Richard III: the Sources What Did We Know When?
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RICHARD III SOCIETY Patron: HRH Prince Richard, the Duke of Gloucester KG GCVO
RICHARD III SOCIETY Patron: HRH Prince Richard, The Duke of Gloucester KG GCVO APPENDIX 2 Founder: Dr S Saxon Barton Communications Manager Amanda Geary 22 Camelot Avenue Sherwood Nottingham NG5 1DW Tel: 0115 9706878/07769 800622 Email: [email protected] Website www.richardiii.net PRESS RELEASE An open letter to the Planning Committee of Hinckley and Bosworth Borough Council The battle of Bosworth was one of the most significant events in English history. It is remarkable for the fact that it featured the final cavalry charge of the last English king to die in battle. This event led to the end of over three hundred years of Plantagenet rule, and the beginning of the Tudor era. Despite being a Society with a research focus firmly on events of the past, we are in no way opposed to technological progress. It was indeed more recent advances in genetics and DNA fingerprinting which allowed King Richard himself to be identified once his remains were located beneath the Social Services car park in Leicester in 2012. However, we are concerned that something as historically and culturally important as the battlefield, which has a direct relevance to the king now buried in Leicester Cathedral, will be adversely impacted by this development. We appreciate the need to test this new technology but by its nature, and bearing in mind the speed of future technological advances, it is likely to become quickly obsolete, whereas the damage done to the battlefield will be irreparable. We are therefore concerned that the battlefield will be lost for a project which may be important in the short term, but is unlikely to have a significant lasting value across centuries to come. -
Small Mid-Tudor Chronicles and Popular History: 1540-1560
Quidditas Volume 37 Article 7 2016 Small Mid-Tudor Chronicles and Popular History: 1540-1560 Barrett L. Beer Kent State University Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Beer, Barrett L. (2016) "Small Mid-Tudor Chronicles and Popular History: 1540-1560," Quidditas: Vol. 37 , Article 7. Available at: https://scholarsarchive.byu.edu/rmmra/vol37/iss1/7 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Quidditas 37 (2016) 57 Small Mid-Tudor Chronicles and Popular History: 1540-1560 Barrett L. Beer Kent State University This essay examines twenty-two editions of little-studied small Mid-Tudor chroni- cles that were published by printers at Canterbury and London. They demonstrate the important role of printers in historical scholarship and offer a significantly dif- ferent perspective on English history than the better-known, larger contemporary works of Robert Fabyan, Edward Hall, and Thomas Cooper. The chronicles also shed light on the readership of historical works by non-elite readers who presum- ably could not afford larger and more expensive chronicles. The short chronicles present a simplified view of the past, avoid propagating the well-known Tudor myths including the tyranny of Richard III, and demonstrate a clear preference for recent history. Although overlooked in most accounts of Early Modern historiography, the small Mid-Tudor chronicles are clearly part of the historical culture of the era. -
Reading History in Early Modern England
READING HISTORY IN EARLY MODERN ENGLAND D. R. WOOLF published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge CB2 2RU, UK www.cup.cam.ac.uk 40 West 20th Street, New York, NY 10011–4211, USA www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarco´n 13, 28014 Madrid, Spain © Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United Kingdom at the University Press, Cambridge Typeset in Sabon 10/12pt [vn] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Woolf, D. R. (Daniel R.) Reading History in early modern England / by D. R. Woolf. p. cm. (Cambridge studies in early modern British history) ISBN 0 521 78046 2 (hardback) 1. Great Britain – Historiography. 2. Great Britain – History – Tudors, 1485–1603 – Historiography. 3. Great Britain – History – Stuarts, 1603–1714 – Historiography. 4. Historiography – Great Britain – History – 16th century. 5. Historiography – Great Britain – History – 17th century. 6. Books and reading – England – History – 16th century. 7. Books and reading – England – History – 17th century. 8. History publishing – Great Britain – History. I. Title. II. Series. DA1.W665 2000 941'.007'2 – dc21 00-023593 ISBN 0 521 78046 2 hardback CONTENTS List of illustrations page vii Preface xi List of abbreviations and note on the text xv Introduction 1 1 The death of the chronicle 11 2 The contexts and purposes of history reading 79 3 The ownership of historical works 132 4 Borrowing and lending 168 5 Clio unbound and bound 203 6 Marketing history 255 7 Conclusion 318 Appendix A A bookseller’s inventory in history books, ca. -
Ricardian Bulletin
Ricardian Bulletin Contents Summer 2007 2 From the Chairman 3 Strategy Update 9 Society News and Notices 12 Media Retrospective 14 News and Reviews 17 The Man Himself: by Tony Goodman 20 Medieval Migration: by Peter W. Lee 22 A Proclamation Against Henry Tudor, 23 June 1485: by David Candlin 25 Hastings and the Meeting at St Paul’s: by Gordon Smith 27 Chedworth Parish Church: by Gwen & Brian Waters 29 A ‘Lost’ Medieval Document: by Lynda Pidgeon 30 Logge Notes and Queries: Helen Barker’s Miracles by Lesley Boatwright 33 Correspondence 36 Guidelines for Contributors to the Bulletin 37 The Barton Library 40 New Members 41 Australasian Convention 2007 44 Report on Society Events 52 Future Society Events 55 Branch and Group Contacts - Update 55 Branches and Groups 58 Obituaries and Recently Deceased Members 60 Calendar Contributions Contributions are welcomed from all members. All contributions should be sent to the Technical Editor, Lynda Pidgeon. Bulletin Press Dates 15 January for Spring issue; 15 April for Summer issue; 15 July for Autumn issue; 15 October for Winter issue. Articles should be sent well in advance. Bulletin & Ricardian Back Numbers Back issues of the The Ricardian and Bulletin are available from Judith Ridley. If you are interested in obtaining any back numbers, please contact Mrs Ridley to establish whether she holds the issue(s) in which you are interested. For contact details see back inside cover of the Bulletin The Ricardian Bulletin is produced by the Bulletin Editorial Committee Printed by St Edmundsbury Press. © Richard III Society, 2007 1 From the Chairman ime for another issue of the Bulletin, and, all being well, you should have the 2007 edition T of The Ricardian too. -
An Introduction to Shakespeare, by 1
An Introduction to Shakespeare, by 1 An Introduction to Shakespeare, by H. N. MacCracken and F. E. Pierce and W. H. Durham This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: An Introduction to Shakespeare Author: H. N. MacCracken F. E. Pierce W. H. Durham Release Date: January 16, 2010 [EBook #30982] Language: English Character set encoding: ISO-8859-1 An Introduction to Shakespeare, by 2 *** START OF THIS PROJECT GUTENBERG EBOOK AN INTRODUCTION TO SHAKESPEARE *** Produced by Al Haines [Frontispiece: TITLE-PAGE OF THE FIRST FOLIO, 1628 The first collected edition of Shakespeare's Plays (From the copy in the New York Public Library)] AN INTRODUCTION TO SHAKESPEARE BY H. N. MacCRACKEN, PH.D. F. E. PIERCE, PH.D. AND W. H. DURHAM, PH.D. OF THE DEPARTMENT OF ENGLISH LITERATURE IN THE SHEFFIELD SCIENTIFIC SCHOOL OF YALE UNIVERSITY New York THE MACMILLAN COMPANY 1925 All rights reserved PRINTED IN THE UNITED STATES OF AMERICA An Introduction to Shakespeare, by 3 COPYRIGHT, 1910, By THE MACMILLAN COMPANY. Set up and electrotyped. Published September, 1910. Reprinted April, December, 1911; September, 1912; July, 1913; July, 1914; December, 1915; November, 1916; May, 1918; July, 1919; November, 1920; September, 1921; June, 1923; January, 1925. Norwood Press J. S. Cushing Co.--Berwick & Smith Co. Norwood, Mass., U.S.A. {v} PREFACE The advances made in Shakespearean scholarship within the last half-dozen years seem to justify the writing of another manual for school and college use. -
Christopher Marlowe and the Golden Age of England
The Marlowe Society Christopher Marlowe and the Research Journal - Volume 05 - 2008 Golden Age of England Online Research Journal Article Michael J. Kelly Christopher Marlowe and the Golden Age of England Poet, spy and playwright, Christopher Marlowe was the embodiment of the Elizabethan Golden Age. Marlowe’s work was the product of his ‘Erasmian,’ or Christian humanist, education, the state of affairs in England and his own ability and readiness to satirize the world around him. Marlowe and his fellow contemporaries were a testament to the development of English drama, its pinnacle at the end of the English Renaissance and its eventual decline and suppression at the outbreak of the English Civil War. Their work is historically important because it illustrates, in addition to the development of English theatre, the dramatic political and social events of the time through the public medium of the playhouse. Specifically, the development of the theatre helps explain key features of the English Renaissance such as the creation of English self-identity, adoption of humanistic ideal, the advancement of English over Latin, the role of religion, the intellectual development of a people and parliament and their gradual alienation from the monarchy, the ultimate assertion of parliamentary power, and Civil War. Furthermore, the development of commercial playwriting, acting, stage management and private investment in theatres, an aspect of life today taken for granted, began during this Golden Age in English drama. The history of English playwriting and performance stretches back to at least the ninth century trope ‘Alle Luia’ sung at Easter masses. However, post-classical Christian ritual performance itself probably developed from the ritualistic repetitions of the Empirical Roman Senate.1 This tradition, established in the Church at some point during the early formation of Roman successor states, likely spread to England from Spain, via Ireland, through missionaries. -
Theatricality and Historiography in Shakespeare's Richard
H ISTRIONIC H ISTORY: Theatricality and Historiography in Shakespeare’s Richard III By David Hasberg Zirak-Schmidt This article focuses on Shakespeare’s history drama Richard III, and investigates the ambiguous intersections between early modern historiography and aesthetics expressed in the play’s use of theatrical and metatheatrical language. I examine how Shakespeare sought to address and question contemporary, ideologically charged representations of history with an analysis of the characters of Richard and Richmond, and the overarching theme of theatrical performance. By employing this strategy, it was possible for Shakespeare to represent the controversial character of Richard undogmatically while intervening in and questioning contemporary discussions of historical verisimilitude. Historians have long acknowledged the importance of the early modern history play in the development of popular historical consciousness.1 This is particularly true of England, where the history play achieved great commercial and artistic success throughout the 1590s. The Shakespearean history play has attracted by far the most attention from cultural and literary historians, and is often seen as the archetype of the genre. The tragedie of kinge RICHARD the THIRD with the death of the Duke of CLARENCE, or simply Richard III, is probably one of the most frequently performed of Shakespeare’s history plays. The play dramatizes the usurpation and short- lived reign of the infamous, hunchbacked Richard III – the last of the Plantagenet kings, who had ruled England since 1154 – his ultimate downfall, and the rise of Richmond, the future king Henry VII and founder of the Tudor dynasty. To the Elizabethan public, there was no monarch in recent history with such a dark reputation as Richard III: usurpation, tyranny, fratricide, and even incest were among his many alleged crimes, and a legacy of cunning dissimulation and cynical Machiavellianism had clung to him since his early biographers’ descriptions of him. -
Lees and Moonshine: Remembering Richard III, 14851635
ORE Open Research Exeter TITLE Lees and Moonshine: Remembering Richard III, 1485-1635 AUTHORS Schwyzer, Philip JOURNAL Renaissance Quarterly DEPOSITED IN ORE 18 March 2013 This version available at http://hdl.handle.net/10036/4490 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication Lees and Moonshine: Remembering Richard III, 1485–1635 Author(s): Philip Schwyzer Reviewed work(s): Source: Renaissance Quarterly, Vol. 63, No. 3 (Fall 2010), pp. 850-883 Published by: The University of Chicago Press on behalf of the Renaissance Society of America Stable URL: http://www.jstor.org/stable/10.1086/656930 . Accessed: 02/12/2011 08:37 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, preserve and extend access to Renaissance Quarterly. http://www.jstor.org Lees and Moonshine: Remembering Richard III, 1485–1635* by P HILIP S CHWYZER Not long after Shakespeare’s birth in 1564, the last witnesses to the reign of Richard III (1483–85) would have reached the end of their lives. -
Prophecy in Shakespeare's English History Cycles Lee Joseph Rooney
Prophecy in Shakespeare’s English History Cycles Lee Joseph Rooney Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy September 2014 Abstract Prophecy — that is, the action of foretelling or predicting the future, particularly a future thought to represent the will of God — is an ever-present aspect of Shakespeare’s historical dramaturgy. The purpose of this thesis is to offer a reading of the dramas of Shakespeare’s English history cycles — from 1 Henry VI to Henry V — that focuses exclusively upon the role played by prophecy in representing and reconstructing the past. It seeks to show how, through close attention to the moments when prophecy emerges in these historical dramas, we might arrive at a different understanding of them, both as dramatic narratives and as meditations on the nature of history itself. As this thesis seeks to demonstrate, moreover, Shakespeare’s treatment of prophecy in any one play can be viewed, in effect, as a key that can take us to the heart of that drama’s wider concerns. The comparatively recent conception of a body of historical plays that are individually distinct and no longer chained to the Tillyardian notion of a ‘Tudor myth’ (or any other ‘grand narrative’) has freed prophecy from effectively fulfilling the rather one-dimensional role of chorus. However, it has also raised as-yet- unanswered questions about the function of prophecy in Shakespeare’s English history cycles, which this thesis aims to consider. One of the key arguments presented here is that Shakespeare utilises prophecy not to emphasise the pervasiveness of divine truth and providential design, but to express the political, narratorial, and interpretative disorder of history itself. -
Ricardian Bulletin Edited by Elizabeth Nokes and Printed by St Edmundsbury Press
Ricardian Bulletin Magazine of the Richard III Society ISSN 0308 4337 Winter 2003 Richard III Society Founded 1924 In the belief that many features of the traditional accounts of the character and career of Richard III are neither supported by sufficient evidence nor reasonably tenable, the Society aims to promote in every possible way research into the life and times of Richard III, and to secure a re-assessment of the material relating to this period and of the role in English history of this monarch Patron HRH The Duke of Gloucester KG, GCVO Vice Presidents Isolde Wigram, Carolyn Hammond, Peter Hammond, John Audsley, Morris McGee Executive Committee John Ashdown-Hill, Bill Featherstone, Wendy Moorhen, Elizabeth Nokes, John Saunders, Phil Stone, Anne Sutton, Jane Trump, Neil Trump, Rosemary Waxman, Geoffrey Wheeler, Lesley Wynne-Davies Contacts Chairman & Fotheringhay Co-ordinator: Phil Stone Research Events Adminstrator: Jacqui Emerson 8 Mansel Drive, Borstal, Rochester, Kent ME1 3HX 5 Ripon Drive, Wistaston, Crewe, Cheshire CW2 6SJ 01634 817152; e-mail: [email protected] Editor of the Ricardian: Anne Sutton Ricardian & Bulletin Back Issues: Pat Ruffle 44 Guildhall Street, Bury St Edmunds, Suffolk IP33 1QF 11 De Lucy Avenue, Alresford, Hants SO24 9EU e-mail: [email protected] Editor of Bulletin Articles: Peter Hammond Sales Department: Time Travellers Ltd. 3 Campden Terrace, Linden Gardens, London W4 2EP PO Box 7253, Tamworth, Staffs B79 9BF e-mail: [email protected] 01455 212272; email: [email protected] Librarian -
Iowa State Journal of Research 56.1
IOWA STATE JOURNAL OF RESEARCH I MAY, 1982 4'3 -439 Vol. 56, No. 4 IOWA STATE JOURNAL OF RESEARCH TABLE OF CONTENTS Volume 56 (August, 1981-May, 1982) No. 1, August, 1981 ASPECTS IN RENAISSANCE SCHOLARSHIP PAPERS PRESENTED AT "SHAKESPEARE AND HIS CONTEMPORARIES" SYMPOSIUM, 1981 From the Editors. 1 GALYON, L. R. Introduction...................... ...... 5 BEVINGTON, D. M. "Why Should Calamity Be Full of Words?" The Efficacy of Cursing in Richard III . 9 ANDERSON, D. K., Jr. The King's Two Rouses and Providential Revenge in Hamlet . 23 ONUSKA, J. T., Jr. Bringing Shakespeare's Characters Down to Earth: The Significance of Kneeling . 31 MULLIN, M. Catalogue-Index to Productions of the Shakespeare Memorial/Royal Shakespeare Theatre, 1879-1978 . 43 SCHAEFER, A. J. The Shape of the Supernatitral: Fuseli on Shakespeare. 49 POAGUE, L. "Reading" the Prince: Shakespeare, Welles, and Some Aspects of Chimes at Midnight . 57 KNIGHT, W. N. Equity in Shakespeare and His Contemporaries. 67 STATON, S. F. Female Transvestism in Renaissance Comedy: "A Natural Perspective, That Is and Is Not" . 79 IDE, R. S. Elizabethan Revenge Tragedy and the Providential Play-Within-a-Play. 91 STEIN, C.H. Justice and Revenge in The Spanish Tragedy... 97 * * * * * * * * * * No. 2, November, 1981 From the Editors.. ... 105 TABLE OF CONTENTS PUHL, J. Forearm liquid crystal thermograms during sustained and rhythmic handgrip contractions . 107 COUNTRYMAN, D. W. and D. P. KELLEY. Management of existing hardwood stands can be profitable for private woodland owners....... .... 119 MERTINS, C. T. and D. ISLEY. Charles E. Bessey: Botanist, educator, and protagonist . 131 HELSEL, D. B. -
Alaris Capture Pro Software
born circa 673, was much venerated in his own time, and even more so not long after his death in 714. He ‘ enjoyed heavenly visions but also had to combat demonic temptations.’2 His whip (almost needless to say,sent in answer to a prayer to his patron saint) was used to flog the Devil. According to Fox- Davies3 the only essential difl'erence in the mitres of abbots and bishops is in the absence or presence of what we call the ribbons (infulae). JOHN RUSSELL: Bishop of Lincoln, died 1494 1449-62 Winchester, New College, etc. 1466 Archdeacon of Berkshire 1474—83 Keeper of the Privy Seal Negotiated marriage between Cicely, daughter of King Edward IV, and the future James IV of Scotland, which did not take place 1476—80 Bishop of Rochester 1480-94 Bishop of Lincoln 1483—85 Chancellor of England 1483-94 Chancellor of Oxford University It seems that the arms of the Sec of Lincoln were not used before 1495 (and then only as a seal),4 so Russell must have his mitre, but his shield cannot impale the arms of the Bishopric. His personal arms were: Blue, two golden chevronels between three silver roses.s He was evidently not of the same family as the later earls and dukes of Bedford. It could be said that the most important thing about Russell is his possible connection with the Second Continuation of the Croyland Chronicle (covering 1483—5), and it seems that one can now again agree with Kendall when he said ‘ There is considerable evidence to suggest that the materials, if not the actual writing, of most of this narrative is the work of John Russell, Bishop of Lincoln, one of Edward’s most intimate advisers and Richard’s Chancellor.“ NOTES AND REFERENCES l.