Shinto As a Religion for the Warrior Class the Case of Yoshikawa Koretaru
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Some Observations on the Weddings of Tokugawa Shogun’S Daughters – Part 2
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Family, Life Course, and Society Commons, Inequality and Stratification Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2" (2012). Department of East Asian Languages and Civilizations. 8. https://repository.upenn.edu/ealc/8 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/8 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2 Abstract This section discusses the complex psychological and philosophical reason for Shogun Yoshimune’s contrasting handlings of his two adopted daughters’ and his favorite son’s weddings. In my thinking, Yoshimune lived up to his philosophical principles by the illogical, puzzling treatment of the three weddings. We can witness the manifestation of his modest and frugal personality inherited from his ancestor Ieyasu, cohabiting with his strong but unconventional sense of obligation and respect for his benefactor Tsunayoshi. Disciplines Family, Life Course, and Society | Inequality and Stratification | Social and Cultural Anthropology This is available at ScholarlyCommons: https://repository.upenn.edu/ealc/8 Weddings of Shogun’s Daughters #2- Seigle 1 11Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2 e. -
The Dogen Canon D 6 G E N ,S Fre-Shobogenzo Writings and the Question of Change in His Later Works
Japanese Journal of Religious Studies 1997 24/1-2 The Dogen Canon D 6 g e n ,s Fre-Shobogenzo Writings and the Question of Change in His Later Works Steven H eine Recent scholarship has focused on the question of whether, and to what extent, Dogen underwent a significant change in thought and attitudes in nis Later years. Two main theories have emerged which agree that there was a decisive change although they disagree about its timing and meaning. One view, which I refer to as the Decline Theory, argues that Dogen entered into a prolonged period of deterioration after he moved from Kyoto to Echizen in 1243 and became increasingly strident in his attacks on rival lineages. The second view, which I refer to as the Renewal Theory, maintains that Dogen had a spiritual rebirth after returning from a trip to Kamakura in 1248 and emphasized the priority of karmic causality. Both theories, however, tend to ignore or misrepresent the early writings and their relation to the late period. I will propose an alternative Three Periods Theory suggesting that the main change, which occurred with the opening of Daibutsu-ji/Eihei-ji in 1245, was a matter of altering the style of instruc tion rather than the content of ideology. At that point, Dogen shifted from the informal lectures (jishu) of the Shdbdgenzd,which he stopped deliver ing, to the formal sermons (jodo) in the Eihei koroku, a crucial later text which the other theories overlook. I will also point out that the diversity in literary production as well as the complexity and ambiguity of historical events makes it problematic for the Decline and Renewal theories to con struct a view that Dogen had a single, decisive break with his previous writings. -
[Articles] a Reconsideration of the Transmission of the Katana Swords Known As “Honsaku Chōgi” and “Yamanba-Giri” HARA Fumihiko ( 1 )
Kinko Sōsho Bulletin of The Tokugawa Reimeikai Foundation Kinko Sōsho 47 Contents March 2020 [Articles] A Reconsideration of the Transmission of the Katana Swords Known as “Honsaku Chōgi” and “Yamanba-giri” HARA Fumihiko ( 1 ) On the Subjects of the Portrait of Honda Heihachirō Folding Screen YOSHIKAWA Miho ( 35 ) Folding Screens with Birds and Flowers of the Four Seasons by Kanō Tan’yū KATO Shohei ( 57 ) The Illustrated Handscroll of True View of the Tsukiji Estate with Plants, Insects and Fish ANDŌ Kaori ( 85 ) [Introduction of Historical Material] Research Notes on “Sokui-no-ki” (II) NAMIKI Masashi ( 111 ) Kinko Sōsho 46 Contents March 2019 [Articles] Identifying Who Commissioned the Tokugawa Art Museum Collection’s Hōkoku Festival Screens KURODA Hideo ( 1 ) On the development of the Kanō Tsunenobu style: including an introduction to the Yoshino Screens (Tokugawa Art Museum Collection) USUDA Daisuke ( 23 ) A Study of the German Salt-Glazed Stoneware Water Jar in the Tokugawa Art Museum — From the viewpoint of “Oranda” ware as Daimyō properties NAGAHISA Tomoko ( 41 ) The Wartime Evacuation of the Tokugawa Art Museum Collection KŌYAMA-HAYASHI Rie ( 59 ) Kinko Sōsho 45 Contents March 2018 [Articles] Thoughts on the Illustrated Tale of Haizumi (Haizumi monogatari emaki) YOTSUTSUJI Hideki ( 1 ) History of the Katana Sword, signed “Muramasa,” and the Legend of the Muramasa Curse HARA Fumihiko ( 27 ) The Marriage of Shunkyōin Sachigimi and the Chrysanthemum-Stem Furnishings YOSHIKAWA Miho ( 59 ) “Items Connected to Hereditary Property” of -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
BEYOND THINKING a Guide to Zen Meditation
ABOUT THE BOOK Spiritual practice is not some kind of striving to produce enlightenment, but an expression of the enlightenment already inherent in all things: Such is the Zen teaching of Dogen Zenji (1200–1253) whose profound writings have been studied and revered for more than seven hundred years, influencing practitioners far beyond his native Japan and the Soto school he is credited with founding. In focusing on Dogen’s most practical words of instruction and encouragement for Zen students, this new collection highlights the timelessness of his teaching and shows it to be as applicable to anyone today as it was in the great teacher’s own time. Selections include Dogen’s famous meditation instructions; his advice on the practice of zazen, or sitting meditation; guidelines for community life; and some of his most inspirational talks. Also included are a bibliography and an extensive glossary. DOGEN (1200–1253) is known as the founder of the Japanese Soto Zen sect. Sign up to learn more about our books and receive special offers from Shambhala Publications. Or visit us online to sign up at shambhala.com/eshambhala. Translators Reb Anderson Edward Brown Norman Fischer Blanche Hartman Taigen Dan Leighton Alan Senauke Kazuaki Tanahashi Katherine Thanas Mel Weitsman Dan Welch Michael Wenger Contributing Translator Philip Whalen BEYOND THINKING A Guide to Zen Meditation Zen Master Dogen Edited by Kazuaki Tanahashi Introduction by Norman Fischer SHAMBHALA Boston & London 2012 SHAMBHALA PUBLICATIONS, INC. Horticultural Hall 300 Massachusetts Avenue -
Creating Heresy: (Mis)Representation, Fabrication, and the Tachikawa-Ryū
Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino Submitted in partial fulfillment of the Requirement for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Takuya Hino All rights reserved ABSTRACT Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino In this dissertation I provide a detailed analysis of the role played by the Tachikawa-ryū in the development of Japanese esoteric Buddhist doctrine during the medieval period (900-1200). In doing so, I seek to challenge currently held, inaccurate views of the role played by this tradition in the history of Japanese esoteric Buddhism and Japanese religion more generally. The Tachikawa-ryū, which has yet to receive sustained attention in English-language scholarship, began in the twelfth century and later came to be denounced as heretical by mainstream Buddhist institutions. The project will be divided into four sections: three of these will each focus on a different chronological stage in the development of the Tachikawa-ryū, while the introduction will address the portrayal of this tradition in twentieth-century scholarship. TABLE OF CONTENTS List of Abbreviations……………………………………………………………………………...ii Acknowledgements………………………………………………………………………………iii Dedication……………………………………………………………………………….………..vi Preface…………………………………………………………………………………………...vii Introduction………………………………………………………………………….…………….1 Chapter 1: Genealogy of a Divination Transmission……………………………………….……40 Chapter -
The Ichikawa and Warrior Family Dynamics In
ALPINE SAMURAI: THE ICHIKAWA AND WARRIOR FAMILY DYNAMICS IN EARLY MEDIEVAL JAPAN by KEVIN L. GOUGE A THESIS Presented to the Department of History and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2009 ii “Alpine Samurai: The Ichikawa and Warrior Family Dynamics in Early Medieval Japan,” a thesis prepared by Kevin L. Gouge in partial fulfillment of the requirements for the Master of Arts degree in the Department of History. This thesis has been approved and accepted by: ____________________________________________________________ Dr. Andrew Goble, Chair of the Examining Committee ________________________________________ Date Committee in Charge: Dr. Andrew Goble, Chair Dr. Jeffrey Hanes Dr. Peggy Pascoe Accepted by: ____________________________________________________________ Dean of the Graduate School iii © 2009 Kevin L. Gouge iv An Abstract of the Thesis of Kevin L. Gouge for the degree of Master of Arts in the Department of History to be taken June 2009 Title: ALPINE SAMURAI: THE ICHIKAWA AND WARRIOR FAMILY DYNAMICS IN EARLY MEDIEVAL JAPAN Approved: _______________________________________________ Dr. Andrew Goble This study traces the property lineage of the Ichikawa family of Japan’s Shinano province from the early 1200s through the mid-1300s. The property portfolio originated in complicated inheritance dynamics in the Nakano family, into which Ichikawa Morifusa was adopted around 1270. It is evident that Morifusa, family head for the next fifty years, was instrumental in establishing a solid foundation for the Ichikawa’s emergence as a powerful warrior clan by 1350. This study will begin with a broad interpretation of the concept of warrior “family” as reflected in a variety of primary sources, followed by an in-depth case study of six generations of the Nakano/Ichikawa lineage. -
Vocalizing the Lament Over the Buddha's Passing
Japanese Journal of Religious Studies 43/1: 89–130 © 2016 Nanzan Institute for Religion and Culture http://dx.doi.org/10.18874/jjrs.43.1.2016.89-130 Michaela Mross Vocalizing the Lament over the Buddha’s Passing A Study of Myōe’s Shiza kōshiki This article examines the Shiza kōshiki (Kōshiki in four sessions), composed by the Kegon-Shingon monk Myōe (1173–1232) for the Nehan’e (Assembly on the Buddha’s nirvana). It analyzes the performance practice of the Shiza kōshiki at Myōe’s temple Kōzanji during his lifetime and at Shingon temples in the Tokugawa period, paying special attention to its musical dimension. During the Nehan’e, clerics sang various liturgical pieces of different styles and thus created a rich sonic landscape. The musical method of reciting a kōshiki text further helped effectively convey its content and thereby supported the devo- tional function of the kōshiki. At certain occasions, singing was also a means to actively engage lay attendees in the ritual. In this way, I demonstrate that music is an essential element in kōshiki, as well as in Buddhist rituals in general. An annotated translation of the Nehan kōshiki, the first of the Shiza kōshiki’s four kōshiki, is included in the online supplement to this JJRS issue. keywords: Myōe—kōshiki—shōmyō—Śākyamuni—ritual—nenbutsu—Nehan’e Michaela Mross is Shinjō Itō Postdoctoral Fellow for Japanese Buddhism at the Univer- sity of California, Berkeley. 89 n contemporary Japan the most famous observance of a kōshiki 講式 is the Shiza kōshiki (Kōshiki in four sessions), which is performed annually dur- ing the Jōrakue 常楽会, the commemoration of the death of the Buddha, at IKongōbuji 金剛峰寺 on Kōyasan. -
Encyclopedia of Japanese History
An Encyclopedia of Japanese History compiled by Chris Spackman Copyright Notice Copyright © 2002-2004 Chris Spackman and contributors Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.1 or any later version published by the Free Software Foundation; with no Invariant Sections, with no Front-Cover Texts, and with no Back-Cover Texts. A copy of the license is included in the section entitled “GNU Free Documentation License.” Table of Contents Frontmatter........................................................... ......................................5 Abe Family (Mikawa) – Azukizaka, Battle of (1564)..................................11 Baba Family – Buzen Province............................................... ..................37 Chang Tso-lin – Currency............................................... ..........................45 Daido Masashige – Dutch Learning..........................................................75 Echigo Province – Etō Shinpei................................................................ ..78 Feminism – Fuwa Mitsuharu................................................... ..................83 Gamō Hideyuki – Gyoki................................................. ...........................88 Habu Yoshiharu – Hyūga Province............................................... ............99 Ibaraki Castle – Izu Province..................................................................118 Japan Communist Party – Jurakutei Castle............................................135 -
T's Take a Stroll L K a H F T B H Let's Take a Stroll About the Former Edo Castle
MAP Tokyo Heritage Week Opening times of the East Gardens of the Imperial Palace Open: From March 1 to April 14 LLet’st’s ttaktakekeas a strolltroll aaboutb theh fformer 9:00 a.m. - 4:30 p.m. (entry up to 4:00 p.m.) From April 15 to the end of August Edo Castle 9:00 a.m. - 5:00 p.m. (entry up to 4:30 p.m.) From September 1 to the end of October 9:00 a.m. - 4:30 p.m. (entry up to 4:00 p.m.) From November 1 to the end of February 9:00 a.m. - 4:00 p.m. (entry up to 3:30 p.m.) Closed: The Garden is closed on the following days and occasions. Every Monday and Friday (open on National Holiday except the Emperor's Birthday, December 23) In the event that a National Holiday falls on a Monday, the Garden will be closed on the Tuesday immediately The current Imperial Palace is located on the former site of Edo following the National Holiday. Castle (Chiyoda Castle) surrounded with a large forest in the center From December 28 to January 3 of Tokyo.Edo Castle was developed as the political center of the In circumstances where it is deemed necessary to close TOKUGAWA administration as well as the home of the line of the Garden due to Imperial Court functions or other TOKUGAWA shoguns. Edo Castle covered a vast area which was occasions. encircled by Yotsuya to the west, Asakusa to the east, Suidobashi to the north, and Toranomon to the south. -
Kinko Sōsho Bulletin of the Tokugawa Reimeikai Foundation
Kinko Sōsho Bulletin of The Tokugawa Reimeikai Foundation Kinko Sosho 43 Contents March 2016 [Articles] Mysteries of the Portrait of Tokugawa Ieyasu at the Battle of Mikatagahara HARA Fumihiko ( 1 ) The Newly Discovered Festival of Nagoya Tōshōgu Shrine Screens YOSHIKAWA Miho ( 23 ) Kano Korenobu’s Eight Scenes of the Toyama-sō: Edo Kanō School Representations of Gardens USUDA Daisuke ( 55 ) Hichiriki-fu: A Book of Music Passed Down in the Owari Tokugawa Family NAMIKI Masashi ( 87 ) Toward the Establishment of the Tokugawa Art Museum 3: Proposal for the Architecture of the “Owari Tokugawa Art Museum” KŌYAMA-HAYASHI Rie ( 103 ) Kinko Sosho 42 Contents March 2015 [Articles] A Study of "Kasuga miya Mandala" owned by the Tokugawa Art Museum. ANDO Kaori ( 1 ) Toward the Establishment of the Tokugawa Art Museum 2: the movement of transition from Meirin Museum, 1915-1921. KOYAMA-HAYASHI Rie ( 27 ) [Research Note] Two Celadon vases in the shape of Zun owned by the Tokugawa Art Museum: As Seen in the List of Inventories of the Owari Tokugawa Family. YOSHITOMI Machiko ( 43 ) Kinko Sosho 41 Contents March 2014 Toward the establishment of the Tokugawa Art Museum: Marquis Tokugawa Yoshichika and his policy for the Owari Tokugawa collection in the 1910s. Rie Kōyama-Hayashi( 1 ) Report on recent discovered documents, “Letter of Tokugawa Ieyasu to Toyotomi Hideyasu” and “Record of the Onari formal visit”; Historical investigation of Toyotomi Hideyoshi's Onari to Tokugawa Ieyasu's Residence in 1595. Fumihiko Hara( 31 ) On the restoration report of Chūdengyokai-zu, Moonlight Banquet at the Imperial Palace on August, 1218. Miho Yoshikawa( 57 ) Kinko Sosho 40 March 2013 Contents Portraits of the Immortal Poetic Sages by Shōkadō Shōjō. -
ART, ARCHITECTURE, and the ASAI SISTERS by Elizabeth Self
ART, ARCHITECTURE, AND THE ASAI SISTERS by Elizabeth Self Bachelor of Arts, University of Oregon, 2007 Master of Arts, University of Pittsburgh, 2012 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of the Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2017 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Elizabeth Self It was defended on April 6, 2017 and approved by Hiroshi Nara, Professor, East Asian Languages and Literatures Mrinalini Rajagopalan, Assistant Professor, History of Art and Architecture Katheryn Linduff, Professor Emerita, History of Art and Architecture Dissertation Advisor: Karen Gerhart, Professor, History of Art and Architecture ii Copyright © by Elizabeth Self 2017 iii ART, ARCHITECTURE, AND THE ASAI SISTERS Elizabeth Self, PhD University of Pittsburgh, 2017 In early modern Japan, women, like men, used art and architectural patronage to perform and shape their identities and legitimate their authority. Through a series of case studies, I examine the works of art and architecture created by or for three sisters of the Asai 浅井 family: Yodo- dono 淀殿 (1569-1615), Jōkō-in 常高院 (1570-1633), and Sūgen-in 崇源院 (1573-1626). The Asai sisters held an elite status in their lifetimes, in part due to their relationship with the “Three Unifiers” of early 17th century Japan—Oda Nobunaga (1534-1582), Toyotomi Hideyoshi (1537- 1589), and Tokugawa Ieyasu (1543-1616). As such, they were uniquely positioned to participate in the cultural battle for control of Japan. In each of my three case studies, I look at a specific site or object associated with one of the sisters.