The Norwich School of Lithotomy
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The Rhinehart Collection Rhinehart The
The The Rhinehart Collection Spine width: 0.297 inches Adjust as needed The Rhinehart Collection at appalachian state university at appalachian state university appalachian state at An Annotated Bibliography Volume II John higby Vol. II boone, north carolina John John h igby The Rhinehart Collection i Bill and Maureen Rhinehart in their library at home. ii The Rhinehart Collection at appalachian state university An Annotated Bibliography Volume II John Higby Carol Grotnes Belk Library Appalachian State University Boone, North Carolina 2011 iii International Standard Book Number: 0-000-00000-0 Library of Congress Catalog Number: 0-00000 Carol Grotnes Belk Library, Appalachian State University, Boone, North Carolina 28608 © 2011 by Appalachian State University. All rights reserved. First Edition published 2011 Designed and typeset by Ed Gaither, Office of Printing and Publications. The text face and ornaments are Adobe Caslon, a revival by designer Carol Twombly of typefaces created by English printer William Caslon in the 18th century. The decorative initials are Zallman Caps. The paper is Carnival Smooth from Smart Papers. It is of archival quality, acid-free and pH neutral. printed in the united states of america iv Foreword he books annotated in this catalogue might be regarded as forming an entity called Rhinehart II, a further gift of material embodying British T history, literature, and culture that the Rhineharts have chosen to add to the collection already sheltered in Belk Library. The books of present concern, diverse in their -
Norfolk Through a Lens
NORFOLK THROUGH A LENS A guide to the Photographic Collections held by Norfolk Library & Information Service 2 NORFOLK THROUGH A LENS A guide to the Photographic Collections held by Norfolk Library & Information Service History and Background The systematic collecting of photographs of Norfolk really began in 1913 when the Norfolk Photographic Survey was formed, although there are many images in the collection which date from shortly after the invention of photography (during the 1840s) and a great deal which are late Victorian. In less than one year over a thousand photographs were deposited in Norwich Library and by the mid- 1990s the collection had expanded to 30,000 prints and a similar number of negatives. The devastating Norwich library fire of 1994 destroyed around 15,000 Norwich prints, some of which were early images. Fortunately, many of the most important images were copied before the fire and those copies have since been purchased and returned to the library holdings. In 1999 a very successful public appeal was launched to replace parts of the lost archive and expand the collection. Today the collection (which was based upon the survey) contains a huge variety of material from amateur and informal work to commercial pictures. This includes newspaper reportage, portraiture, building and landscape surveys, tourism and advertising. There is work by the pioneers of photography in the region; there are collections by talented and dedicated amateurs as well as professional art photographers and early female practitioners such as Olive Edis, Viola Grimes and Edith Flowerdew. More recent images of Norfolk life are now beginning to filter in, such as a village survey of Ashwellthorpe by Richard Tilbrook from 1977, groups of Norwich punks and Norfolk fairs from the 1980s by Paul Harley and re-development images post 1990s. -
In 1765 at What Is Now the University of Pennsylvania. the Other Was in New York at King's College, Where the Medical Department Was Founded in 1768
HENRY R. VIETS* Boston, Massachusetts THE MEDICAL EDUCATION OF JAMES LLOYD IN COLONIAL AMERICA* * The speaker is not unmindful of the honor conferred upon him by the Departments of the History of Medicine and Surgery in being asked to give the third Samuel Clark Harvey Lecture. This is not a copiously ele- giac age, but it is well to be reminded that Sam Harvey was a rathe and ripe mind, dedicated, as was Osler, to developing in his daily life the historical approach to medicine. As a surgeon he was bold, meticulous, and competent-serious and thoughtful at the operating table, but always seeing his patient with the humility of spirit so characteristic of greatness. Back of all this was his long view of history, for each task was en- veloped in an inquiring mind, organizing and consolidating the thoughts of his forerunners as an integral part of the problem. Whether consider- ing a specific surgical procedure or probing into the intricate aspects of medical education, Harvey enlightened each day with an artful balance of humor and penetrating thinking. These characteristics, not the bio- graphical details, were the products of his art, for no thought was disclosed or action motivated without the perspective of the past enlightening the present.1 MEDICAL EDUCATION IN COLONIAL AMERICA Before the onset of the Revolution, in 1775, there were only two places in America where a formal course of medical education could be obtained. One was in Philadelphia, the medical school having been established there in 1765 at what is now the University of Pennsylvania. -
Contents of Volume 14 Norwich Marriages 1813-37 (Are Distinguished by Letter Code, Given Below) Those from 1801-13 Have Also Been Transcribed and Have No Code
Norfolk Family History Society Norfolk Marriages 1801-1837 The contents of Volume 14 Norwich Marriages 1813-37 (are distinguished by letter code, given below) those from 1801-13 have also been transcribed and have no code. ASt All Saints Hel St. Helen’s MyM St. Mary in the S&J St. Simon & St. And St. Andrew’s Jam St. James’ Marsh Jude Aug St. Augustine’s Jma St. John McC St. Michael Coslany Ste St. Stephen’s Ben St. Benedict’s Maddermarket McP St. Michael at Plea Swi St. Swithen’s JSe St. John Sepulchre McT St. Michael at Thorn Cle St. Clement’s Erh Earlham St. Mary’s Edm St. Edmund’s JTi St. John Timberhill Pau St. Paul’s Etn Eaton St. Andrew’s Eth St. Etheldreda’s Jul St. Julian’s PHu St. Peter Hungate GCo St. George Colegate Law St. Lawrence’s PMa St. Peter Mancroft Hei Heigham St. GTo St. George Mgt St. Margaret’s PpM St. Peter per Bartholomew Tombland MtO St. Martin at Oak Mountergate Lak Lakenham St. John Gil St. Giles’ MtP St. Martin at Palace PSo St. Peter Southgate the Baptist and All Grg St. Gregory’s MyC St. Mary Coslany Sav St. Saviour’s Saints The 25 Suffolk parishes Ashby Burgh Castle (Nfk 1974) Gisleham Kessingland Mutford Barnby Carlton Colville Gorleston (Nfk 1889) Kirkley Oulton Belton (Nfk 1974) Corton Gunton Knettishall Pakefield Blundeston Cove, North Herringfleet Lound Rushmere Bradwell (Nfk 1974) Fritton (Nfk 1974) Hopton (Nfk 1974) Lowestoft Somerleyton The Norfolk parishes 1 Acle 36 Barton Bendish St Andrew 71 Bodham 106 Burlingham St Edmond 141 Colney 2 Alburgh 37 Barton Bendish St Mary 72 Bodney 107 Burlingham -
Literary Encyclopedia: Theodore Watts-Dunton
Literary Encyclopedia: Theodore Watts-Dunton Theodore Watts-Dunton (1832-1914) Jodie Matthews (University of Huddersfield) (Walter Theodore Watts-Dunton) Poet. Active 1874-1914 in England Theodore Watts-Dunton was known primarily as a literary critic for the Athenaeum and Encyclopaedia Britannica, for his romantic writing about the Romani people of England and Wales in poetry and prose fiction, and for his literary and artistic friendships, in particular his long-time support and companionship to the poet Algernon Charles Swinburne. While successful in his own lifetime, his work has fallen out of favour and is no longer generally well-known. Walter Theodore Watts was born in 1832 in St. Ives, Huntingdonshire to John King Watts, a solicitor, and his East Anglian mother, Susannah Dunton. Theodore incorporated her surname into his own by deed poll in 1897. He was apparently enchanted by literature from a young age, with a formative experience being that of reading SpenserŸs Faerie Queen. Much is made by his biographer, Thomas St. E. Hake (son of the poet Thomas Gordon Hake), of the early influence of family members on the subjects that would later come to interest him, such as his maternal grandmotherŸs interest in Gypsies and Gypsy life. After attending school in Cambridge, he trained as a solicitor and practised in London. Watts-Dunton was over forty when he changed career and began to write seriously. He joined the Examiner in 1874 and then began to write anonymously for the Athenaeum the following year as a reviewer. His poems and other writings about Gypsies also appeared in this publication during his long career there. -
NORWICH, ENGLAND Global Education NORWICH, ENGLAND
Global Education Education Global NORWICH, ENGLAND NORWICH, (CGE) for Center HOBART AND WILLIAM SMITH COLLEGES SMITH WILLIAM AND HOBART Excursions UEA is not a “study abroad program” in the traditional sense in that HWS students will be directly enrolled at the university. While there will not be excursions designed specifically for HWS students, UEA does have a full-service student travel agency on its campus in order to assist those planning their own travel. In addition, the university has an extremely active student union and international student office which plan a variety of educational, cultural and travel opportunities in which all students are invited to participate (fees will vary). Independent and self-starting students will have a multitude of opportunities to immerse themselves in the local culture and to explore southeastern England and beyond. Norfolk coastline Going Abroad With the CGE Students will be charged standard HWS tuition and fees and a $550 administrative fee. This will cover credit for a four-course semester, airport arrival services and orientation program. Note that no room or board charge is included. Students will pay room fees directly to the University of East Anglia (note that several housing options are available at different price levels; housing expenses will be higher during the spring semester due to the longer term) and they should bring their board fee to cover meals. While board expenses will vary according to individual tastes, we estimate that $2000—$2300 should be sufficient for students who prepare their own meals (during the spring semester, students should bring $2400—$2700 for meals due to the longer semester). -
North Norfolk District Council (Alby
DEFINITIVE STATEMENT OF PUBLIC RIGHTS OF WAY NORTH NORFOLK DISTRICT VOLUME I PARISH OF ALBY WITH THWAITE Footpath No. 1 (Middle Hill to Aldborough Mill). Starts from Middle Hill and runs north westwards to Aldborough Hill at parish boundary where it joins Footpath No. 12 of Aldborough. Footpath No. 2 (Alby Hill to All Saints' Church). Starts from Alby Hill and runs southwards to enter road opposite All Saints' Church. Footpath No. 3 (Dovehouse Lane to Footpath 13). Starts from Alby Hill and runs northwards, then turning eastwards, crosses Footpath No. 5 then again northwards, and continuing north-eastwards to field gate. Path continues from field gate in a south- easterly direction crossing the end Footpath No. 4 and U14440 continuing until it meets Footpath No.13 at TG 20567/34065. Footpath No. 4 (Park Farm to Sunday School). Starts from Park Farm and runs south westwards to Footpath No. 3 and U14440. Footpath No. 5 (Pack Lane). Starts from the C288 at TG 20237/33581 going in a northerly direction parallel and to the eastern boundary of the cemetery for a distance of approximately 11 metres to TG 20236/33589. Continuing in a westerly direction following the existing path for approximately 34 metres to TG 20201/33589 at the western boundary of the cemetery. Continuing in a generally northerly direction parallel to the western boundary of the cemetery for approximately 23 metres to the field boundary at TG 20206/33611. Continuing in a westerly direction parallel to and to the northern side of the field boundary for a distance of approximately 153 metres to exit onto the U440 road at TG 20054/33633. -
New - Unit 4 - Chelmsford Station
NEW - UNIT 4 - CHELMSFORD STATION UNIT 4, Duke Street, Chelmsford, CM1 1HT, Description The premise is located within the main station building adjacent to the station's rear entrance and the taxi rank. An arcade leads from the rear entrance through to the main station concourse, booking hall and ticket gates. The unit measures approximately: Ground Floor Retail: 37.72 sq.m First Floor: 27.7 sq m The unit has an A3 user, and was previously a sandwich bar and coffee shop. It is arranged over two floors. Key Details Serving the Essex city of Chelmsford, the busy station with a host of major retailers sees over 7.3 million passengers per annum. Built upon a series of railway arches the two platforms serve passengers travelling to Norwich, Ipswich, Clacton-on-sea and London Liverpool Street with the latter having a journey time of circa 35 minutes. Other Information Chelmsford Station is currently under redevelopment with works due to complete September 2016. Unit 4 is currently being used as a temporary ticket office, and will revert back to a retail unit once the new ticket office is open. The redevelopment, incorporates a new ticket office, an improved staircase to the London-bound platform, improved retail outlets and a new station front. Queries and registrations of interests should be submitted to Ross McKechnie. Email: [email protected] Size: 65.4 sq m (~ 704 sq ft) Type: Retail Nearest Station: CHM Offer invited: Yes Available from: Immediate Local Authority: Chelmsford City Council Deposit: 3 months rent - Subject to a minimum of £1,000 Location Description Chelmsford is the only City in Essex. -
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GHT tie 17, United States Code) r reproductions of copyrighted Ttain conditions. In addition, the works by means of various ents, and proclamations. iw, libraries and archives are reproduction. One of these 3r reproduction is not to be "used :holarship, or research." If a user opy or reproduction for purposes able for copyright infringement. to accept a copying order if, in its involve violation of copyright law. CTbc Minivers U^ of Cbicatjo Hibrcmes LIGHTFOOT OF DURHAM LONDON Cambridge University Press FETTER LANE NEW YORK TORONTO BOMBAY CALCUTTA MADRAS Macmillan TOKYO Maruzen Company Ltd All rights reserved Phot. Russell BISHOP LIGHTFOOT IN 1879 LIGHTFOOT OF DURHAM Memories and Appreciations Collected and Edited by GEORGE R. D.D. EDEN,M Fellow Pembroke Honorary of College, Cambridge formerly Bishop of Wakefield and F. C. MACDONALD, M.A., O.B.E. Honorary Canon of Durham Cathedral Rector of Ptirleigb CAMBRIDGE AT THE UNIVERSITY PRESS 1933 First edition, September 1932 Reprinted December 1932 February PRINTED IN GREAT BRITAIN 1037999 IN PIAM MEMORIAM PATRIS IN DEO HONORATISSIMI AMANTISSIMI DESIDERATISSIMI SCHEDULAS HAS QUALESCUNQUE ANNOS POST QUADRAGINTA FILII QUOS VOCITABAT DOMUS SUAE IMPAR TRIBUTUM DD BISHOP LIGHTFOOT S BOOKPLATE This shews the Bishop's own coat of arms impaled^ with those of the See, and the Mitre set in a Coronet, indicating the Palatinate dignity of Durham. Though the Bookplate is not the Episcopal seal its shape recalls the following extract from Fuller's Church 5 : ense History (iv. 103) 'Dunelmia sola, judicat et stola. "The Bishop whereof was a Palatine, or Secular Prince, and his seal in form resembleth Royalty in the roundness thereof and is not oval, the badge of plain Episcopacy." CONTENTS . -
The Life of George Borrow by Herbert Jenkins</H1>
The Life of George Borrow by Herbert Jenkins The Life of George Borrow by Herbert Jenkins This etext was produced by David Price, email [email protected], from the 1912 John Murray edition. THE LIFE OF GEORGE BORROW by Herbert Jenkins PREFACE During the whole of Borrow's manhood there was probably only one period when he was unquestionably happy in his work and content with his surroundings. He may almost be said to have concentrated into the seven years (1833-1840) that he was employed by the British and Foreign Bible Society in Russia, Portugal and Spain, a lifetime's energy and resource. From an unknown hack-writer, who hawked about unsaleable translations of Welsh and Danish bards, a travelling tinker and a vagabond Ulysses, he became a person of considerable importance. His name was acclaimed with praise and enthusiasm at page 1 / 665 Bible meetings from one end of the country to the other. He developed an astonishing aptitude for affairs, a tireless energy, and a diplomatic resourcefulness that aroused silent wonder in those who had hitherto regarded him as a failure. His illegal imprisonment in Madrid nearly brought about a diplomatic rupture between Great Britain and Spain, and later his missionary work in the Peninsula was referred to by Sir Robert Peel in the House of Commons as an instance of what could be achieved by courage and determination in the face of great difficulties. Those seven rich and productive years realised to the full the strange talents and unsuspected abilities of George Borrow's unique character. -
(1802-1834) Chapter 1 Harriet Martineau Grows up in Norwich
Part 1 Early Life and Celebrity (1802-1834) Chapter 1 Harriet Martineau Grows Up in Norwich (1802-1819) When Harriet (the Martineaus’ sixth child) was born on 12 June 1802, Thomas’s Spanish trade was suffering from the effects of the Napoleonic wars, and the family moved from Gurney Court across Magdalen Street to a plain, three-story brick house.1 There, carts could pass through an arched passage from Magdalen Street to Thomas’s warehouse off Boswell’s Court. Utilitarian sheds bordered a planting strip where the Martineau children made gardens and where Harriet and James once tried to dig to China but as somber Victorian children decided instead to make a “grave” to test the feeling of being dead. Harriet Martineau’s autobiography, completed in 1855 when she thought she was dying, cites similar grim incidents from her childhood. Yet the Martineau family enjoyed games and carefree occasions--the girls had hoops and all played at battledore and cards. On special days Thomas let the children play among the bolts of cloth in his warehouse (Harriet remembered with anguish running off to play hide-and-seek and leaving behind her childhood friend who had lost a leg). Another traumatic moment for Harriet arose when the family climbed to the long-windowed room, built originally for weavers, to gaze at a rare comet. Strangely, the anxious nine-year-old Harriet could not see it.2 The accomplishments of Norwich writers and artists of the early nineteenth century like William Taylor--a respected scholar and translator of German literary works--or the painters John Sell Cotman and John Crome scarcely touched Thomas Martineau’s family. -
The Shepherd on the Hill: Comparative Notes on English and German Romantic Landscape Painting 1810-1831
The Shepherd on the Hill: Comparative Notes on English and German Romantic Landscape Painting 1810-1831. Conference paper Conference: ‘Romantic Correspondences’, The Centre for Regional Cultures, University of Nottingham and Nottingham Trent University, Newstead Abbey. Date: 4 November 2005 Abstract The solitary figure in the landscape can be understood in relation to certain, fundamentally Romantic traits – solitude, contemplation, oneness with nature – and is most notably found in the work of Caspar David Friedrich. Less recognised however is the fact that the solitary figure can also be found in the landscape paintings of many English artists of the early nineteenth century, particularly within depictions of commonly held pastoral landscapes. Within the traditional terms of English art history, the landscape genre of this period has also been closely associated with the concept of Romanticism. This paper will study the use of the solitary figure in paintings of open, common field landscape, and will compare two paintings: Caspar David Friedrich’s ‘Landscape with Rainbow (The Shepherd’s Complaint)’ of 1810, and John Sell Cotman’s ‘The Shepherd on the Hill’ of 1831. It will examine the more conventional Romantic resonances of Friedrich’s painting in order to question whether Cotman’s shepherd is a comparative example of Romantic solitude and contemplation, or whether it was more of a prosaic image of a typically English ‘rustic type’ at a time when a particular sense of national identity was emerging that was closely associated with the countryside and country life. From there, it is hoped that we can begin to reconsider the conventional Romantic image of English landscape painting in the first three decades of the nineteenth century.