DOCSLIB.ORG

August 1935) James Francis Cooke

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1935 Volume 53, Number 08 (August 1935) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 53, Number 08 (August 1935)." , (1935). https://digitalcommons.gardner-webb.edu/etude/836 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE AUGUST 1935 PAGE 441 Instrumental rr Ensemble Music easy QUARTETS !£=;= THE BRASS CHOIR A COLLECTION FOR BRASS INSTRUMENTS , saptc PUBLISHED FOR ar”!S.""c-.ss;v' mmizm HIM The well ^uiPJ^^at^Jrui^“P-a0[a^ L DAY IN VE JhEODORE pRESSER ^O. DIRECT-MAIL SERVICE ON EVERYTHING IN MUSIC PUBLICATIONS * A Editor JAMES FRANCIS COOKE THE ETUDE Associate Editor EDWARD ELLSWORTH HIPSHER Published Monthly By Music Magazine THEODORE PRESSER CO. 1712 Chestnut Street A monthly journal for teachers, students and all lovers OF music PHILADELPHIA, PENNA. VOL. LIIINo. 8 • AUGUST, 1935 The World of Music Interesting and Important Items Gleaned in a Constant Watch on Happenings and Activities Pertaining to Things Musical Everyw er THE “STABAT NINA HAGERUP GRIEG, widow of MATER” of Dr. Martin ROBERT SCHUMANN’S one hundred Edward Hagerup Grieg the composer spends AN ALESSANDRO and twenty-fifth birthday anniversary was G. Dumler won for him an . SCARLATTI oratorio, much of her time, since her widowhood m enthusiastic ovation when celebrated on June 3rd and 4th, at Zwichau, 1907, with a sister in Copenhagen. 1 he com¬ f “The Martyrdom of Saint Saxony, by the unyeihng of a memorial tablet Ursula,” in unpublished poser and wife were cousins, which accounts Cincinnati May Festival on the composer’s birth-house, and by a sym¬ for the identity of their middle names. As Alessandro manuscript, has been re- phony concert and a performance of his with Eugene Goossens conducting. As vlVe" Scarlatti vised by Ennemond Tnllat, Nina Hagerup she became early known as a HERE THEY COME! “Paradise and Peri.” president of the College of Music o{ a widely known pianist of Lyons, France. pianist; and she, Edward Grieg and Mme. nati and as a composer of works for the ritual The manuscript is the property of the Norman-Neruda (later Lady Halle and one of the Catholic Church, Dr. Dumler has ren¬ THE BETHLEHEM BACH CHOIR has of the greatest feminine violinists of all time) Municipal Library of Lyons, and it is con¬ presented its annual festival m tbe Packer dered a valuable service to the musical art ot sidered one of the most precious Scarlatti gave in 1868, at Christiania the first public Memorial Church. On May 17th the St. concert ever devoted entirely to Norwegian America. relics in existence. It was first performed at Matthew Passion” was given a divided per¬ the Academy of Lyons in the early part of formance in the afternoon and evening; and THE FLORENTINE MAY MUSICAL Forty Years in Showdom the eighteenth century. y. the “Mass in B minor” was presented similarly FESTIVAL, of six weeks from April 24th to on the 18th. Bruce Carey was the conductor; AT THE THEATRE DE LA ZARZUELA June 4th, offered the world premiere of a new THE PHILHARMONIC SOCIETY of of Madrid, which is temporarily replacing the Norfolk, England, brought its season to a and the soloists were Louise Lerch, soprano; opera, “Orseolo,” by Ildebrando Pizzetti; a Rose Bampton, alto; Dan Gridley, tenor ; and Madrid Opera House, the season of Italian gala performance of “Norma, in honor of ‘•r ■ ihe Billboard,” the oldest magazine of the show “pitch man” mean in the foregoing paragraph, you would close with a program at St. Andrews Hall, opera opened with “magnificent productions^ Julius Huehn, bass. The “Mass in B minor the centenary of Bellini’s death; Glucks I world (founded in 1894 by W. H. Donaldson), has probably find many lines in “The Billboard” that would be on April 4th, of works by British composers. had this year its twenty-eighth complete per¬ of Puccini’s “La Boheme” and “La Tosca. The big achievement of the event was a “Alceste”; Mozart’s “The Elopement from the A recently had its fortieth anniversary. At first this as little understandable to you as the proverbial Greek. formance by this choir. Seraglio”; Rossini’s “Moses”; Verdis Ballo “magnificent rendering” of the “Sea Sym¬ unusual publication had almost entirely to do with printing Perhaps you may not know it, but there has been develop¬ phony” of Vaughan Williams, with the orches¬ HANDEL’S “SOLOMON” was given a in Maschera”; Rameau’s “Castor and Pollux, tra augmented hy some London players, the THE ROYAL OPERA of Budapest has performance, on April 30th, by the Boston and other works, with Tullio Serafin and and bill-posting to advertise entertainment. Thus, it be¬ ing a new language in America, which can be called only presented the “Carnival” of Schumann in a Symphony Orchestra, with Serge Kousse- Vittorio C.ui as leading conductors. Norfolk Chorus, and with Isobel Baillie and came an adjunct of that army of men with buckets of paste “Broadwayese.” Here, for instance, is a specimen of musico- Roy Henderson as soloists. choreographic and scenic arrangement by vitzky conducting, and with the assistance of •3--- Gustave Olah and with a new orchestration chorus and soloists. Though it had not been ALLAN ARTHUR WILMAN, a twenty- and long brushes who inaugurated the glorious campaign to dramatic criticism of a vaudeville act in this language, ATHENS, GREECE, has celebrated the of the Schumann work done by Otto Berg, heard in Boston for half a century the event five year old composer of Chicago, has been conceal all possible of the beautiful scenery of America. which is taken from “The Billboard’s” contemporary, the orchestra leader of the Opera. is reported to have been one of the most two hundred and fiftieth anniversary of the awarded the Paderewski Prize of one thousand Out of those theatrical posters came most of what we now “Variety.” birth of Bach, by performances of the St. successful of the season. dollars for the encouragement of American John Passion” and the “St. Matthew Pas- call “out-door advertising,” thus making a large part of “Dated material and uninspired THE CONCERTGEBOUW ORCHES¬ composers. ^ ^ salesmanship puts this mixed team in TRA of Amsterdam, Holland, celebrated in CHARLES MARTIN LOEFFLER, dean America appear like a huge riot of brilliantly colored poster the small time class. They throw May the fortieth anniversary of Willem Men- of American composers, passed away on May THE TORONTO SYMPHONY ORCHES¬ atrocities. The twelve-sheet on the barnside, proclaiming everything possible into the soup and A “MASS PRO DEFUNCTIS (Mass for gelberg as its conductor. In recognition of 19th, at Medfield, Massachusetts. Born J an¬ TRA and Mendelssohn Choir held a two day come up with malarkey, neither their the Dead)” by an unknown composer of the the event there were two orchestral concerts uary 30,1861, at Mulhausen, Alsace, he studied Spring Festival in May, for which they tried the unbelievable wonders of “The most colossal, unsur¬ singing, dancing, musical work or gags, seventeenth century, had its first performance and two programs of chamber music, all de¬ violin under Rappoldi, Joachim, Massart and giving the programs more popular appeal and passable, unconquerable circus of the universe” soon grew the latter predominating, hold any¬ in America when given on May 15th, at the thing. voted to the compositions of Hollands com¬ Leonard, and composition under Kiel, Bar- reducing the prices of admission; with the up into other signs of vast dimensions which recently broke University of Pennsylvania, by a chorus of giel and Guiraud. He came to America in Girl is a flashy redhead, while man posers. result that for the first event, by the choir stamps himself as a comic via an up¬ two hundred voices under the leading of Dr. £•«— 1881, played under Theodore Thomas and out into electric lights and neon tubes advertising every¬ Harl McDonald. It had been secured from and orchestra, there were eight thousand in turned hat brim. As it turns out, she’s GEORGE L. LINDSAY, Director of Music Leopold Damrosch, and from 1885 to 1903 attendance, and for the second, by the choir thing that might be sold. the comic and he’s her straight, but, the historic Monserrat Monastery of Cata¬ Education in the Philadelphia Public Schools, shared with Franz Kneisel the first vio in lonia, by Dr. Jean Baptiste Befk, a noted and a five-piano team of leading pianists ot “The Billboard” is a very comprehensive publication. It considering their material, it makes was elected president of the Eastern Music desk of the Boston Symphony Orchestra, after the city, twelve thousand filled the Arena no difference either way. musicologist of the university. Educators Conference at its recent meeting which he retired to devote his time to com¬ Gardens. A hint to managers of similar en- includes everything from occasional reviews of grand opera Deuced here in a five-acter.” in Pittsburgh. position. Among his best known works are terprizes in other communities. to advertisements (pages of them) dealing with automatic THE MONTE CARLO opera season the symphonic poems, “A Pagan Poem, ‘La opened with a gala performance of Verdi’s Mort de Tintagles,” and “Memories of My game machines, looked upon by some as gambling devices, For the curious person, “The Billboard” reveals that there “Rigoletto,” with Desi Halban Kurz—a INDUSTRY’S RECOGNITION of music HANDEL’S “MESSIAH” recently had a is assuming great proportions.
Recommended publications
  • 029I-HMVCX1924XXX-0000A0.Pdf

    029I-HMVCX1924XXX-0000A0.Pdf

    This Catalogue contains all Double-Sided Celebrity Records issued up to and including March 31st, 1924. The Single-Sided Celebrity Records are also included, and will be found under the records of the following artists :-CLARA Burr (all records), CARUSO and MELBA (Duet 054129), CARUSO,TETRAZZINI, AMATO, JOURNET, BADA, JACOBY (Sextet 2-054034), KUBELIK, one record only (3-7966), and TETRAZZINI, one record only (2-033027). International Celebrity Artists ALDA CORSI, A. P. GALLI-CURCI KURZ RUMFORD AMATO CORTOT GALVANY LUNN SAMMARCO ANSSEAU CULP GARRISON MARSH SCHIPA BAKLANOFF DALMORES GIGLI MARTINELLI SCHUMANN-HEINK BARTOLOMASI DE GOGORZA GILLY MCCORMACK Scorn BATTISTINI DE LUCA GLUCK MELBA SEMBRICH BONINSEGNA DE' MURO HEIFETZ MOSCISCA SMIRN6FF BORI DESTINN HEMPEL PADEREWSKI TAMAGNO BRASLAU DRAGONI HISLOP PAOLI TETRAZZINI BI1TT EAMES HOMER PARETO THIBAUD CALVE EDVINA HUGUET PATTt WERRENRATH CARUSO ELMAN JADLOWKER PLANCON WHITEHILL CASAZZA FARRAR JERITZA POLI-RANDACIO WILLIAMS CHALIAPINE FLETA JOHNSON POWELL ZANELLIi CHEMET FLONZALEY JOURNET RACHM.4NINOFF ZIMBALIST CICADA QUARTET KNIIPFER REIMERSROSINGRUFFO CLEMENT FRANZ KREISLER CORSI, E. GADSKI KUBELIK PRICES DOUBLE-SIDED RECORDS. LabelRed Price6!-867'-10-11.,613,616/- (D.A.) 10-inch - - Red (D.B.) 12-inch - - Buff (D.J.) 10-inch - - Buff (D.K.) 12-inch - - Pale Green (D.M.) 12-inch Pale Blue (D.O.) 12-inch White (D.Q.) 12-inch - SINGLE-SIDED RECORDS included in this Catalogue. Red Label 10-inch - - 5'676 12-inch - - Pale Green 12-inch - 10612,615j'- Dark Blue (C. Butt) 12-inch White (Sextet) 12-inch - ALDA, FRANCES, Soprano (Ahl'-dah) New Zealand. She Madame Frances Aida was born at Christchurch, was trained under Opera Comique Paris, Since Marcltesi, and made her debut at the in 1904.
  • SURVEY of CURRENT BUSINESS September 1935

    SURVEY of CURRENT BUSINESS September 1935

    SEPTEMBER 1935 OF CURRENT BUSINE UNITED STATES DEPARTMENT OF COMMERCE BUREAU OF FOREIGN AND DOMESTIC COMMERCE WASHINGTON VOLUME 15 NUMBER 9 Digitized for FRASER http://fraser.stlouisfed.org/ Federal Reserve Bank of St. Louis UNITED STATES BUREAU OF MINES MINERALS YEARBOOK 1935 The First Complete Official Record Issued in 1935 A LIBRARY OF CURRENT DEVELOPMENTS IN THE MINERAL INDUSTRY (In One Volume) Survey of gold and silver mining and markets Detailed State mining reviews Current trends in coal and oil Analysis of the extent of business recovery for vari- ous mineral groups 75 Chapters ' 59 Contributors ' 129 Illustrations - about 1200 Pages THE STANDARD AUTHENTIC REFERENCE BOOK ON THE MINING INDUSTRY CO NT ENTS Part I—Survey of the mineral industries: Secondary metals Part m—Konmetals- Lime Review of the mineral industry Iron ore, pig iron, ferro'alloys, and steel Coal Clay Coke and byproducts Abrasive materials Statistical summary of mineral production Bauxite e,nd aluminum World production of minerals and economic Recent developments in coal preparation and Sulphur and pyrites Mercury utilization Salt, bromine, calcium chloride, and iodine aspects of international mineral policies Mangane.se and manganiferous ores Fuel briquets Phosphate rock Part 11—Metals: Molybdenum Peat Fuller's earth Gold and silver Crude petroleum and petroleum products Talc and ground soapstone Copper Tungsten Uses of petroleum fuels Fluorspar and cryolite Lead Tin Influences of petroleum technology upon com- Feldspar posite interest in oil Zinc ChroHHtt: Asbestos
  • SILK ROAD: the Silk Road

    SILK ROAD: the Silk Road

    SILK ROAD: The Silk Road (or Silk Routes) is an extensive interconnected network of trade routes across the Asian continent connecting East, South, and Western Asia with the Mediterranean world, as well as North and Northeast Africa and Europe. FIDDLE/VIOLIN: Turkic and Mongolian horsemen from Inner Asia were probably the world’s earliest fiddlers (see below). Their two-stringed upright fiddles called morin khuur were strung with horsehair strings, played with horsehair bows, and often feature a carved horse’s head at the end of the neck. The morin khuur produces a sound that is poetically described as “expansive and unrestrained”, like a wild horse neighing, or like a breeze in the grasslands. It is believed that these instruments eventually spread to China, India, the Byzantine Empire and the Middle East, where they developed into instruments such as the Erhu, the Chinese violin or 2-stringed fiddle, was introduced to China over a thousand years ago and probably came to China from Asia to the west along the silk road. The sound box of the Ehru is covered with python skin. The erhu is almost always tuned to the interval of a fifth. The inside string (nearest to player) is generally tuned to D4 and the outside string to A4. This is the same as the two middle strings of the violin. The violin in its present form emerged in early 16th-Century Northern Italy, where the port towns of Venice and Genoa maintained extensive ties to central Asia through the trade routes of the silk road. The violin family developed during the Renaissance period in Europe (16th century) when all arts flourished.
  • Wilson's Series of Powerful Recurrent Stage Images Drawn From

    Wilson's Series of Powerful Recurrent Stage Images Drawn From

    to a degree. which Simoon is the last part. Based on a Thread of Winter If there is no story, then what’s the work short play by August Strindberg, Simoon Leslie Fagan; Lorin Shalanko about? Wilson’s series of powerful recurrent was never performed in a full version during Canadian Art Song Series stage images drawn from the famous physi- the composer’s lifetime. The subject matter, (canadianartsong.ca) cist Albert Einstein’s life serve as the work’s as gloomy as the uprooted Scot’s preferred L/R frame. The dramatic device is imaginatively music, is a tale of revenge and “murder by ! When reviewing underpinned by Glass’ composition for solo- suggestion,” as Chisholm has referred to it. (in early 2004) the ists, chorus and his instrumental ensemble. Polished orchestral characterizations, Bartók- first solo album by It’s further explored by the masterfully like cascading moods and an overlapping of Leslie Fagan, I stated conceived and movingly performed modern Western and Eastern musical idioms are just that “she is in a dance sequences choreographed by Childs. three reasons why this opera should have class of her own.” This new DVD release accurately reflects been recorded long ago. As it is, with the What a pleasure to the superb 2012 production I saw at Toronto’s help of the Erik Chisholm Trust, it is making conclude, some 12 Luminato that same year. Highlights of that its long overdue debut – and rightfully years later, that she performance included violin virtuoso Jennifer in Scotland! remains just as original. Her career has taken Koh made up to resemble Einstein – a life- Robert Tomas her to the world’s most important concert long amateur violinist – and the impres- stages, providing Fagan with opportunities to sively precise chorus masterfully conducted Derek Holman – A Play of Passion present both traditional (Handel, Mahler) and by the veteran Glass Ensemble member Colin Ainsworth; Stephen Ralls; Bruce contemporary (Poulenc, Kulesha) repertoire.

  • Records of the Immigration and Naturalization Service, 1891-1957, Record Group 85 New Orleans, Louisiana Crew Lists of Vessels Arriving at New Orleans, LA, 1910-1945

    Records of the Immigration and Naturalization Service, 1891-1957, Record Group 85 New Orleans, Louisiana Crew Lists of Vessels Arriving at New Orleans, LA, 1910-1945. T939. 311 rolls. (~A complete list of rolls has been added.) Roll Volumes Dates 1 1-3 January-June, 1910 2 4-5 July-October, 1910 3 6-7 November, 1910-February, 1911 4 8-9 March-June, 1911 5 10-11 July-October, 1911 6 12-13 November, 1911-February, 1912 7 14-15 March-June, 1912 8 16-17 July-October, 1912 9 18-19 November, 1912-February, 1913 10 20-21 March-June, 1913 11 22-23 July-October, 1913 12 24-25 November, 1913-February, 1914 13 26 March-April, 1914 14 27 May-June, 1914 15 28-29 July-October, 1914 16 30-31 November, 1914-February, 1915 17 32 March-April, 1915 18 33 May-June, 1915 19 34-35 July-October, 1915 20 36-37 November, 1915-February, 1916 21 38-39 March-June, 1916 22 40-41 July-October, 1916 23 42-43 November, 1916-February, 1917 24 44 March-April, 1917 25 45 May-June, 1917 26 46 July-August, 1917 27 47 September-October, 1917 28 48 November-December, 1917 29 49-50 Jan. 1-Mar. 15, 1918 30 51-53 Mar. 16-Apr. 30, 1918 31 56-59 June 1-Aug. 15, 1918 32 60-64 Aug. 16-0ct. 31, 1918 33 65-69 Nov. 1', 1918-Jan. 15, 1919 34 70-73 Jan. 16-Mar. 31, 1919 35 74-77 April-May, 1919 36 78-79 June-July, 1919 37 80-81 August-September, 1919 38 82-83 October-November, 1919 39 84-85 December, 1919-January, 1920 40 86-87 February-March, 1920 41 88-89 April-May, 1920 42 90 June, 1920 43 91 July, 1920 44 92 August, 1920 45 93 September, 1920 46 94 October, 1920 47 95-96 November, 1920 48 97-98 December, 1920 49 99-100 Jan.
  • FLOOD of AUGUST 1935 Dtf MUSKINGUM RIVER Z < 5

    FLOOD of AUGUST 1935 Dtf MUSKINGUM RIVER Z < 5

    UNITED STATES DEPARTMENT OF THE INTERIOR Harold L. Ickes, Secretary GEOLOGICAL SURVEY W. C. Mendenhall, Director Water-Supply Paper 869 FLOOD OF AUGUST 1935 dtf MUSKINGUM RIVER o O z < 5 BY i ;> ^, C. V. YOUNGQUIST AND W. B. WITH SECTIONS ON THE ASSOCIATES METEOROLOGY AND HYDROLOOT ^ ;j . » BY * V WALDO E. SMITH AND A. K. SHOWALTEK 2. Prepared in cooperation with the * ^* FEDERAL EMERGENCY ADMINISTRAflCg^ OF PUBLIC WORKS ' -o j; UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON : 1941 jFor sale by the Superintendent of Documents, Washington, D. G. - * * « Price 40 cents (paper) CONTENTS Pag« Abstract---.--_-_-__-__-___--______.-__-_---_---_-__-_--_-__-.-_._ I Introduction.______________________________________________________ 1 Administration and personnel---_______--_-_____-__--____________-__ 3 Acknowledgments ________-________-----_--__--__-_________________ 3 Geography _ ____________________________________________________ 6 Topography, drainage, and transportation________________________ 6 Rainfall...--_---.-__-------.-_--------__..---_-----------_---- 7 Population, industry, and mineral resources_---_-__--_________--__ 8 Flood control-___-_-___-__-_-__-____-_--_-_-__--_--__.____--_- S General features of the flood-_______________________________________ 9 Damage.-__-_______--____-__--__--__-_-____--_______-____--__ IT Meteorologic and hydrologic conditions, by Waldo E. Smith____________ 19 General features of the storm.___-____-__________---_____--__--_ 19 Records of precipitation._______________________________________ 21 Antecedent
  • Notes on Musical Imagery in the Poetry of Jāmi Alessia Dal Bianco Independent Scholar

    Notes on Musical Imagery in the Poetry of Jāmi Alessia Dal Bianco Independent Scholar

    e-ISSN 2385-3042 Annali di Ca’ Foscari. Serie orientale Vol. 57 – Giugno 2021 Notes on Musical Imagery in the Poetry of Jāmi Alessia Dal Bianco Independent Scholar Abstract The poet Nur-al-Din ʿAbd-al-Raḥmān Jāmi (1414-92) is known to have been proficient in music theory; he also wrote a Resāla-ye musiqi (Treatise on Music Theory). In his poems he displayed an extensive and precise use of musical terms. To probe fur- ther into the elements of musical imagery, I scanned through his maṯnavis Haft awrang (The Seven Thrones) in search of lines dedicated to musical modes, instruments, and performers. Considering that musical imagery had a long-established tradition before his time, I pursued a comparative investigation and commented on some lines by way of examples. Finally, I argue that literary conventions shaped Jāmi’s poetry more than his expertise in music theory did. Keywords Nur-al-Din ʿAbd-al-Raḥmān Jāmi. Persian poetry. Resāla-ye musiqi. Musi- cal instruments. Poetic imagery. Summary 1 Introduction. – 2 Method. – 2.1 Musical Modes. – 2.2 Musical Instruments. – 2.3 Performers. – 3 Conclusion. Peer review Submitted 2020-08-13 Edizioni Accepted 2020-09-17 Ca’Foscari Published 2021-06-30 Open access © 2021 | cb Creative Commons Attribution 4.0 International Public License Citation Dal Bianco, A. (2021). “Notes on Musical Imagery in the Poetry of Jāmi”. Annali di Ca’ Foscari. Serie orientale, 57, 171-196. DOI 10.30687/AnnOr/2385-3042/2021/01/008 171 Alessia Dal Bianco Notes on Musical Imagery in the Poetry of Jāmi 1 Introduction1 Music is commonly perceived as one of the main sources of imagery in poetry.
  • Edinburgh International Festival 1962

    Edinburgh International Festival 1962

    WRITING ABOUT SHOSTAKOVICH Edinburgh International Festival 1962 Edinburgh Festival 1962 working cover design ay after day, the small, drab figure in the dark suit hunched forward in the front row of the gallery listening tensely. Sometimes he tapped his fingers nervously against his cheek; occasionally he nodded Dhis head rhythmically in time with the music. In the whole of his productive career, remarked Soviet Composer Dmitry Shostakovich, he had “never heard so many of my works performed in so short a period.” Time Music: The Two Dmitrys; September 14, 1962 In 1962 Shostakovich was invited to attend the Edinburgh Festival, Scotland’s annual arts festival and Europe’s largest and most prestigious. An important precursor to this invitation had been the outstanding British premiere in 1960 of the First Cello Concerto – which to an extent had helped focus the British public’s attention on Shostakovich’s evolving repertoire. Week one of the Festival saw performances of the First, Third and Fifth String Quartets; the Cello Concerto and the song-cycle Satires with Galina Vishnevskaya and Rostropovich. 31 DSCH JOURNAL No. 37 – July 2012 Edinburgh International Festival 1962 Rostropovich and Vishnevskaya in Edinburgh Week two heralded performances of the Preludes & Fugues for Piano, arias from Lady Macbeth of Mtsensk, the Sixth, Eighth and Ninth Symphonies, the Third, Fourth, Seventh and Eighth String Quartets and Shostakovich’s orches- tration of Musorgsky’s Khovanschina. Finally in week three the Fourth, Tenth and Twelfth Symphonies were per- formed along with the Violin Concerto (No. 1), the Suite from Lady Macbeth of Mtsensk, the Three Fantastic Dances, the Cello Sonata and From Jewish Folk Poetry.
  • Chronology 1916-1937 (Vienna Years)

    Chronology 1916-1937 (Vienna Years)

    Chronology 1916-1937 (Vienna Years) 8 Aug 1916 Der Freischütz; LL, Agathe; first regular (not guest) performance with Vienna Opera Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Miller, Max; Gallos, Kilian; Reichmann (or Hugo Reichenberger??), cond., Vienna Opera 18 Aug 1916 Der Freischütz; LL, Agathe Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Gallos, Kilian; Betetto, Hermit; Marian, Samiel; Reichwein, cond., Vienna Opera 25 Aug 1916 Die Meistersinger; LL, Eva Weidemann, Sachs; Moest, Pogner; Handtner, Beckmesser; Duhan, Kothner; Miller, Walther; Maikl, David; Kittel, Magdalena; Schalk, cond., Vienna Opera 28 Aug 1916 Der Evangelimann; LL, Martha Stehmann, Friedrich; Paalen, Magdalena; Hofbauer, Johannes; Erik Schmedes, Mathias; Reichenberger, cond., Vienna Opera 30 Aug 1916?? Tannhäuser: LL Elisabeth Schmedes, Tannhäuser; Hans Duhan, Wolfram; ??? cond. Vienna Opera 11 Sep 1916 Tales of Hoffmann; LL, Antonia/Giulietta Hessl, Olympia; Kittel, Niklaus; Hochheim, Hoffmann; Breuer, Cochenille et al; Fischer, Coppelius et al; Reichenberger, cond., Vienna Opera 16 Sep 1916 Carmen; LL, Micaëla Gutheil-Schoder, Carmen; Miller, Don José; Duhan, Escamillo; Tittel, cond., Vienna Opera 23 Sep 1916 Die Jüdin; LL, Recha Lindner, Sigismund; Maikl, Leopold; Elizza, Eudora; Zec, Cardinal Brogni; Miller, Eleazar; Reichenberger, cond., Vienna Opera 26 Sep 1916 Carmen; LL, Micaëla ???, Carmen; Piccaver, Don José; Fischer, Escamillo; Tittel, cond., Vienna Opera 4 Oct 1916 Strauss: Ariadne auf Naxos; Premiere
  • A Prima Vista

    A Prima Vista

    A PRIMA VISTA a survey of reprints and of recent publications 2002/1 BROEKMANS & VAN POPPEL Van Baerlestraat 92-94 Postbus 75228 1070 AE AMSTERDAM sheet music: 020-6796575 CDs: 020-6751653/fax: 020-6646759 also on INTERNET: www.broekmans.com e-mail: [email protected] 2 CONTENTS A PRIMA VISTA 2002/1 PAGE HEADING 03 PIANO 2-HANDS 07 PIANO 4-HANDS, 2 AND MORE PIANOS, HARPSICHORD 08 ORGAN 09 KEYBOARD 1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: 10 VIOLIN SOLO, VIOLA SOLO 1 STRING INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 11 VIOLIN WITH ACCOMPANIMENT 12 VIOLIN PLAY-ALONG 13 VIOLA WITH ACCOMPANIMENT, CELLO WITH ACCOMPANIMENT 14 VIOLA DA GAMBA WITH ACCOMPANIMENT 14 2 AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: 18 FLUTE SOLO, OBOE SOLO 19 CLARINET SOLO, SAXOPHONE SOLO, BASSOON SOLO, TRUMPET SOLO 20 HORN SOLO, TROMBONE SOLO, TUBA SOLO 1 WIND INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 20 PICCOLO WITH ACCOMPANIMENT, FLUTE WITH ACCOMPANIMENT 22 FLUTE PLAY-ALONG, ALTO FLUTE WITH ACCOMPANIMENT 23 OBOE WITH ACCOMPANIMENT, OBOE PLAY-ALONG, CLARINET WIT ACCOMPANIMENT 24 CLARINET PLAY-ALONG 25 BASSETHORN WITH ACCOMPANIMENT, SAXOPHONE WITH ACCOMPANIMENT 27 SAXOPHONE PLAY-ALONG 28 BASSOON WITH ACCOMPANIMENT, TRUMPET WIT ACCOMPANIMENT 29 TRUMPET PLAY-ALONG, HORN WITH ACCOMPANIMENT 30 TROMBONE WITH ACCOMPANIMENT, TROMBONE PLAY-ALONG 31 TUBA WITH ACCOMPANIMENT, EUPHONIUM PLAY-ALONG 2 AND MORE WIND INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 31 2 AND MORE WOODWIND
  • AL GAZETTE COLONY and PROTECTORATE KENYA Published Under the Authority of His Excellency the Governor of the Colony and Protectorate of Kenya

    AL GAZETTE COLONY and PROTECTORATE KENYA Published Under the Authority of His Excellency the Governor of the Colony and Protectorate of Kenya

    THE AL GAZETTE COLONY AND PROTECTORATE KENYA Published under the Authority of His Excellency the Governor of the Colony and Protectorate of Kenya Vol. XXXVII.-No. 39 NAIROBI, August 13, 1935 Price 50 Cents Registered as a News~averat the G P. 0 Published every Tuesday TABLE OF CONTENTS PAGE ~Govt.Notice No. .561-Arrivals, Departures, Appointments, etc. ... ... ... ... ... 900 Proclamations Nos. 75-76-The Diseases of Animals Ordinance . ... ... ... 901 Govt. Notice No. 562-The Native Authority Ordinance-Appointment ... ... ... ... 901 ,) ,, ,, 563-565-The Justices of the Peace Ordinance-Appoint~~~entsDetermined ... 902 , 3 y j ,, 56GThe Mining Ordinance, 1933-Exculsive Prospecting Licences Renewed ... 902 , t , , .. 567-The Native Authority Ordinance-Appointment ... ... ... ... 903 , t ,I , , 568-The Resident Native Labourers Ordinance-Appointments ... ... 903 ... ... ... ... ,! 3 , .. 569-The Townships Ordinance, 1930-Appointment 903 ,) ,, ,, 570-The King's African Rifles Reserve of Officers Ordinance, 1927-Appoint- ments ... ... ... ... ... ... ... ... 903 dJeneral Noticea Nos. 1012-1035 ... ... ... ... ... ... ... ... ... 903 SUPPLEMENT ORDINANCES. 90t) THE OFFICIAL GAZETTE Augqst 13, 1935 A OVERNMENT NOTICE NO. S61 A RRIVA LS Name lj Rank F1srto mA plepaoyme tomre onnt jl DatEen ogfl alenadw ng 1l Emobartek aotfi on oaat teM oof marbraivsal 1 I t H l . R. Senior Juuior Postmaster Leave f 29th June, 1935 - 31st Julyj 1935 * L. Shoolman Government Coast Agent do i 20th June, 1935 - 2nd Aug., 1935 Mrs. X .D. Smit Education Omcer do 'i - :3:.d July, 1935 f do 'W . P. Bruce Laboratory Asst.. Agrie. Dept. da 1 1 th July, 1 93S - 6th Aup, 1935 B. B. Donald Supdt. of Prisons do do .- do SJ. MacMunn Education Oflicer do l do do .
  • Ilmi Araştırmalar 6, Istanbul 1998 Sami D Iv ANINDA MÜSİKI Mustafa

    Ilmi Araştırmalar 6, Istanbul 1998 Sami D Iv ANINDA MÜSİKI Mustafa

    Ilmi Araştırmalar 6, Istanbul 1998 SAMi D ivANINDA MÜSİKI Mustafa ASLAN Çok insan anlayamaz eski musıkimızden Ve ondan anlamayan bır şey anlamaz bıZLlen Yahya Kemal BEY ATU Musikf, güzel sanatların sesi malzeme olarak düzenli ve estetik maksatlara uygun şekilde kullanan bir koludur. Bu kelime, Yunanca asıllı "musilcc"den alınarak "nıusikf'' şeklinde Arapça'ya, oradan da dılimize geçmiş. Bugün kullandığımız "müzik" de aynı kelimenin Batı dillerinden alınmış şeklidir fakat elbette onda "musiki"nin oturakldığı yoktur. İnsanoğlunun, şiir, musiki, mimari, raks, heykel, resim gibi -estetik tarafı da bulunan- güzel faaliyetlerinin esas itibariyle dini men~e'li olduğu ve ortaya çıktıklan ilk anlardan başlayarak bu özelliklerini çok uzun bir süre devam ettirdikleri bilinmektedir. Hatta, ilk zamanlarda raks, şiir ve mGsiki ile beraberken sonrad~n bunlardan ayrılmıştır. Ortaasya'da bozkır hayatı yaşayan en eski atalarımızın duygu ve düşüncelerini şiir şeklinde ve belli bir ezgi eşliğinde terennüm ederken, bu ezginin ve şiirli duyguların ifadesine bağlı olarak eğilip bükülmek, oturup kalkınak, hoplayıp sıçramak vs. gibi bugünkü folklorun başlangıcını teşkil eden bir takım hareketler yaptığını da kaynaklardan öğreniyoruz. Şaman, Kanı, Baksı (Bah~ı), Ozan adlarıyla anılan ilk Türk şairlerinin sihırbazlık, hekimlik, şfıirlik, musikişinaslık, rakkaslık gibi pek çok hüneri bir arada bulunduran ve bunları mutlaka kopuzla söyleyen insanlar olduğu bilinen bir gerçektir. Gerek Dede Korkut Hikayeleri'nde, gerekse diğer tarihi kaynaklarda kopuzun Türk'ün milli