009, 1st edition, original pictorial laminated boards JOHN BERESFORD (edited): THE DIARY OF A COUNTRY PARSON: THE REVEREND JAMES WOODFORDE 1758-1781, London 543 and Oxford, 1924-1931, 5 volumes, volume 1 1924 2nd impression, volumes 2-5 1926-1931 1st edition, original uniform cloth printed paper labels to spines, (5)

WALTER LANGLEY EDWARD PARSONS: SALLE, THE STORY OF A NORFOLK PARISH, ITS CHURCH, MANORS AND PEOPLE, 544 Norwich, Jarrold & Sons, 1937, 1st edition, two-page autographed letter signed from the author to his nephew and stockbroker, the letter dated 13th February 1936 content relating to impending publishi ...[more]

EDMUND BARTELL: CROMER, CONSIDERED AS A WATERING PLACE; WITH OBSERVATIONS ON THE PICTURESQUE 545 SCENERY IN ITS NEIGHBOURHOOD, London, Norwich and Cromer 1806 2nd edition enlarged, 2 full page aquatint plates + engraved hand coloured folding map at rear, 124pp + publisher s adverts at end, copy of Sir R ...[more]

TOM WILLIAMSON AND ANDREW MACNAIR: WILLIAM FADEN AND NORFOLK S 18TH CENTURY LANDSCAPE, 2010 1st edition, 546 original pictorial laminated wraps + J C BARRINGER (introduction): FADEN S MAP OF NORFOLK, Norfolk Records Society, 1973, volume 42, 15pp, letterpress original wraps + facsimile of the original m ...[more]

MAJOR JOHN HENRY LESLIE: THE HISTORY OF LANDGUARD FORT IN SUFFOLK, London, Eyre & Spottiswoode 1898, 1st edition, 547 map frontis + 25 plates as called for, original cloth gilt, SUFFOLK COUNTY HANDBOOK AND OFFICIAL DIRECTORY FOR 1908 WITH WHICH ARE INCORPORATED KNIGHTS COUNTY HANDBOOK AND GLYDE S SUFFO ...[more]

[WALTER HAMPSON] PSEUDONYM CASEY : THE BURSTON SCHOOL STRIKE, Manchester and London, The National Labour 548 Press Limited [1915] 1st edition, 19pp, original printed wraps together with album containing relevant contemporary news cuttings from The Diss Express , 27th March 1914-31st July 1914 tipped i ...[more]

RICHARD GREEN: THE HISTORY, TOPOGRAPHY, AND ANTIQUITIES OF FRAMLINGHAM AND SAXSTEAD, IN THE COUNTY OF 549 SUFFOLK..., London, Whittaker, Treacher & Co, 1834, 1st edition, engraved frontis depicting Framlingham from Apsey Green + engraved folding plan depicting Framlingham Castle and Saxstead Woods, 272p ...[more]

[THOMAS KITSON CROMWELL]: EXCURSIONS IN THE COUNTY OF SUFFOLK: COMPRISING A BRIEF HISTORICAL AND 550 TOPOGRAPHICAL DELINEATION OF EVERY TOWN AND VILLAGE..., London, 1818-1819, large paper edition, 2 volumes, 2 added engraved title pages, 2 engraved folding maps + 96 engraved plates as called for, old di ...[more]

S CATLING: HISTORY OF BURY ST EDMUNDS WITH PHOTOGRAPHIC ILLUSTRATIONS, circa 1890, 102pp + 10pp adverts at end, 551 rebound cloth gilt, original wraps bound in + LOUIS N PARKER: THE BURY ST EDMUNDS PAGEANT, JULY 8, 9, 10, 11, 12, 13, 1907, Bury [St Edmunds] circa 1907, final edition, 66pp, original pict ...[more]

[THOMAS KITSON CROMWELL]: EXCURSIONS IN THE COUNTY OF SUFFOLK..., London, 1818-1819, 1st edition, 2 volumes, 2 552 engraved folding maps, 2 added engraved titles + 96 engraved plates as called for, rebound (not recent) half brown morocco gilt, crimson morocco labels to spines, ex-Bryan Hall, Banningham ...[more]

MONTAGU RHODES JAMES: SUFFOLK AND NORFOLK..., 1930 1st edition, original two-tone cloth ex-Bryan Hall, Banningham 553 Rectory with his book plate to front paste down + KELLY S DIRECTORY OF SUFFOLK 1937, folding coloured map, original cloth gilt + H R BARKER: WEST SUFFOLK, ILLUSTRATED..., Bury St Edmunds ...[more]

REV FRANCIS BLOMEFIELD & CHARLES PARKIN: AN ESSAY TOWARDS A TOPOGRAPHICAL HISTORY OF THE COUNTY OF 554 NORFOLK ... Fersfield, Norwich and Kings Lynn, 1739-1775, 1st edition, 5 volumes, 1 folding map, 31 plates + 6 folding pedigrees A/F, folio, old full calf gilt very worn, small quantity relevant epheme ...[more]

NORWICH ART CIRCLE, 32 catalogues for exhibitions held at the Society s Room, Old Bank of England Chambers, Queen Street, 555 September 1885 May 1900, comprising Nos 1, 2, 4, 5, 7, 10-35 (lacks 3, 6 and 9), each original printed wraps (32) EDWARD SEAGO (1910-1974), 5 TITLES: HIGH ENDEAVOUR, 1944 1st edition, original cloth gilt, dust wrapper; PEACE IN WAR, 556 1944, 2nd impression, original cloth, dust wrapper; WITH THE ALLIED ARMIES IN ITALY, 1945, 1st edition, original cloth gilt, dust wrapper (VGC); A CANVAS TO COVER, 1947, 1st edition ...[more]

EDWARD MEYRICK GOULBURN: THE ANCIENT SCULPTURES OF THE ROOF OF NORWICH CATHEDRAL, WHICH EXHIBIT THE 557 COURSE OF SCRIPTURE HISTORY ..., London and Norwich, The Autotype Fine Art Co and Henry W Stacy, 1876, 48 plates (mainly autotypes from photographs by Sawyer & Bird) plus 3 illustrations in text as ca ...[more]

MARK KNIGHTS: THE HIGHWAYS AND BYEWAYS OF OLD NORWICH ..., illustrated Percy E Stimpson, Norwich, Jarrold & Sons 558 1887, large paper edition, limited edition (50) numbered, 50 plates as called for, large imperial quarto, original half calf gilt worn, top board near detached, top edge gilt

RICHARD TAYLOR: INDEX MONASTICUS; OR THE ABBEYS AND OTHER MONASTERIES, ALIEN PRIORIES, FRIARIES, 559 COLLEGES, COLLEGIATE CHURCHES AND HOSPITALS WITH THEIR DEPENDENCIES FORMERLY ESTABLISHED IN THE DIOCESE OF NORWICH AND THE ANCIENT KINGDOM OF EAST ANGLIA ..., London, Richard & Arthur Taylor, printed for ...[more]

T HUGH BRYANT: NORFOLK CHURCHES THE HUNDRED OF LAUNDITCH, Norwich, Mercury Office, 1903, oblong, original cloth 560 backed boards plus WILLIAM KEMP: KEMPES NINE DAIES WONDER PERFORMED IN A JOURNEY FROM LONDON TO NORWICH ... COLLECTANEA ADAMANTAEAII, edited Edmund Goldsmid, Edinburgh, 1844, 42pp, origina ...[more]

COLLECTION OF PARLIAMENTARY ACTS, LICENCES AND EPHEMERA CIRCA 1828-1867 RELATING TO INNKEEPING, ALE HOUSES AND VICTUALLING HOUSES IN NORWICH, SEVERAL TO A MR WILLIAM WILDE AND A MR WILLIAM HENRY 561 WOOLBRIGHT, INCLUDING PRINTED GEORGE IV PARLIAMENTARY ACT DATED 1839 TO REGULATE THE GRANTING OF LICENCE ...[more]

A D BAYNE: A COMPREHENSIVE HISTORY OF NORWICH ..., 1869, original decorative cloth gilt, rebacked, original backstrip 562 retained plus MARK KNIGHTS: JARROLDS GUIDE TO NORWICH BASED ON THE ANCIENT HISTORIC DIVISIONS OF THE CITY CIRCA 1905, 15th edition revised and enlarged, 2 folding maps plus numerous ...[more]

WALTER RYE: CARROW ABBEY, OTHERWISE CARROW PRIORY; ITS FOUNDATIONS, BUILDINGS, OFFICERS, AND 563 INMATES..., Norwich, Agas H Goose, 1889, one of 12 specimen copies , 11 plates, plans etc, quarto, original cloth gilt, rebacked, section of spine with gilt titling retained, new end papers

ANON: HISTORY OF THE CITY AND COUNTY OF NORWICH FROM THE EARLIEST ACCOUNTS TO THE PRESENT TIME, 564 Norwich 1768, 1st edition, 7 engraved plates (of which 6 folding) as called for, contemporary full calf worn

REV ANDREW REED: ALICE BRIDGE OF NORWICH A TALE OF THE TIME OF CHARLES THE FIRST, 1879, 1st edition, black and 565 white frontis, 452pp plus publishers ads at end, original decorative cloth gilt

566 ONE BOX: EAST ANGLIA INTEREST, mainly Broadland

567 ONE BOX: EAST ANGLIA INTEREST

568 ONE BOX: EAST ANGLIA INTEREST

ONE BOX: EAST ANGLIA INTEREST, including large folding map on linen, Ordnance Survey circa late 19th century printed label to top 569 cover with manuscript title RE METHWOLD AND FELTWELL DRAINAGE plus directories etc