DOCSLIB.ORG

London Metropolitan Archives Royal Choral

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

LONDON METROPOLITAN ARCHIVES Page 1 ROYAL CHORAL SOCIETY LMA/4058 Reference Description Dates ADMINISTRATION GOVERNING COMMITTEE LMA/4058/A/01/001 Committee of Management at the Royal Albert 1872-1895 Hall 1 file LMA/4058/A/01/002 Earl of Shaftesbury minutes (with gaps) 1930-1946 1 file LMA/4058/A/01/003 Earl of Shaftesbury Correspondence 1943-1947 1 file LMA/4058/A/01/004 Lord Dartmouth's correspondence 1976-1990 Not available for general access 1 file LMA/4058/A/01/005 Minutes 1943-1967 1943-1967 1 volume LMA/4058/A/01/006 Minutes 1968-1978 1 file LMA/4058/A/01/007 Minutes 1979-1988 Not available for general access LMA/4058/A/01/008 Minutes and related correspondence 1989-1989 Not available for general access 1 file LMA/4058/A/01/009 Governing Committee Correspondence 1989-1989 Not available for general access 1 file LMA/4058/A/01/010 Various Committee minutes and related 1950-1992 correspondence 2 files EXECUTIVE COMMITTEE LMA/4058/A/02/001 Minutes 1974-1989 Not available for general access 1 file LMA/4058/A/02/002 Correspondence and other papers 1978-1990 Not available for general access 1 file MUSIC COMMITTEE LONDON METROPOLITAN ARCHIVES Page 2 ROYAL CHORAL SOCIETY LMA/4058 Reference Description Dates LMA/4058/A/03/001 Minutes 1969-1989 1 file LMA/4058/A/03/002 General correspondence and other papers 1973-1989 1 file RCS PROMOTIONS LIMITED LMA/4058/A/04/001 Company Register and minutes 1979-1980 1 volume LMA/4058/A/04/002 Memorandum and Articles of Association, and 1979-1981 Certificate of Incorporation 1979; Change of Name 1981 1 file LMA/4058/A/04/003 Royal Choral Society Limited 1987-1989 1 volume LMA/4058/A/04/004 Directors Reports and Accounts; Draft Deed of 1980-1988 Covenant 1 file ADVISORY COMMITTEE LMA/4058/A/05/001 Minutes and miscellaneous letters 1990 1 file SUPERINTENDENTS LMA/4058/A/06/001 Minutes and miscellaneous letters 1970-1992 1 file RCS DIRECTORS LMA/4058/A/07/001 Minutes and relevant papers. Steering 1991 Not available for general access Committee followed by Directors-Elect file LMA/4058/A/07/002 Establishment of the Board of Directors 1992 1 file LMA/4058/A/07/003 Minutes and other relevant papers 1992 Jan-1992 Not available for general access 2 files Jun LONDON METROPOLITAN ARCHIVES Page 3 ROYAL CHORAL SOCIETY LMA/4058 Reference Description Dates LMA/4058/A/07/004 Directors' meetings and relevant papers 1993 Not available for general access 1 file LMA/4058/A/07/005 Directors' correspondence 1993 Not available for general access 2 files CORRESPONDENCE LMA/4058/A/08/001 General Correspondence 1919-1923 1 file LMA/4058/A/08/002 General Correspondence 1926-1927 1 file LMA/4058/A/08/003 Correspondence to the Choir Secretary re: 1927-1927 Beethoven Memorial Concert 1 file LMA/4058/A/08/004 General Correspondence (and a plan of the 1931-1934 Queens Hall, Langham Place) 1 file LMA/4058/A/08/005 General Correspondence 1940-1947 1 file LMA/4058/A/08/006 General Correspondence 1963-1969 1 file LMA/4058/A/08/007 General Correspondence 1970-1970 1 file LMA/4058/A/08/008 General Correspondence 1971-1971 1 file LMA/4058/A/08/009 General Correspondence 1972-1979 1 file LMA/4058/A/08/010 General Correspondence 1980-1982 1 file LMA/4058/A/08/011 General Correspondence 1983-1986 1 file LONDON METROPOLITAN ARCHIVES Page 4 ROYAL CHORAL SOCIETY LMA/4058 Reference Description Dates LMA/4058/A/08/012 General Correspondence 1987-1988 1 file LMA/4058/A/08/013 General Correspondence (i) January-June, (ii) 1989-1989 July-December 2 files LMA/4058/A/08/014 General Correspondence (i) January to April; (ii 1990-1990 ) May to August; (iii) September to December 3 files LMA/4058/A/08/015 General Correspondence(i) January to June; (ii) 1991-1991 July to December 2 files LMA/4058/A/08/016 General Correspondence (i) January to June; (ii 1992-1992 ) July to December 2 files LMA/4058/A/08/017 General Correspondence (i) January to June; (ii 1993-1993 ) July to December 2 files LMA/4058/A/08/018 General Correspondence, including a 1888-1998 'Parliamentary Debates' report 1 file LMA/4058/A/08/019 General Correspondence 1967-1993 1 file LMA/4058/A/08/020 General Correspondence, includes a 1961-1988 photograph of Sir Charles Groves, 4 'This is London' booklets and other publicity regarding concerts 2 files CHOIR MEMBERSHIP LMA/4058/A/09/001 Application Forms 1972-1975 1 file LMA/4058/A/09/002 Choir Applicants 1976-1976 1 file LONDON METROPOLITAN ARCHIVES Page 5 ROYAL CHORAL SOCIETY LMA/4058 Reference Description Dates LMA/4058/A/09/003 Applications 1977-1979 1 file LMA/4058/A/09/004 Voice Tests - Audition dates and times - pass 1871-1876 or fail noted 1 volume LMA/4058/A/09/005 Voice Tests Reports 1972-1972 1 file LMA/4058/A/09/006 Voice Test Reports 1973-1974 LMA/4058/A/09/007 Voice Test Reports 1975-1982 1 file LMA/4058/A/09/008 Resignations 1982-1984 Not available for general access 1 file LMA/4058/A/09/009 Choir Information Sheets 1962-1975 1 file LMA/4058/A/09/010 Choir Dresses 1982-1984 1 file LMA/4058/A/09/011 Secretary's retirement party 1975-1975 1 file LMA/4058/A/09/012 Music Register - one season 1966-1967 1 file LMA/4058/A/09/013 Royal Albert Hall Choir Society - Choir Rules. 1872-1939 1872-1939; Application Form 1 file LMA/4058/A/09/014 Carols running orders 1947-1956 1 file LMA/4058/A/09/015 Carols order sheets 1967-1973 1 file LMA/4058/A/09/016 Rehearsal Schedule 1951-1951 1 file SPECIAL EVENTS COMMITTEE LONDON METROPOLITAN ARCHIVES Page 6 ROYAL CHORAL SOCIETY LMA/4058 Reference Description Dates LMA/4058/A/10/001 Minutes of 'Future Projects' Committee 1972 1 file LMA/4058/A/10/002 Minutes and related correspondence 1986-1989 1 file SPONSORSHIP LMA/4058/A/11/001 General Correspondence 1988-1993 1 file MUSICAL DIRECTORS LMA/4058/A/12/001 Meredith Davies: Appointment to retirement 1971-1992 Not available for general access 1 file LMA/4058/A/12/002 Laszlo Heltay: Appointment to Resignation 1985-1994 Not available for general access 1 file LICENSES AND CONTRACTS LMA/4058/A/13/001 Use of the Royal Albert Hall 1929-1938 1 file LMA/4058/A/13/002 Licences for the Royal Festival Hall 1974-1985 1 file LMA/4058/A/13/003 Printing of Programmes and Brochures 1987-1992 1 file LMA/4058/A/13/004 BBC Proms - contracts, receipts and 1978-1987 correspondence 1 file LMA/4058/A/13/005 General Correspondence; Contracts with the 1978-1987 BBC 1 file LMA/4058/A/13/006 Concert management receipts 1959-1963 1 file LMA/4058/A/13/007 Royal Festival Hall - specimen ticket pricing 1974-1982 layouts; GLC general conditions for the use of the South Bank Halls, plan of the hall and platform file LONDON METROPOLITAN ARCHIVES Page 7 ROYAL CHORAL SOCIETY LMA/4058 Reference Description Dates LMA/4058/A/13/008 Royal Albert Hall - general regulations, ticket 1974-1983 pricing schedules; layout of Hall 1 file HONORARY MEMBERS LMA/4058/A/14/001 Honorary Members Correspondence 1960-1966 1 file LMA/4058/A/14/002 Secretary's Annual Letters 1961-1973 1 file FINANCE ANNUAL ACCOUNTS LMA/4058/B/01/001 Balance Sheets 1921-1928; 1934-1940 1921-1940 1 file LMA/4058/B/01/002 Balance Sheets 1954-1965 1954-1965 1 file LMA/4058/B/01/003 Annual Accounts and Directors' Reports 1975 1975-1990 -1977; 1980-1986; 1988-1990 file LMA/4058/B/01/004 Includes Concert Costing and Correspondence 1962-1991 relating to taxation payments 1 file BUDGETS LMA/4058/B/02/001 Budgets 1990-1992 1 file DAILY ACCOUNTS LMA/4058/B/03/001 Cash Book 1959-1968 1 volume LMA/4058/B/03/002 Ledger Sheets 1969-1972 1 file LMA/4058/B/03/003 Ledger sheets showing VAT 1975-1979 1 file LONDON METROPOLITAN ARCHIVES Page 8 ROYAL CHORAL SOCIETY LMA/4058 Reference Description Dates LMA/4058/B/03/004 Ledger sheets 1975-1979 1 file INVESTMENTS AND ROYALTIES LMA/4058/B/04/001 Investment, dividends receipts and royalties 1949-1992 1 file LMA/4058/B/04/002 Stocks and shares Correspondence 1960-1966 1 file CORRESPONDENCE LMA/4058/B/05/001 Finance Correspondence 1962-1978 1 file ACCOUNTS AND INVOICES LMA/4058/B/06/001 Cheques and accounts for suppliers of music, 1961-1967 decorations and payments to orchestras 1 file LMA/4058/B/06/002 Summary sheets of income and expenditure, 1973-1974 concert costings and budget estimates 1 file LEGAL PAPERS RCS AND EXEMPTION FROM INCOME TAX LMA/4058/C/01/001 Instructions to counsel to advise, opinion 1929 1929-1943 -30, case to advise, opinion, judgements and appeals 1940-1943 1 file LMA/4058/C/01/002 Letters re: Income tax demands 1908 and 1908-1930 1913; tax liability 1923-1930 file LMA/4058/C/01/003 Letters re: Tax exemption 1940-1943 1 file RCS AND EXEMPTION FROM ENTERTAINMENT TAX LMA/4058/C/02/001 Letters of application and responses 1935 1 file ROYAL CHORAL SOCIETY VERSUS ROYAL ALBERT HALL BILL 1926/27 LONDON METROPOLITAN ARCHIVES Page 9 ROYAL CHORAL SOCIETY LMA/4058 Reference Description Dates LMA/4058/C/03/001 Royal Albert Hall- Charters, constitution etc. 1867-1928 RAH Acts 1926 and 1927, RCS petition, Instruction to Counsel, opinions, House of Lords debate 1 file ROYAL CHORAL SOCIETY VERSUS ROYAL ALBERT HALL REGARDING ACCOMMODATION LMA/4058/C/04/001 RCS v RAH re: Office of library 1986 accommodation 1 file RCS V.
Recommended publications
  • August 1935) James Francis Cooke

    August 1935) James Francis Cooke

    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1935 Volume 53, Number 08 (August 1935) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 53, Number 08 (August 1935)." , (1935). https://digitalcommons.gardner-webb.edu/etude/836 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE AUGUST 1935 PAGE 441 Instrumental rr Ensemble Music easy QUARTETS !£=;= THE BRASS CHOIR A COLLECTION FOR BRASS INSTRUMENTS , saptc PUBLISHED FOR ar”!S.""c-.ss;v' mmizm HIM The well ^uiPJ^^at^Jrui^“P-a0[a^ L DAY IN VE JhEODORE pRESSER ^O. DIRECT-MAIL SERVICE ON EVERYTHING IN MUSIC PUBLICATIONS * A Editor JAMES FRANCIS COOKE THE ETUDE Associate Editor EDWARD ELLSWORTH HIPSHER Published Monthly By Music Magazine THEODORE PRESSER CO. 1712 Chestnut Street A monthly journal for teachers, students and all lovers OF music PHILADELPHIA, PENNA. VOL. LIIINo. 8 • AUGUST, 1935 The World of Music Interesting and Important Items Gleaned in a Constant Watch on Happenings and Activities Pertaining to Things Musical Everyw er THE “STABAT NINA HAGERUP GRIEG, widow of MATER” of Dr.
  • To Download the Full Archive

    To Download the Full Archive

    Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No.
  • PROGRAM NOTES by Phillip Huscher

    PROGRAM NOTES by Phillip Huscher

    PROGRAM NOTES by Phillip Huscher Ralph Vaughan Williams – Symphony No. 5 in D Major Born October 12, 1872, Gloucestershire, England. Died August 26, 1958, London, England. Symphony No. 5 in D Major Vaughan Williams made his first sketches for this symphony in 1936, began composition in earnest in 1938, completed the work early in 1943, and made minor revisions in 1951. The first performance was given on June 24, 1943, at a Promenade Concert in Royal Albert Hall, with the composer conducting the London Philharmonic. The score calls for two flutes and piccolo, two oboes and english horn, two clarinets, two bassoons, two horns, two trumpets, three trombones, timpani, and strings. Performance time is approximately forty-two minutes. The Chicago Symphony Orchestra’s first subscription concert performances of Vaughan Williams’s Fifth Symphony were given at Orchestra Hall on March 22 and 23, 1945, with Désiré Defauw conducting. Our most recent subscription concert performances were given on April 16, 17, and 18, 1987, with Leonard Slatkin conducting. Very early in the twentieth century, Ralph Vaughan Williams began to attract attention as a composer of tuneful songs. But, he eventually declared himself a symphonist, and over the next few years—the time of La mer, Pierrot lunaire, and The Rite of Spring—that tendency alone branded him as old-fashioned. His first significant large-scale work, the Fantasia on a Theme of Thomas Tallis, composed in 1910, is indebted to the music of his sixteenth-century predecessor and to the great English tradition. His entire upbringing was steeped in tradition—he was related both to the pottery Wedgwoods and Charles Darwin.
  • Download Booklet

    Download Booklet

    557590bk Alwyn US 16/5/05 12:31 pm Page 5 James Judd DDD Also available: British Piano Concertos Music Director of the New Zealand Symphony Orchestra, the British-born conductor James Judd is also the newly 8.557590 appointed Principal Guest Conductor of the Orchestre National de Lille in France. Within a period of seven years as Music Director in New Zealand, he has embarked on an unprecedented number of recordings with the orchestra for the Naxos label, including works by Copland, Bernstein, Vaughan Williams, Gershwin and many others. He has William brought the orchestra to a new level of visibility and international acclaim through appearances at the 2000 Summer Sydney Olympic Arts Festival, the 2003 Auckland International Arts Festival, the Osaka Festival of International Orchestras as well as a specially televised Millennium Concert with Kiri Te Kanawa as soloist. He will lead the ALWYN orchestra on its first ever tour of the major concert halls of Europe culminating in a début appearance at the BBC Proms in the summer of 2005. A graduate of London’s Trinity College of Music, James Judd came to international attention as the Assistant Conductor of the Cleveland Orchestra, a post he accepted at the invitation of Lorin Maazel. Piano Concertos Nos. 1 and 2 Four years later he returned to Europe after being appointed Associate Music Director of the European Community Youth Orchestra by Claudio Abbado, an ensemble with which he continues to serve as an honorary Artistic Director. Peter Donohoe, Piano Since that time he has directed the
  • RVW Final Feb 06 21/2/06 12:44 PM Page 1

    RVW Final Feb 06 21/2/06 12:44 PM Page 1

    RVW Final Feb 06 21/2/06 12:44 PM Page 1 Journal of the No.35 February 2006 In this issue... James Day on Englishness page 3 RVWSociety Tony Williams on Whitman page 7 Simona Pakenham writes for the Journal To all Members: page 11 Em Marshall on Holst Can you help? page 14 Six pages of CD and DVD reviews Our f irst r ecording v enture – the rar e songs of Vaughan Williams – has r eached a Page 22 critical point such that we no w need at least 100 members to each support us with a £100 subscription. Could you help us? and more . The project The rare songs will fill two CDs. We begin with Songs from the Operas and this includes ten songs from Hugh the Drover, arranged by the composer for voice and piano. These are world premiere recordings in this arrangement and are all quite lo vely. Our second CD covers the CHAIRMAN Early Years and includes man y songs ne ver previously recorded. These two CDs will be Stephen Connock MBE recorded in 2006-07 and issued separately thereafter. 65 Marathon House 200 Marylebone Road There is much wonderful music here, so rare and yet of such quality!The overall project will London NW1 5PL cost around £25,000 using the f inest singers and state of the art recording. We do not want Tel: 01728 454820 to compromise on quality – thus our need for members’support to drive the project forward. Fax: 01728 454873 [email protected] The Subscriptions’ benefits Both CDs will cost over £25,000.
  • Download Booklet

    Download Booklet

    572014 bk Brian 29/4/10 12:04 Page 12 Also available Havergal BRIAN Symphonies Nos. 11 and 15 RTE´ National Symphony Orchestra Tony Rowe • Adrian Leaper 8.570308 8.572014 12 572014 bk Brian 29/4/10 12:04 Page 2 Havergal Brian (1876-1972) Also available For Valour • Doctor Merryheart • Symphonies Nos. 11 and 15 Havergal Brian was never a conventional composer, but of that year’s Promenade season. The work was next the three later works on this disc, very different from played in 1911, at Crystal Palace, under Samuel one another, rank among his most unconventional Coleridge-Taylor, and Thomas Beecham conducted it in approaches to symphonic form. Their common feature, Birmingham in 1912. The score was printed by however, is the way they concentrate on developing Breitkopf & Härtel in 1914, and was actually on the short motivic cells to create a large-scale form even presses at the outbreak of World War I (perhaps when the music appears to be shaped by other dictates, unsurprisingly, copies are scarce). As published, For such as an extra-musical programme (as in Doctor Valour is dedicated to Brian’s friend Dr Graham Little – Merryheart), or free-flowing associations of mood the extant manuscript bears no dedication, yet according (Symphony No. 11). to The Staffordshire Sentinel’s 1905 report, the original The overture For Valour, by contrast, is more dedicatee was A.F. Coghill (a clergyman and benefactor obviously patterned after an orthodox idea of musical of the North Staffordshire Triennial Festival, who later form, albeit one that he treats in his own individual way.
  • The Magic Flute in San Francisco

    The Magic Flute in San Francisco

    HOME COMMENTARY FEATURED OPERAS Glimmerglass: Butterfly Leads the Pack NEWS Every so often an opera fan is treated to a minor REPERTOIRE miracle, a revelatory performance of a familiar REVIEWS favorite that immediately sweeps all other ABOUT versions before it. CONTACT LINKS Operalia, the World Opera Competition, Showcases 2014 Winners SEARCH SITE On August 30, Los Angeles Opera presented the finals concert of Plácido Domingo’s Operalia, the world opera competition. Founded in 1993, the contest endeavors to discover and help launch the careers of the most promising young Enter Keywords opera singers of today. Thousands of applicants Search send in recordings from which forty singers are chosen to perform live in the city where the contest is being held. Last year it was Verona, Italy, this year Los Angeles, next year London. Subscribe to Opera Today Elektra at Prom 59 Receive articles and The second day of the Richard Strauss weekend news via RSS feeds or at the BBC Proms saw Richard Strauss's Elektra email subscription. performed at the Royal Albert Hall on 31 August Feature Articles 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Email Address Goerke in the title role. Subscribe Powerful Mahler Symphony no 2 Harding, BBC Proms London Triumphant! An exceptionally stimulating 15 Jun 2012 Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall. Harding's The Magic Flute in San Francisco Mahler Tenth performances (especially with the Berliner Philharmoniker) are pretty much the A feast for the eyes, a feast for the ears, a Flute from benchmark by which all other performances are assessed.
  • Department of Music Programs 1998 - 1999 Department of Music Olivet Nazarene University

    Department of Music Programs 1998 - 1999 Department of Music Olivet Nazarene University

    Olivet Nazarene University Digital Commons @ Olivet School of Music: Performance Programs Music 1999 Department of Music Programs 1998 - 1999 Department of Music Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/musi_prog Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Department of Music, "Department of Music Programs 1998 - 1999" (1999). School of Music: Performance Programs. 32. https://digitalcommons.olivet.edu/musi_prog/32 This Book is brought to you for free and open access by the Music at Digital Commons @ Olivet. It has been accepted for inclusion in School of Music: Performance Programs by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. Department of Music Music Programs 199 8 -9 9 Olivet Nazarene University Kankakee, Illinois 60901 (815) 939-5110 Olivet Nazarene University Department of Music presents Faculty Recital Mr. Norman Ruiz, classical guitarist 7:30 p.m..Tuesday, September 8, Kresge Auditorium Three Pavatias Luis Milan Fantasia Elegiaca Op. 59 Fernando Sor Three Pieces Isaac Albeniz Mallorca Rumores de la Caleta Leyenda Recuerdos De La Alhambra Francisco Tarrega Danza Espaflola Enrique Granados Prelude in e minor Heitor Villa-Lobos Variations on Sakura Yoquijiro Yocoh Classical guitarist Norman Ruiz is no stranger to Chicago audiences*a frequent performer in the Chicago Symphony’s k\\ chamber m usio$pes, performing in Schoenberg’s Serenade in 1992, \ # . and Berios’ .Se^uJNroj^in 1997. Ruiz also appeared as a soloist with the Chicago SymptWw performing the “Canario” movement of Rodrigo’s Fantasy% m Gentleman in 1991 as part o f their W 'S , Promenade Concert Seri^dn.addilion, he has performed with many f ijpt-.
  • Dame Joan Hammond (1912-1966) 2

    Dame Joan Hammond (1912-1966) 2

    AUSTRALIAN EPHEMERA COLLECTION FINDING AID DAME JOAN HILDA HOOD HAMMOND (1912-1996) PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JULY 2018 Dame Joan Hilda Hood Hammond, DBE, CMG (24 May 1912 – 26 November 1996) was a New Zealand born Australian operatic soprano, singing coach and champion golfer. She toured widely, and became noted particularly for her Puccini roles, and appeared in the major opera houses of the world – the Royal Opera House Covent Garden, La Scala, the Vienna State Opera and the Bolshoi. Her fame in Britain came not just from her stage appearances but from her recordings. A prolific artist, Hammond's repertoire encompassed Verdi, Handel, Tchaikovsky, Massenet, Beethoven, as well as folk song, art song, and lieder. She returned to Australia for concert tours in 1946, 1949 and 1953, and starred in the second Elizabethan Theatre Trust opera season in 1957. She undertook world concert tours between 1946 and 1961. She became patron and a life member of the Victorian Opera Company (since 1976, the Victorian State Opera – VSO), and was the VSO's artistic director from 1971 until 1976 and remained on the board until 1985. Working with the then General Manager, Peter Burch, she invited the young conductor Richard Divall to become the company's Musical Director in 1972. She joined the Victorian Council of the Arts, was a member of the Australia Council for the Arts opera advisory panel, and was an Honorary Life Member of Opera Australia. She was important to the success of both the VSO and Opera Australia. Hammond embarked on a second career as a voice teacher after her performance career ended.
  • The Brief History of Suntory Hall (1986 - 2010)

    The Brief History of Suntory Hall (1986 - 2010)

    The brief history of Suntory Hall (1986 - 2010) Performances Others 1986 Oct Suntory Hall opened (Oct.12) Total 79 performances including below were held as Suntory Hall Opening Series between Oct. 1986 and March 1987. ・ Berliner Philharmoniker conducted by Seiji Ozawa ・ Isaac Stern and his friends ・ Philharmonia Orchestra conducted by Giuseppe Sinopoli "Madame Butterfly" ・ Wiener Philharmoniker conducted by Claudio Abbado ・ International Program for Music Composition ・ All Mozart Piano Concertos by Mitsuko Uchida 1987 May NHK Symphony Orchestra Series started as one of Suntory Hall subscription concerts. Suntory Hall Organ Lecture Concert Series started. Sep Suntory Hall Members Club started. Oct Members Club "MUSE" magazine was first published. 1988 Jan New Year Concert started. May Berliner Philharmoniker conducted by Herbert von Karajan Herbert von Karajan commented that "Suntory Hall is like the Music Jewel Box." Oct Hiroshi Wakasugi / Tokyo Metropolitan Symphony Orchestra started Gustav Mahler Series (until May 1991). 1989 Jan Opera Concert Series started. The first concert was "La Traviata". Jun Japan Shinsei Symphony Orchestra (current Tokyo Philharmonic Orchestra) Subscription Concert started. Jul Suntory Hall New Artist Series started. (75 concerts were held until Dec. 2002) Sep Japan Philharmonic Orchestra Subscription Concert started. Nov Tokyo Metropolitan Symphony Orchestra Subscription Concert started. 1990 May Suntory Hall "Children's Day Concert" started. (until 2008) Jul London Symphony Orchestra conducted by Leonard Bernstein. (Bernstein's last concert in Japan) Oct Yomiuri Nippon Symphony Orchestra Subscription Concert started. "Suntory Award"was presented to the 12th International Chopin Piano Competition. 1991 Mar "Salzburg Mozart Music Festival" was held for three weeks co-hosted by Suntory Hall and TBS.
  • Newsletter Wednesday 10Th March 2021

    Newsletter Wednesday 10Th March 2021

    Winchester City Festival Choir NEWSLETTER WEDNESDAY 10TH MARCH 2021 Welcome to another edition of ramblings from the conductor! I hope the newsletter continues to find you well. When Vaughan Williams met Shakespeare I think Ralph Vaughan Williams (1872 – 1958) has the accolade of being the composer to gett the most mentions in these newsletters! I make no apology for this, or for bringing his music to your attention again this week! I’m going secular for a change, and focusing on some of his music which uses the words of William Shakespeare (1564 – 1616). I’m going slightly off track this week as the first piece isn’t technically written for a choir, so it isn’t choral, but it could be… and is often sung by choirs with four soloists. Before we get to our first piece of music, a little history of the English conductor Sir Henry Wood (1869 – 1944), best known for his association with London's annual series of promenade concerts, known as the Proms. Indeed, it has been said that Henry Wood made the Proms and the Proms made Henry Wood! Wood studied at the Royal Academy of Music and at first seems to have intended a career as a composer, but his conducting abilities were to win out, particularly from 1895 when still only 26, he assumed the conductorship of a new series of Promenade Concerts to be given at the recently built Queen’s Hall in Langham Place. Nobody would have guessed that the series would survive two world wars and (hopefully) a pandemic! That it did was testament to Henry Wood’s devotion and sheer hard work over a 50-year period.
  • 8.111373-75 Bk Bach-Ferrier EU 8.111373-75 Bk Bach-Ferrier EU 20/11/11 23.09 Pagina 8

    8.111373-75 Bk Bach-Ferrier EU 8.111373-75 Bk Bach-Ferrier EU 20/11/11 23.09 Pagina 8

    8.111373-75 bk Bach-Ferrier_EU_8.111373-75 bk Bach-Ferrier_EU 20/11/11 23.09 Pagina 8 Parsons. Reginald Jacques again conducted his own Kathleen Ferrier’s Bach may not be what we expect 8.111373-75 orchestra, choral support was given by the Cantata of a 21st century contralto (of whom there are, anyway, Singers and the recording engineers were Kenneth all too few); but it set a standard that others have seldom GREAT SINGERS • FERRIER ADD Wilkinson and Arthur Bannister. reached, in richness of sound and nobility of Both cantatas were issued in two formats and it was performance. It is indeed the best of her, as she herself soon noticed by The Gramophone’s reviewer that the expressed with totally justified candour. 78rpm versions were quite different ‘takes’ from their 3 CDs 33rpm counterparts; it is from the 33rpm recording that Paul Campion BACH the performance of BWV 67 on this CD is taken. Ferrier’s contribution to the cantata is modest – little over two minutes of recitative in total – but her presence Paul Campion is the author of Ferrier – A Career St Matthew Passion adds grace and distinction to what was, in its time, an Recorded, a detailed and annotated discography, innovative recording. When released in August 1950, published by Thames in 2005. With acknowledgments Cantata ‘Hold in affection Jesus Christ’, BWV 67 the original 10” LP was among the very earliest 33rpm to Letters and Diaries of Kathleen Ferrier, edited by Dr discs to be issued by Decca. It is presented here in its Christopher Fifield, published by Boydell and Brewer in first ever CD re-issue.